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PIANO CONCERTO-
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939
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1
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91
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70
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61
Trumpet
36
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28
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14
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5
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2
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1
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2 Tubas (duet)
1
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1
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1
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479
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219
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168
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161
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93
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PIANO CONCERTO-
Chamber Orchestra
Sheetmusic to print
93 sheet music found
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76
Piano Concerto No. 6, Full Score Only - Score Only
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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Piano Concerto No. 6, Full Sco
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James Nathaniel Holland
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321776 Composed by James Nathaniel Holland. 21st Century,Chamber,Contemporary. 120 pages. James N...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321776 Composed by James Nathaniel Holland. 21st Century,Chamber,Contemporary. 120 pages. James Nathaniel Holland #910235. Published by James Nathaniel Holland (A0.1321776). FULL SCORE (Only, In Concert Pitch)  Number 6 of 21st century, American composer James Nathaniel Holland’s Piano Concertos for smaller orchestra and piano soloist.  This lively piece contains three distinct movements.  Movement one giggles and bubbles with triumphant glee;  movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities.  Good for smaller hand, intermediate advanced level. (License or permission to perform may apply.)Instrumentation:  Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) PIANO SOLOIST, StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$15.95
Piano Concerto No. 1 - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Piano Concerto No. 1 - FIRST movement [score and parts]
#
Chamber Orchestra
#
INTERMEDIATE
#
Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Sco...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - SECOND movement [score and parts]
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Chamber Orchestra
#
INTERMEDIATE
#
Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
#
Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th C...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
#
Chamber Orchestra
#
INTERMEDIATE
#
Contemporary
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - THIRD m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score only
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Chamber Orchestra
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ADVANCED
#
Contemporary
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 31 pages. Musik Fabrik ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 31 pages. Musik Fabrik Music Publishing #3033833. Published by Musik Fabrik Music Publishing (A0.533630). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$25.95
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score and parts
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Chamber Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533631 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 65 pages. Musik Fabrik ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533631 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 65 pages. Musik Fabrik Music Publishing #3033835. Published by Musik Fabrik Music Publishing (A0.533631). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$64.95
Concerto No. 10 "Italian Concerto" (First Edition) - Orchestra Score
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Chamber Orchestra
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Contemporary
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Alexander Peskanov
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Concerto No. 10 "Italian Conce
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Classical Video Concepts, Inc.
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.864652 Composed by Alexander Peskanov. Contemporary. Score and parts. 53 pages. Classical Video Concepts, In...
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Chamber Orchestra - Digital Download SKU: A0.864652 Composed by Alexander Peskanov. Contemporary. Score and parts. 53 pages. Classical Video Concepts, Inc. #15147. Published by Classical Video Concepts, Inc. (A0.864652). Peskanov's Concerto No.10 for Piano and Orchestra (First Edition) consists of three movements, Divertimento, Romance and Tarantella. This concerto presents a great showcase for beginner students, and serves as a unique launching pad for much more challenging Piano Concerto Repertoire. ONLY ORCHESTRA SCORE - 1 Copy.
$50.00
For String Quartet and Piano: Mozart's 24th Piano Concerto, K. 491 - 2nd Movement
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Chamber Orchestra
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ADVANCED
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Classical
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arranging these Concerti for s
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Wolfgang Amadeus Mozart
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Geoffrey Loff
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For String Quartet and Piano:
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Geoffrey Loff
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882865 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts....
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.882865 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 23 pages. Geoffrey Loff #2881387. Published by Geoffrey Loff (A0.882865). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 2nd Movement
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Chamber Orchestra
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ADVANCED
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Classical
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arranging these Concerti for s
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Wolfgang Amadeus Mozart
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Geoffrey Loff
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For String Quartet and Piano:
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Geoffrey Loff
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882858 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts....
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.882858 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 24 pages. Geoffrey Loff #1988435. Published by Geoffrey Loff (A0.882858). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 1st Movement
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Chamber Orchestra
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ADVANCED
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Classical
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arranging these Concerti for s
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Wolfgang Amadeus Mozart
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Geoffrey Loff
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For String Quartet and Piano:
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Geoffrey Loff
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882855 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts....
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.882855 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 70 pages. Geoffrey Loff #1988433. Published by Geoffrey Loff (A0.882855). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
Bach - Piano Concerto No.7 in G minor BWV 1058 for Piano solo and String Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Santino Cara
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Santino Cara
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II
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Bach - Piano Concerto No.7 in
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1356525 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. 118 pages. S...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1356525 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. 118 pages. Santino Cara #941197. Published by Santino Cara (A0.1356525). Complete score and parts of the Piano Concerto No.8 in G minor BWV 1058 for Piano concertato and Strings. Arranged for harpsichord in 1738 by Bach himself, from the previous concerto in A minor for solo violin, strings and continuo BWV 1041. Rewritten and elaborated for Piano and String orchestra in Rome in 2023 by Santino Cara.3 Movements: 1. Allegro moderato, 2. Andante, 3. Allegro assai.Instrumentations: Piano concertato, Violins I. & II., Violas, Violoncellos, Double Basses.
$22.40
Bach - Piano Concerto in C minor BWV 1062 for Piano solo and String Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Santino Cara
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Santino Cara
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Bach - Piano Concerto in C min
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1328836 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. 114 pages. S...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1328836 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. 114 pages. Santino Cara #916857. Published by Santino Cara (A0.1328836). Complete score and Parts of the Concerto in C minor BWV 1062 for Piano solo, Strings Orchestra. Composed in 1736 by Johann Sebastian Bach, Transcibed in Rome in 2023 by Santino Cara fro Concerto for 2 Harpsichord, Strings and Continuo.3 Movements: 1. Vivace, 2. Largo ma non tanto (Andante), 3. Allegro.
$20.40
Piano Concerto
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Chamber Orchestra
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ADVANCED
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Panagiotis Theodossiou
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Piano Concerto
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Panagiotis Theodossiou
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.886650 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Graduation. Score and...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.886650 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Graduation. Score and parts. 107 pages. Panagiotis Theodossiou #3043801. Published by Panagiotis Theodossiou (A0.886650). Piano Concerto, for piano and strings (2005).The work is written in the classical form of a concerto and follows a neoclassical idiom. The three parts are respectively dedicated to:a. Johannes Brahms – Dmitri Schostakovitch,b Bella Bartok c. Sergei Prokofiev – Paul Hinthemith – Johann Sebastian Bach being a study of each composer’s style .The whole work is dedicated to pianist Konstantinos Papadakis. The 3d part has been performed by Lorenda Ramou and the Orchestra of Colours under the direction of Miltos Logiadis at Benaki Museum Concert Hall, Athens in 2006. https://www.youtube.com/watch?v=56kEhr1aNnshttps://www.youtube.com/watch?v=80OyC1pqMgohttps://www.youtube.com/watch?v=4S4lP5pSF6k
$29.99
Bach - Piano Concerto No.8 in D minor BWV 1059 for Piano solo and String Orchestra
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Santino Cara
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Johann Sebastian Bach
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Santino Cara
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II
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Bach - Piano Concerto No.8 in
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1352181 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. 93 pages. Sa...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1352181 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. 93 pages. Santino Cara #937016. Published by Santino Cara (A0.1352181). Complete score and parts of the Concerto No.8 in D minor BWV 1059 for Piano, Strings and Continuo. Composed by Johann Sebastian Bach. Rewritten and elaborated in Rome in 2023 by Santino Cara.3 Movements: 1. Allegro, 2. Adagio, 3. Presto.Instrumentation: Piano concertato, Violins I. & II., Violas, Violoncellos and Double Basses
$22.40
Piano Concerto no 1 - piano quintet
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Chamber Orchestra
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Contemporary
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Brian Henderson-Sellers
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Piano Concerto no 1 - piano qu
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Brian Henderson-Sellers
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.980319 Composed by Brian Henderson-Sellers. Contemporary. Score and parts. 29 pages. Brian Henderson-Sellers...
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Chamber Orchestra - Digital Download SKU: A0.980319 Composed by Brian Henderson-Sellers. Contemporary. Score and parts. 29 pages. Brian Henderson-Sellers #5852333. Published by Brian Henderson-Sellers (A0.980319). Piano concerto influenced by Beethoven. Three movements. Audio sample is of beginning and end of each movement.
$12.00
Piano Concerto No. 9 (score only)
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Chamber Orchestra
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ADVANCED
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Alan Beggerow
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Piano Concerto No. 9
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Alan Beggerow
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.985859 Composed by Alan Beggerow. 20th Century,Romantic Period. Score and parts. 96 pages. Alan Be...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.985859 Composed by Alan Beggerow. 20th Century,Romantic Period. Score and parts. 96 pages. Alan Beggerow #6168639. Published by Alan Beggerow (A0.985859). Concerto for piano and orchestra - 2 flutes, 2 oboes, 2 clarinets in B-flat, 2 bassoons, 1 contra bassoon, 4 horns, timpani, piano, strings. Duration appx. 28 minutes.
$16.95
Piano Concerto No. 1 - 1st Mov. (excerpt)
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Chamber Orchestra
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ADVANCED
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Pyotr Tchaikovsky
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Dico
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Piano Concerto No. 1 - 1st Mov
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Dico
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.842946 Composed by Pyotr Tchaikovsky. Arranged by Dico. Romantic Period,Wedding. Score and parts. ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.842946 Composed by Pyotr Tchaikovsky. Arranged by Dico. Romantic Period,Wedding. Score and parts. 39 pages. Dico #6421467. Published by Dico (A0.842946). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.PIANO CONCERTO No. 1 in Bb Major - this unusual formation, as explained above, is due to the fact that these works were commissioned for the purpose of wedding ceremonies and a limited number of musicians and performance time.Score | Fl | Ob | Hrn | Tpt | Tbn 1, 2 | Timp | Pno | Str (-Vla)
$20.00
Piano Concerto No. 1 - 1st Mov. (excerpt)
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Chamber Orchestra
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ADVANCED
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Various
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Dico
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Piano Concerto No. 1 - 1st Mov
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Dico Ferreira
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.511132 By Various. By Pyotr Tchaikovsky. Arranged by Dico. Romantic Period,Wedding. Score and part...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.511132 By Various. By Pyotr Tchaikovsky. Arranged by Dico. Romantic Period,Wedding. Score and parts. 39 pages. Dico Ferreira #122058. Published by Dico Ferreira (A0.511132). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.PIANO CONCERTO No. 1 in Bb Major - this unusual formation, as explained above, is due to the fact that these works were commissioned for the purpose of wedding ceremonies and a limited number of musicians and performance time.Score | Fl | Ob | Hrn | Tpt | Tbn 1, 2 | Timp | Pno | Str (-Vla)
$24.00
Piano Concerto No. 1, Op. 40, 1st Movement
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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David Cundy
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Piano Concerto No. 1, Op. 40,
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David Cundy
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.904574 Composed by David Cundy. Contemporary. Score and parts. 111 pages. David Cundy #3500393. Pu...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.904574 Composed by David Cundy. Contemporary. Score and parts. 111 pages. David Cundy #3500393. Published by David Cundy (A0.904574). Piano Concerto No. 1, Op. 40, 1st Movement.
$6.99
Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Arkady Leytush
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Arkady Leytush
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Bach/Leytush - GOLDBERG VARIAT
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Arkady Leytush
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 32...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 325 pages. Arkady Leytush #774439. Published by Arkady Leytush (A0.1174276). Orchestra: Flute, Oboe, Clarinet in B, Bassoon, 2 Horns, Trumpet, Trombone, Violins 1st, Violins 2nd, Violas, Cellos, D. BassI have been thinking about the plan to make an orchestral transcription of Goldberg Variations for a long time, as one of the examples of collective music-making, where most of the work would be typical of the style of a piano concerto, and would also include chamber ensembles both with a pianist and solo. Total duration (with some repetitions) - 50 min. Some variations are played: Piano + Orchestra (1,2,3,4,6,8,10,11,12,14,16,18,20,21,24,25,26,27.28,29) Orchestra only (19, 30), Brass only (4), Wood winds only (9), Brass + Wood winds only (22), Piano + Soloists from the Orchestra (7, 15, 17) Piano only (13) Prelude-Aria (Theme) begins with the pianist and after 8 measures the orchestra gradually turns on. The same Postlude-Aria theme at the end of the composition has an inversion orchestration, when everyone starts playing together (Piano + Orchestra) and then the orchestra gradually stops playing and only one pianist remains.Audio (mp3) incudes excerpts of Variations ## 1,2,4,5,6,7,11,14,19,20,21,22,28,29,30.
$100.00
Piano al Tiempo de 3 Voces
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Chamber Orchestra
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ADVANCED
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Contemporary
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William Ortiz
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Piano al Tiempo de 3 Voces
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William Ortiz
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1008986 Composed by William Ortiz. 20th Century,Contemporary. Score and parts. 67 pages. William O...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1008986 Composed by William Ortiz. 20th Century,Contemporary. Score and parts. 67 pages. William Ortiz #5743389. Published by William Ortiz (A0.1008986). Piano al Tiempo de 3 Voces is a unique Piano Concerto with chamber orchestra which condenses duration and intensity in a virtuosic manner.
$28.00
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Chamber Orchestra
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ADVANCED
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Contemporary
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musi...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
Concerto
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Chamber Orchestra
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ADVANCED
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Werner Egk
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Concerto
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 0 · 2 · Tenorsax. · 0 – 0 · 2 · 1 · 1 – Str. (2 · 2 · 2 · 2) violin and chamber orchestra - difficu...
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1 (auch Picc.) · 0 · 2 · Tenorsax. · 0 – 0 · 2 · 1 · 1 – Str. (2 · 2 · 2 · 2) violin and chamber orchestra - difficult - Digital Download SKU: S9.Q16479 Composed by Werner Egk. This edition: piano reduction with solo part. Violin Library. Downloadable, Piano reduction with solo part. Duration 24 minutes. Schott Music - Digital #Q16479. Published by Schott Music - Digital (S9.Q16479). The Violin Concerto, written in 1928, is one of Egk's most significant instrumental works. It is indicative of the contemporary climate of innovation as reflected in the development of new genres for chamber orchestra, ensembles and soloists, as for example in Hindemith's chamber music pieces, Weill's Concerto for Violin and Woodwind, Berg's Chamber Concerto, and the Concerto and Capriccio by Stravinsky.
$46.99
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
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Chamber Orchestra
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ADVANCED
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Contemporary
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Germaine Tailleferre
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Germaine Tailleferre: Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Mus...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
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