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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
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BOOKS
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CHORAL - VOCAL…
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DIDGERIDOO
DJ GEAR
DRUM
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PANPIPES
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TROMBONE
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UKULELE
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VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
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Find You
Not classified
2,391
Piano & keyboards
Piano solo
1,162
Piano, Vocal and Guitar
678
Easy Piano
560
C Instruments
528
Piano, Voice
419
Accordion
87
Organ
43
1 Piano, 4 hands
15
Piano Accompaniment
15
Piano Trio: piano, violin, cello
9
2 Pianos, 4 hands
5
Piano Quartet: piano, violin, viola, cello
4
Big Note Piano
3
Piano (band part)
3
Harpsichord
1
2 Pianos, 8 hands
1
Piano Quintet: piano, 2 violins, viola, cello
1
Piano Quartet: piano, 2 violins, cello
1
+ 13 instrumentations
-
Retract
Guitars
Bass guitar
307
Melody line, (Lyrics) and Chords
126
Guitar
95
Guitar notes and tablatures
90
Ukulele
69
2 Guitars (duet)
19
Piano, Guitar (duet)
10
Lyrics and Chords
9
4 Guitars (Quartet)
9
3 Guitars (trio)
7
Dulcimer
6
Guitar (band part)
5
Mandolin
5
Banjo
5
2 Dulcimers (duet)
2
Baritone Ukulele
1
Guitar, String Quartet
1
+ 12 instrumentations
-
Retract
Voice
Choral SATB
395
Choral 3-part
140
Choral 2-part
76
Choral TTBB
59
Choral SSAA
53
Baritone voice, Piano
30
Alto voice, Piano
28
Soprano voice, Piano
20
Tenor voice, Piano
18
Choral Unison
18
Low voice, Piano
13
Voice solo
13
Choral Instrumental Pak
13
Vocal duet, Piano
12
Vocal duet
11
High voice
8
Mezzo-Soprano voice, Piano
3
Tenor voice
3
Soli, Mixted choir and accompaniment
2
Medium voice, Piano
2
Choral
1
Choral SSATTB
1
Choral SSAATTBB
1
+ 18 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
453
Saxophone Quintet: 5 Saxophones
207
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
202
Saxophone, Clarinet (duet)
186
2 Flutes (duet)
172
2 Clarinets (duet)
169
Flute and Piano
144
Flute
144
Clarinet, Violin (duet)
136
Clarinet and Piano
134
Clarinet
130
Saxophone Quartet: 4 saxophones
123
Clarinet, Trumpet (duet)
115
Oboe, Piano (duet)
109
Alto Saxophone and Piano
108
Saxophone ensemble
103
Alto Saxophone
98
2 Oboes (duet)
87
Flute, Oboe, Clarinet, Bassoon
86
Flute, Clarinet (duet)
84
Tenor Saxophone
81
Tenor Saxophone and Piano
81
Oboe (band part)
80
Soprano Saxophone and Piano
74
Oboe, Clarinet (duet)
71
Clarinet and Viola
69
Flute, Violin
68
Oboe, Bassoon (duet)
67
Flute, Saxophone (duet)
64
Saxophone (band part)
62
Flute, Viola (duet)
54
Oboe, Flute
54
Flute Quintet : 5 flutes
51
Clarinet Ensemble
49
Flute Quartet: 4 flutes
49
Flute, Trumpet (duet)
49
Baritone Saxophone, Piano
46
2 Recorders (duet)
43
Clarinet Quartet: 4 clarinets
43
Descant (Soprano) Recorder
33
Flute Trio: 3 flutes
29
Oboe
29
Soprano Saxophone
27
Baritone Saxophone
25
Clarinet Quintet: 5 clarinets
23
English horn, Piano
23
Flute ensemble
23
3 Saxophones (trio)
20
English Horn
15
Flute, Oboe (duet)
14
Clarinet, Trombone (duet)
12
Treble (Alto) Recorder
11
Oboe, Violin (duet)
11
Flute (band part)
11
3 Clarinets (trio)
9
Flute and Guitar
9
Flute, Oboe, Clarinet (trio)
8
Bass Clarinet, Piano
8
Flute, Violin, Piano
7
Descent (Soprano) Recorder, Piano
7
Recorder
7
Flute, Clarinet, Piano (trio)
7
2 Flutes, Piano
7
Tenor Recorder
7
Flute, Clarinet and Bassoon.
6
Recorder Quartet
6
Oboe, Clarinet, Bassoon (trio)
6
Clarinet, Guitar (duet)
6
Clarinet, Cello (duet)
5
2 Clarinets, Piano
5
5 Recorders
4
Flute, Violoncello
4
Ocarina
3
Flute, trombone and piano
3
Treble (Alto) Recorder, Piano
3
2 Oboes, Piano
3
Flute, Viola and Piano
2
Clarinet, Cello, Piano (trio)
2
Oboe, Cello
2
Flute, Oboe, Bassoon
2
Bagpipe
2
Flute, Oboe, Piano (trio)
2
Pennywhistle
1
Harmonica
1
2 English horns and Pianoforte
1
Clarinet, trumpet and piano
1
Flute, harp and violin
1
Piccolo
1
Oboe, Guitar (duet)
1
Recorder Ensemble
1
Bass Clarinet
1
English Horn, Guitar (duet)
1
Saxophone
1
Flute, Violin and Violoncello
1
+ 89 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
149
Brass quartet : 2 trumpets, trombone, tuba
144
Trumpet, Saxophone (duet)
126
Trumpet
103
Trumpet, Piano
94
Trombone
93
Trombone and Piano
92
Trumpet ensemble
91
2 Trumpets (duet)
87
2 Trombones (duet)
87
French horn
82
Trumpet, Trombone (duet)
76
Brass Quartet: 2 trumpets, horn, trombone
73
French Horn and Piano
60
Trombone ensemble
58
Tuba
48
Tuba and Piano
47
Trumpet (band part)
32
Brass Quartet
26
English horn, Piano
23
2 French horns (duet)
16
English Horn
15
Euphonium, Piano (duet)
15
Brass Quartet: 4 trombones
14
2 Euphoniums (duet)
12
Trombone (band part)
12
Brass Trio
11
2 Tubas (duet)
9
Euphonium
9
Horn Ensemble
7
Brass Quartet: 4 trumpets
4
2 French horns, Piano
4
2 Trumpets, Keyboard (piano or organ)
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
3 Trumpets (trio)
2
Tuba (band part)
2
Horn, Tuba (duet)
2
Bass Trombone
2
French horn (band part)
2
Trumpet, Horn (duert)
2
2 Euphoniums and 2 Tubas
2
Brass Quartet: 4 horns
2
3 Trombones (trio)
1
2 English horns and Pianoforte
1
Trombone, Tuba (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
English Horn, Guitar (duet)
1
Euphonium, Tuba (duet)
1
+ 43 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
694
Violin, Cello (duet)
503
Violin
383
String Trio: violin, viola, cello
367
String Quintet: 2 violins, viola, cello, bass
206
Cello
188
Violin and Piano
155
2 Violins (duet)
126
Viola
120
Violin, Viola (duet)
119
Cello, Piano
115
2 Violas (duet)
105
Viola, Piano
97
2 Cellos (duet)
92
Harp
89
String Trio: 2 violins, cello
77
Double Bass
45
Double bass, Piano (duet)
41
Viola (band part)
32
Viola ensemble
28
Violin ensemble
27
Viola, Cello (duet)
26
String quartet: 4 violins
15
Violin (band part)
11
String Quintet: 2 violins, 2 violas, cello
10
4 Cellos
8
String Trio: 3 violas
8
2 Double basses (duet)
7
String Trio: 3 cellos
7
String Trio: 3 violins
5
String Quartet : 4 violas
4
Harp, Violin, Violoncello
3
Cello, Organ
3
String Trio: 2 violins, viola
3
Doublebass (band part)
3
Harp, Voice
3
String Quintet: 2 violins, viola, 2 cellos
2
2 Harps (duet)
2
2 Cellos, Piano
2
Viola, Guitar (duet)
2
Piano Trio: Violin, Viola, Piano
2
Violin, Guitar (duet)
2
2 Violas, Piano
2
Cello Ensemble
2
2 Violins, Piano
2
Violin, Tuba (duet)
1
Violin, Cello, Clarinet
1
Cello (band part)
1
Harp and Piano
1
3 double basses
1
Viola and Harp
1
+ 46 instrumentations
-
Retract
Orchestra & Percussion
Concert band
313
String Orchestra
234
Orchestra
101
Jazz Ensemble
61
Chamber Orchestra
49
Handbells
33
Brass ensemble
26
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17
Jazz combo
15
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8
Marching band
7
Xylophone, Piano
5
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Drum (band part)
3
Vibraphone
2
Percussion (band part)
2
Xylophone
2
Marimba
2
School Ensemble
1
2 Xylophones
1
Snare drums
1
+ 16 instrumentations
-
Retract
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Find You
Chamber Orchestra
Sheetmusic to print
49 sheet music found
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1
26
Christmas Why Can't I Find You
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Chamber Orchestra
#
INTERMEDIATE
#
James Horner
#
Nathan Morson
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Christmas Why Can't I Find You
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Nathan Morson
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1492288 Composed by James Horner. Arranged by Nathan Morson. Christmas,Film/TV. 17 pages. Nathan M...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1492288 Composed by James Horner. Arranged by Nathan Morson. Christmas,Film/TV. 17 pages. Nathan Morson #1068957. Published by Nathan Morson (A0.1492288). Christmas, Why Can't I Find You? for Orchestra - Score and PartsDuration: 2:20www.nathanmorson.com.
$65.00
Finding You
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
#
Pop music
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Kesha
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Steve Bloom
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Finding You
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Steve Bloom
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.920072 By Kesha. By Eric Burton Frederic, Justin Tranter, Kesha Sebert, and Tom Russell. Arranged ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.920072 By Kesha. By Eric Burton Frederic, Justin Tranter, Kesha Sebert, and Tom Russell. Arranged by Steve Bloom. Pop. Score and parts. 14 pages. Steve Bloom #4794417. Published by Steve Bloom (A0.920072). String Quartet and Guitar. The Guitar plays the phrase from the recording. This arrangement is the same form as the original song.
$12.99
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
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Chamber Orchestra
#
INTERMEDIATE
#
Thomas Graf
#
Instrumentation:
#
German Spring Song Collection
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038961. Published by Thomas Graf - the-hit-factory.com (A0.568673). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw
$3.99
Boccherini Minuet and Trio - arr. for Instrumental Soloist (in Bb) and Chamber Orchestra
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Chamber Orchestra
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ADVANCED
#
Classical
#
Luigi Boccherini
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Chappell Kingsland
#
Boccherini Minuet and Trio - a
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Chappell Kingsland
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1316163 Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic P...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1316163 Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic Period. 36 pages. Chappell Kingsland #904900. Published by Chappell Kingsland (A0.1316163). Finally, a new take on this familiar classic! The soloist’s part matches Boccherini’s original, but the orchestral accompaniment includes many surprises to delight your audience.This arrangement is for Instrumental Soloist in Bb (clarinet, soprano sax, tenor sax, trumpet, etc.) and Chamber Orchestra (13 players). You can also find Chappell Kingsland’s arrangements with Violin or C Instrument as the soloist for sale on this website.Originally arranged for Nathan Matabi and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Boccherini Minuet and Trio - arr. for Instrumental Soloist (in C) and Chamber Orchestra
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Chamber Orchestra
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ADVANCED
#
Classical
#
Luigi Boccherini
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Chappell Kingsland
#
Boccherini Minuet and Trio - a
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Chappell Kingsland
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1316161 Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic P...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1316161 Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic Period. 36 pages. Chappell Kingsland #904898. Published by Chappell Kingsland (A0.1316161). Finally, a new take on this familiar classic! The soloist’s part matches Boccherini’s original, but the orchestral accompaniment includes many surprises to delight your audience.This arrangement is for Instrumental Soloist in C (flute, oboe, etc.) and Chamber Orchestra (13 players). You can also find Chappell Kingsland’s arrangements with Violin or Bb Instrument as the soloist for sale on this website.Originally arranged for Nathan Matabi and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Boccherini Minuet and Trio - arr. for Violin Soloist and Chamber Orchestra
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Chamber Orchestra
#
ADVANCED
#
Classical
#
Luigi Boccherini
#
Chappell Kingsland
#
Boccherini Minuet and Trio - a
#
Chappell Kingsland
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1316158 Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic P...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1316158 Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic Period. 36 pages. Chappell Kingsland #904895. Published by Chappell Kingsland (A0.1316158). Finally, a new take on this familiar classic! The soloist’s part matches Boccherini’s original, but the orchestral accompaniment includes many surprises to delight your audience.This arrangement is for Violin Soloist and Chamber Orchestra (13 players). You can also find Chappell Kingsland’s arrangements for C Instrument or Bb Instrument as the soloist for sale on this website.Originally arranged for Nathan Matabi and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Honrpipe (From 'Water Music Suite No. 1' in F, HWV 348)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Georg Friedrich HÄNDEL Â
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Flavio Regis Cunha
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Honrpipe
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597305 Composed by Georg Friedrich HÄNDEL  . Arranged by Flavio Regis Cunha. Baroque,Concer...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.597305 Composed by Georg Friedrich HÄNDEL  . Arranged by Flavio Regis Cunha. Baroque,Concert,Holiday,Wedding. Score and parts. 29 pages. Flavio Regis Cunha #5304533. Published by Flavio Regis Cunha (A0.597305). This beautiful edition of Handel's well-known worldwide 'Hornpipe' was based on the Halle Handel Edition. In this edition you will find optional parts for two flutes and timpani. The continuo was realized and can be replaced by the organ as optional. This 'Hornpipe' from Handel's Water Music (HWV 349) transcription is also a combination of the Halle Handel Edition and the recording performed by the FestspielOrchester Göttingen with Laurence Cummings as director (https://www.youtube.com/watch?v=1h4mAceHmrI).This score is an excellent purchase for your group, or archive. You and your ensemble will love playing along with the eardrums. Your audience will be enchanted by the vibrant power of this piece.
$9.99
Requiem
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Chamber Orchestra
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Dvorak Humoresque - arr. for Instrumental Soloist (in Bb) and Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Antonin Dvorak
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Chappell Kingsland
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Dvorak Humoresque - arr. for I
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Chappell Kingsland
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321436 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Cham...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321436 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909895. Published by Chappell Kingsland (A0.1321436). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Instrumental Soloist in Bb (clarinet, soprano sax, tenor sax, trumpet, etc.) and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Dvorak Humoresque - arr. for Flute Soloist and Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Antonin Dvorak
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Chappell Kingsland
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Dvorak Humoresque - arr. for F
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Chappell Kingsland
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321454 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Cham...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321454 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909913. Published by Chappell Kingsland (A0.1321454). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Flute Soloist and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Dvorak Humoresque - arr. for Cello Soloist and Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Antonin Dvorak
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Chappell Kingsland
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Dvorak Humoresque - arr. for C
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Chappell Kingsland
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321453 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Cham...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321453 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909912. Published by Chappell Kingsland (A0.1321453). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Cello Soloist and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Dvorak Humoresque - arr. for Oboe Soloist and Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Antonin Dvorak
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Chappell Kingsland
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Dvorak Humoresque - arr. for O
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Chappell Kingsland
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321455 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Cham...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321455 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909914. Published by Chappell Kingsland (A0.1321455). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Oboe Soloist and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Dvorak Humoresque - arr. for Viola Soloist and Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Antonin Dvorak
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Chappell Kingsland
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Dvorak Humoresque - arr. for V
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Chappell Kingsland
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321457 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Cham...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321457 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909916. Published by Chappell Kingsland (A0.1321457). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Viola Soloist and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Dvorak Humoresque - arr. for Violin Soloist and Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Antonin Dvorak
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Chappell Kingsland
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Dvorak Humoresque - arr. for V
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Chappell Kingsland
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321458 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Cham...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321458 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909917. Published by Chappell Kingsland (A0.1321458). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Violin Soloist and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
Conflusion - Suite - Wind Ensemble - Clarinet 2 in Bb
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ense
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.567878 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Score and...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.567878 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Score and parts. 8 pages. Thomas Graf - the-hit-factory.com #1986061. Published by Thomas Graf - the-hit-factory.com (A0.567878). Conflusion Phantasy in 3 mouvements for large wind ensemble, double bass and percussion 1. Movement: Deux Caractères 3’59’’ 2. Movement: Dialogues 3’18’’ 3. Movement: Dance de Conflusion 4’24’’ Find all info’s on Youtube: https://youtu.be/Qa4uoTTQ2-o Tatl duration 10‘41‘‘ Instrumentation: 3 flutes (with Piccolo), 3 Clarinets (including bass clarinet), 2 Oboes, cor anglais, 2 Bassoons, contra-bassoon, 3 trumpets, 3 trombones, tuba, double bass, 2 percussion I'm looking for an open-minded Orchestra for a recording, as well as partner(Orchestra and/or conductor) for an arrangement for symphonic wind band. Thomas H. Graf.
$3.00
Fauré: Cantique de Jean Racine (Canticle of Jean Racine) for Harp, SATB Choir and String Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Gabriel Faure
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Flavio Regis Cunha
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Fauré: Cantique de Jean Racin
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FRC Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1153278 By Gabriel Faure. By Gabriel Faure. Arranged by Flavio Regis Cunha. 19th Century,Contest,F...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1153278 By Gabriel Faure. By Gabriel Faure. Arranged by Flavio Regis Cunha. 19th Century,Contest,Festival,Film/TV,Instructional,Wedding. Score and Parts. 59 pages. FRC Music #753526. Published by FRC Music (A0.1153278). Are you looking for a unique and special piece to add to your choir or orchestra repertoire? Look no further!  Introducing 'Cantique de Jean Racine' by Gabriel Fauré, arranged for Harp, SATB Choir and String Orchestra. This beautiful and captivating piece offers a unique sound to your choir or orchestra. With its timeless melody and divine harmony, it will become an instant favorite.  You can now find this amazing sheet music available for purchase. Give your choir or orchestra an amazing performance experience with this incredible piece.  Order now to get your copy of 'Cantique de Jean Racine' by Gabriel Fauré, arranged for Harp, SATB Choir and String Orchestra.This version was transcribed for Harp, SATB Choir and String Orchestra.The scoring of this transcription is compatible with that of the Fauré Requiem (1893 version), edited by Flavio Regis Cunha, so that the Cantique may be used as a companion piece to the Requiem in performance. Ad libitum parts for 1st and 2nd violins (mostly doubling the viola parts) are included with the instrumental material but not shown in the score.Forces or Category: String orchestra & Harp.Orchestration: hp (or org or pn), str (vln I opt, vln II opt, vla I, vla II, vc I, vc II, db) for SATB accompanied by strings and harp, (optional organ or piano).Advanced Intermediate LevelFomat: Concert 9 x 12 inches.59 pages.
$49.99
Piano Concerto No. 1 - FIRST movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Sco...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - SECOND movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th C...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Andante and Allegro for Horn and Chamber Orchestra
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Chamber Orchestra
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ADVANCED
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Mary Jane Lang
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Andante and Allegro for Horn a
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MaryJaneLang
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.889300 Composed by Mary Jane Lang. 20th Century,Contemporary,Standards. Score and parts. 56 pages....
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.889300 Composed by Mary Jane Lang. 20th Century,Contemporary,Standards. Score and parts. 56 pages. MaryJaneLang #31223. Published by MaryJaneLang (A0.889300). This price includes the score and all parts. When you listen to the recording you will catch the optimistic spirit as only the horn can exude. You might find it humorous that the horn soloist, and other wind players, have such phenomenal breath control -- a by-product of the synthesized, digitized recording. :) It still gives you an idea of what this is like and is sure to inspire performers and audience alike. The picture on the title page is a scene of mountain ranges from the Blue Ridge Parkway. You can almost imagine an alphorn player around the echoes of your mind.
$45.99
Stefano Maria Torchio: En Arche en o Logos - Full score
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Chamber Orchestra
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ADVANCED
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Christian contemporary
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Sacred music
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano Torchio #3142405. Published by Stefano Torchio (A0.1022761). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$19.50
Stefano Maria Torchio: En Arche en o Logos - Vocal score
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Chamber Orchestra
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ADVANCED
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Christian contemporary
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Sacred music
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022760 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 8 pages. Stefano ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022760 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 8 pages. Stefano Torchio #3142459. Published by Stefano Torchio (A0.1022760). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter
$11.00
Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
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Chamber Orchestra
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ADVANCED
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Christian contemporary
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Sacred music
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871. Published by Stefano Torchio (A0.1022759). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comYou can find me also on: facebook, instagram and twitter.
$4.00
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