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--INSTRUMENTS--
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+ 14 instrumentations
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50
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31
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18 sheet music found
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1
It's Raining Somewhere Else
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Video Game
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Toby Fox
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Grant Harville
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It's Raining Somewhere Else
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Grant Harville
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1285539 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 33 pages. G...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1285539 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 33 pages. Grant Harville #876644. Published by Grant Harville (A0.1285539). It's Raining Somewhere Else from Undertale, arranged for small orchestra. Like a chill jazz standard, it can be played separately or in conjunction with other selections from the video game. Solo parts for piano, percussion, trumpet, and trombone.Instrumentation: 0000 0230 4perc pf str.
$49.99
Somewhere That's Green
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Chamber Orchestra
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Contemporary
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Alan Menken
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Karl Logue
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Somewhere That's Green
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LogueRhythm Productions
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.788805 Composed by Alan Menken. Arranged by Karl Logue. Contemporary. Score and parts. 39 pages. LogueRhythm...
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Chamber Orchestra - Digital Download SKU: A0.788805 Composed by Alan Menken. Arranged by Karl Logue. Contemporary. Score and parts. 39 pages. LogueRhythm Productions #6608195. Published by LogueRhythm Productions (A0.788805). Cheeky TTBB Arrangement of the Broadway classic. Great for GALA men's choruses. Available for TTBB/Piano, or TTBB and chamber ensemble.
$49.99
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
First Suite from Razumov for clarinet & string quartet
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Greg Bartholomew
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First Suite from Razumov for c
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Burke & Bagley
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.787298 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts....
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.787298 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 48 pages. Burke & Bagley #7781. Published by Burke & Bagley (A0.787298). The First Suite from Razumov derives from three scenes of Act One of Razumov, a chamber opera based on the novel Under Western Eyes by Joseph Conrad. 1st Movement (Haldin assassinates the Minister): Duration 2:30 2nd Movement (Mikulin interviews Razumov): Duration 3:00 3rd Movement (Razumov tells Haldin, 'It is done'): Duration 3:30 The Suite was premiered by the OdeonQuartet with Sean Osborn, clarinet, at Town Hall, Seattle, October 21, 2003, and was subsequently recorded by members of the Kiev Philharmonic for the Masterworks of the New Era CD series, volume 6. The First Suite from Razumov was awarded the 2012 Cheryl A. Spector Prize. Also available in arrangements for clarinet, cello & piano trio and for violin, cello & piano trio. For recordings of all three movements and more info, visit www.gregbartholomew.com/suiterazindex.html
$29.99
In Memoriam - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Robert A
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In Memoriam - Score Only
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Robert A. Howard
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
Variations on "L'homme armè"
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Chamber Orchestra
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Contemporary
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David Thompson
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Variations on "L'homme armè"
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David M Thompson
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.901701 Composed by David Thompson. Contemporary. Score and parts. 94 pages. David M Thompson #6402383. Publi...
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Chamber Orchestra - Digital Download SKU: A0.901701 Composed by David Thompson. Contemporary. Score and parts. 94 pages. David M Thompson #6402383. Published by David M Thompson (A0.901701). This is a set of variations for nine instruments--four woodwinds and five stringed instruments--on the old Medieval tune L'homme armè. One of the strings--the viola--doubles on tambourine. Somewhat difficult, but can be done pretty readily with experienced musicians. (Much easier than the Piston Divertimento, which has the same instrumentation.) Conductor score and set of parts are included.(flute, oboe, clarinet, bassoon, two violins, viola [tambourine], cello and double bass).
$27.95
Fantasie Dolore for Flute and Orchestra
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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G
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Fantasie Dolore for Flute and
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George Skipworth
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.962583 Composed by G.F. Skipworth. 20th Century. Score and parts. 20 pages. George Skipworth #6695...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.962583 Composed by G.F. Skipworth. 20th Century. Score and parts. 20 pages. George Skipworth #6695429. Published by George Skipworth (A0.962583). An arrangement of the Fantasie Dolore for Violin and Orchestra, with Flute as the solo instrument. Some lower tones have been rewritten from the violin version. The piece was written in tribute to Korean actress Seo Ji-Hye for her role of Seo-Dan in Crash Landing on You. The subtitle is Meditations of Seo Dan. Fantasie Dolore is approximately 8 minutes in length, and is of intermediate to somewhat advanced difficulty for the soloist. For the orchestra, difficulty is intermediate.
$10.00
Concertino for Flute and Strings
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Richard E Brown
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Concertino for Flute and Strin
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Dacker Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.814750 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 74 pages. Dacker Musi...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.814750 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 74 pages. Dacker Music #3129233. Published by Dacker Music (A0.814750). As the title (which means little concerto) indicates, Concertino for Flute and Strings closely follows sonata forms on a somewhat smaller scale. Tonality is an important part of sonata form, and in this composition, the tonal relationships within and between the movements are all based on thirds. The tempi, form, and keys of the 3 movements are as follows: 1. Allegro molto - sonata-allegro - E minor 2. Andante moderato - theme and variations - C major 3. Allegro energico - abridged sonata-rondo - E minor This composition is the composer's transcription of his Sonatina for Flute and Piano.The price includes license to make as many copies of each part as required.Grade 4 - Duration 7:45
$45.00
Sophie Finds a Bird - for chamber orchestra
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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Fiona Caldarevic
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Sophie Finds a Bird - for cham
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Fiona Caldarevic
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.827199 Composed by Fiona Caldarevic. Classical,Contemporary. Score and parts. 34 pages. Fiona Cald...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.827199 Composed by Fiona Caldarevic. Classical,Contemporary. Score and parts. 34 pages. Fiona Caldarevic #3226971. Published by Fiona Caldarevic (A0.827199). An original composition by Fiona Caldarevic written for chamber orchestra (woodwinds, horn, percussion and strings). This is a 3-minute long, peaceful somewhat cinematic score of intermediate level that would suit a high school orchestra. The harp part could easily be played by a piano. Some cues have been provided for the important woodwind solos. The PDF contains the full score as well as all the parts. Permission is given to copy the string parts as many times as is needed.www.fionacaldamusic.com
$35.99
Carson Cooman: Autumn Sun Canticle (2006) for Bb or C trumpet and orchestra:, score and complete par
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Chamber Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Autumn Sun Cant
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533666 Composed by Carson Cooman. Contemporary. Score and parts. 36 pages. Musik Fabrik Music Publ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533666 Composed by Carson Cooman. Contemporary. Score and parts. 36 pages. Musik Fabrik Music Publishing #3036593. Published by Musik Fabrik Music Publishing (A0.533666). Autumn Sun Canticle (2006) for trumpet and orchestra was commissioned by The CommissionProject in memory of Bob Stata. Bob Stata was a jazz bassist and teacher, who died on June 14, 2005at the age of 52. (Stata commissioned and directed the premiere of Cooman's The Great Wilno(1999) for solo piano and wind ensemble.)This work has an autumnal spirit, but is lyrical and hopeful as well. An opening aria section leadstoward a chorale-like passage. A development of this material leads towards a passionate andsomewhat anguished climax. The opening aria returns, before an elegiac coda closes the work.Orchestration: 2222/0000/1perc/Solo Trumpet/stringsBoth Bb and C trumpets parts are included in the set. A version for trumpet and piano is also available for sale.
$64.95
Carson Cooman: Autumn Sun Canticle (2006) for Bb or C trumpet and orchestra:, score and solo parts
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Chamber Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Autumn Sun Cant
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533665 Composed by Carson Cooman. Contemporary. Score and parts. 27 pages. Musik Fabrik Music Publ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533665 Composed by Carson Cooman. Contemporary. Score and parts. 27 pages. Musik Fabrik Music Publishing #3036591. Published by Musik Fabrik Music Publishing (A0.533665). Autumn Sun Canticle (2006) for trumpet and orchestra was commissioned by The CommissionProject in memory of Bob Stata. Bob Stata was a jazz bassist and teacher, who died on June 14, 2005at the age of 52. (Stata commissioned and directed the premiere of Cooman's The Great Wilno(1999) for solo piano and wind ensemble.)This work has an autumnal spirit, but is lyrical and hopeful as well. An opening aria section leadstoward a chorale-like passage. A development of this material leads towards a passionate andsomewhat anguished climax. The opening aria returns, before an elegiac coda closes the work.Orchestration: 2222/0000/1perc/Solo Trumpet/stringsBoth Bb and C trumpets parts are included in the set. A version for trumpet and piano is also available for sale.
$19.95
Three Haiku and a Poem - Score Only
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Igor Korneitchouk
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Three Haiku and a Poem - Score
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287580 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 30 pages. Studio at the ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287580 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 30 pages. Studio at the Post #878602. Published by Studio at the Post (A0.1287580). Score only (see A878605 for parts). Duration: 8 min., Score 26 pp. Description: (According to the composer) Three Haiku and a Poem are just that, a four-song cycle for baritone voice and chamber orchestra. Based on 3 texts written by me and a fourth, a poem by the famous ancient Greek poet Sappho. The former were written when I was in grade school studying the well-known 5-7-5 syllable structure of Japanese haiku. I note with bemusement that I had cheated somewhat by providing leading titles which in themselves are at times longer than one of the tersely limited lines. The poem by Sappho was also one I had discovered in my own handwriting such that at first I did not remember who wrote such a splendid verse. All four were discovered, so to speak, by me from my more distant youth and set to music when I myself had just turned 21. There are four movements, Ina Cabin by the Sea - Indoors - An Evening Request - Alone. Total 8 minutes.
$15.04
Three Haiku and a Poem (Parts only)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Igor Korneitchouk
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Three Haiku and a Poem
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287582 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and Parts. 35 page...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287582 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and Parts. 35 pages. Studio at the Post #878605. Published by Studio at the Post (A0.1287582). Parts only (see A878602 for Score). Duration: 8 minutes, 15 Parts, parts averaging 2 pp. Description: (According to the composer) Three Haiku and a Poem are just that, a four-song cycle for baritone voice and chamber orchestra. Based on 3 texts written by me and a fourth, a poem by the famous ancient Greek poet Sappho. The former were written when I was in grade school studying the well-known 5-7-5 syllable structure of Japanese haiku. I note with bemusement that I had cheated somewhat by providing leading titles which in themselves are at times longer than one of the tersely limited lines. The poem by Sappho was also one I had discovered in my own handwriting such that at first I did not remember who wrote such a splendid verse. All four were discovered, so to speak, by me from my more distant youth and set to music when I myself had just turned 21. There are four movements, Ina Cabin by the Sea - Indoors - An Evening Request - Alone. Total 8 minutes.
$5.02
Sinfonia #25
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Chamber Orchestra
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INTERMEDIATE
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Steven Kudlo
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2.1.0.0
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Sinfonia #25
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Steven Mark Kudlo
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1319064 Composed by Steven Kudlo. 20th Century,21st Century,Chamber,Classical,Contemporary. 66 pag...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1319064 Composed by Steven Kudlo. 20th Century,21st Century,Chamber,Classical,Contemporary. 66 pages. Steven Mark Kudlo #907664. Published by Steven Mark Kudlo (A0.1319064). A short symphony for chamber orchestra: 1.1.1.1; 2.1.0.0; strings. Intermediate skills are necessary for this somewhat spooky piece. It's also rather delicate. 4 movements.
$7.99
Night Visitors
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Chamber Orchestra
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David Dolatowski
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Night Visitors
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Golden Hawk Music
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.802941 Composed by David Dolatowski. 21st Century,Classical,Contemporary,Film/TV,Thriller. 12 pages. Golden ...
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Chamber Orchestra - Digital Download SKU: A0.802941 Composed by David Dolatowski. 21st Century,Classical,Contemporary,Film/TV,Thriller. 12 pages. Golden Hawk Music #4978357. Published by Golden Hawk Music (A0.802941). Night Visitors was composed for a small, chamber orchestra.This is a new piece for chamber orchestra, 2019. It is intended for a small ensemble and is scored for 1 Fl., 1 Ob., 1 Cl B-flat, 1 Bssn., 2 Horns, Vln I (4) Vln II (4), Vla. (3) VC (2) and DB (1) - although a larger string section is possible if a good balance with the winds is achieved.The piece combines tonality with atonality. Duration: 10 mins. An advanced high school ensemble would find this piece interesting and somewhat challenging.
$30.00
Canticum Canticorum for Krzysztof Penderecki
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Chamber Orchestra
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ADVANCED
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and p...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
Over The Rainbow
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Chamber Orchestra
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INTERMEDIATE
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Broadway
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Film/TV
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Judy Garland
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John C Skillman
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Over The Rainbow
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John Curtis Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1126265 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by John C Skillman. Broadw...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1126265 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by John C Skillman. Broadway,Film/TV,Jazz,Musical/Show,Standards. Score and parts. 37 pages. John Curtis Music #726967. Published by John Curtis Music (A0.1126265). This arrangement of Harold Arlen's classic song is an adaptation of Ariana Grande's performance and 2017 single, Somewhere over the rainbow (live From Manchester). The chart features a near-full string section, with Electric bass covering the low end. This version brings back the song's original introduction and uses a combo-style horn section to highlight the gospel and jazz-influenced harmony and phrasing.
$49.99
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