Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Gen Ana
Not classified
668
Piano & keyboards
Piano solo
387
Piano, Voice
144
Easy Piano
99
Piano, Vocal and Guitar
94
Organ
42
Accordion
34
C Instruments
32
Big Note Piano
19
1 Piano, 4 hands
13
2 Pianos, 4 hands
7
Piano Quartet: piano, violin, viola, cello
4
Piano Trio: piano, violin, cello
3
Piano (band part)
2
Piano Accompaniment
2
Organ, Piano (duet)
2
Organ, Trumpet (duet)
1
Harpsichord
1
2 Accordions
1
Melody line, Piano
1
Piano Quartet: piano, 2 violins, cello
1
+ 15 instrumentations
-
Retract
Guitars
Guitar
65
Guitar notes and tablatures
48
2 Guitars (duet)
14
Ukulele
8
Melody line, (Lyrics) and Chords
6
Piano, Guitar (duet)
4
Mandolin, Guitar (duet)
3
Banjo
2
Baritone Ukulele
1
Guitar, String Quartet
1
Bass guitar
1
Guitar Ensemble
1
Mandolin
1
Dulcimer
1
+ 9 instrumentations
-
Retract
Voice
Choral SATB
141
Choral 3-part
49
Soprano voice, Piano
37
Tenor voice, Piano
29
Choral 2-part
29
Baritone voice, Piano
28
Alto voice, Piano
28
Choral SSAA
25
Choral TTBB
20
Choral Unison
15
Vocal duet, Piano
7
Vocal duet
2
High voice
2
Choral
2
Voice solo
2
Choral SSATTB
1
Soli, Mixted choir and accompaniment
1
+ 12 instrumentations
-
Retract
Woodwind
Flute and Piano
53
Clarinet and Piano
48
Saxophone Quartet: 4 saxophones
43
Oboe, Piano (duet)
43
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
30
Flute
27
Clarinet
22
Alto Saxophone and Piano
21
Flute, Oboe, Clarinet, Bassoon
20
Tenor Saxophone and Piano
19
Saxophone Quintet: 5 Saxophones
17
Oboe
16
Clarinet Quartet: 4 clarinets
16
Alto Saxophone
13
2 Flutes (duet)
12
Flute Quartet: 4 flutes
12
Baritone Saxophone, Piano
11
Soprano Saxophone and Piano
11
2 Clarinets (duet)
9
Harmonica
9
Oboe (band part)
8
Tenor Saxophone
7
3 Clarinets (trio)
6
English horn, Piano
6
Flute (band part)
5
Flute Trio: 3 flutes
5
Saxophone ensemble
5
Clarinet Ensemble
4
2 Saxophones (duet)
4
Flute and Guitar
4
Soprano Saxophone
4
3 Saxophones (trio)
4
2 Oboes (duet)
4
Bass Clarinet, Piano
4
Descant (Soprano) Recorder
3
Flute, Clarinet (duet)
3
Flute, Clarinet and Bassoon.
2
Clarinet (band part)
2
Baritone Saxophone
2
Clarinet, Violin (duet)
2
Recorder Quartet
2
Recorder
2
Oboe, Guitar (duet)
1
Piccolo, Piano
1
Flute, Oboe, Bassoon
1
Clarinet, Bassoon (duet)
1
2 Recorders (duet)
1
Wind ensemble
1
Flute ensemble
1
Flute, Oboe, Clarinet (trio)
1
Treble (Alto) Recorder, Basso continuo
1
Descent (Soprano) Recorder, Piano
1
Saxophone (band part)
1
Clarinet Quintet: 5 clarinets
1
+ 49 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
59
Trumpet, Piano
35
French Horn and Piano
32
Brass quartet : 2 trumpets, trombone, tuba
28
Trumpet
27
Trombone and Piano
23
Tuba and Piano
23
Tuba
19
Trombone
18
French horn
18
2 Trumpets (duet)
9
Brass Quartet
9
Euphonium, Piano (duet)
8
Trumpet (band part)
8
2 Trombones (duet)
6
English horn, Piano
6
Brass Quartet: 2 trumpets, horn, trombone
6
French horn (band part)
6
Trombone (band part)
4
4 Tubas
3
2 French horns (duet)
3
Tuba (band part)
2
Brass Quartet: 4 trombones
1
Trombone and Orchestra
1
Brass Quartet: 4 horns
1
Tuba and Organ
1
Trumpet, Trombone (duet)
1
2 Euphoniums and 2 Tubas
1
3 Trombones (trio)
1
3 French horns (trio)
1
3 Trumpets (trio)
1
Trombone ensemble
1
+ 27 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
110
Violin and Piano
64
Viola, Piano
43
Cello, Piano
40
Violin
35
String Quintet: 2 violins, viola, cello, bass
25
Viola
24
Double bass, Piano (duet)
23
Cello
22
String Trio: violin, viola, cello
19
Violin, Cello (duet)
18
Double Bass
16
Harp
11
2 Cellos (duet)
9
2 Violins (duet)
8
Violin, Guitar (duet)
6
String Trio: 2 violins, cello
6
2 Violas (duet)
4
Viola (band part)
3
String Quintet: 2 violins, viola, 2 cellos
3
2 Double basses (duet)
2
Violin (band part)
2
2 Harps (duet)
2
Violin, Viola (duet)
2
Harp, Voice
2
String Trio: 3 cellos
2
4 Cellos
2
2 Violas, Piano
1
Viola, Cello (duet)
1
Doublebass (band part)
1
Cello, Guitar (duet)
1
Violin, Bassoon (duet)
1
Piano Trio: Violin, Viola, Piano
1
4 Double Basses
1
+ 29 instrumentations
-
Retract
Orchestra & Percussion
Concert band
72
Orchestra
44
String Orchestra
29
Handbells
27
Chamber Orchestra
17
Brass ensemble
10
Drums
9
Jazz Ensemble
9
Marching band
8
Percussion Ensemble
5
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
School Ensemble
3
Jazz combo
3
Percussion (band part)
2
Marimba
2
Xylophone, Piano
2
Percussion
1
Xylophone
1
+ 13 instrumentations
-
Retract
Others
Music Theory
1
Musical course - Solfege
1
Free Sheet Music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
941
Digital Sheet Music
17
Sheet Music Books
8
Music Equipment
1,790
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Gen Ana
Chamber Orchestra
Sheetmusic to print
17 sheet music found
<
1
Paul Agricola Genin - Carnaval de Venice ( Full Score and parts )
#
Chamber Orchestra
#
Contemporary
#
Paul Agricole Genin
#
James Strauss
#
Paul Agricola Genin - Carnaval
#
James Strauss
#
SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.1035211 Composed by Paul Agricole Genin. Arranged by James Strauss. Contemporary. Score and parts. 47 pages....
(+)
Chamber Orchestra - Digital Download SKU: A0.1035211 Composed by Paul Agricole Genin. Arranged by James Strauss. Contemporary. Score and parts. 47 pages. James Strauss #3505383. Published by James Strauss (A0.1035211). Paul Agricole Génin (Avignon, 14 February 1832 - Paris 22 December 1903) was a French flautist and composer for flute. He was a student of Louis Dorus and became first flute at the Théâtre-Italien (Comédie-Italienne) and later at Concerts Cologne both in Paris, he composed 60 pieces for flute , and his famous Carvanal de Venice op.14 its dedicated to his friend Eugene Damaré. Here for flute and string orchestra.
$50.00
Emergence Of Talents
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Yasuharu Takanashi
#
Kassym Aitbayev
#
Emergence Of Talents
#
Kassym Aitbayev
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1492998 Composed by Yasuharu Takanashi. Arranged by Kassym Aitbayev. 20th Century,21st Century,Fil...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1492998 Composed by Yasuharu Takanashi. Arranged by Kassym Aitbayev. 20th Century,21st Century,Film/TV,Folk. 35 pages. Kassym Aitbayev #1069688. Published by Kassym Aitbayev (A0.1492998).
$68.00
Requiem
#
Chamber Orchestra
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Conflusion - Suite - Wind Ensemble
#
Chamber Orchestra
#
INTERMEDIATE
#
Thomas Graf
#
Thomas Graf
#
Conflusion - Suite - Wind Ense
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz....
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
Conflusion - Suite - Woodwind Ensemble - Score Only
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Thomas Graf
#
Thomas Graf
#
Conflusion - Suite - Woodwind
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and p...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00
Rhapsody No.2 - for Flute and String orchestra (2014)
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Evgenios Anastasiadis
#
Rhapsody No.2 - for Flute and
#
Evgenios Anastasiadis
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.999974 Composed by Evgenios Anastasiadis. 20th Century,Contemporary. Score and parts. 45 pages. Ev...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.999974 Composed by Evgenios Anastasiadis. 20th Century,Contemporary. Score and parts. 45 pages. Evgenios Anastasiadis #6573225. Published by Evgenios Anastasiadis (A0.999974). Rhapsody No.2 for Flute and String orchestra.
$29.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Sérénade for
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Guinevere's Dream
#
Chamber Orchestra
#
Contemporary
#
Ana Tipton
#
Curtis Tipton
#
Guinevere's Dream
#
Curtis Tipton
#
SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.978389 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Ti...
(+)
Chamber Orchestra - Digital Download SKU: A0.978389 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #6862211. Published by Curtis Tipton (A0.978389). I compose in the fantasy genre as it at evokes a sense of adventure and imagination. I take pride in producing music that is both very teachable and playable. While ensuring the advancement and success of young musicians, my greatest success is creating music that captivates children and adults alike. I compose with the added mindset of music educators. While my pieces are lush, inspiring, and rich in concept, I know that rehearsal time is limited. Students, faculty and parents alike expect a great performance experience and a successful concert. My mission is to create beautiful spaces and opportunities for the self expression, inspiration and success of young musicians. To hear the entire arrangement go to https://soundcloud.com/user-138852143/guinevere-dream. My music can also be found on Spotify and iTunes.
$20.00
Sir Galahad And The Holy Grail
#
Chamber Orchestra
#
EASY
#
Contemporary
#
Ana Tipton
#
Curtis Tipton
#
Sir Galahad And The Holy Grail
#
Curtis Tipton
#
SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.978394 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages....
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.978394 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #6866859. Published by Curtis Tipton (A0.978394). compose in the fantasy genre as it at evokes a sense of adventure and imagination. I take pride in producing music that is both very teachable and playable. While ensuring the advancement and success of young musicians, my greatest success is creating music that captivates children and adults alike. I compose with the added mindset of music educators. While my pieces are lush, inspiring, and rich in concept, I know that rehearsal time is limited. Students, faculty and parents alike expect a great performance experience and a successful concert. My mission is to create beautiful spaces and opportunities for the self expression, inspiration and success of young musicians. To hear the entire arrangement go to https://soundcloud.com/user-138852143/sir-galahad-and-the-holy-grail-2.
$20.00
Journey To Inner Worlds
#
Chamber Orchestra
#
EASY
#
Contemporary
#
Ana Tipton
#
Curtis Tipton
#
Journey To Inner Worlds
#
Curtis Tipton
#
SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.978391 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 15 pages....
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.978391 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 15 pages. Curtis Tipton #6866405. Published by Curtis Tipton (A0.978391). I compose in the fantasy genre as it at evokes a sense of adventure and imagination. I take pride in producing music that is both very teachable and playable. While ensuring the advancement and success of young musicians, my greatest success is creating music that captivates children and adults alike. I compose with the added mindset of music educators. While my pieces are lush, inspiring, and rich in concept, I know that rehearsal time is limited. Students, faculty and parents alike expect a great performance experience and a successful concert. My mission is to create beautiful spaces and opportunities for the self expression, inspiration and success of young musicians. To hear the entire piece go to https://soundcloud.com/user-138852143/journey-to-inner-world-50337-pm.
$20.00
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (9x12)
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jamey Aston
#
Far and Away: Concerto for Obo
#
Montana Knites Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025353 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 77 pages. Montana Kni...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025353 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 77 pages. Montana Knites Publishing #5802253. Published by Montana Knites Publishing (A0.1025353). Concerto for Oboe and String Orchestra: Far and AwayOboe, Violin I & II, Solo Violin, Viola, Cello, Contrabass*Optimized for 9 x 12 in paperAn intermediate level piece suitable for college level or advanced high school orchestras. Far and Away is a semi-thematic piece. The first movement is pastoral in nature with a gentle melody and strong call and response between the oboe and the orchestra. The driving second movement, The Adventure, is true to its name with a constant string ostinato keeping the listener on the edge of their seat. The Journey Home, the third movement, is light and jovial with some emotional surprises for the audience. Duration: 19 minutes. First movement 9 minutes. Second and third movements each approximately 5 minutes.Publisher: Montana Knites Publishing ASCAPFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you play this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!
$34.95
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (8 1/2 x 11)
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jamey Aston
#
Far and Away: Concerto for Obo
#
Montana Knites Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025352 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 82 pages. Montana Kni...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025352 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 82 pages. Montana Knites Publishing #5294211. Published by Montana Knites Publishing (A0.1025352). Concerto for Oboe and String Orchestra: Far and AwayOboe, Violin I & II, Solo Violin, Viola, Cello, Contrabass*Optimized for 8 1/2 x 11 in paperAn intermediate level piece suitable for college level or advanced high school orchestras. Far and Away is a semi-thematic piece. The first movement is pastoral in nature with a gentle melody and strong call and response between the oboe and the orchestra. The driving second movement, The Adventure, is true to its name with a constant string ostinato keeping the listener on the edge of their seat. The Journey Home, the third movement, is light and jovial with some emotional surprises for the audience. Duration: 19 minutes. First movement 9 minutes. Second and third movements each approximately 5 minutes.Publisher: Montana Knites Publishing ASCAPFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you play this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!
$34.95
BH017REC - Recorder Quartet Songs, Book 17 (>70 pages)
#
Chamber Orchestra
#
INTERMEDIATE
#
Carl Van Pevenage
#
BH017REC - Recorder Quartet So
#
Carl Van Pevenage
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921199 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 1...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921199 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 110 pages. Carl Van Pevenage #4324595. Published by Carl Van Pevenage (A0.921199). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 16 1 Fun song: A goodie Chansonnette 162 The grasshopper Chansonnette 163 Pop song: Little by little grow the bananas Chansonnette 164 Crying for freedom Chansonnette 165 Largo: A spicy relax Chansonnette 166 Romantic song: A reed cutters rest Chansonnette 167 Folk song: A middle age evening Chansonnette 168 Christmas carol: Night walks 1 Chansonnette 169 Christmas carol: White trees Chansonnette 170 Little trippling feet Chansonnette 170B Little waltzing feet.
$9.95
One Second to the Future - Guitar Orchestra
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Brent C Robitaille
#
One Second to the Future - Gui
#
Brent C Robitaille
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Ro...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
The Saints' Hallelujah
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
The Canadian Brass
#
Stephen Rumbold
#
#
The Saints' Hallelujah
#
Stephen J Rumbold
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.941242 By The Canadian Brass. By Luther Jr. Henderson. Arranged by Stephen Rumbold. Contemporary. ...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.941242 By The Canadian Brass. By Luther Jr. Henderson. Arranged by Stephen Rumbold. Contemporary. Score and parts. 54 pages. Stephen J Rumbold #6413583. Published by Stephen J Rumbold (A0.941242). This is an adaptation of The Canadian Brass's famous arrangement for Horn Octet or Horn Choir with parts for optional bass guitar/tuba and drum set. Legend has it that their arranger, Luther Henderson, originally created it for a Royal Command Performance before Queen Elizabeth. In the preparation for the performance, The Canadian Brass was given a list of some of the Queen's favorite musical titles, and both When The Saints Go Marching in and Handel's Hallelujah Chorus were on that list - and the rest is history! The arrangement has parts for optional tuba/bass guitar and drum set, but plays well with just Horn Octet or Horn Choir. And, a tip 'o the hat to Herr Strauss for lending us a lustige streiche at measure 65. Chord symbols are included in some of the parts for those who might want to play some Dixie-style improvisation.
$15.00
Triskel (Orff Instruments & Chamber Orchestra) - Score Only
#
Chamber Orchestra
#
INTERMEDIATE
#
Rudesindo Soutelo
#
Orff Instruments & Chamber Orc
#
Triskel
#
Publisher by Rudesindo Soutelo
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1230983 Composed by Rudesindo Soutelo. Arranged by Orff Instruments & Chamber Orchestra (C Score)....
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1230983 Composed by Rudesindo Soutelo. Arranged by Orff Instruments & Chamber Orchestra (C Score). 21st Century,Celtic,Chamber,Children,Classical,Irish. 47 pages. Publisher by Rudesindo Soutelo #826603. Published by Publisher by Rudesindo Soutelo (A0.1230983). Ao Grupo Instrumental da EB de V.P. de Âncora e à Orquestra ARTEAMRudesindo Soutelo:Triskel (2023) for Orff Instruments and Chamber Orchestra [ca. 7'42]O eixo do mundo / The axis of the worldPremière: 16-V-2023. Teatro dos Bombeiros de Vila Praia de Âncora (Portugal). Int.: Grupo Instrumental Orff da EB de V.P. de Âncora (Prof. Manuela Moura) e Orquestra ARTEAM de Viana do Castelo. Dir.: Diogo Costa.ISWC: T-315.743.482-3ISMN: 979-0-707704-10-3Páginas de amostra / Sample pages: https://www.researchgate.net/publication/370676001=oOo=The Triskel is present in many ancient cultures but it is in the Celtic culture where it has acquired a greater prominence. It represents the power of the Sun, the axis of the world, the original matrix. It is an allegory of the number 3; of the past, present and future; of the Christian Trinity. It evokes the differences in the unity of the great whole, the Universe.The work was originally composed to integrate an Instrumental Group Orff (Glockenspiel Soprano and Alto, Metallophones and Xylophones Soprano, Alto and Bass), from the General Elementary School, as soloists in a Chamber Orchestra. The organising complex of the work is [4 (2, 2), 3 (2, 1)].There is, also, an edition for Marimba and Chamber Orchestra.=oOo=O Triskel está presente em muitas culturas antigas, mas é na cultura celta onde adquiriu um maior relevo. Representa o poder do Sol, o eixo do mundo, a matriz original. É uma alegoria do número 3; do passado, presente e futuro; da Trindade cristã. Evoca as diferenças na unidade do grande todo, o Universo.A obra foi composta originalmente para integrar um Grupo Instrumental Orff (Glockenspiel Soprano e Alto, Metalofones e Xilofones Soprano, Alto e Baixo), do Ensino Básico geral, como solistas de uma Orquestra de Câmara. O complexo organizador da obra é [4 (2, 2), 3 (2, 1)].Existe, ainda, uma edição para Marimba e Orquestra de Câmara.
$10.00
PEACE, MY HEART, from "Across the Wide" for soprano and string ensemble with piano
#
Chamber Orchestra
#
INTERMEDIATE
#
Gabriel Ruiz-Bernal
#
PEACE, MY HEART, from "Across
#
Gabriel Ruiz-Bernal
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.893968 Composed by Gabriel Ruiz-Bernal. Contemporary,Musical/Show. Score and parts. 33 pages. Gabr...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.893968 Composed by Gabriel Ruiz-Bernal. Contemporary,Musical/Show. Score and parts. 33 pages. Gabriel Ruiz-Bernal #6328079. Published by Gabriel Ruiz-Bernal (A0.893968). PEACE, MY HEART. For soprano and string ensemble with piano. Also available for soprano and piano.(from song cycle Across the Wide: Songs of Farewell)Text by Rabindranath TagoreLevel of difficulty for the voice: IntermediateLevel of difficulty for the pianist: Low intermediateLevel of difficulty for the string ensemble: Low intermediateApproximate length: 3 minutes, 46 secondsPeace, my heart, let the time for the parting be sweet.Let it not be a death but completeness.Let love melt into memory and pain into songs.Let the flight through the sky end in the folding of the wings over the nest.Let the last touch of your hands be gentle like the flower of the night.Stand still, O Beautiful End, for a moment, and say your last words in silence.I bow to you and hold up my lamp to light you on your way.
$40.00
<
1
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
