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ACCORDION
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BAGPIPE
BANJO
BASS
BASSOON
BOOKS
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BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
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FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
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MUSIC COURSE
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OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
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VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Human
Not classified
1,118
Piano & keyboards
Piano, Voice
3,670
Piano solo
1,707
Piano, Vocal and Guitar
222
Easy Piano
202
C Instruments
44
Organ
38
1 Piano, 4 hands
33
Piano Trio: piano, violin, cello
20
2 Pianos, 4 hands
13
Piano Quartet: piano, violin, viola, cello
11
Big Note Piano
9
Piano Quintet: piano, 2 violins, viola, cello
6
Piano Accompaniment
6
Piano (band part)
6
Keyboard
4
Piano Quartet: piano, 2 violins, cello
3
Organ, Piano (duet)
2
2 Pianos, 8 hands
1
+ 13 instrumentations
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Retract
Guitars
Guitar
102
Guitar notes and tablatures
82
Melody line, (Lyrics) and Chords
38
Lyrics and Chords
24
2 Guitars (duet)
17
Ukulele
15
Bass guitar
10
4 Guitars (Quartet)
7
Guitar (band part)
6
Mandolin
5
Banjo
3
Guitar Ensemble
3
3 Guitars (trio)
3
Dulcimer
2
Piano, Guitar (duet)
1
+ 10 instrumentations
-
Retract
Voice
Choral SATB
343
Voice solo
314
Choral 3-part
90
Choral SSAA
45
Choral TTBB
40
Choral 2-part
31
Medium voice, Piano
22
Choral Unison
18
Vocal duet, Piano
16
High voice
16
Low voice, Piano
12
Soprano voice, Piano
9
Baritone voice, Piano
6
Tenor voice, Piano
5
Alto voice, Piano
5
Vocal duet
5
Soprano voice
4
Choral
4
Choral Instrumental Pak
3
High voice, Piano
3
Choral SSAATTBB
3
Soli, Mixted choir and accompaniment
2
Mezzo-Soprano voice, Piano
2
Choral SSAB a cappella
1
Choral SSATB
1
Medium Voice
1
+ 21 instrumentations
-
Retract
Woodwind
Flute and Piano
142
Clarinet
115
Flute
87
Clarinet and Piano
81
Alto Saxophone and Piano
61
Oboe, Piano (duet)
56
Alto Saxophone
49
Saxophone (band part)
48
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
47
Clarinet Quartet: 4 clarinets
39
Flute, Oboe, Clarinet, Bassoon
38
2 Clarinets (duet)
37
2 Saxophones (duet)
37
Tenor Saxophone and Piano
36
Saxophone Quartet: 4 saxophones
35
Oboe (band part)
34
2 Flutes (duet)
32
Saxophone
31
Soprano Saxophone and Piano
30
Tenor Saxophone
26
Recorder
25
Flute and Guitar
18
Oboe
15
Clarinet (band part)
14
Baritone Saxophone, Piano
14
3 Clarinets (trio)
12
Oboe, Bassoon (duet)
12
Flute, Clarinet (duet)
12
English horn, Piano
12
Flute (band part)
10
Bass Clarinet, Piano
10
Flute Quartet: 4 flutes
9
3 Saxophones (trio)
9
Clarinet, Bassoon (duet)
9
Clarinet Ensemble
8
Saxophone Quintet: 5 Saxophones
8
Clarinet, Violin (duet)
8
Flute, Violoncello
7
Soprano Saxophone
6
2 Oboes (duet)
6
Saxophone, Clarinet (duet)
6
Flute Trio: 3 flutes
6
Flute, Violin
5
Clarinet, Guitar (duet)
5
Oboe, Clarinet (duet)
4
Flute, Viola (duet)
4
Clarinet, Trumpet (duet)
4
Flute, Oboe, Clarinet (trio)
4
Saxophone and Guitar
4
Flute, Trombone (duet)
4
Clarinet Quintet: 5 clarinets
4
Flute, Violin, Piano
4
Flute, Cello, Piano (trio)
3
Descant (Soprano) Recorder
3
Flute ensemble
3
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3
Ocarina
3
Oboe, Cello
3
Clarinet, Trombone (duet)
3
Descent (Soprano) Recorder, Piano
3
Oboe, Flute
3
Treble (Alto) Recorder
3
Flute, Saxophone (duet)
3
Clarinet Quintet: Clarinet, String Quartet
3
Saxophone ensemble
3
Recorder, Guitar (duet)
3
Oboe, Clarinet, Bassoon (trio)
3
Eb Instruments
3
Clarinet, Cello, Piano (trio)
2
3 Recorders (trio)
2
Flute Quintet : 5 flutes
2
Piccolo, Piano
2
Harmonica
2
Piccolo
2
Bass Clarinet
2
2 Recorders (duet)
2
Clarinet and Viola
2
Flute, Violin and Violoncello
2
Flute, Oboe, Bassoon
2
Flute, Viola and Piano
1
Treble (Alto) Recorder, Piano
1
Saxophone and Piano
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Flute, Trumpet (duet)
1
Flute, Oboe (duet)
1
5 Recorders
1
Recorder Quartet
1
2 Recorders, Piano
1
Flute, Cello, Guitar
1
Flute, Bassoon, and Piano
1
English Horn
1
Saxophone and Organ
1
Wind ensemble
1
Flute, Clarinet, Piano (trio)
1
Tenor Recorder
1
Oboe, Guitar (duet)
1
Recorder, Piano
1
Flute, Clarinet and Bassoon.
1
+ 93 instrumentations
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Retract
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Trumpet
63
Trombone
57
Trombone and Piano
57
Trumpet, Piano
48
Brass Quintet: 2 trumpets, horn, trombone, tuba
44
French horn
39
French Horn and Piano
32
Trumpet (band part)
31
Tuba and Piano
24
Trombone (band part)
23
Tuba
23
Euphonium, Piano (duet)
17
Brass quartet : 2 trumpets, trombone, tuba
16
2 Euphoniums and 2 Tubas
13
English horn, Piano
12
Trumpet, Trombone (duet)
11
2 Trumpets (duet)
10
4 Tubas
9
Brass Quartet: 2 trumpets, horn, trombone
9
2 French horns (duet)
8
Trombone ensemble
6
Brass Quartet: 4 horns
6
Euphonium
6
2 Trombones (duet)
6
Brass Quartet
6
Trumpet and Guitar
5
Trumpet, Saxophone (duet)
5
Brass Quartet: 4 trombones
5
Bass Trombone and Piano
4
Trumpet, Horn (duert)
4
Cornet
3
Horn Ensemble
3
French horn (band part)
3
3 Trombones (trio)
3
Bb Instruments
3
3 French horns (trio)
3
2 Tubas (duet)
2
3 Tubas (trio)
2
Horn, Cello (duet)
2
Brass Trio
2
Trumpet, violin (duet)
1
Brass Quartet: 4 trumpets
1
Trombone, Horn (duet)
1
2 French horns, Piano
1
Trumpet ensemble
1
3 Trumpets (trio)
1
Euphonium, Tuba (duet)
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
English Horn
1
Trumpet, Euphonium (duet)
1
+ 45 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
223
Violin and Piano
166
Cello, Piano
134
Violin
121
Cello
99
Viola, Piano
89
Viola
70
Violin, Cello (duet)
30
2 Violins (duet)
24
2 Cellos (duet)
23
Violin (band part)
22
String Trio: violin, viola, cello
20
Harp
17
String Trio: 2 violins, cello
17
Violin, Viola (duet)
17
Viola (band part)
16
Double Bass
15
Doublebass (band part)
12
Violin, Guitar (duet)
11
Viola, Cello (duet)
11
Double bass, Piano (duet)
11
4 Cellos
10
2 Violas (duet)
10
String Quintet: 2 violins, viola, cello, bass
8
Cello, Guitar (duet)
8
Cello (band part)
8
Piano Trio: Violin, Viola, Piano
5
String Trio: 3 cellos
5
Violin, Bassoon (duet)
4
String Trio: 3 violins
4
2 Violins, Piano
3
Viola, Guitar (duet)
3
String Trio: 2 violins, viola
3
String quartet: 4 violins
3
String trio
3
Viola and Bassoon
2
4 Double Basses
2
2 Double basses (duet)
2
String Trio: 3 violas
2
String Quartet : 4 violas
2
Violin, Clarinet, Piano (trio)
2
2 Violas, Piano
1
Violin, Cello, Clarinet
1
Flute, Doublebass (duet)
1
Cello, Orchestra
1
String Quintet: 2 violins, 2 violas, cello
1
2 Cellos, Piano
1
+ 42 instrumentations
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Retract
Orchestra & Percussion
Concert band
224
Orchestra
101
String Orchestra
72
Chamber Orchestra
34
Jazz Ensemble
32
Drums
26
Brass ensemble
21
Percussion Ensemble
10
Jazz combo
5
Marching band
5
Vibraphone
3
Drum (band part)
3
Marimba
2
Percussion
1
Marimba, Piano (duet)
1
Piano and Orchestra
1
Xylophone
1
Woodwind Quartet: any 4 woodwinds
1
Woodwind Quintet
1
Handbells
1
Percussion (band part)
1
Brass Quintet: other combinaisons
1
Vibraphone (band part)
1
Timpani (band part)
1
+ 19 instrumentations
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Retract
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1
26
Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
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Chamber Orchestra
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INTERMEDIATE
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Robert Schumann
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James M
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Schumann: Träumerei Op. 15 No
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standard...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jmsgu3 #4598499. Published by jmsgu3 (A0.550196). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà An unexpected and welcome recital encore.Schumann's Träumerei (Dreaming), Op. 15 No. 7, is a solo piano piece that is part of his Scenes from Childhood (Kinderszenen) set, which was his first attempt at writing a piano solo. The piece is significant for several reasons:Emotional Appeal: Träumerei is considered a masterpiece due to its great emotional appeal, combining both haunting sadness and nostalgic tenderness. This emotional depth has allowed the piece to touch many people's hearts and become a beloved piece of music worldwide.Universal Themes: The piece explores themes of childhood, memories, and feelings from a sentimental adult perspective. These themes are universally cherished and can be appreciated by adults and children.Cultural Impact: Träumerei has been used in various cultural contexts, such as in the 1947 Hollywood film Song of Love and the 1944 German biographical film on Schumann. In Russia, a hummed choral, a cappella version that became known as mourning music, was played annually during the Minute of Silence on Victory Day.Influence on Other Artists: The piece has inspired other artists, such as violinist Fenella Humphreys, who released an arrangement of Träumerei for violin in 2021.Schumann's Träumerei is a significant piece of music due to its emotional appeal, universal themes, cultural impact, and influence on other artists. Its timeless beauty and emotional depth continue to resonate with audiences worldwide.
$48.95
Schumann: "Hör' ich das Liedchen klingen" op. 48, No. 10; Arr. for String Quartet or Voice and Stri
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Chamber Orchestra
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Classical
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R Schumann
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D Oppenheim
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Schumann: "Hör' ich das Liedc
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Dan Oppenheim
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.785093 Composed by R Schumann. Arranged by D Oppenheim. Romantic Period. Score and parts. 8 pages. Dan Oppen...
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Chamber Orchestra - Digital Download SKU: A0.785093 Composed by R Schumann. Arranged by D Oppenheim. Romantic Period. Score and parts. 8 pages. Dan Oppenheim #4725. Published by Dan Oppenheim (A0.785093). R Schumann: Hör' ich das Liedchen klingen op. 48, No. 10 Arr. for String Quartet and optional Voice. After Heine's lieder-cycle Dichterliebe (The Poet's Love).Find more of my arrangements - search Dan Oppenheim
$6.32
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Chamber Orchestra
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own...
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
When She Loved Me
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Sarah McLachlan
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John Langley / Studio Orchestr
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When She Loved Me
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www.studio-orchestrations.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1430293 By Sarah McLachlan. By Randy Newman. Arranged by John Langley / Studio Orchestrations. Bro...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1430293 By Sarah McLachlan. By Randy Newman. Arranged by John Langley / Studio Orchestrations. Broadway,Children,Contemporary,Film/TV,Musical/Show,Singer/Songwriter. 28 pages. Www.studio-orchestrations.com #1010934. Published by www.studio-orchestrations.com (A0.1430293). What a privilege to share an arrangement of this perfect song, sung by Sarah McLachlan in Toy Story 2 in 1999. If Toy Story and Toy Story 2 hadn't already entirely induced a nostalgic empathy from its audience for the life of old toys we used to play with, Jessie's heartfelt song of her memories with 'Emily' tugs the heart strings to make grown men cry. Randy Newman wrote a perfect little gem in this short but iconic moment in movie history. In the most respectful way the write and the song do so little SO well. The orchestration is sparse but completely appropriate and supportive. This arrangement follows the original soundtrack as closely as possible and would make a wonderful addition to a kids or education concert or an evening of film, musicals or just a celebration of great song writers. Thank you Randy Newman for your wonderful understated genius for using musical simplicity to unpack human complexity.
$140.00
Piano Concerto No. 1 - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
The Unknown Heart's Song
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Chamber Orchestra
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INTERMEDIATE
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Joshua A
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The Unknown Heart's Song
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Joshua A Idio
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.999305 Composed by Joshua A. Idio. 20th Century,Classical,Romantic Period,Standards. Score and par...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.999305 Composed by Joshua A. Idio. 20th Century,Classical,Romantic Period,Standards. Score and parts. 65 pages. Joshua A Idio #6453741. Published by Joshua A Idio (A0.999305). Composed by Joshua A. Idio. (ASCAP Licensed) Symphonic Orchestra Music. Full score and parts.For Symphonic OrchestraComposed in the style of Nimrod from Edward Elgar's Enigma Variations, this musical poem captures the human feeling of sacrificial love and devotion to one another and the yearning to seek more than just happiness, not just for oneself, but for others.
$85.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Sco...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Give Thanks
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Chamber Orchestra
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EASY
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Sacred music
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Henry Smith
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bhkimusic
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Give Thanks
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BHKIMusic
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1131561 Composed by Henry Smith. Arranged by bhkimusic. Christian,Holiday,Praise & Worship,Religio...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1131561 Composed by Henry Smith. Arranged by bhkimusic. Christian,Holiday,Praise & Worship,Religious,Sacred. Score and Parts. 27 pages. BHKIMusic #731781. Published by BHKIMusic (A0.1131561). A beautiful gospel by Henry Smith. Typically played at Thanksgiving but can be played every Sunday at every worship. Arranged for Human Voices(Soprano, Alto, Tenor and Bass), Flute, Oboe(or 2nd Flute), 2 Clarinets in B flat, 1st Violin, 2nd Violin(or Viola), Cello, String bass and Piano. Easy-Intermediate level. Duration: 2-3min. Score and parts are available. Minimum bowing and slur are indicated. Find me on Instagram! @bhkimusic.
$49.99
Piano Concerto No. 1 - SECOND movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th C...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Prayer for Burma - SCORE
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Stuart Brown
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Prayer for Burma - SCORE
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Stuart Brown Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.835413 Composed by Stuart Brown. Contemporary,Multicultural,World. Score and parts. 56 pages. Stua...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.835413 Composed by Stuart Brown. Contemporary,Multicultural,World. Score and parts. 56 pages. Stuart Brown Music #1285. Published by Stuart Brown Music (A0.835413). Contact the composer at themusicman55@gmail.com Performing rights apply in the United Kingdom (PRS for Music) and the United States of America Find us on Facebook (SB Vision Music: home of musician / composer / arranger Stuart Brown) Prayer for Burma is an orchestral tone poem in five sections, total duration 13 minutes. It was composed in 2010 for Christian Solidarity Worldwide, in support of the organisation's human rights work in Burma (Myanmar). 90% of all profits from this work are donated to Christian Solidarity Worldwide. The full score and sets of parts are available from sheetmusicplus.com The composer is available to assist in rehearsing the work or to conduct performances in Europe, the USA and Canada. A recording of the work is available from most major online stores (Amazon recommended).
$14.00
Rhythm Herd (4 sopranos, alto recorder)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Dominic McGonigal
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Rhythm Herd
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C8 Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.924066 Composed by Dominic McGonigal. Contemporary. Score and parts. 26 pages. C8 Music #4633311. ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.924066 Composed by Dominic McGonigal. Contemporary. Score and parts. 26 pages. C8 Music #4633311. Published by C8 Music (A0.924066). Rhythm Herd is a celebration of rhythmic energy in words and music. Euan Tait's poem harnesses the stampede of whinnying horses, the crackle of the fire, thundering south and gives the singers the power of nature's forces. The four sopranos keep constant pulse passed between the voices as the quavers are herded into chords, melody, phrases and whole movements. Their warm tones are punctuated by riffs on the recorder, building up to an extended obbligato fughetta. Finally, the heart dissolves to ashes, the pulse of the sopranos slows, while the recorder maintains the rhythmic riffs, now in time with the human heart. Rhythm Herd was commissioned by Philomel and first performed by them on 24 November 2018.
$4.99
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Chamber Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Chamber Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
Piano Concerto No. 1 - THIRD movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
L'Après-midi d'un faun (2021) for soprano and string quartet
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Thomas Oboe Lee
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L'Après-midi d'un faun
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869867 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 90 pages. Thomas O...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869867 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 90 pages. Thomas Oboe Lee #6473889. Published by Thomas Oboe Lee (A0.869867). Everyone knows L'Après-midi d'un faun, right? Well, in the case of Debussy it was a tone poem for flute and orchestra. Mine is an actual setting of the Stéphane Mallarmé poem of the same title. Even though the entire poem is in the voice of the 'faun,' who is a male, albeit half human-half goat, I decided that because the poem is so beautiful and seductive a soprano voice would do the words justice. I divided the poem into five parts. 1. Ces nymphes, je les veux perpétuer ... 2. O bords siciliens d'un marécage ... 3. Tâche donc, instrument des fuites ... 4. O nymphes, regonflons des Souvenirs divers ... 5. Tant pis! vers le bonheur d'autres m'entraîneront ...
$9.99
Sunrise Suite
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Film/TV
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Sara Bongo
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Sunrise Suite
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Sara Bongo
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1014362 Composed by Sara Bongo. Film/TV. Score and parts. 120 pages. Sara Bongo #3875795. Publishe...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1014362 Composed by Sara Bongo. Film/TV. Score and parts. 120 pages. Sara Bongo #3875795. Published by Sara Bongo (A0.1014362). Sunrise Suite consists of themes from the partial scoring of the silent film Sunrise: A Song Of Two Humans. The varied themes represent the characters in the film and the moods of the different scenes.
$60.00
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
To fly and to fall (Concerto for Tenor Saxophone & Chamber Orchestra)
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Chamber Orchestra
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ADVANCED
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Josh Trentadue
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To fly and to fall
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T.U.X. People's Music
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1287298 Composed by Josh Trentadue. 21st Century,Contemporary,Contest,Festival. Score and Parts. 2...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1287298 Composed by Josh Trentadue. 21st Century,Contemporary,Contest,Festival. Score and Parts. 253 pages. T.U.X. People's Music #878315. Published by T.U.X. People's Music (A0.1287298). A magnificently poetic work on humanity's relationship with nature and technology, this profound concerto for tenor saxophone brings both realism and optimism to the forefront throughout its exploration of our very way of life.
$140.00
Soldiers' March
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Robert Schumann
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Christopher Kalstad
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Soldiers' March
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Christopher Kalstad
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1466526 Composed by Robert Schumann. Arranged by Christopher Kalstad. 19th Century,Children,Classi...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1466526 Composed by Robert Schumann. Arranged by Christopher Kalstad. 19th Century,Children,Classical,Romantic Period. 35 pages. Christopher Kalstad #1045095. Published by Christopher Kalstad (A0.1466526). Soldiers' March from Schumann's beloved piano work Album for the Young is now arranged for chamber orchestra. The composer's musical charm is on full display in this attractive light piece - perfect as an encore!
$11.99
Ich stand in dunkeln Träumen
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Chamber Orchestra
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ADVANCED
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Classical
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Clara Wieck-Schumann
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David A
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Ich stand in dunkeln Träumen
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David A. Rahbee
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1422689 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Roma...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1422689 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Romantic Period. 8 pages. David A. Rahbee #1004040. Published by David A. Rahbee (A0.1422689). SET OF PARTSCLARA SCHUMANN (1819-1896) Orchestrated by David A. Rahbee (2023)Ich stand in dunkeln Träumen [Heine] (1843) (2’) solo soprano or mezzo-sopranoOboeClarinetHornStrings.
$30.00
Liebst du um Schönheit?
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Chamber Orchestra
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ADVANCED
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Classical
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Clara Wieck-Schumann
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David A
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Liebst du um Schönheit?
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David A. Rahbee
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1422690 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Roma...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1422690 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Romantic Period. 10 pages. David A. Rahbee #1004041. Published by David A. Rahbee (A0.1422690). FULL SCORECLARA SCHUMANN (1819-1896) Liebst du um Schönheit? [Rückert] (1840) (3’)Orchestrated by David A. Rahbee (2023)Solo soprano or mezzo sopranoFlute2 ClarinetsBassoon HornStrings.
$20.00
Ich stand in dunkeln Traümen
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Chamber Orchestra
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ADVANCED
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Clara Wieck-Schumann
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David A
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Ich stand in dunkeln Traümen
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David A. Rahbee
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1422684 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century. 7 pages. Davi...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1422684 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century. 7 pages. David A. Rahbee #1004035. Published by David A. Rahbee (A0.1422684). FULL SCORECLARA SCHUMANN (1819-1896) Orchestrated by David A. Rahbee (2023)Ich stand in dunkeln Träumen [Heine] (1843) (2’) solo soprano or mezzo-sopranoOboeClarinetHornStrings.
$20.00
Warum willst du and're fragen?
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Chamber Orchestra
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ADVANCED
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Classical
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Clara Wieck-Schumann
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David A
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Warum willst du and're fragen?
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David A. Rahbee
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1422692 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Roma...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1422692 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Romantic Period. 8 pages. David A. Rahbee #1004043. Published by David A. Rahbee (A0.1422692). FULL SCORECLARA SCHUMANN (1819-1896) Orchestrated by David A. Rahbee (2023)Warum willst du and’re fragen? [Rückert] (1840) (3’) Solo soprano or mezzo soprano2 Oboes2 Clarinets 2 Bassoons Horn Strings.
$20.00
Warum willst du and're fragen?
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Chamber Orchestra
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ADVANCED
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Classical
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Clara Wieck-Schumann
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David A
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Warum willst du and're fragen?
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David A. Rahbee
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1422694 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Roma...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1422694 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Romantic Period. 12 pages. David A. Rahbee #1004045. Published by David A. Rahbee (A0.1422694). SET OF PARTSCLARA SCHUMANN (1819-1896) Orchestrated by David A. Rahbee (2023)Warum willst du and’re fragen? [Rückert] (1840) (3’) Solo soprano or mezzo soprano2 Oboes2 Clarinets2 BassoonsHornStrings.
$30.00
Liebst du um Schönheit?
#
Chamber Orchestra
#
ADVANCED
#
Classical
#
Clara Wieck-Schumann
#
David A
#
Liebst du um Schönheit?
#
David A. Rahbee
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1422691 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Roma...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1422691 Composed by Clara Wieck-Schumann. Arranged by David A. Rahbee. 19th Century,Classical,Romantic Period. 11 pages. David A. Rahbee #1004042. Published by David A. Rahbee (A0.1422691). SET OF PARTSCLARA SCHUMANN (1819-1896)Orchestrated by David A. Rahbee (2023)Liebst du um Schönheit? [Rückert] (1840) (3’)Solo soprano or mezzo sopranoFlute2 Clarinets2 BassoonsHornStrings.
$30.00
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