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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
MEA
Not classified
3,173
Piano & keyboards
Piano solo
2,704
Easy Piano
642
Piano, Vocal and Guitar
620
Piano, Voice
620
C Instruments
299
Piano Accompaniment
138
Organ
122
1 Piano, 4 hands
90
Accordion
33
Piano Trio: piano, violin, cello
26
2 Pianos, 4 hands
25
Big Note Piano
24
1 Piano, 6 hands
20
Piano Quartet: piano, violin, viola, cello
15
Piano (band part)
14
Harpsichord
8
2 Pianos, 8 hands
8
Piano Quintet: piano, 2 violins, viola, cello
5
Organ, Piano (duet)
5
Organ, Trumpet (duet)
4
Melody line, Piano
4
Piano Quartet: piano, 2 violins, cello
4
Keyboard
4
+ 18 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
274
Guitar
188
Melody line, (Lyrics) and Chords
139
Lyrics and Chords
86
Ukulele
49
Guitar (band part)
37
Bass guitar
28
2 Guitars (duet)
25
Dulcimer
18
Banjo
11
Mandolin
8
Piano, Guitar (duet)
6
4 Guitars (Quartet)
6
3 Guitars (trio)
3
Guitar Ensemble
2
2 Mandolins (duet)
1
Band Scores
1
Mandolin, Guitar (duet)
1
Electric Bass (band part)
1
Guitar, Violin, Cello (trio)
1
+ 15 instrumentations
-
Retract
Voice
Choral SATB
1,113
Choral 3-part
312
Choral TTBB
240
Choral 2-part
157
Choral SSAA
119
Choral Unison
107
Choral Instrumental Pak
63
Choral
46
Soprano voice, Piano
32
Vocal duet
28
Vocal duet, Piano
27
Voice solo
20
High voice
11
Alto voice, Piano
11
Tenor voice, Piano
8
Choral SSAATTBB
7
Choral SAATB A Cappella
4
Tenor voice
3
Low voice, Piano
3
Medium voice, Piano
3
Baritone voice, Piano
3
Choral SSATTB
3
Mezzo-Soprano voice, Piano
2
Choral SSAB a cappella
2
Children choir
1
Voice, Guitar
1
Soprano voice, Orchestra
1
Choral SSATB
1
Soli, Mixted choir and accompaniment
1
+ 24 instrumentations
-
Retract
Woodwind
Flute and Piano
213
Saxophone Quartet: 4 saxophones
193
Saxophone (band part)
164
Clarinet and Piano
153
Clarinet
138
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
129
Flute, Oboe, Clarinet, Bassoon
121
Alto Saxophone and Piano
117
Oboe, Piano (duet)
111
2 Flutes (duet)
104
Clarinet Quartet: 4 clarinets
100
Flute
99
2 Saxophones (duet)
88
Tenor Saxophone and Piano
83
Alto Saxophone
80
2 Clarinets (duet)
71
Soprano Saxophone and Piano
69
Tenor Saxophone
61
Saxophone Quintet: 5 Saxophones
54
Clarinet (band part)
53
Baritone Saxophone, Piano
53
Clarinet Ensemble
47
Flute Quartet: 4 flutes
44
Saxophone and Harp
42
Clarinet, Harp (duet)
42
English horn, Piano
39
3 Saxophones (trio)
38
Oboe, Harp
37
Saxophone ensemble
35
Flute and Guitar
31
3 Clarinets (trio)
29
Bass Clarinet, Piano
28
Flute ensemble
28
Saxophone
25
Flute, Clarinet (duet)
25
Flute (band part)
25
Oboe (band part)
25
Saxophone, Clarinet (duet)
22
Flute Trio: 3 flutes
22
2 Oboes (duet)
21
Clarinet, Violin (duet)
19
Clarinet Quintet: 5 clarinets
17
2 Clarinets, Piano
16
Oboe
14
Oboe, Bassoon (duet)
14
Clarinet, Trumpet (duet)
13
Flute, Violin
13
Soprano Saxophone
12
Oboe, Clarinet (duet)
11
Flute, Oboe, Clarinet (trio)
11
Flute, Violin, Piano
11
Flute, Clarinet and Bassoon.
10
Flute, Saxophone (duet)
10
Baritone Saxophone
10
Recorder
9
Clarinet and Viola
9
Clarinet, Guitar (duet)
8
Flute, Violoncello
8
Oboe, Clarinet, Bassoon (trio)
8
Flute, Trumpet (duet)
7
Flute, Viola (duet)
7
Flute, Oboe, Bassoon
7
Oboe, Flute
7
Eb Instruments
7
Flute Quintet : 5 flutes
6
Clarinet, Cello (duet)
6
Recorder Quartet
6
English Horn
5
Flute, Violin and Violoncello
5
Clarinet, Bassoon (duet)
5
Harmonica
5
Descant (Soprano) Recorder
5
Oboe, Guitar (duet)
4
Treble (Alto) Recorder
4
Ocarina
3
3 Oboes
3
Oboe, Cello
3
5 Recorders
3
Flute, Bassoon, and Piano
3
Flute, Cello, Piano (trio)
3
English Horn, Guitar (duet)
3
Tenor Recorder
2
Flute, Clarinet, Piano (trio)
2
Saxophone and Guitar
2
Clarinet, Cello, Piano (trio)
2
Flute and Strings Trio
2
Flute, harp and violin
2
Descent (Soprano) Recorder, Piano
2
Clarinet, Organ
2
Piccolo
2
Piccolo, Piano
2
Saxophone and cello
1
2 English horns and Pianoforte
1
Bass Clarinet
1
2 Flutes, Piano
1
Clarinet, Bassoon, Piano (trio)
1
Clarinet, Trombone (duet)
1
Clarinet, Tuba
1
Flute, Viola and Cello
1
Recorder, Piano
1
2 Recorders (duet)
1
Treble (Alto) Recorder, Piano
1
2 Clarinets, Bassoon
1
Saxophone, Bassoon (duet)
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Saxophone and Organ
1
Flute, Trombone (duet)
1
3 Recorders (trio)
1
Flute, Oboe (duet)
1
Clarinette, Viola and Piano (trio)
1
Flute, Viola and Piano
1
+ 106 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
266
Trumpet
164
Trombone (band part)
133
Trumpet (band part)
111
Trumpet, Piano
93
Brass quartet : 2 trumpets, trombone, tuba
91
French Horn and Piano
74
Trombone and Piano
74
Trombone
67
French horn
58
French Horn and Harp
50
Euphonium, Piano (duet)
47
Brass Quartet: 2 trumpets, horn, trombone
44
2 Trumpets (duet)
39
English horn, Piano
39
Trumpet, Harp
37
Brass Quartet
35
Tuba and Piano
33
Tuba (band part)
30
2 Trombones (duet)
24
French horn (band part)
23
Tuba
21
2 French horns (duet)
20
Trombone ensemble
17
Brass Quartet: 4 trombones
17
Trumpet, Saxophone (duet)
15
Trumpet, Trombone (duet)
14
Brass Quartet: 4 horns
11
Bass Clef Instruments
8
Bb Instruments
7
Cornet
7
2 Tubas (duet)
7
3 Trombones (trio)
6
Horn Ensemble
6
English Horn
5
Bass Trombone
4
2 Euphoniums and 2 Tubas
4
Trumpet ensemble
4
Euphonium
4
Brass Trio
4
2 Euphoniums (duet)
3
Euphonium, Tuba (duet)
3
English Horn, Guitar (duet)
3
Tuba or Euphonium or Saxhorn
2
4 Tubas
2
3 Trumpets (trio)
2
Tuba and Organ
2
Trumpet, Tuba (duet)
2
Trumpet, Trombone, Piano
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
2 English horns and Pianoforte
1
Brass Quartet: 4 trumpets
1
2 Trumpets, Keyboard (piano or organ)
1
Horn, Cello (duet)
1
Trumpet, Horn (duert)
1
Clarinet, Horn (duet)
1
F Instruments
1
3 Euphoniums
1
Trombone and Orchestra
1
3 French horns (trio)
1
+ 55 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
481
2 Harps (duet)
332
Violin and Piano
237
Harp
233
Violin
203
Cello, Piano
152
Cello
123
Viola, Piano
118
String Trio: violin, viola, cello
94
Harp, Violin (duet)
72
Violin, Cello (duet)
71
Viola
65
Harp, Cello (duet)
60
2 Violins (duet)
57
Harp, Flute (duet)
55
2 Cellos (duet)
47
Doublebass (band part)
44
Violin (band part)
40
Violin, Viola (duet)
39
Viola and Harp
38
String Trio: 2 violins, cello
33
String Quintet: 2 violins, viola, cello, bass
33
2 Violas (duet)
23
Viola (band part)
19
Double Bass
17
Double bass, Piano (duet)
15
4 Cellos
12
Viola, Cello (duet)
12
Harp, Trombone (duet)
11
Cello (band part)
10
String Trio: 3 cellos
9
Cello, Guitar (duet)
9
String Trio: 3 violins
7
Violin, Guitar (duet)
5
Viola, Guitar (duet)
4
Harp and Piano
4
Piano Trio: Violin, Viola, Piano
4
2 Double basses (duet)
3
Violin ensemble
3
Harp, Voice
3
Viola ensemble
3
String Quintet: 2 violins, 2 violas, cello
3
Violin, Bassoon (duet)
2
String Trio: 3 violas
2
Harp and mandolin
2
Cello Ensemble
2
Violin, Clarinet, Piano (trio)
1
Violin, Organ
1
Viola and Bassoon
1
String Trio: 2 violins, viola
1
String quartet: 4 violins
1
String trio
1
String Quintet: 2 violins, viola, 2 cellos
1
+ 48 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,087
Handbells
585
Orchestra
258
String Orchestra
250
Jazz Ensemble
228
Brass ensemble
185
Marching band
88
Chamber Orchestra
62
Jazz combo
48
Drums
45
Percussion Ensemble
33
Drum (band part)
24
Percussion (band part)
23
Marimba
17
Vibraphone
11
Percussion
11
Timpani (band part)
5
2 Xylophones
4
Xylophone, Piano
3
Xylophone
3
Brass Quintet: other combinaisons
3
Flexible Instrumentation
2
Woodwind Quintet
1
Piano and Orchestra
1
2 Marimbas
1
Timpani
1
Bodhran
1
+ 22 instrumentations
-
Retract
Others
Musical course - Solfege
72
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Chamber Orchestra
Sheetmusic to print
62 sheet music found
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51
Meadow Waltz - N. Cossins (Original Orchestral Composition)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Nicholas Cossins
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Meadow Waltz - N. Cossins
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Nicholas Cossins
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1020535 Composed by Nicholas Cossins. Children,Contemporary. Score and parts. 34 pages. Nicholas C...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1020535 Composed by Nicholas Cossins. Children,Contemporary. Score and parts. 34 pages. Nicholas Cossins #5372751. Published by Nicholas Cossins (A0.1020535). A waltz of programme music evoking summer meadows and swallows. Suitable for small orchestras of Flute, Oboe, Clarinet, Bassoon, Horns, Trumpet, Trombone, Violin(s), Viola(s), Cello(s), and Double Bass(es). Good for concerts, encores, background music, or warm-ups.
$6.99
Chalumeau Concerto FaWV L:B 1
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Johann Friedrich Fasch
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John M
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Chalumeau Concerto FaWV L:B 1
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zephyrwindmusic.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1143512 Composed by Johann Friedrich Fasch. Arranged by John M. Laverty. Chamber,Classical. Score ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1143512 Composed by Johann Friedrich Fasch. Arranged by John M. Laverty. Chamber,Classical. Score and Parts. 100 pages. Zephyrwindmusic.com #743828. Published by zephyrwindmusic.com (A0.1143512). As an instrument, the chalumeau can without a doubt be considered the precursor of the modern clarinet. The Chalumeau Concerto by Johann Friedrich Fasch (1688 - 1758) is one of the few examples of a piece written by a signiï¬cant composer for this instrument. In addition to being a piece written for an instrument in transition, the piece itself is from an era when compositional style was in great transition. The Chalumeau Concerto has elements that can be considered either late Baroque period or early Classical period just like the instrument itself. To add to the strange development of this instrument, two additional spellings are found on the original set of parts. “Chalumeaux†and “Chalimeau†can be clearly seen. Instrumentation: Solo Clarinet (Chalumeau) in B-flat Violin 1 Violin 2 Viola Cello Bass Harpsichord Oboe 1 Oboe 2 Bassoon.
$25.00
J.Rameau "Tambourine" For Flute and string orchestra
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Chamber Orchestra
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EASY
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Children
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J
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Seva Youdenitch
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J.Rameau "Tambourine" For Flut
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Razamanta
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.980624 Composed by J.Rameau. Arranged by Seva Youdenitch. Children. Score and parts. 13 pages. Raz...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.980624 Composed by J.Rameau. Arranged by Seva Youdenitch. Children. Score and parts. 13 pages. Razamanta #6021175. Published by Razamanta (A0.980624). I arranged/orchestrated piano accompaniment to string orchestra.Attached mp3 with performance of child (approx. 13 y.o) with string orchestra.
$10.00
You're A Mean One, Mr. Grinch
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Chamber Orchestra
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EASY
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Albert Hague and Dr Seuss
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Kenny Goodson
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You're A Mean One, Mr. Grinch
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MADD Creations
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1325557 Composed by Albert Hague and Dr Seuss. Arranged by Kenny Goodson. Christmas,Comedy,Film/TV...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1325557 Composed by Albert Hague and Dr Seuss. Arranged by Kenny Goodson. Christmas,Comedy,Film/TV. 46 pages. MADD Creations #913755. Published by MADD Creations (A0.1325557). An easy chamber orchestra arrangement of a Christmas favorite, You're a Mean One, Mr. Grinch. Features an alto vocal solo and electric guitar.
$75.00
The Sea Wipes Blood and Tears Meaningless
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Chamber Orchestra
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EASY
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Ahsan Fathoni
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The Sea Wipes Blood and Tears
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A Suburb Violinist
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1283914 Composed by Ahsan Fathoni. Chamber,Classical,Early Music,Medieval,Video Game. Score and Pa...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1283914 Composed by Ahsan Fathoni. Chamber,Classical,Early Music,Medieval,Video Game. Score and Parts. 25 pages. A Suburb Violinist #875095. Published by A Suburb Violinist (A0.1283914). An original piece for soprano, flute, mandolin, harp (played with a keyboard) and string ensemble. Intended to be played by junior or student ensemble in chamber or small format. Score and All parts are included.
$9.99
Canticum Canticorum for Krzysztof Penderecki
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Chamber Orchestra
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ADVANCED
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and p...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
Story No. 2, for narrator and chamber orchestra
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Chamber Orchestra
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Contemporary
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Music by Ofer Ben-Amots, Story
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Story No. 2, for narrator and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944028 Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages...
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Chamber Orchestra - Digital Download SKU: A0.944028 Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages. The Composer's Own Press #4605319. Published by The Composer's Own Press (A0.944028). COMPOSER’S NOTE: Story Nr. 2 for chamber ensemble and a narrator, was written as a commission for the 1983 Children's Music Festival in St. Omer, France. Since its inception, the work has been widely performed in French, German and English. The narrative of Story Nr. 2 is a little known children's story by the great French author and playwright Eugene Ionesco (1912 – 1994). The story is about play on words. Little Josette has a conversation with her father who teaches her the new meaning of words: A Telephone is called Cheese, a Cheese is a Music Box, the Music Box is called a Rug and so on. The meanings become funnier and stranger ad absurdum. Then Josette and her father combine the words into sentences and practice the new mismatched names and objects. The characters participating in the story beside of Josette and her father are Josette's pretty mother and the maid Jacqueline. Each of the characters has its own musical theme and color represented by distinguished instrumentation: Jossette's theme is played by the flute, the father is represented by the trumpet and trombone, the pretty mother by the oboe and Jacqueline by the xylophone and piano. The new orchestral version which includes the string section was written in 1990. Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00
Telemann – Grillen-Symphonie TWV 50:1 (Score and parts PDF)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Georg Philipp Telemann
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Sneakwood Editions
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Telemann – Grillen-Symphonie
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.890768 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Scor...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.890768 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 34 pages. Sneakwood Editions #4781043. Published by Sneakwood Editions (A0.890768). The Concert à 9 Parties, 50:1, features an eccentric instrumentation of flute (ordinary, or that at the octave [i.e. piccolo], or the two combined), alto chalumeau, oboe, two violins almost entirely in unison, viola, two concertante contrabasses, and continuo.The work is in fact a three-movement symphony, as indicated by the original title that Telemann crossed out before he began composing: Grillen-Symphonie in the Italian, French, English, Scottish, and Polish styles. Although this title was rejected, along with the jumble of national idioms, it helps explain the music’s curiously tongue-in-cheek style (Grillen, as used in this sense, are whims) (From Music for a Mixed Taste: Style, Genre, and Meaning in Telemann’s by Steven Zohn)Edition based on manuscript by Telemann: Staatsbibliothek zu Berlin (D-B): Mus. ms. autogr. G. Ph. Telemann 3.Score (18 pp.) and parts (Flute, Oboe, Chalumeau, Double bass 1, Double bass 2, Violins 1 and 2, Viola and Basso Continuo)www.snakewoodeditions.com
$18.00
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Concerto Grosso (2017) for chamber orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Allegro
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Concerto Grosso
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99
Les Indes Galantes - Prologue (Overture)
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Chamber Orchestra
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ADVANCED
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Jean Phillipe Rameau
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Arte Nova Music Lab
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Les Indes Galantes - Prologue
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standard...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
$20.00
Entree d'Abaris (from Les Boreádes)
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Chamber Orchestra
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INTERMEDIATE
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Jean-Philippe Rameau
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Enrique Llorens
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Entree d'Abaris
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Llorens
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.820215 Composed by Jean-Philippe Rameau. Arranged by Enrique Llorens. Baroque,Classical,Opera. Sco...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.820215 Composed by Jean-Philippe Rameau. Arranged by Enrique Llorens. Baroque,Classical,Opera. Score and parts. 7 pages. Llorens #3863197. Published by Llorens (A0.820215). Beautiful piece from Rameau's opera les Boréades. Very relaxed and calm, is suitable for weddings and other solemnal occasions. Scoring: Violins I-II, Violas, Bassi (bassoons optional). Also works as a String Quartet piece. Urtext edition based on the 1764 manuscript.
$9.99
Arizona Centennial Overture - Chamber Orchestra Version
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Sy Brandon
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Arizona Centennial Overture -
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Bran...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.
$39.99
Händel: Basss Aria "The Trumpet Shall Sound" for Bass Solo and Chamber Orchestra (D major Version)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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George Frideric Handel
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Flávio Régis Cunha
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Händel: Basss Aria "The Trump
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597235 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha....
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.597235 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Film/TV,Sacred. Score and Parts. 46 pages. Flavio Regis Cunha #4602725. Published by Flavio Regis Cunha (A0.597235). Händel: The Trumpet Shall Sound for Trumpet, Strings, Bass Solo and Harpsichord (D major Version)The trumpet shall sound Are you looking for a beautiful and exciting piece of music perfect to perform in a church, school or professional orchestra? Look no further!  Introducing 'The Trumpet Shall Sound' composed by Georg Friedrich Händel. This transcendent, multi-instrumental work will leave your audience awe-struck! Get the full sheet music arrangement, designed to be performed with Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings in D major.  Experience this masterpiece the way it was intended - bring it to life in concert field! Perfect for churches, schools and orchestras. Download 'The Trumpet Shall Sound' now and make your performance extra special!The Air for bass The trumpet shall sound, marked Pomposo, ma non allegro, is a da capo aria. In the work's only instrumental solo, the trumpet provides motifs which the bass picks up. In and we shall be changed, the word changed is treated in inventive ever-changing melismas of up to six measures. In the middle section, the word immortality is expressed in a lively melisma of first eight, then nine measures.Advanced Intermediate.Format: A446 pagesFull Score and Orchestral PartsBb Major version:  https://www.sheetmusicplus.com/title/hndel-the-trumpet-shall-sound-for-bassoon-trumpet-in-bb-bass-solo-harpsichord-and-strings-digital-sheet-music/22572767?aff_id=728965
$18.99
Vivaldi: The Four Seasons Complete for Flute & String Quartet
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Chamber Orchestra
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ADVANCED
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Classical
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Antonio Vivaldi
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James Guthrie, ASCAP
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Vivaldi: The Four Seasons Comp
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.551487 Composed by Antonio Vivaldi. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructiona...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.551487 Composed by Antonio Vivaldi. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 282 pages. Jmsgu3 #5306251. Published by jmsgu3 (A0.551487). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$59.95
Vivaldi: Spring from the Four Seasons for Flute & String Quartet
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Chamber Orchestra
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ADVANCED
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Classical
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Antonio Vivaldi
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James M
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Vivaldi: Spring from the Four
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.551459 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Sta...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.551459 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and Parts. 59 pages. Jmsgu3 #5219169. Published by jmsgu3 (A0.551459). Antonio Vivaldi (1676-1741) Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42Contents:I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.
$49.95
Piano Concerto No. 1 - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Be Thou My Vision
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Chamber Orchestra
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EASY
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Celtic/Irish
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Traditional Irish Folk Tune
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Robert Myers
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Be Thou My Vision
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Tra...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
Capriccio Borgogna, for bassoon (or alto clarinet, basset horn) & chamber orchestra (SCORE)
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Chamber Orchestra
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ADVANCED
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Franklin Stover
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Capriccio Borgogna, for bassoo
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Edition Hohenstaufen
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.923636 Composed by Franklin Stover. 20th Century,Concert,Contemporary. Score and parts. 22 pages. ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.923636 Composed by Franklin Stover. 20th Century,Concert,Contemporary. Score and parts. 22 pages. Edition Hohenstaufen #3447743. Published by Edition Hohenstaufen (A0.923636). Facsimile score of Capriccio Borgogna for alto clarinet (basset horn or bassoon) and chamber orchestra. The audio here features Tristan Willems-bassoon and members of the Slovak Radio Orchestra, Trevor Kirk conducting. Parts will be added at a future time. In the meantime, parts may be had by contacting the composer at komponist53@gmail.com
$5.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Sco...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
The Day The Little Green Men Didn’t Attack Earth! - PARTS
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Chamber Orchestra
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ADVANCED
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Maxime Aulio
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The Day The Little Green Men D
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Maxime Aulio
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1094237 Composed by Maxime Aulio. Classical,Contemporary,Rock. Score and parts. 117 pages. Maxime ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1094237 Composed by Maxime Aulio. Classical,Contemporary,Rock. Score and parts. 117 pages. Maxime Aulio #698340. Published by Maxime Aulio (A0.1094237). See score only page. More info on my website: https://maximeaulio.net/en/music/concert-band/34-the-day-the-little-green-men-didnt-attack-earth/.
$15.99
Piano Concerto No. 1 - SECOND movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th C...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Backwards Decade
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Chamber Orchestra
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INTERMEDIATE
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Stanley M
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Backwards Decade
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.924854 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanle...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.924854 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913637. Published by stanleymhoffman.com (A0.924854). This piece was composed for and is dedicated to the Vine Orchestra, Michael Mikulka, Conductor. His call for scores was for (if memory serves) works for chamber orchestra under eight seconds in duration. That is arguably the most unusual call for scores to which the composer has ever or will ever respond. Consider the resultant composition a novelty piece that is only six seconds in duration. If any orchestra performs this work, it is sure to illicit laughter in the audience even though, interestingly enough, the music itself is anything but humorous-sounding. The title is taken from the fact that the composer took the word decade and ran it backwards to get the main and only theme of the piece (E-D-A-C-E-D). Perhaps this brief piece will serve as the basis for a larger work one day. Who knows? It's an attractive little thing. In the meantime, enjoy! (PS: it is painful to charge more than $2.00 for six seconds of music, but if SMP Press ever prints an order, I have to make it worth their while, rather than costing them money.).
$8.00
The Day The Little Green Men Didn’t Attack Earth! - Score Only
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Chamber Orchestra
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ADVANCED
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Maxime Aulio
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The Day The Little Green Men D
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Maxime Aulio
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1094235 Composed by Maxime Aulio. Classical,Contemporary,Rock. 33 pages. Maxime Aulio #698338. Pub...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1094235 Composed by Maxime Aulio. Classical,Contemporary,Rock. 33 pages. Maxime Aulio #698338. Published by Maxime Aulio (A0.1094235). For solo Theremin and wind ensemble (with electric guitar, cello, contrabass, celeste, harp, 2 drums sets,…). Ask me for the audio files… (contact on my website) More info on my website: https://maximeaulio.net/en/music/concert-band/34-the-day-the-little-green-men-didnt-attack-earth/.
$15.99
Piano Concerto No. 1 - THIRD movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
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