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My way
Not classified
1,540
Piano & keyboards
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1,660
Piano, Voice
1,341
Piano, Vocal and Guitar
1,159
Easy Piano
632
Organ
388
C Instruments
364
Big Note Piano
81
Accordion
71
1 Piano, 4 hands
39
Piano Accompaniment
33
2 Pianos, 4 hands
16
Piano Trio: piano, violin, cello
13
Melody line, Piano
9
Piano (band part)
6
Accordion, Voice
4
Piano Quartet: piano, violin, viola, cello
4
Keyboard
3
Organ, Trumpet (duet)
2
2 Pianos, 8 hands
2
Piano Quintet: piano, 2 violins, viola, cello
1
+ 15 instrumentations
-
Retract
Guitars
Melody line, (Lyrics) and Chords
445
Guitar notes and tablatures
264
Guitar
173
Ukulele
104
Lyrics and Chords
68
Bass guitar
46
Piano, Guitar (duet)
24
2 Guitars (duet)
12
Dulcimer
11
Mandolin
7
Guitar Ensemble
6
4 Guitars (Quartet)
3
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Baritone Ukulele
2
Electric Bass (band part)
1
Guitar, Orchestra
1
3 Guitars (trio)
1
Lap Steel Guitar
1
Guitar (band part)
1
+ 14 instrumentations
-
Retract
Voice
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648
Choral 3-part
221
Choral TTBB
165
Choral SSAA
107
Choral 2-part
86
Voice solo
35
Choral Instrumental Pak
35
Choral
29
Choral Unison
27
High voice
27
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25
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17
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9
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8
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7
Tenor voice, Piano
5
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Medium voice, Piano
2
Choral SSAB, Piano
1
Tenor voice
1
Choral SSATTB
1
Choral SSAATB
1
Low voice
1
Choral SSAB a cappella
1
Choral SSAATTBB
1
+ 21 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
242
Flute, Oboe, Clarinet, Bassoon
216
Flute and Piano
215
Saxophone Quartet: 4 saxophones
210
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204
Clarinet and Piano
199
Flute
133
Clarinet
133
Alto Saxophone
101
2 Saxophones (duet)
96
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94
Tenor Saxophone
92
Alto Saxophone and Piano
83
Tenor Saxophone and Piano
71
2 Flutes (duet)
55
Clarinet Quartet: 4 clarinets
52
Saxophone (band part)
51
Oboe (band part)
47
2 Clarinets (duet)
39
3 Clarinets (trio)
30
Soprano Saxophone and Piano
30
Saxophone
29
Flute Trio: 3 flutes
26
Flute Quartet: 4 flutes
25
Baritone Saxophone, Piano
23
Flute ensemble
21
3 Saxophones (trio)
19
2 Recorders (duet)
18
Flute, Clarinet (duet)
18
Clarinet, Violin (duet)
18
Flute and Guitar
17
Clarinet Ensemble
17
Clarinet (band part)
16
Saxophone, Clarinet (duet)
14
Oboe, Bassoon (duet)
13
Saxophone ensemble
12
Soprano Saxophone
11
Clarinet Quintet: 5 clarinets
11
Flute, Violin
11
2 Oboes (duet)
10
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10
Flute, Clarinet and Bassoon.
10
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10
Flute (band part)
9
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8
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8
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8
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8
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8
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7
Oboe
7
Harmonica
7
Flute, Viola (duet)
6
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6
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6
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5
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5
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5
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4
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4
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4
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3
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3
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3
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3
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2
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2
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2
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2
Bass Clarinet
2
English Horn, Guitar (duet)
2
Clarinet, Trumpet (duet)
2
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2
Flute, harp and violin
2
Flute, Violin, Piano
2
5 Recorders
2
2 Clarinets, Piano
2
Tenor Recorder
2
Recorder, Piano
1
Flute, Tuba (duet)
1
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1
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1
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1
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1
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1
Flute, Trombone (duet)
1
Descent (Soprano) Recorder, Piano
1
Flute, Clarinet, Violin (trio)
1
Flute, Organ (duet)
1
Treble (Alto) Recorder, Piano
1
Harmonica, Piano
1
3 Oboes
1
3 Recorders (trio)
1
2 Saxophones, Piano
1
Flute, Violin, Violoncello and Piano
1
Flute, trombone and piano
1
+ 102 instrumentations
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Brass Quintet: 2 trumpets, horn, trombone, tuba
147
Trumpet
134
Brass quartet : 2 trumpets, trombone, tuba
102
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95
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94
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90
Trumpet, Piano
66
French horn
57
Trumpet (band part)
49
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49
Trombone (band part)
23
Brass Quartet: 2 trumpets, horn, trombone
23
Tuba and Piano
22
Tuba
20
Brass Quartet: 4 trombones
17
2 Trombones (duet)
16
2 Trumpets (duet)
14
Trumpet, Trombone (duet)
14
Brass Trio
11
Trumpet, Saxophone (duet)
9
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8
Bb Instruments
8
2 French horns (duet)
7
French horn (band part)
6
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5
Tuba (band part)
5
Euphonium, Piano (duet)
5
2 Tubas (duet)
5
Brass Quartet: 4 horns
5
Trumpet, Horn (duert)
4
Trumpet, Tuba (duet)
3
Tuba and Organ
3
2 Euphoniums and 2 Tubas
3
Brass Quartet: 2 trumpets, 2 trombones
2
Trumpet, Bassoon (duet)
2
Bass Trombone and Piano
2
Trombone, Tuba (duet)
2
English Horn, Guitar (duet)
2
Horn Ensemble
2
Trombone, Violin (duet)
2
Trumpet ensemble
1
2 French horns, Piano
1
Tuba ensemble
1
Trombone ensemble
1
Euphonium
1
2 Trumpets, Keyboard (piano or organ)
1
English Horn
1
F Instruments
1
3 Trombones (trio)
1
Brass Quartet: 4 trumpets
1
+ 45 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
701
Violin
263
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193
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175
String Trio: violin, viola, cello
154
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116
Cello
109
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102
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92
Harp
88
Viola
72
2 Violins (duet)
42
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32
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26
2 Cellos (duet)
26
Viola (band part)
24
String Trio: 2 violins, cello
22
2 Violas (duet)
18
Double Bass
18
Violin (band part)
14
Cello, Guitar (duet)
11
Violin, Guitar (duet)
11
Viola, Cello (duet)
9
String Trio: 3 violins
9
4 Cellos
9
Doublebass (band part)
8
Harp, Voice
6
String Quintet: 2 violins, 2 violas, cello
5
String Trio: 3 cellos
5
String Quintet: 2 violins, viola, 2 cellos
4
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4
2 Harps (duet)
4
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3
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2
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2
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2
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2
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1
Cello, Orchestra
1
Viola and Harp
1
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1
Viola and Bassoon
1
Harp and Piano
1
+ 44 instrumentations
-
Retract
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348
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186
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165
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165
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117
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78
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74
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47
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33
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30
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10
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8
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8
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6
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4
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4
Woodwind Quintet
3
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2
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1
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1
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1
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1
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1
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1
Percussion
1
Timpani (band part)
1
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Retract
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You've selected:
My way
Chamber Orchestra
Sheetmusic to print
47 sheet music found
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1
26
På väg ("On my way"), for violin and chamber orchestra
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Chamber Orchestra
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ADVANCED
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Stefano Olcese
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På väg
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Stefano Olcese
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.934332 Composed by Stefano Olcese. 20th Century,Contemporary,Film/TV,Romantic Period. Score and pa...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.934332 Composed by Stefano Olcese. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 8 pages. Stefano Olcese #5887933. Published by Stefano Olcese (A0.934332). På väg means , in Swedish, more or less on my way. I have been living in Sweden since 2014, so to me it felt natural to use a Swedish title :)This composition wants to express a journey feeling, through landscapes and through our inner soul. It is approximately 5 minutes long and is the 2nd movement of a suite for violin and orchestra called Ales Stenar, which is structured in 5 movements. The orchestration requires, as a minimum, the following instruments: 1 solo violin, 1 first violin, 1 second violin, 1 viola, 1 cello, 1 double bass, 1 oboe, 1 clarinet in B-flat, 1 bassoon. Upon request I can arrange the score for a bigger ensemble.The solo violin player should be a skilled one - though difficulties are not extreme - and someone who is able to deliver emotions. Among the orchestra players it would be wise to have a skilled bassoonist. I have been told by many that this is concert music, ballet music, film music.Some more practical infos:- I belong to the Swedish Performing Right Organization called STIM- My Instagram: https://www.instagram.com/stefano_olcese/- My website link is: http://www.stefano-olcese.com/- My Linkedin profile: https://www.linkedin.com/in/stefano-olcese-140a1810/
$9.99
Always On My Mind
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Chamber Orchestra
#
INTERMEDIATE
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Elvis Presley
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Roger Young
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Always On My Mind
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Roger Young
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1093914 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Roger...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1093914 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Roger Young. 20th Century,Pop,Rock. Score and parts. 39 pages. Roger Young #698011. Published by Roger Young (A0.1093914). This is an instrumental chamber orchestra arrangement of Always on my mind which works equally well with single strings as it does with a string section. Melodies are passed throughout the sections for musical interest and enjoyment for the musicians.
$49.99
Via Crucis (The Way of the Cross) (Calea Crucii) - miniature on religious theme for oboe and strings
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Chamber Orchestra
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INTERMEDIATE
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Andrei-Lucian Dragoi
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Via Crucis
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Andrei-Lucian Dragoi
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.912982 Composed by Andrei-Lucian Dragoi. Contemporary,Sacred,Standards. Score and Parts. 14 pages....
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.912982 Composed by Andrei-Lucian Dragoi. Contemporary,Sacred,Standards. Score and Parts. 14 pages. Andrei-Lucian Dragoi #3054507. Published by Andrei-Lucian Dragoi (A0.912982). 2017 Chamber Music Contest EntryThis piece is a miniature (on a religious theme) for oboe and strings orchestra. It is related to Easter, as it evokes Jesus Christ walking on the way to his crucifixion on the so-called Via Dolorosa.This work was first played at the Romanian Atheneum in April 2015:https://www.youtube.com/watch?v=TgjBJARkpRghttps://www.youtube.com/watch?v=pERhBUpIn9IFor other compositions in audio format see my website:http://muzm.dragoii.com/ Music by: Andrei-Lucian Drăgoi (www.smp.dragoii.com, www.yt.dragoii.com, www.gcp.dragoii.com, www.gci.dragoii.com, www.ms.dragoii.com, www.dragoii.com) Video score on YouTube at URL: https://www.youtube.com/watch?v=UePIaKwhzoA.
$3.00
The Quiet Way for string quartet and guitar
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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The Quiet Way for string quart
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.576535 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 17 pages. Dav...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.576535 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 17 pages. David Warin Solomons #35819. Published by David Warin Solomons (A0.576535). This is one of several arrangements based on my lullaby song The quiet way you move me (also available on this site). The pdf file contains score and parts. The sound sample is an electronic preview. The original song (for alto and guitar) performed by the composer can be heard on youtube at: https://www.youtube.com/watch?v=DObaa2etXtg.
$12.00
PEACE, MY HEART, from "Across the Wide" for soprano and string ensemble with piano
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Chamber Orchestra
#
INTERMEDIATE
#
Gabriel Ruiz-Bernal
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PEACE, MY HEART, from "Across
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.893968 Composed by Gabriel Ruiz-Bernal. Contemporary,Musical/Show. Score and parts. 33 pages. Gabr...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.893968 Composed by Gabriel Ruiz-Bernal. Contemporary,Musical/Show. Score and parts. 33 pages. Gabriel Ruiz-Bernal #6328079. Published by Gabriel Ruiz-Bernal (A0.893968). PEACE, MY HEART. For soprano and string ensemble with piano. Also available for soprano and piano.(from song cycle Across the Wide: Songs of Farewell)Text by Rabindranath TagoreLevel of difficulty for the voice: IntermediateLevel of difficulty for the pianist: Low intermediateLevel of difficulty for the string ensemble: Low intermediateApproximate length: 3 minutes, 46 secondsPeace, my heart, let the time for the parting be sweet.Let it not be a death but completeness.Let love melt into memory and pain into songs.Let the flight through the sky end in the folding of the wings over the nest.Let the last touch of your hands be gentle like the flower of the night.Stand still, O Beautiful End, for a moment, and say your last words in silence.I bow to you and hold up my lamp to light you on your way.
$40.00
My Jesus, I Love Thee
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Chamber Orchestra
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INTERMEDIATE
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Sacred music
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A
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Paul Thompson
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My Jesus, I Love Thee
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House of El Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.751287 Composed by A.J. Gordon. Arranged by Paul Thompson. Christian,Sacred. Score and parts. 9 pa...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.751287 Composed by A.J. Gordon. Arranged by Paul Thompson. Christian,Sacred. Score and parts. 9 pages. House of El Music #6381915. Published by House of El Music (A0.751287). Pizz string quartet and Flugel (optional trumpet) proclaim the heart warming message of this hymn in a soft, contemplative way.
$20.00
MY DEAR PARENTS
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Chamber Orchestra
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INTERMEDIATE
#
Do Kien Cuong
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MY DEAR PARENTS
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Do Kien Cuong
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1024504 Composed by Do Kien Cuong. Holiday,World. Score and parts. 23 pages. Do Kien Cuong #339494...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1024504 Composed by Do Kien Cuong. Holiday,World. Score and parts. 23 pages. Do Kien Cuong #3394943. Published by Do Kien Cuong (A0.1024504). I composed this composition MY DEAR PARENTS when I was far away from home for continuing my study at Brooklyn College - Conservatory of Music. The composition, is a letter to MY DEAR PARENTS, contains my emotions toward my parents.The duration is about 4 minutes.I think on the time of Mother's Day and Father's Day and Holidays can be a good reason to play this composition.The pdf file includes a full score and all parts.
$10.00
My Favorite Things
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Broadway
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Chicago
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Leon Firšt
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My Favorite Things
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Leon First
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1364354 By Chicago. By Oscar Hammerstein and Richard Rodgers. Arranged by Leon Firšt. 20th Cent...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1364354 By Chicago. By Oscar Hammerstein and Richard Rodgers. Arranged by Leon Firšt. 20th Century,Broadway,Jazz,Musical/Show. 14 pages. Leon First #948645. Published by Leon First (A0.1364354).
$50.00
My Way
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Chamber Orchestra
#
INTERMEDIATE
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Elvis Presley
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Marcos Cohen
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My Way
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Tritonus
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1380591 By Elvis Presley. By Claude Francois, Gilles Thibault, Jacques Revaux, and Paul Anka. Arra...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1380591 By Elvis Presley. By Claude Francois, Gilles Thibault, Jacques Revaux, and Paul Anka. Arranged by Marcos Cohen. 20th Century,Classical,Pop. 32 pages. Tritonus #965368. Published by Tritonus (A0.1380591). Arrangement for chamber orchestra.
$49.99
I Did It My Way
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Chamber Orchestra
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EASY
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Jay-Z
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Alma RamÃrez
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I Did It My Way
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Alma RamÃrez
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1229566 By Jay-Z. By Claude Francois, Francois Revaud, Gilles Thibaut, Jacques Revaux, Jimmy Kendr...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1229566 By Jay-Z. By Claude Francois, Francois Revaud, Gilles Thibaut, Jacques Revaux, Jimmy Kendrix, Paul Anka, Sean Carter, and Shawn C. Carter. Arranged by Alma RamÃrez. Classical,Jazz,Pop. Score and Parts. 10 pages. Alma RamÃrez #825373. Published by Alma RamÃrez (A0.1229566). Easy arrangement for string orchestra: 3 violins, viola, cello and double bass. The viola part can be replaced by the violin 3 part, they are identical. In G Major.
$49.99
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
My Heart Will Go On (Love Theme From 'titanic')
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Chamber Orchestra
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EASY
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Celine Dion
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Johan de Wit
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My Heart Will Go On
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Johan de Wit
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1422724 By Celine Dion. By James Horner and Will Jennings. Arranged by Johan de Wit. 20th Century,...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1422724 By Celine Dion. By James Horner and Will Jennings. Arranged by Johan de Wit. 20th Century,Broadway,Contemporary,Film/TV,Musical/Show,Pop. 27 pages. Johan de Wit #1004075. Published by Johan de Wit (A0.1422724). A delightful arrangement for strings, woodwinds, piano or harp. Your students will love it!
$50.00
Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
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Chamber Orchestra
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INTERMEDIATE
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David Warin Solomons
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Bunny Rabbits for Chamber Orch
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. Davi...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #1791985. Published by David Warin Solomons (A0.578875). This letter to my grandmother is a recollection of her final years in the 1970s. She suffered from Parkinsons and became very frustrated with the fact that her body simply didn't follow the commands of her brain. But she was always a very polite, gentle and yet determined person - others in this situation might have used swear words, but, when she found herself immobilised, my gran would simply shout Bunny Rabbits!. This would make us laugh and she would laugh along with us. The frustration is represented in the music by the Delians melodic fragment DEFGEDE (in the D Dorian mode) interrupted by the timpani, and eventually other instruments, repeating the frustrated bunny rabbits theme. Finally - following her Christian beliefs, her soul goes up to an afterlife in which she is released from the frustration and the bunny rabbits, who have a final grumble on brass and timpani and give way to an ethereal minor chord with a major sixth, as suggested by the Dorian mode. The sound sample here is an electronic preview. The piece was premiered on 30 January 2016 by the Octava Chamber Orchestra along with various other short movements composed by other members of the Delian Society as part of Delian Suite No 8.
$5.00
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Variations on a Rossini Theme op.Posth
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Chamber Orchestra
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Classical
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme
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James Strauss
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Sco...
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Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
Homage to Sibelius
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanley...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
Ever Forward
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Chamber Orchestra
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INTERMEDIATE
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Trinity Chamber Orchestra of B
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Ever Forward
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Elizabeth Ann Davis
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Clas...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Classical,Contemporary,Folk. Score and Parts. 57 pages. Elizabeth Ann Davis #750461. Published by Elizabeth Ann Davis (A0.1150285). Water, especially moving water, was always a vibrant part of my childhood, from playing in the small creek down the hill out my back door, to swimming and fishing at Deam Lake, riding riverboats along the Ohio, or enjoying the beaches. Water carries with it the promise of life, the power of nature. Ever Forward is written in three sections - Waves, Wreck and Work. Waves begins as woodwinds sing mellow tunes over the gentle ripples on languid waters in the strings. An abrupt, unannounced Wreck interrupts the relaxed excursion - the siren alarms blaring out against the havoc. Finally, just as sailors would pull together to tackle tough jobs, the community rallies together to Work out answers to the problems that have surfaced. Cellos start up Haul Away, Joe, a short-drag chantey (used mainly for tightening the sheet) where all hands haul together on the last ‘Joe’. More and more join in on the effort, bringing the piece to a spirited finale.
$14.99
The Joyce Cycle, for voice and orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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the turbulent sea, the loved o
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Music and James Joyce, Ofer Be
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The Joyce Cycle, for voice and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Conte...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
The Hunt
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Chamber Orchestra
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ADVANCED
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
Missa Ad Placitum - Agnus Dei II for Woodwind Septet
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Chamber Orchestra
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EASY
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Claude Le jeune
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Cristiano Vecchi
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Missa Ad Placitum - Agnus Dei
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Cristiano Vecchi
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.963562 Composed by Claude Le jeune. Arranged by Cristiano Vecchi. Instructional,Renaissance,Sacred...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.963562 Composed by Claude Le jeune. Arranged by Cristiano Vecchi. Instructional,Renaissance,Sacred. Score and parts. 63 pages. Cristiano Vecchi #6491553. Published by Cristiano Vecchi (A0.963562). A mystical fugue in seven voices, with fascinating harmonical nuances, published in 1607.In his mature work Claude Le Jeune applied classical prosody to obtain a greater intelligibility of the lyrics; in this arrangement phrasing and accents, not present in the original, have been added to mantain this peculiar prosody; also have been added dynamic indications to enhance expression and formal architecture. The score has been written for: Flute, Oboe, En. Horn, Clar. in Bb, Bass Clar., Fr. Horn, Bassoon (Woodwind Quintet + Bass Clar. + En. Horn), anyway 52 extra parts are included to cover a large number of combinations (Woodwinds with Saxophones, Brass, Strings), very useful for classroom exercitations or for recitals where is required a more symphonic sound with doubling. Duration: 2'30.MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
$4.99
Piano Concerto No. 1 - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Sco...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Prayer (Mov.3 of "Symphony-The Art of Imaginal Listening')
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Rocco Di Pietro
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an extended spritual struggle
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Prayer
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Rocco Di Pietro
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004752 Composed by Rocco Di Pietro. 20th Century,Contemporary. Score and parts. 21 pages. Rocco D...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004752 Composed by Rocco Di Pietro. 20th Century,Contemporary. Score and parts. 21 pages. Rocco Di Pietro #4355245. Published by Rocco Di Pietro (A0.1004752). 'Prayer' is the third movement of my 5 movement Symphony-The Art of Imaginal Listening under way since 2009. This 'Prayer' has a wordless Female Chorus,a solo cellist and a modest orchestra of: Oboe, English Horn,2 Clarinets,2 Horns, Harp, and Strings.It was inspired by several sources, which all seem to have played themselves out, as the work involved an extended spritual struggle.You could say it was the struggle of someone who was not a believer,but who might have liked to be.The text of the chorus was erased,and became wordless. A symbolic of this spritual struggle.
$20.00
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Chamber Orchestra
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own...
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Piano Concerto No. 1 - SECOND movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th C...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
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