Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
One in Him
Not classified
1,275
Piano & keyboards
Piano solo
407
Piano, Voice
212
Piano, Vocal and Guitar
113
Easy Piano
65
Piano Accompaniment
46
C Instruments
44
Organ
37
2 Pianos, 4 hands
27
Piano Trio: piano, violin, cello
26
1 Piano, 4 hands
13
Piano Quartet: piano, violin, viola, cello
3
Accordion
3
Piano Quartet: piano, 2 violins, cello
2
Piano (band part)
1
Piano Quintet: piano, 2 violins, viola, cello
1
+ 10 instrumentations
-
Retract
Guitars
Guitar
64
Guitar notes and tablatures
45
Melody line, (Lyrics) and Chords
11
Bass guitar
3
Guitar (band part)
2
Ukulele
2
Mandolin
2
4 Guitars (Quartet)
1
Lyrics and Chords
1
2 Guitars (duet)
1
Plectrum Orchestra
1
Mandolin, Guitar (duet)
1
+ 7 instrumentations
-
Retract
Voice
Choral SATB
285
Choral 3-part
46
Choral Unison
27
Choral 2-part
23
Choral TTBB
21
Soprano voice, Piano
11
Choral SSAA
9
High voice
6
Vocal duet
6
Baritone voice, Piano
5
Tenor voice, Piano
4
Choral Instrumental Pak
4
Choral SSATTB
2
Vocal duet, Piano
2
Alto voice, Piano
2
Tenor voice
2
Choral SSAATTBB
2
Choral SSATB
2
Voice solo
1
Choral SAATB A Cappella
1
Soli, Mixted choir and accompaniment
1
Choral SSAB, Piano
1
Choral SATBB
1
Medium voice, Piano
1
Soprano voice
1
+ 20 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
94
2 Saxophones (duet)
80
Flute and Piano
76
Alto Saxophone and Piano
70
Clarinet and Piano
65
Clarinet
54
Oboe, Piano (duet)
49
Soprano Saxophone and Piano
49
Flute
42
2 Flutes (duet)
40
Saxophone Quintet: 5 Saxophones
39
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
36
Saxophone (band part)
36
Alto Saxophone
35
Flute, Oboe, Clarinet, Bassoon
35
Tenor Saxophone and Piano
34
Saxophone, Clarinet (duet)
30
Baritone Saxophone, Piano
29
Tenor Saxophone
28
2 Clarinets (duet)
27
Clarinet Quartet: 4 clarinets
25
Clarinet, Violin (duet)
22
Saxophone ensemble
22
Flute ensemble
20
Oboe
18
Flute Quartet: 4 flutes
18
English horn, Piano
17
Clarinet, Trumpet (duet)
16
Clarinet Ensemble
16
Oboe (band part)
15
Bass Clarinet, Piano
13
Flute, Saxophone (duet)
13
Oboe, Bassoon (duet)
12
2 Oboes (duet)
12
3 Saxophones (trio)
12
Flute, Clarinet (duet)
12
Oboe, Clarinet (duet)
11
Clarinet and Viola
11
Oboe, Flute
10
Flute, Violin
9
Flute, Trumpet (duet)
9
Flute, Viola (duet)
8
Recorder Quartet
7
Clarinet Quintet: 5 clarinets
6
Descant (Soprano) Recorder
5
3 Clarinets (trio)
5
Clarinet, Guitar (duet)
4
Flute Quintet : 5 flutes
4
5 Recorders
3
Recorder
3
Piccolo, Piano
3
Flute Trio: 3 flutes
3
2 Saxophones, Piano
3
Flute, Bassoon, and Piano
2
Soprano Saxophone
2
Ocarina
2
Flute, Oboe, Clarinet (trio)
2
English Horn
2
Flute, Organ (duet)
2
Flute, Oboe, Bassoon
2
Bass Clarinet
1
Oboe, Guitar (duet)
1
Clarinet, Cello, Piano (trio)
1
Saxophone and Harp
1
Clarinet, Bassoon (duet)
1
Flute, Oboe (duet)
1
2 Flutes, Basso continuo
1
Clarinet, Cello (duet)
1
2 Recorders (duet)
1
Flute and Guitar
1
Treble (Alto) Recorder, Basso continuo
1
Flute, Cello, Piano (trio)
1
Flute (band part)
1
Clarinet, Harp (duet)
1
Flute, Basso continuo
1
+ 70 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
139
Trombone and Piano
82
Brass quartet : 2 trumpets, trombone, tuba
70
Trombone
44
French Horn and Piano
43
Tuba
37
Brass Quartet: 4 trombones
32
Trumpet, Saxophone (duet)
25
2 Trombones (duet)
25
Brass Quartet: 2 trumpets, horn, trombone
24
Euphonium, Piano (duet)
22
Trumpet
21
Trumpet, Piano
21
French horn
21
Trumpet, Trombone (duet)
18
English horn, Piano
17
Brass Quartet
16
Trombone ensemble
15
Trombone (band part)
13
2 Trumpets (duet)
8
Tuba and Piano
7
Trumpet (band part)
6
3 Trombones (trio)
3
Trumpet ensemble
3
Trumpet, Trombone, Piano
2
Bass Trombone
2
2 French horns (duet)
2
Bass Trombone and Piano
2
2 Euphoniums and 2 Tubas
2
Euphonium
2
English Horn
2
Brass Trio
2
Brass Quartet: 4 horns
2
French horn (band part)
1
2 Euphoniums (duet)
1
Tuba ensemble
1
Tuba (band part)
1
4 Tubas
1
+ 33 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
130
Violin and Piano
91
Cello, Piano
54
Cello
37
Viola, Piano
35
String Trio: violin, viola, cello
33
2 Violins (duet)
25
Violin, Cello (duet)
22
Violin
22
Double Bass
19
Double bass, Piano (duet)
19
2 Cellos (duet)
15
Violin, Viola (duet)
11
Harp
11
String Trio: 2 violins, cello
10
String Quintet: 2 violins, viola, cello, bass
10
2 Violas (duet)
10
4 Cellos
5
Viola
5
Violin ensemble
4
String quartet: 4 violins
4
Viola (band part)
3
Cello, Guitar (duet)
2
Viola, Guitar (duet)
2
Violin, Guitar (duet)
2
Viola ensemble
2
String Quartet : 4 violas
2
Harp, Voice
2
Viola, Cello (duet)
2
Viola and Harp
1
Harp, Violin, Violoncello
1
Piano Trio: Violin, Viola, Piano
1
4 Double Basses
1
String Trio: 3 violins
1
Cello, Orchestra
1
Cello, String Bass (duet)
1
2 Violins, Piano
1
String Trio: 3 cellos
1
Doublebass (band part)
1
+ 34 instrumentations
-
Retract
Orchestra & Percussion
Concert band
372
Orchestra
131
Handbells
74
Brass ensemble
68
String Orchestra
52
Chamber Orchestra
50
Jazz Ensemble
25
Marimba
18
Percussion Ensemble
14
Drums
5
Jazz combo
3
Xylophone, Piano
3
Xylophone
2
Orchestra, Violin
2
Drum (band part)
1
Big band
1
Vibraphone
1
Marching band
1
2 Marimbas
1
+ 14 instrumentations
-
Retract
Others
Musical course - Solfege
1
Free Sheet Music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
2,695
Digital Sheet Music
50
Sheet Music Books
4
Music Equipment
673
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
One in Him
Chamber Orchestra
Sheetmusic to print
50 sheet music found
<
1
26
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
#
Chamber Orchestra
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: The Acts of the
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Mu...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
O Come, O Come, Emmanuel: A Christmas Cantata in eight movements
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Christmas
#
Bennett Rabiega
#
Bennett Rabiega
#
O Come, O Come, Emmanuel: A Ch
#
Bennett A Rabiega
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288208 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Chri...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288208 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Religious. Score and Parts. 273 pages. Bennett A Rabiega #863238. Published by Bennett A Rabiega (A0.1288208). This is a Christmas cantata in 8 movements based on the classic hymn O Come, O Come, Emmanuel and prophecy on the coming of the Messiah from the book of Isaiah. The piece is composed for SATB choir, soloists, and an orchestra of 1 Flute, 1 Soprano Saxophone, 1 Trumpet, 1 Trombone, Violin I, Violin II, Viola, Cello, Piano, Acoustic Guitar, Bass Guitar, and Drums). A reduced orchestration is available, as is a vocal score with piano accompaniment. This is the full orchestration, including the vocal score and all instrumental parts. 1) Prelude (instrumental) / 2) Interlude: A Shoot Will Come Out / 3) He Will Delight / 4) Interlude: Therefore, The Lord Himself / 5) Unto Us A Child Is Born / 6) Interlude: Of The Increase / 7) See, I Lay A Stone In Zion / 8) O Come, O Come, Emmanuel (Finale)
$249.95
Oboe Concerto in C minor
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Benedetto Marcello
#
Arte Nova Music Lab
#
Oboe Concerto in C minor
#
Arte Nova Music Lab
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742476 Composed by Benedetto Marcello. Arranged by Arte Nova Music Lab. Baroque,Concert,Easter,Sta...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742476 Composed by Benedetto Marcello. Arranged by Arte Nova Music Lab. Baroque,Concert,Easter,Standards,World. Score and parts. 43 pages. Arte Nova Music Lab #4602679. Published by Arte Nova Music Lab (A0.742476). Benedetto Giacomo Marcello (Italian: [beneˈdetto marˈtʃɛllo]; (31 July or 1 August 1686 – 24 July 1739) was an Italian composer, writer, advocate, magistrate, and teacher. Born in Venice, Benedetto Marcello was a member of a noble family and his compositions are frequently referred to as Patrizio Veneto. Although he was a music student of Antonio Lotti and Francesco Gasparini, his father wanted Benedetto to devote himself to law. Benedetto managed to combine a life in law and public service with one in music. In 1711 he was appointed a member of the Council of Forty (in Venice's central government), and in 1730 he went to Pola as Provveditore (district governor). Due to his health having been impaired by the climate of Istria, Marcello retired after eight years in the capacity of Camerlengo to Brescia where he died of tuberculosis in 1739. Benedetto Marcello was the brother of Alessandro Marcello, also a notable composer. On 20 May 1728 Benedetto Marcello married his singing student Rosanna Scalfi in a secret ceremony. However, as a nobleman his marriage to a commoner was unlawful and after Marcello's death the marriage was declared null by the state. Rosanna was unable to inherit his estate, and filed suit in 1742 against Benedetto's brother Alessandro Marcello, seeking financial support. Taken from https://en.wikipedia.org/wiki/Benedetto_Marcello Cover Image by https://commons.wikimedia.org/w/index.php?curid=11552469
$25.00
O Come, O Come, Emmanuel: A Christmas Cantata in eight movements
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Christmas
#
Bennett Rabiega
#
Bennett Rabiega
#
O Come, O Come, Emmanuel: A Ch
#
Bennett A Rabiega
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288209 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Chri...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288209 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Religious. Score and Parts. 188 pages. Bennett A Rabiega #863240. Published by Bennett A Rabiega (A0.1288209). This is a Christmas cantata in 8 movements based on the classic hymn O Come, O Come, Emmanuel and prophecy on the coming of the Messiah from the book of Isaiah. The piece is composed for SATB choir, soloists, and a reduced orchestration for a C Instrument, a B-flat instrument, piano, acoustic guitar, bass guitar, and drums. A full orchestration of the piece is also available, as is the vocal score with piano accompaniment. This reduced score contains the vocal score and individual instrumental parts. 1) Prelude (instrumental) / 2) Interlude: A Shoot Will Come Out / 3) He Will Delight / 4) Interlude: Therefore, The Lord Himself / 5) Unto Us A Child Is Born / 6) Interlude: Of The Increase / 7) See, I Lay A Stone In Zion / 8) O Come, O Come, Emmanuel (Finale)
$149.95
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
#
Chamber Orchestra
#
ADVANCED
#
Classical
#
Georg Philipp Telemann
#
Sneakwood Editions
#
TELEMANN – VIOLIN CONCERTO I
#
Sneakwood Editions
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Scor...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Concerto for 3 Violins in F Major, RV 551
#
Chamber Orchestra
#
ADVANCED
#
Classical
#
Antonio Vivaldi
#
Arte Nova Music Lab
#
Concerto for 3 Violins in F Ma
#
Arte Nova Music Lab
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,Wor...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 73 pages. Arte Nova Music Lab #4598409. Published by Arte Nova Music Lab (A0.742470). Antonio Lucio Vivaldi (Italian: [anˈtÉ”Ënjo ˈluËtʃo viˈvaldi]; 4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than fortyoperas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà , a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Taken from https://en.wikipedia.org/wiki/Antonio_Vivaldi
$30.00
Vivaldi Concerto in D Major for violin and orchestra RV 205
#
Chamber Orchestra
#
ADVANCED
#
Antonio Lucio Vivaldi
#
Sneakwood Editions
#
Vivaldi Concerto in D Major fo
#
Sneakwood Editions
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890759 Composed by Antonio Lucio Vivaldi. Arranged by Sneakwood Editions. Baroque,Standards. Score...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890759 Composed by Antonio Lucio Vivaldi. Arranged by Sneakwood Editions. Baroque,Standards. Score and parts. 42 pages. Sneakwood Editions #2967689. Published by Sneakwood Editions (A0.890759). Concerto for Pisendel RV 205. Score and PartsThe Concerto facto per Mr.P[isendel] RV 205 is the one of the violin concerto by Vivaldi, Antonio (4 March 1678 – 28 July 1741 ), composed between 1716 and 1717. The original manuscript is in the Dresden library: Manuscript: Mus.2389-O- 123 (RISM-A/II-212000134). When Johann Georg Pisendel stayed in Venice, he studied with Vivaldi and be friended as well. Vivaldi dedicated a number of his violin concertos, sonatas and a sinfonia to him. Surely during the period between 1716 and 1717 Pisendel was in tour in Venice, we can asumme that he brought this concerto with him to Dresden to be performed there. For the present edition all the marks and notations has been respected from the original without adding any change, leaving the decision of the final performance to the performer.www.snakewoodeditions.com
$15.00
Gone Fishin' - score and parts
#
Chamber Orchestra
#
INTERMEDIATE
#
Contemporary
#
Philip Orem
#
Gone Fishin' - score and parts
#
Philip Orem
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.872644 Composed by Philip Orem. Contemporary. Score and parts. 43 pages. Philip Orem #3591699. Pub...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.872644 Composed by Philip Orem. Contemporary. Score and parts. 43 pages. Philip Orem #3591699. Published by Philip Orem (A0.872644). A bit of whimsy. Imagine a small barefoot boy in overalls with a cane pole and a can of worms headed down a dusty road. A evocative piece of light music perfect for a summer concert. Scored for a small orchestra including ocarina.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website
$45.00
THE PRINCE and the FIREBIRD for Baritone and instruments.
#
Chamber Orchestra
#
INTERMEDIATE
#
Contemporary
#
Alan Edgar
#
THE PRINCE and the FIREBIRD fo
#
Alan Edgar Ted Moon
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1470457 Composed by Alan Edgar. 20th Century. 94 pages. Alan Edgar Ted Moon #1048177. Published by...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1470457 Composed by Alan Edgar. 20th Century. 94 pages. Alan Edgar Ted Moon #1048177. Published by Alan Edgar Ted Moon (A0.1470457). The PRINCE & the FIREBIRD: Baritone, with String Quartet, optional Flute, Oboe, Clarinet, Bassoon, Horn, Double Bass. My version of the Slavic fairy tale which exists in many forms. Ogor, an immortal, evil Czar-wizard, stole children, pretended they were his princes and princesses but controlled and punished them with spells. He sent our hero Prince Ivan to capture the firebird which had been pecking at the Castle's golden apples. He faced many challenges, but he was helped by a wolf who turns out to be Princess Lenka under a spell. When the firebird was captured, it made a deal with Ivan and with its magic helped him deal with the Czar. Ivan, Lenka and the Kingdom are happy ever after.I attempted to create an exotic sound-world by using throughout the Hungarian Gypsy scale.
$32.00
When I Survey the Wondrous Cross - Orchestration
#
Chamber Orchestra
#
INTERMEDIATE
#
Isaac Watts / Lowell Mason
#
Robert Myers
#
When I Survey the Wondrous Cro
#
WheatMyer Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sa...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
The Joyce Cycle, for voice and orchestra
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
the turbulent sea, the loved o
#
Music and James Joyce, Ofer Be
#
The Joyce Cycle, for voice and
#
The Composer's Own Press
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Conte...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
#
Chamber Orchestra
#
ADVANCED
#
Contemporary
#
Thierry Pélicant
#
Thierry Pélicant: Concerto fo
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musi...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
Joseph White: La Bella Cubana for chamber orchestra - Score Only
#
Chamber Orchestra
#
INTERMEDIATE
#
Joseph White
#
Robert Debbaut
#
Joseph White: La Bella Cubana
#
ROBERT DEBBAUT
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Mult...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point.  Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
#
Chamber Orchestra
#
ADVANCED
#
Christian contemporary
#
Sacred music
#
Carson Cooman
#
Carson Cooman: Symphony No. 3,
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Mus...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Little Laser Lady for chamber orchestra
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
David Warin Solomons
#
Colin Bayliss
#
Little Laser Lady for chamber
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts....
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
An amble round Mercury for chamber orchestra
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
David Warin Solomons
#
Colin Bayliss
#
An amble round Mercury for cha
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts....
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Landscape before sunrise for chamber orchestra
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
David Warin Solomons
#
Colin Bayliss
#
Landscape before sunrise for c
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts....
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Yukiko Nishimura: Up in the Sky (Sound Innovations Soloist, Baritone Treble Clef) - chamber ensemble
#
Chamber Orchestra
#
EASY
#
Rock
#
Yukiko Nishimura
#
Virtualsheetmusic
Instantly printable sheet music by Yukiko Nishimura for chamber ensemble of EASY/MEDIUM skill level. / pop,rock,metal,instructional
Instantly printable sheet music by Yukiko Nishimura for chamber ensemble of EASY/MEDIUM skill level. / pop,rock,metal,instructional
$7.97
Yukiko Nishimura: Up in the Sky (Sound Innovations Soloist, Baritone Bass Clef) - chamber ensemble
#
Chamber Orchestra
#
EASY
#
Rock
#
Yukiko Nishimura
#
Virtualsheetmusic
Instantly printable sheet music by Yukiko Nishimura for chamber ensemble of EASY/MEDIUM skill level. / pop,rock,metal,instructional
Instantly printable sheet music by Yukiko Nishimura for chamber ensemble of EASY/MEDIUM skill level. / pop,rock,metal,instructional
$7.97
Yukiko Nishimura: Up in the Sky (Sound Innovations Soloist, Baritone Sax) - chamber ensemble
#
Chamber Orchestra
#
EASY
#
Rock
#
Yukiko Nishimura
#
Virtualsheetmusic
Instantly printable sheet music by Yukiko Nishimura for chamber ensemble of EASY/MEDIUM skill level. / pop,rock,metal,instructional
Instantly printable sheet music by Yukiko Nishimura for chamber ensemble of EASY/MEDIUM skill level. / pop,rock,metal,instructional
$7.97
Yukiko Nishimura: Up in the Sky (Sound Innovations Soloist, Trombone) - chamber ensemble
#
Chamber Orchestra
#
EASY
#
Rock
#
Yukiko Nishimura
#
Virtualsheetmusic
Instantly printable sheet music by Yukiko Nishimura for chamber ensemble of EASY/MEDIUM skill level. / pop,rock,metal,instructional
Instantly printable sheet music by Yukiko Nishimura for chamber ensemble of EASY/MEDIUM skill level. / pop,rock,metal,instructional
$7.97
Weihnachtslied
#
Chamber Orchestra
#
INTERMEDIATE
#
Berliner Mozart-Chor, Volker S
#
Sabine Fenske
#
Weihnachtslied
#
Sabine Fenske
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301288 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Ar...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301288 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Arnold Mendelssohn. Arranged by Sabine Fenske. Christmas,Romantic Period. 11 pages. Sabine Fenske #890925. Published by Sabine Fenske (A0.1301288). The most famous Christmas poem of Joseph von Eichendorff „Markt und Straßen steh’n verlassen“ „Markets and streets abandoned“, combined in one composition with the Lutheran „Vom Himmel hoch“ „From Heaven Up“ from Arnold Mendelssohn. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: romantic, language: Germanscore only.
$4.99
Weihnachtslied
#
Chamber Orchestra
#
INTERMEDIATE
#
Berliner Mozart-Chor, Volker S
#
Sabine Fenske
#
Weihnachtslied
#
Sabine Fenske
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301344 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Ar...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301344 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Arnold Mendelssohn. Arranged by Sabine Fenske. Christmas,Romantic Period. 19 pages. Sabine Fenske #890973. Published by Sabine Fenske (A0.1301344). The most famous Christmas poem of Joseph von Eichendorff „Markt und Straßen steh’n verlassen“ „Markets and streets abandoned“, combined in one composition with the Lutheran „Vom Himmel hoch“ „From Heaven Up“ from Arnold Mendelssohn. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: romantic, language: Germanscore and orchestral parts.
$12.99
Weihnachtslied
#
Chamber Orchestra
#
INTERMEDIATE
#
Berliner Mozart-Chor, Volker S
#
Sabine Fenske
#
Weihnachtslied
#
Sabine Fenske
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301303 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Ar...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301303 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Arnold Mendelssohn. Arranged by Sabine Fenske. Christmas,Romantic Period. 1 pages. Sabine Fenske #890941. Published by Sabine Fenske (A0.1301303). The most famous Christmas poem of Joseph von Eichendorff „Markt und Straßen steh’n verlassen“ „Markets and streets abandoned“, combined in one composition with the Lutheran „Vom Himmel hoch“ „From Heaven Up“ from Arnold Mendelssohn. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: romantic, language: Germanviola.
$1.99
<
1
26
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
