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It\\\'s Spring!
Chamber Orchestra
Sheetmusic to print
5 sheet music found
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1
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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God's Grandeur
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. T...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.
$9.99
The Egret's Wishes《白鷺鷥的願望》
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Chamber Orchestra
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Ma Shui Long 馬水é¾
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The Egret's Wishes《ç™
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SpringAutumnmusic
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.961999 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 55 pages. Sp...
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Chamber Orchestra - Digital Download SKU: A0.961999 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 55 pages. SpringAutumnmusic #2341885. Published by SpringAutumnmusic (A0.961999). 《白鷺鷥的願望》，鋼ç´èˆ‡å¼¦æ¨‚å››é‡å¥ 2002å¹´ 　本曲應白鷺鷥文教基金會之委託，特別以å°ç£ç«¥è¬ <白鷺鷥>的旋律為創作之主è¦ç´ ；全曲略分為四段，動機之發展亦為單純，但æ¯ä¸€æ®µå‡åœ¨è®ŠåŒ–ä¸ï¼›å¦‚多種的ç†å¿µåœ¨ç•°ä¸æ±‚åŒä¹‹éŽç¨‹ä¸å¾—到純化，象徵白鷺鷥乘著希望之翼翻山越嶺，飛å‘安和幸ç¦çš„家園。 ※本曲首演於2002å¹´8月25æ—¥ï¼Œæ–¼åœ‹å®¶éŸ³æ¨‚å»³èˆ‰è¾¦çš„ã€Œç¬¬äºŒå±†åŠ å°å¤å£éŸ³æ¨‚節ã€ã€‚æ¼”å¥å®¶ç‚ºé‹¼ç´å¥ˆè‰¯å¸Œæ„›ï¼Œç¬¬ä¸€å°æç´Edmond Agopian，第二å°æç´å³åŸå¹³ï¼Œä¸æç´æ¥Šç‘žç‘Ÿ ，大æç´æž—浥雯。 《The Egret's Wishes》for Piano and String Quartet（2002） The Egret’s Wishes was commissioned by the Egret Cultural and Educational Foundation (ECEF). The piece consists four sections, and the composer developed the main motives and elements from the melody of a Taiwanese children's rhyme, The Little Egret, as the base of ​​this composition. Although there are always subtle differences change steadily in every section, the development of the main motives are very simple and clear in this piece, implies as if the diversities will finally purify and unite to one simple concept/idea, even they are developed in different ways. This symbolizes the little egret flies over different mountains and valleys, but always seeking the way to the only place for peace and happiness. The Egret’s Wishes was premiered in the National Cocnert Hall on 25th of August 2002. It was pragrammed in a concert of The 2nd Taiwan-Canada Summer Music Festival. The world premiere musicians were Kiai Nara (Piano), Edmond Agopian (Violin I), Meng-Ping Wu (Violin II), Jui-Se Yang (Viola) and I-Wen Lin (Cello).
$20.99
Dreams - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
Sehnsucht nach dem Frühling (K.596)
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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Tsuyoshi Yorogiuma
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Sehnsucht nach de
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.711278 Composed by Wolfgang Amadeus Mozart. Arranged by Tsuyoshi Yorogiuma. Classical,Concert,Inst...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.711278 Composed by Wolfgang Amadeus Mozart. Arranged by Tsuyoshi Yorogiuma. Classical,Concert,Instructional,Standards. Score and parts. 13 pages. Tsuyoshi Yoroiguma #4360205. Published by Tsuyoshi Yoroiguma (A0.711278). Let's enjoy a lovely melody by genius composer with instrument ensemble.Also school band students will be able to enjoy it.Instrumentation: 2 Flutes / 2 Bb Clarinets / 2 Alto Sax / F Horn / Bass ClarinetThis is good for spring concert,event,contest etc.Playing time is 2min 20sec.PDF file includes 5 pages of score and 8 page of parts.
$13.00
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Chamber Orchestra
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ADVANCED
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Classical
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCERTO I
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Scor...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
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