Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
If It
Not classified
2,583
Piano & keyboards
Piano, Voice
1,812
Piano solo
1,414
Piano, Vocal and Guitar
780
Easy Piano
612
Organ
144
C Instruments
106
Piano Accompaniment
88
1 Piano, 4 hands
41
2 Pianos, 4 hands
33
Piano Trio: piano, violin, cello
14
Piano (band part)
13
Big Note Piano
11
Organ, Piano (duet)
7
Piano Quartet: piano, 2 violins, cello
6
Organ, Trumpet (duet)
6
Piano Quartet: piano, violin, viola, cello
5
Accordion
5
Piano Quintet: piano, 2 violins, viola, cello
4
2 Pianos, 8 hands
2
Harpsichord
2
1 Piano, 6 hands
1
+ 16 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
225
Guitar
153
Ukulele
142
Melody line, (Lyrics) and Chords
102
Guitar (band part)
36
Lyrics and Chords
35
Bass guitar
27
2 Guitars (duet)
19
Dulcimer
18
4 Guitars (Quartet)
10
Banjo
6
3 Guitars (trio)
6
Mandolin
5
Guitar Ensemble
4
Piano, Guitar (duet)
4
2 Dulcimers (duet)
4
2 Ukuleles
3
Guitar, Violin, Cello (trio)
2
2 Mandolins (duet)
2
Lap Steel Guitar
1
Mandolin, Guitar (duet)
1
+ 16 instrumentations
-
Retract
Voice
Choral SATB
654
Choral 3-part
247
Choral TTBB
147
Choral SSAA
135
Choral 2-part
96
Choral Unison
40
Soprano voice, Piano
35
Tenor voice, Piano
24
High voice
22
Vocal duet
17
Choral Instrumental Pak
15
Vocal duet, Piano
12
Choral
10
Alto voice, Piano
10
Low voice, Piano
9
Voice solo
8
Tenor voice
6
Baritone voice, Piano
4
Low voice
3
Soprano voice
3
Medium voice, Piano
3
Choral SSATTB
2
Choral SAATB A Cappella
1
Choral SSAB, Piano
1
Choral SSAB a cappella
1
Choral SSAATTBB
1
+ 21 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
193
Saxophone Quartet: 4 saxophones
152
Flute and Piano
138
Saxophone Quintet: 5 Saxophones
129
Saxophone (band part)
124
Flute, Oboe, Clarinet, Bassoon
122
Clarinet and Piano
107
2 Saxophones (duet)
100
Flute
96
Oboe, Piano (duet)
88
Clarinet Ensemble
86
Clarinet Quartet: 4 clarinets
84
Alto Saxophone
83
Clarinet
80
Pennywhistle
79
2 Flutes (duet)
67
Alto Saxophone and Piano
60
Tenor Saxophone and Piano
60
Flute ensemble
58
Tenor Saxophone
54
Saxophone ensemble
53
Oboe (band part)
52
Soprano Saxophone and Piano
44
Baritone Saxophone, Piano
35
2 Clarinets (duet)
34
Flute and Guitar
30
2 Flutes, Piano
26
Flute Quartet: 4 flutes
26
Clarinet Quintet: 5 clarinets
24
Flute Quintet : 5 flutes
21
2 Oboes (duet)
21
Clarinet (band part)
19
English horn, Piano
19
Flute Trio: 3 flutes
18
Saxophone, Clarinet (duet)
17
Oboe
17
Flute, Clarinet (duet)
16
Flute (band part)
15
Saxophone
14
Clarinet, Trumpet (duet)
13
Clarinet, Violin (duet)
12
Bass Clarinet, Piano
12
3 Saxophones (trio)
11
Flute, Violin
11
Clarinet, Guitar (duet)
10
2 Recorders (duet)
9
Baritone Saxophone
9
Descant (Soprano) Recorder
9
Soprano Saxophone
9
Harmonica
8
3 Clarinets (trio)
8
Flute, Trumpet (duet)
7
Oboe, Clarinet (duet)
7
Recorder
6
Clarinet and Viola
6
Treble (Alto) Recorder
5
Oboe, Flute
4
Oboe, Clarinet, Bassoon (trio)
4
Descent (Soprano) Recorder, Piano
4
Flute, Saxophone (duet)
4
Clarinet, Bassoon (duet)
4
Flute, Viola (duet)
4
Clarinet, Cello (duet)
3
Oboe, Bassoon (duet)
3
Eb Instruments
3
Flute, Violoncello
3
Flute, Trombone (duet)
3
Flute, Clarinet, Horn and Bassoon (Quartet)
3
5 Recorders
3
Ocarina
2
Recorder Quartet
2
Treble (Alto) Recorder, Piano
2
Recorder Ensemble
2
Flute, Clarinet and Bassoon.
2
Wind ensemble
2
Flute, Violin, Piano
2
Tenor Recorder
2
English Horn
2
Saxophone and Organ
1
Oboe, Guitar (duet)
1
Oboe, Cello
1
English Horn, Guitar (duet)
1
Flute, Oboe (duet)
1
Flute, Oboe, Bassoon
1
Flute, Clarinet, Piano (trio)
1
Clarinet, Trombone (duet)
1
Flute, harp and violin
1
3 Recorders (trio)
1
Flute, Oboe, Clarinet (trio)
1
2 Recorders, Guitar
1
Flute, Violin and Violoncello
1
+ 86 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
289
Brass quartet : 2 trumpets, trombone, tuba
148
Trombone (band part)
102
Trumpet
98
Trumpet (band part)
86
Trombone and Piano
79
Trumpet, Piano
79
French Horn and Piano
75
Trombone
66
French horn
50
Brass Quartet: 2 trumpets, horn, trombone
49
Tuba and Piano
43
Tuba
42
Trombone ensemble
29
Euphonium, Piano (duet)
29
2 Trombones (duet)
26
2 Trumpets (duet)
22
Trumpet ensemble
19
English horn, Piano
19
French horn (band part)
18
Tuba (band part)
16
Trumpet, Trombone (duet)
15
Brass Quartet
15
2 French horns (duet)
13
Brass Quartet: 4 trombones
11
2 Tubas (duet)
9
Trumpet, Saxophone (duet)
9
Brass Quartet: 4 horns
9
Horn Ensemble
4
Bass Clef Instruments
4
Tuba and Organ
4
2 Euphoniums and 2 Tubas
4
4 Tubas
4
Trumpet, Horn (duert)
3
Bb Instruments
2
Brass Trio
2
Euphonium
2
Trombone, Organ
2
Brass Quartet: 4 trumpets
2
English Horn
2
3 Trumpets (trio)
1
Bass Trombone
1
English Horn, Guitar (duet)
1
Tuba ensemble
1
Trumpet, Euphonium (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
Horn, Tuba (duet)
1
Trumpet, Bassoon (duet)
1
3 Euphoniums
1
Horn, Cello (duet)
1
3 Trombones (trio)
1
Trumpet, Tuba (duet)
1
Trumpet, violin (duet)
1
Trumpet, Trombone, Piano
1
+ 49 instrumentations
-
Retract
Strings
Harp
698
String Quartet: 2 violins, viola, cello
581
Violin
314
Violin, Cello (duet)
206
String Trio: violin, viola, cello
154
Violin and Piano
147
Cello
129
Cello, Piano
105
Viola, Piano
86
String Quintet: 2 violins, viola, cello, bass
72
Viola
63
2 Cellos (duet)
44
2 Violins (duet)
41
Double bass, Piano (duet)
39
Double Bass
36
2 Violas (duet)
31
Violin, Viola (duet)
30
Doublebass (band part)
29
String Trio: 2 violins, cello
25
Viola (band part)
23
Violin (band part)
17
Violin ensemble
16
Viola ensemble
14
2 Harps (duet)
12
4 Cellos
10
2 Double basses (duet)
7
String Quartet : 4 violas
6
Viola, Cello (duet)
6
String Trio: 3 cellos
5
Cello, Guitar (duet)
4
Piano Trio: Violin, Viola, Piano
4
String Trio: 2 violins, viola
4
String Quintet: 2 violins, 2 violas, cello
3
Cello, String Bass (duet)
3
Violin, Guitar (duet)
3
Harp, Flute (duet)
3
String Trio: 3 violins
3
String quartet: 4 violins
2
Violin, Bassoon (duet)
2
Viola and Bassoon
2
Violin, Tuba (duet)
1
Harp, Violin (duet)
1
Cello (band part)
1
Harp, Trombone (duet)
1
4 Double Basses
1
Cello Ensemble
1
4 Harps
1
Harp, Voice
1
String Trio: 3 violas
1
Viola, Guitar (duet)
1
Flute, Doublebass (duet)
1
Harp, Violin, Violoncello
1
String trio
1
+ 48 instrumentations
-
Retract
Orchestra & Percussion
Concert band
586
Jazz Ensemble
309
String Orchestra
300
Orchestra
208
Brass ensemble
122
Handbells
77
Chamber Orchestra
53
Jazz combo
51
Marching band
47
Percussion Ensemble
34
Drums
32
Drum (band part)
20
Percussion (band part)
10
Vibraphone
6
Orchestra, Violin
3
Marimba
3
Big band
2
Xylophone
2
Percussion
1
3 Marimbas
1
Piano and Orchestra
1
Xylophone, Piano
1
Brass Quintet: other combinaisons
1
Woodwind Quintet
1
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
1
Timpani (band part)
1
+ 21 instrumentations
-
Retract
Others
Free Sheet Music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
10,507
Digital Sheet Music
53
Sheet Music Books
102
Music Equipment
39,872
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
If It
Chamber Orchestra
Sheetmusic to print
53 sheet music found
<
1
26
51
If It's Magic
#
Chamber Orchestra
#
Stevie Wonder
#
Kevin Riley
#
If It's Magic
#
Kevin Riley
#
SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.505210 Composed by Stevie Wonder. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 15 pages. Publ...
(+)
Chamber Orchestra - Digital Download SKU: A0.505210 Composed by Stevie Wonder. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 15 pages. Published by Kevin Riley (A0.505210). A beautiful song by Stevie Wonder here arranged for Alto Saxophone, Strings, Flute and Oboe.
$50.00
Speak to Your Mountain And Move it [chamber orchestra (2222.2200.timp.strings)]
#
Chamber Orchestra
#
EASY
#
Juan MarÃa Solare
#
Speak to Your Mountain And Mov
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.596576 Composed by Juan MarÃa Solare. 20th Century,Christian,Contemporary,Wedding. Score and pa...
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.596576 Composed by Juan MarÃa Solare. 20th Century,Christian,Contemporary,Wedding. Score and parts. 12 pages. Juan Maria Solare #4810669. Published by Juan Maria Solare (A0.596576). Meditative piece for chamber orchestra (2222.2200.timp.strings) Character: noble and majestic. Reflective, meditative. The title is an allusion to the Bible (Mark 11:23, Matthew 17:20, Matthew 21:21). If you have faith as small as a mustard seed, you can say to this mountain, ‘Move from here to there,’ and it will move. One possible interpretation is that the inner mountain symbolize those troubles and issues that you can speak to, i.e. face, and therefore solve. Listen to it on all usual streaming platforms: Spotify: https://open.spotify.com/album/5kuPwSQGnXK9CY9QNX4fks Apple Music: https://music.apple.com/us/album/speak-to-your-mountain-and-move-it-single/1462303377 Bandcamp: https://juanmariasolare.bandcamp.com/album/speak-to-your-mountain-and-move-it Nico Zwaneveld from the blog Christian Dance wrote (10 August 2019): Maybe you can appreciate the works of Hans Zimmer, Gustav Mahler, Edvard Grieg... or maybe this introduction to Juan Maria Solare will cause you to add him to the same list when you are looking for additions to your music collection... let's just say for those special moments where other music genres will not be able to bring you the same feelings of hope, serenity, calmness, nobleness, or tranquility. (http://blog.christiandance.eu/2019/08/juan-maria-solare-speak-to-your.html) As for the parts, contact the composer (www.JuanMariaSolare.com) or search (soon) in Sheet Music Plus (https://www.sheetmusicplus.com/publishers/juan-maria-solare-sheet-music/3003582?aff_id=565049)
$4.00
Three Laments of Heloise for Chamber Orchestra
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Dosia McKay
#
Three Laments of Heloise for C
#
Gavia Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. ...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
"On the beaches of Tijuana"
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Luis Carlos Diaz
#
Luis Carlos Diaz
#
}p { margin-bottom: 0.1in
#
"On the beaches of Tijuana"
#
azdi
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Azdi #5983045. Published by azdi (A0.1029901). On the beaches of Tijuana August 2018 It is a sound work for chamber orchestral ensemble based on the traditional and anonymous Son Istmeño La Llorona. Developed under a minimalist aesthetic influenced by ambient and experimental music. It fuses the themes of the traditional son with melodic and rhythmic motifs of popular Mexican rock songs also inspired by this traditional rhythm: La muerte chiquita by Café Tacuba and Llorona by Caifanes. It is structured similar to the format of a rock song. Start with a long base note or drone. Introduction (intro) about a descending harmony in the key of La Menor. A melody as a verse and a different melody as choir. Both melodies are presented and performed by different instruments with variations and different combinations of accompaniment and instrumentation. Variations of the thematic patterns and the ¨intro¨. A rhythmic-melodic experiment towards the end on the same descending harmonic progression as the solo part in a rock song. It ends with a fading orchestral atmosphere (outro). All oriented towards a minimalist style setting focused on melodic lines and emotional expressiveness. For a chamber orchestra. Ideally a string septet consisting of: 2 violins. 2 violas. 2 cellos. 1 double bass. Breaths: 1 trombone. 1 trumpet. 1 transverse flute. 1 Picollo flute. 1 Clarinet. 1 Oboe. Percussion of a determined note. It can be a vibraphone. Xylophone (preferably) or marimba. If it is not possible to use this type of instrument, that part is played an octave up on a piano. The number of instruments can be increased for each of the parts if needed and be convenient for the chamber orchestra in question. The Tempo can vary between 95 and 115 bpm. The work is designed so that it can be performed mainly by youth and children's orchestras. Dedicated to Tijuana beaches. pre.cjk { font-family: WenQuanYi Micro Hei Mono, monospace; }p { margin-bottom: 0.1in; line-height: 115%; }
$22.00
If I come to Jesus (For Violin and Chamber)
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
W
#
Han-Ki Kim
#
If I come to Jesus
#
Han-Ki Kim
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1432912 By W.H.Doane. By W.H.Doane. Arranged by Han-Ki Kim. Chamber,Children,Christian,Classical,R...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1432912 By W.H.Doane. By W.H.Doane. Arranged by Han-Ki Kim. Chamber,Children,Christian,Classical,Religious. 24 pages. Han-Ki Kim #1013334. Published by Han-Ki Kim (A0.1432912). One of the best-known hymns, “If I come to Jesus” , was written in 1867 by Frances Jane Crosby(1820-1915). And, the tune was added Willam Howard Doane(1832–1915). After publication as a Hymn it became one of the most popular Christian hymns in churches around the world. Although it is a melody with a simple structure, it is especially loved by children due to its interesting progression. I quoted this beautiful melody and arranged it into a small violin concerto format.
$15.90
Nice Work If You Can Get It
#
Chamber Orchestra
#
INTERMEDIATE
#
Jazz
#
Frank Sinatra
#
George Gershwin
#
John Winn III
#
Nice Work If You Can Get It
#
John Winn
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1030292 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Winn III. Jazz. Sc...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1030292 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Winn III. Jazz. Score and parts. 18 pages. John Winn #6221881. Published by John Winn (A0.1030292). George Gershwin for clarinet and string quartet. Jazzy, fun arrangement. Includes a 16 bar improvised clarinet solo over chord changes. Includes a sample solo for those who would rather not improvise. Difficulty level: medium. Composed by George Gershwin (1898-1937). Arranged by John Winn. Digital downloads include score and parts.
$14.99
Backwards Decade
#
Chamber Orchestra
#
INTERMEDIATE
#
Stanley M
#
Backwards Decade
#
stanleymhoffman.com
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.924854 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanle...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.924854 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913637. Published by stanleymhoffman.com (A0.924854). This piece was composed for and is dedicated to the Vine Orchestra, Michael Mikulka, Conductor. His call for scores was for (if memory serves) works for chamber orchestra under eight seconds in duration. That is arguably the most unusual call for scores to which the composer has ever or will ever respond. Consider the resultant composition a novelty piece that is only six seconds in duration. If any orchestra performs this work, it is sure to illicit laughter in the audience even though, interestingly enough, the music itself is anything but humorous-sounding. The title is taken from the fact that the composer took the word decade and ran it backwards to get the main and only theme of the piece (E-D-A-C-E-D). Perhaps this brief piece will serve as the basis for a larger work one day. Who knows? It's an attractive little thing. In the meantime, enjoy! (PS: it is painful to charge more than $2.00 for six seconds of music, but if SMP Press ever prints an order, I have to make it worth their while, rather than costing them money.).
$8.00
O Holy Night for Vocal Solo and/or String Quartet (C-major)
#
Chamber Orchestra
#
INTERMEDIATE
#
Christmas
#
Adolphe-Charles Adam
#
Kovats Istvan
#
O Holy Night for Vocal Solo an
#
Kovats Istvan
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.764306 Composed by Adolphe-Charles Adam. Arranged by Kovats Istvan. Christian,Christmas. Score and...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.764306 Composed by Adolphe-Charles Adam. Arranged by Kovats Istvan. Christian,Christmas. Score and parts. 7 pages. Kovats Istvan #6645081. Published by Kovats Istvan (A0.764306). Beautiful Christmas song, for Vocal solo and String Quartet, intermediate level.It sounds great, enjoy it :)Tips:-If You don't have a singer, you can play just the String Quartet version from the instrumental parts (the two violins may play an octave higher)-If You need other transposition, check my scores, You may find what You need. If don't, please contact me on the link below, and I'll do it. For more info, contact, etc. visit my Facebook page here: https://www.facebook.com/kovatsmusicGive it a thumbs up, thanks :).
$4.99
O Holy Night for Vocal Solo and/or String Quartet B-flat
#
Chamber Orchestra
#
INTERMEDIATE
#
Christmas
#
Adolphe-Charles Adam
#
Kovats Istvan
#
O Holy Night for Vocal Solo an
#
Kovats Istvan
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.764307 Composed by Adolphe-Charles Adam. Arranged by Kovats Istvan. Christian,Christmas. Score and...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.764307 Composed by Adolphe-Charles Adam. Arranged by Kovats Istvan. Christian,Christmas. Score and parts. 8 pages. Kovats Istvan #6645087. Published by Kovats Istvan (A0.764307). Beautiful Christmas song, for Vocal solo and String Quartet, intermediate level.It sounds great, enjoy it :)Tips:-If You don't have a singer, you can play just the String Quartet version from the instrumental parts.-I've added two viola parts, first with HIGHER pizzicatos, the second with LOWER pizzicatos, You can choose which one You like better.-If You need other transposition, check my scores, You may find what You need. If don't, please contact me on the link below, and I'll do it. For more info, contact, etc. visit my Facebook page here: https://www.facebook.com/kovatsmusicGive it a thumbs up, thanks :).
$4.99
ALES STENAR, suite for violin and chamber orchestra - Score Only
#
Chamber Orchestra
#
ADVANCED
#
Stefano Olcese
#
Stefano Olcese
#
ALES STENAR, suite for violin
#
Stefano Olcese
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contem...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99
Gesu Bambino (the Infant Jesus) - Score Only
#
Chamber Orchestra
#
INTERMEDIATE
#
Frederick H
#
Sunny K
#
Gesu Bambino
#
Sunny Kim
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1220223 Composed by Frederick H. Martens and Pietro A. Yon. Arranged by Sunny K. Christian,Classic...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1220223 Composed by Frederick H. Martens and Pietro A. Yon. Arranged by Sunny K. Christian,Classical,Early Music,Holiday,Religious. 16 pages. Sunny Kim #816550. Published by Sunny Kim (A0.1220223). Gesu Bambino is an Italian Christmas carol and composed by Pietro Yon. The melody was used by Frederick H. Martens in his English language carol When Blossoms Flowered 'mid the Snows.*This site can only upload one PDF file so I uploaded full score music(16pages) only. The price of $29.99 includes 1) full score music 2) sheet music for each part of the instrument3) piano sheet music. If you request it after payment, I will send you all the sheet music.*Totla 29pages(Full Score/16pages and Instrument Parts/13pages )Â *Instruments usedFlute, Oboe, Bb Clarinet, Trombone, Timpani, Glockenspiel, Piano, Violins, Violas, Cellos, Another cello part can be played by the contrabass.*If you want to add another instrument or arrange it, you can share your opinion by e-mail and edit the sheet music. Additional costs may apply.*If you would like to hear the entire music, please email me.Email: sunducklove@gmail.com*Note: Please check the preview before printing.
$29.99
Halloween Prelude for Small Orchestra
#
Chamber Orchestra
#
INTERMEDIATE
#
Halloween
#
Film/TV
#
Mark Bisson
#
Halloween Prelude for Small Or
#
Mark Bisson
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by Mark Bisson (A0.900886). A short Concert piece for a school orchestra.I was trying to create a fun Halloween piece full of musical cliches. There is a tuba solo but this can be played by a trombone if necessary. I have also included the tuba part as an E flat bass part. I have included optional oboe parts (which can be covered either by clarinets or flutes) and an optional bassoon part. The piece may feel a little brass heavy due to there being 4 horn parts and 4 trumpet parts; this is a reflection of the instrumentalists I had at the time of composing it. It is, as usual, thickly scored so that it will still work even if you don’t have a full compliment of players. The Double bass part can be played on a bass guitar.PERFORMANCE AND PHOTOCOPYING I freely give my permission to make as many copies of parts etc. as needed and would be delighted to have any of my music performed (there is no charge) but please tell me how it went!
$6.99
Concerto Grosso (2017) for chamber orchestra
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Thomas Oboe Lee
#
Allegro 
#
Concerto Grosso
#
Thomas Oboe Lee
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99
Fitch Overture for chamber orchestra
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Joseph Dillon Ford
#
Fitch Overture for chamber orc
#
David Warin Solomons2
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.
$10.00
Mountains Of The Moon
#
Chamber Orchestra
#
INTERMEDIATE
#
The Grateful Dead
#
Lee Johnson
#
Mountains Of The Moon
#
Lee Johnson Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Cen...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Folk. Score and Parts. 40 pages. Lee Johnson Music #781381. Published by Lee Johnson Music (A0.1181592). MOUNTAINS of the MOON - for string orchestra and harp - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel Â
$49.99
Requiem
#
Chamber Orchestra
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
The Hunt
#
Chamber Orchestra
#
ADVANCED
#
Franco Esteve
#
The Hunt
#
Franco Esteve
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve ...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
Meditation XVII - Parts
#
Chamber Orchestra
#
Contemporary
#
Ron Keinan
#
Meditation XVII - Parts
#
Ron Keinan
#
SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.1028111 Composed by Ron Keinan. Contemporary. Score and parts. 125 pages. Ron Keinan #3407435. Published by ...
(+)
Chamber Orchestra - Digital Download SKU: A0.1028111 Composed by Ron Keinan. Contemporary. Score and parts. 125 pages. Ron Keinan #3407435. Published by Ron Keinan (A0.1028111). Meditation VXII - Text by John Donne (1572-1631).For Mezzo Soprano, Rock Ensemble and Chamber OrchestraA full set of parts. Score available separately.TextNo man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.
$20.00
When You Say Nothing At All
#
Chamber Orchestra
#
INTERMEDIATE
#
Country
#
Keith Whitley
#
Stephen M
#
When You Say Nothing At All
#
SMT Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.749733 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Stephen M. Taylor. Countr...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.749733 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Stephen M. Taylor. Country. Score and parts. 18 pages. SMT Music #3536859. Published by SMT Music (A0.749733). When You Say Nothing at All is a country song written by Paul Overstreet and Don Schlitz. Keith Whitley first recorded it in 1988 and it hit NO. 1 on the Hot Country Singles Chart. In 1995 Allison Krausse and Union Station released it. It became her first solo top-10 country hit. Song definitely has legs ... I like the Keith Whitley version best. It's a nice Unity Candle song for weddings. My cousin requested it and so I did this arrangement for her singer which put it in lower key.. C major. If you want it for your wedding you can look for me at Sheet Music Plus or SMT Music in Louisville, KY. I can put up another version in your key on this website. This arr. is 2 1/2 min. in length. You can see our performance of it at https://www.youtube.com/watch?v=9XvgJr4JVpQ
$20.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
#
Chamber Orchestra
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: The Acts of the
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Mu...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Perfect
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Pop music
#
Ed Sheeran
#
Kováts István
#
Perfect
#
Kovats Istvan
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.764295 By Ed Sheeran. By Ed Sheeran. Arranged by Kováts István. Pop. Score and parts. 10 pag...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.764295 By Ed Sheeran. By Ed Sheeran. Arranged by Kováts István. Pop. Score and parts. 10 pages. Kovats Istvan #3684133. Published by Kovats Istvan (A0.764295). First I've made an arrangement for my String Quartet, this is a version with solo Tenor-Saxophone and String Quartet accompaniment. The string parts have bowings, legatos, dynamics and rehearsal marks A, B, C, etc. to help and to speed up the learning process. Just count, respect the bow directions and You're done. It's a beautiful song and it sounds great with solo Saxophone. (mp3 sample is coming hopefully in the next days)Enjoy it!Tip: In the cello part the double notes can be ignored, if you want you can play only the lower notes (with doubles sounds much better, it worths studying a little more)For more info, contact, etc. visit my Facebook page here: https://www.facebook.com/kovatsmusicGive it a thumbs up, thanks :).
$17.99
Fantasy for Flute and Strings
#
Chamber Orchestra
#
ADVANCED
#
Adrian Dee
#
Fantasy for Flute and Strings
#
Adrian Dee
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pa...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
Dreams - Score Only
#
Chamber Orchestra
#
INTERMEDIATE
#
Juan Guerra González
#
Dreams - Score Only
#
Juan Carlos Guerra Gonzalez
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra ...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
In Christ Alone
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Margaret Becker
#
Clark Cothern
#
In Christ Alone
#
Clark Cothern
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1035787 By Margaret Becker. By Keith Getty and Stuart Townend. Arranged by Clark Cothern. Celtic,I...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1035787 By Margaret Becker. By Keith Getty and Stuart Townend. Arranged by Clark Cothern. Celtic,Irish,Praise & Worship,Sacred. Score and parts. 28 pages. Clark Cothern #640944. Published by Clark Cothern (A0.1035787). Maybe your church doesn't have a full complement of orchestral players. If not, here's a tasteful orchestral arrangement of In Christ Alone for a much smaller orchestral ensemble. If no accordionist is available, you can either a) add a keyboard with an accordion sample, b) use the piano and accordion music and play it on piano only.
$49.99
<
1
26
51
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version