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Op. 16
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270
Piano & keyboards
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335
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313
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26
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1 Piano, 4 hands
9
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Accordion
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+ 10 instrumentations
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Retract
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27
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
32
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30
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21
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17
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16
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11
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11
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11
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9
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8
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7
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1
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1
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Harmonica
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Piccolo, Piano
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18
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14
Trumpet, Piano
11
Brass quartet : 2 trumpets, trombone, tuba
10
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10
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6
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5
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5
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4
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3
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3
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2
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Trombone
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1
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1
2 Trumpets (duet)
1
2 Euphoniums and 2 Tubas
1
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64
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62
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35
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20
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20
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14
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9
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6
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5
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4
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3
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3
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2
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1
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1
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1
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1
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1
Piano Trio: Violin, Viola, Piano
1
2 Violins, Piano
1
String Quintet: 2 violins, viola, cello, bass
1
Viola and orchestra
1
String Trio: 3 cellos
1
String Trio: 3 violas
1
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Retract
Orchestra & Percussion
String Orchestra
32
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21
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19
Chamber Orchestra
9
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7
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6
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4
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3
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1
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1
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Op. 16
Chamber Orchestra
Sheetmusic to print
9 sheet music found
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1
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
RIGEL Symphony No.4 in C minor Op.12 No.4
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Henri-Joseph Rigel
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Ian Butterworth
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RIGEL Symphony No.4 in C minor
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Ian Butterworth
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1496246 Composed by Henri-Joseph Rigel. Arranged by Ian Butterworth. Classical. 85 pages. Ian Butt...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1496246 Composed by Henri-Joseph Rigel. Arranged by Ian Butterworth. Classical. 85 pages. Ian Butterworth #1072771. Published by Ian Butterworth (A0.1496246). Rigel (1741-1799) was born in Austria but spent most of his life in France. This work is in three movements and is a fine example of the Sturm und Drang movement. The work is scored for two oboes, bassoon, two horns and strings. The score (31 pages) has been edited for bowing and phrasing and the string parts may be copied for the sole use of the purchaser. Duraction 16 minutes approx.www.ianbutterworthmusic.co.uk
$18.00
RIGEL Symphony No.10 in D minor Op.21 No.2
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Henri-Joseph Rigel
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Ian Butterworth
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RIGEL Symphony No.10 in D mino
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Ian Butterworth
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1496608 Composed by Henri-Joseph Rigel. Arranged by Ian Butterworth. Classical. 70 pages. Ian Butt...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1496608 Composed by Henri-Joseph Rigel. Arranged by Ian Butterworth. Classical. 70 pages. Ian Butterworth #1073129. Published by Ian Butterworth (A0.1496608). Rigel (1741-1799) was born in Germany but spent most of his life in France. This symphony is in three movements and is scored for two oboes, bassoon, two horns and strings. The wind players are tacet in the central movement. The score (18 pages) has been edited for bowing and phrasing and string parts may be copied for sole use by the purchaser. Duration 16 minutes approx.www.ianbutterworthmusic.co.uk
$18.00
Concerto for Marimba and Orchestra "White-bellied green pigeon" Op.216 - Score Only
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Kohei KONDO
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Concerto for Marimba and Orche
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Kohei KONDO
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1242720 Composed by Kohei KONDO. 20th Century,21st Century,Classical,Contemporary,Contest,Festival...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1242720 Composed by Kohei KONDO. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. 128 pages. Kohei KONDO #837809. Published by Kohei KONDO (A0.1242720). Score and Pano reduction version. The piano reduction version can be used for concert. Compose's website http://koheikondo.comCommissioned by Japanese marimba player Kana Omori and Amabile Philharmonic Orchestra (Ibaraki-city,Osaka,JAPAN) Premiered on April.16.2023 Ibaraki-city, Osaka, JAPAN Marimba solo:Kana OMORI Amabile Philharmonic Orchestra conducted by Hakaru MATSUOKA
$20.00
Berceuse D major
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Chamber Orchestra
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Classical
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Gabriel Faure
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Berceuse D major
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Schott Music - Digital
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SheetMusicPlus
1 Fl., 1 Klar. in B, 4 Vl. 1, 4 Vl. 2, 2 Va., 2 Vc., 2 Kb. violin or cello and chamber orchestra - Digital Download SKU: S9.Q19838 Composed by Gabriel Fa...
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1 Fl., 1 Klar. in B, 4 Vl. 1, 4 Vl. 2, 2 Va., 2 Vc., 2 Kb. violin or cello and chamber orchestra - Digital Download SKU: S9.Q19838 Composed by Gabriel Faure. This edition: score. Concertino. Downloadable, Score. Op. 16. Schott Music - Digital #Q19838. Published by Schott Music - Digital (S9.Q19838). Key: D major.
$15.99
Berceuse D major
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Chamber Orchestra
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Classical
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Gabriel Faure
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Berceuse D major
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Schott Music - Digital
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SheetMusicPlus
1 Fl., 1 Klar. in B, 4 Vl. 1, 4 Vl. 2, 2 Va., 2 Vc., 2 Kb. violin or cello and chamber orchestra - Digital Download SKU: S9.Q19839 Composed by Gabriel Fa...
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1 Fl., 1 Klar. in B, 4 Vl. 1, 4 Vl. 2, 2 Va., 2 Vc., 2 Kb. violin or cello and chamber orchestra - Digital Download SKU: S9.Q19839 Composed by Gabriel Faure. This edition: set of parts. Concertino. Downloadable, set of parts. Op. 16. Schott Music - Digital #Q19839. Published by Schott Music - Digital (S9.Q19839). Key: D major.
$39.99
Vivaldi - 10 Concertos (Book 2) for Violin solo, Strings and Cembalo - Scores and Parts
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Santino Cara
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Santino Cara
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Vivaldi - 10 Concertos
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1222699 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and Parts. 8...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1222699 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and Parts. 861 pages. Santino Cara #818968. Published by Santino Cara (A0.1222699). Complete scores and parts of 10 Concertos - Book 2 - for Violin solo, Strings and Cembalo. Composed in Venice between 1717 and 1730 by Antonio Vivaldi. Reconstructed and elaborated over the years by Santino Cara.Sources: National University Library of Turin, the National Library of Bologna, the Italian Antonio Vivaldi Institute – Giorgio Cini Foundation directed by Francesco Fanna, the Saxony State University Library in Dresden, and some copied manuscripts from Vivaldi's period by Johann Georg Pisendel.Concertos:11 - Violin Concerto in E minor RV 27312 - Violin Concerto in E minor RV 27813 - Violin Concerto in G minor RV 32314 - Violin Concerto in A major RV 34015 - Violin Concerto in A major RV 35216 - Violin Concerto in B flat major RV 36417 - Violin Concerto in B flat major RV 36718 - Violin Concerto in B flat major RV 37519 - Violin Concerto in B minor RV 38620 - Violin Concerto in B minor RV 388Other works by Vivaldi for Violin, Strings and Harpsichord:Vivaldi - L'Estro Armonico Op.3 Book 1 - 6 Concertos for Violins, Cello, Strings and HarpsichordVivaldi - L'Estro Armonico Op.3 Book 2 - 6 Concertos for Violins, Cello, Strings and HarpsichordVivaldi - La Stravaganza Op.4 - 12 Concertos for Violin solo, Strings and Cembalo - Full scores andVivaldi - Six Concertos Op.6 for Violin, Cello, Strings and Harpsichord - Scores and PartsVivaldi - 10 Violin Concertos Op.7 for Violin, Strings and Cembalo - Scores and PartsVivaldi - Il Cimento dell'Armonia e dell'Invenzione Op.8 - 12 Concertos for Violin, strings and HarpsichordVivaldi - La Cetra Op.9 - 12 Concertos for Violin, Strings and Cembalo - Scores and PartsVivaldi - Six Violin Concertos Op.11 for Violin, Strings and Cembalo - Full scores and PartsVivaldi - Six Concertos Op.12 for Violin, Strings and Cembalo - Full scores and Parts
$80.40
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Chamber Orchestra
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ADVANCED
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Contemporary
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musi...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
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