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Ave Maria - Trumpet Quartet
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You've selected:
Ave Maria - Trumpet Quartet
Chamber Orchestra
Sheetmusic to print
10 sheet music found
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1
Ave Maria (for String Quartet - Organ Accompaniment)
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Chamber Orchestra
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EASY
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Classical
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Franz Schubert
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Stephen DeCesare
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Ave Maria
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Exultet Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.620446 Composed by Franz Schubert. Arranged by Stephen DeCesare. Christian,Contemporary,Sacred,Wed...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.620446 Composed by Franz Schubert. Arranged by Stephen DeCesare. Christian,Contemporary,Sacred,Wedding. Score and parts. 25 pages. Exultet Music #3375499. Published by Exultet Music (A0.620446). One of Schubert's most popular works, this piece has been freshly arranged for String Quartet (Violin (2), Viola, Cello) with Organ accompaniment. Appropriate and accessible for any church or concert setting. Most appropriate during weddings, funerals, Christmas, and any Marian feast day.
$12.99
Ave Maria - Giulio Caccini
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Chamber Orchestra
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INTERMEDIATE
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Giulio Caccini
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Silvestro Sabatelli
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Ave Maria - Giulio Caccini
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Silvestro Sabatelli
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.925509 Composed by Giulio Caccini. Arranged by Silvestro Sabatelli. Baroque,Contemporary,Holiday,S...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.925509 Composed by Giulio Caccini. Arranged by Silvestro Sabatelli. Baroque,Contemporary,Holiday,Standards,Wedding. Score and parts. 12 pages. Silvestro Sabatelli #6871583. Published by Silvestro Sabatelli (A0.925509). Arrangement for mezzo-soprano and strings quartet (two violins, viola and cello).Arrangiamento per mezzo-soprano e quartetto d'archi (due violini, viola e violoncello).
$10.00
Ave Maria - Schubert (Piano-Strings Octet)
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Chamber Orchestra
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EASY
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Classical
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Franz Schubert
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Boni de Souza
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Ave Maria - Schubert
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De Souza et Music LLP
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.887509 Composed by Franz Schubert. Arranged by Boni de Souza. Classical,Concert,Holiday,Romantic P...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.887509 Composed by Franz Schubert. Arranged by Boni de Souza. Classical,Concert,Holiday,Romantic Period,Wedding. Score and parts. 9 pages. De Souza et Music LLP #3680517. Published by De Souza et Music LLP (A0.887509). This composition Ave Maria has been re-arranged in an 8pc ensemble combination of String Quartet plus Flute, Piano, Double Bass and optional Drums part. The song could be done with optional drums in a contemporary style. The arrangement of the harmony and counterpoint is an original arrangement that I have created. The level of difficulty is Early-Intermediate and is playable by non professionals as well as professionals. This is part of my original arrangement EZY Band Arrangements compilation that I have arranged specially for music enthusiasts who are at the Early Intermediate level.
$18.99
Ave Maria (Caccini) High voice, String quartet
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Chamber Orchestra
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INTERMEDIATE
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Giulio Caccini
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John Ross
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Ave Maria
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John Ross
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.741854 Composed by Giulio Caccini. Arranged by John Ross. Sacred,Wedding. Score and parts. 10 page...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.741854 Composed by Giulio Caccini. Arranged by John Ross. Sacred,Wedding. Score and parts. 10 pages. John Ross #3359615. Published by John Ross (A0.741854). This setting of ’Ave Maria’, attributed to Giulio Caccini, has become enormously popular in recent years, and is often performed at weddings. This arrangement for High Voice and String Quartet incorporates ornamentation typical of early 17th century Italian vocal music.
$7.99
Ave Maria, F.Schubert
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Franz Schubert
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George Dousis
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Ave Maria, F.Schubert
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George Dousis
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.943215 Composed by Franz Schubert. Arranged by George Dousis. Romantic Period. Score and parts. 16...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.943215 Composed by Franz Schubert. Arranged by George Dousis. Romantic Period. Score and parts. 16 pages. George Dousis #6038761. Published by George Dousis (A0.943215). This is a version of Schubert's Ave Maria, for string quartet and Harp. The main melody appears mainly on the cello while the harp accompanies throughout the piece. This version has been performed live in concert.Visit my website and youtube channel:www.georgedousis.comwww.youtube.com/georgescoring
$9.99
Ave Maria
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Chamber Orchestra
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EASY
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J
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Curtis Hanson
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Ave Maria
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Curtis Hanson
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.719581 Composed by J. S. Bach / Charles Gounod. Arranged by Curtis Hanson. Baroque,Romantic Period...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.719581 Composed by J. S. Bach / Charles Gounod. Arranged by Curtis Hanson. Baroque,Romantic Period. Score and parts. 16 pages. Curtis Hanson #2973. Published by Curtis Hanson (A0.719581). A setting for string quartet (or ensemble) and keyboard (harpsichord) of the classic arrangement by Charles Gounod of the J. S. Bach prelude. Melody is in the 1st violin. The lower violin parts provide simple chordal support. This would be a wonderful piece for a beginning chamber ensemble. Contains full score and set of parts.
$15.00
Ave Maria (Schubert) by for string quartet and guitar (D major)
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Franz Schubert
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Klas Krantz
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Ave Maria
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Amadeus Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.531156 Composed by Franz Schubert. Arranged by Klas Krantz. Christmas,Classical,Wedding. Score and...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.531156 Composed by Franz Schubert. Arranged by Klas Krantz. Christmas,Classical,Wedding. Score and Parts. 11 pages. Amadeus Music #2030111. Published by Amadeus Music (A0.531156). Franz Schubert (1797 – 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. Today, Schubert is ranked among the greatest composers of Western classical music and his music continues to be popular.
$15.95
AVE MARIA on Prelude n. 1 BWV 846 - For Soprano Solo, String Quartet and Piano
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Chamber Orchestra
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Renato Tagliabue
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AVE MARIA on Prelude n. 1 BWV
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Renato Tagliabue
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.724804 Composed by Renato Tagliabue. Christian,Contemporary,Sacred,Spiritual. Score and parts. 12 pages. Ren...
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Chamber Orchestra - Digital Download SKU: A0.724804 Composed by Renato Tagliabue. Christian,Contemporary,Sacred,Spiritual. Score and parts. 12 pages. Renato Tagliabue #5420375. Published by Renato Tagliabue (A0.724804).
$18.90
Prelude in C - JS Bach-Gounod (Chamber Ensemble)
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Chamber Orchestra
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INTERMEDIATE
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JS Bach-Gounod
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Boni de Souza
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Prelude in C - JS Bach-Gounod
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De Souza et Music LLP
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.887511 Composed by JS Bach-Gounod. Arranged by Boni de Souza. Baroque,Concert,Praise & Worship,Sta...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.887511 Composed by JS Bach-Gounod. Arranged by Boni de Souza. Baroque,Concert,Praise & Worship,Standards,Wedding. Score and parts. 11 pages. De Souza et Music LLP #3681153. Published by De Souza et Music LLP (A0.887511). This arrangement of JS Bach-Gounod's Prelude in C also known as Ave Maria was customised to bring out the best tonal colour of an Octet It is written for a String Quartet (1st Violin, 2nd Violin, Viola, Cello) as well as a Piano Quintet but can be used in a combination comprising Violin 1, Violin 2, Viola, Cello, Flute, Double Bass, Piano and Drums. The level of difficulty is Intermediate. Useful as music for Weddings, Worship, Ceremonies as well as lunchtime or School,College Concerts. The piece would also be very useful as a teaching tool for a small ensemble in schools and colleges. It is appropriate for Public Events or Concerts requiring some easy listening Classical music as it is arranged to appeal to a wide audience.
$21.99
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
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