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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Piano Man
Not classified
13,525
Piano & keyboards
Piano solo
36,846
Piano, Voice
35,171
Piano, Vocal and Guitar
12,295
Easy Piano
10,433
1 Piano, 4 hands
1,249
Piano Accompaniment
792
Big Note Piano
632
Piano Trio: piano, violin, cello
593
2 Pianos, 4 hands
336
Organ
282
Piano Quartet: piano, violin, viola, cello
241
C Instruments
211
Piano (band part)
171
Piano Quintet: piano, 2 violins, viola, cello
161
Piano Quartet: piano, 2 violins, cello
125
Organ, Piano (duet)
56
1 Piano, 6 hands
31
Accordion
23
2 Pianos, 8 hands
17
Keyboard
15
Harpsichord
10
Organ, Trumpet (duet)
3
Fake Book
2
Melody line, Piano
2
Accordion, Voice
2
Piano Quintet: piano, violin, viola, cello, double bass
1
Accordion, String(s)
1
+ 22 instrumentations
-
Retract
Guitars
Melody line, (Lyrics) and Chords
281
Guitar
162
Guitar notes and tablatures
126
Piano, Guitar (duet)
124
Mandolin, Piano (duet)
79
2 Guitars (duet)
52
Ukulele
32
Lyrics and Chords
24
Bass guitar
16
4 Guitars (Quartet)
13
Guitar (band part)
12
Guitar, Violin, Cello (trio)
5
Mandolin
4
3 Guitars (trio)
3
2 Mandolins (duet)
2
Dulcimer
2
2 Guitars and Orchestra
1
Banjo
1
Lap Steel Guitar
1
+ 14 instrumentations
-
Retract
Voice
Choral SATB
3,027
Choral 2-part
1,904
Choral 3-part
1,711
Vocal duet, Piano
941
Choral Unison
774
Voice solo
503
Choral TTBB
390
High voice
369
Soprano voice, Piano
352
Vocal duet
312
Low voice, Piano
229
Tenor voice, Piano
209
Baritone voice, Piano
175
Alto voice, Piano
167
Choral SSAA
154
Medium voice, Piano
141
Choral
86
Choral Instrumental Pak
53
Mezzo-Soprano voice, Piano
45
Tenor voice
15
Soprano voice
9
Choral SSATTB
7
Soli, Mixted choir and accompaniment
6
Choral SSATB
5
Choral SSAB, Piano
5
Low voice
5
High voice, Piano
4
Choral SSAATTBB
4
Children choir
3
Choral SSAATB
3
Choral SATTBB A Cappella
1
Voice, Guitar
1
+ 27 instrumentations
-
Retract
Woodwind
Flute and Piano
4,049
Clarinet and Piano
2,690
Oboe, Piano (duet)
1,944
Alto Saxophone and Piano
1,902
Tenor Saxophone and Piano
1,337
Soprano Saxophone and Piano
1,025
Baritone Saxophone, Piano
447
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
438
Clarinet
428
2 Saxophones (duet)
383
Saxophone Quartet: 4 saxophones
382
English horn, Piano
360
Flute, Oboe, Clarinet, Bassoon
359
Flute
276
2 Flutes (duet)
265
Bass Clarinet, Piano
191
2 Clarinets (duet)
186
Saxophone Quintet: 5 Saxophones
183
Flute, Violin, Piano
172
Clarinet Quartet: 4 clarinets
155
Flute, Clarinet (duet)
130
Alto Saxophone
126
3 Saxophones (trio)
103
2 Flutes, Piano
99
Tenor Saxophone
96
2 Oboes (duet)
75
Descent (Soprano) Recorder, Piano
75
Treble (Alto) Recorder, Piano
74
Flute Quartet: 4 flutes
74
Descant (Soprano) Recorder
73
Flute, Cello, Piano (trio)
71
Recorder
69
Saxophone
68
Saxophone (band part)
68
Flute and Guitar
66
Flute, Clarinet, Piano (trio)
66
2 Clarinets, Piano
61
3 Clarinets (trio)
58
Clarinet Ensemble
58
Flute, Bassoon, and Piano
56
2 Saxophones, Piano
53
Clarinet, Violin (duet)
52
Oboe (band part)
50
Saxophone and Piano
50
2 Recorders (duet)
49
Flute, Oboe, Piano (trio)
48
Saxophone, Clarinet (duet)
44
Flute, Violin
43
Recorder, Piano
43
Clarinet, Cello, Piano (trio)
42
Treble (Alto) Recorder
41
Clarinet, Guitar (duet)
40
Oboe
39
Flute, Oboe, Clarinet (trio)
36
Piccolo, Piano
35
Flute ensemble
32
Flute Trio: 3 flutes
32
Oboe, Clarinet (duet)
30
Recorder Quartet
30
Oboe, Clarinet, Bassoon (trio)
30
Tenor Recorder
28
Flute, Trumpet (duet)
26
Saxophone ensemble
24
Oboe, Bassoon (duet)
23
Clarinet Quintet: 5 clarinets
23
Clarinet, Bassoon, Piano (trio)
23
5 Recorders
21
Clarinet, Trumpet (duet)
20
Flute, Oboe (duet)
19
3 Recorders (trio)
19
Flute, Viola and Piano
19
Oboe, Flute
17
Piccolo
17
Clarinet, Bassoon (duet)
17
Flute, Violoncello
15
Clarinet and Viola
15
Oboe, Guitar (duet)
15
Clarinette, Viola and Piano (trio)
15
Recorder Ensemble
14
Oboe, Violin (duet)
14
Soprano Saxophone
14
Clarinet (band part)
14
Flute, Saxophone (duet)
13
Flute, Viola (duet)
13
Flute, Clarinet and Bassoon.
13
English Horn
13
Flute, Violin, Violoncello and Piano
12
Harmonica, Piano
11
Baritone Saxophone
10
Flute, trombone and piano
10
Flute, Trombone (duet)
10
Saxophone, Violin (duet)
9
Flute, Oboe, Bassoon
9
Clarinet, trumpet and piano
9
Flute, Clarinet, Horn and Bassoon (Quartet)
9
Pennywhistle
9
Oboe, Trumpet (duet)
8
Oboe, Violin, Piano
8
Flute (band part)
8
Oboe, Bassoon and Piano
7
Clarinet, Cello (duet)
7
Saxophone and Organ
7
Clarinet, Trombone (duet)
6
Harmonica
5
2 Recorders, Piano
5
Oboe, Cello
5
Oboe, Cello and Piano
4
Oboe, Clarinet and Piano (Trio)
4
2 Clarinets, Bassoon
4
Flute Quintet : 5 flutes
4
2 English horns and Pianoforte
3
Clarinet, Harp (duet)
3
English Horn, Guitar (duet)
3
Pan Flute
2
Bass Clarinet
2
Flute, Cello, Guitar
2
2 Oboes, Piano
2
Clarinet, Organ
2
Eb Instruments
2
Flute, Guitar, Piano
2
Flute, Organ (duet)
2
Recorder, Guitar (duet)
1
3 Oboes
1
Ocarina
1
Flute, Clarinet, Violin (trio)
1
Treble (Alto) Recorder, Basso continuo
1
Clarinet Quintet: Clarinet, String Quartet
1
Oboe, Organ
1
Clarinet, Double bass (duet)
1
Clarinet, Tuba
1
Flute, Orchestra
1
Saxophone and Guitar
1
Flute, Basso continuo
1
Oboe, Harp
1
Oboe ensemble
1
Oboe and Orchestra
1
+ 131 instrumentations
-
Retract
Woodbrass
Trumpet, Piano
1,650
Trombone and Piano
1,540
French Horn and Piano
1,175
Tuba and Piano
571
Trumpet
439
Euphonium, Piano (duet)
363
English horn, Piano
360
Brass Quintet: 2 trumpets, horn, trombone, tuba
274
Brass Quartet: 2 trumpets, horn, trombone
143
2 Trumpets (duet)
125
Trombone
122
2 Trombones (duet)
119
Brass quartet : 2 trumpets, trombone, tuba
105
Brass Quartet
90
2 French horns (duet)
73
Tuba
69
Trumpet, Trombone (duet)
61
French horn
57
Trumpet, Horn (duert)
56
Bass Trombone and Piano
42
Trumpet (band part)
37
Tuba and Organ
37
Trumpet, Saxophone (duet)
32
Trombone (band part)
29
Euphonium
26
2 Trumpets, Keyboard (piano or organ)
23
Trumpet, Trombone, Piano
20
Brass Quartet: 4 trombones
16
3 Trombones (trio)
15
Brass Quartet: 4 horns
14
English Horn
13
Brass Trio
12
Trumpet, Cello, Piano
12
Trumpet, violin (duet)
12
Trombone, cello (duet)
12
2 Tubas (duet)
11
3 Trumpets (trio)
10
Brass Quartet: 2 trumpets, 2 trombones
10
2 Trombones, Piano
10
French horn (band part)
9
Tuba (band part)
7
Trombone ensemble
7
Euphonium, Tuba (duet)
6
4 Tubas
6
Brass Quartet: 4 trumpets
6
Horn Ensemble
5
Trombone, Horn (duet)
5
Trumpet ensemble
4
2 English horns and Pianoforte
3
2 Euphoniums (duet)
3
Horn, Tuba (duet)
3
English Horn, Guitar (duet)
3
2 French horns, Piano
3
Horn, Cello (duet)
2
3 Tubas (trio)
2
Trombone, Tuba (duet)
2
3 French horns (trio)
2
Trombone, Organ
2
Horn, Cello and Piano
2
Bb Instruments
2
F Instruments
1
Trumpet, Bassoon (duet)
1
2 Euphoniums and 2 Tubas
1
Trumpet, Euphonium (duet)
1
Bass Clef Instruments
1
Cornet and Piano
1
Trombone, Violin (duet)
1
French Horn and Harp
1
+ 63 instrumentations
-
Retract
Strings
Violin and Piano
5,122
Cello, Piano
3,327
Viola, Piano
2,387
String Quartet: 2 violins, viola, cello
844
Double bass, Piano (duet)
540
Violin
447
Cello
237
2 Violins (duet)
206
String Quintet: 2 violins, viola, cello, bass
198
Piano Trio: Violin, Viola, Piano
192
2 Cellos (duet)
154
Viola
143
Harp
128
2 Violas (duet)
122
String Trio: violin, viola, cello
113
Violin, Cello (duet)
113
2 Violins, Piano
83
Violin, Viola (duet)
69
Double Bass
51
Viola, Cello (duet)
39
Violin, Guitar (duet)
39
String Trio: 2 violins, cello
36
Violin (band part)
31
2 Cellos, Piano
30
Cello, Guitar (duet)
29
String Trio: 3 violins
26
Viola (band part)
25
4 Cellos
22
Violin, Clarinet, Piano (trio)
22
Viola, Guitar (duet)
21
2 Violas, Piano
19
Doublebass (band part)
16
Harp and Piano
15
2 Double basses (duet)
14
String Quartet : 4 violas
13
Viola and Bassoon
12
String quartet: 4 violins
12
String Trio: 3 cellos
11
String Trio: 2 violins, viola
10
Harp, Flute (duet)
10
Harp, Violin (duet)
9
String Trio: 3 violas
9
4 Double Basses
8
Cello, String Bass (duet)
6
2 Harps (duet)
6
Cello (band part)
5
Cello, Organ
5
Cello, Orchestra
4
Violin, Basso continuo
4
Harp and mandolin
4
Flute, Doublebass (duet)
3
Violin, Bassoon (duet)
3
Harp, Voice
3
Cello Ensemble
2
Viola, Organ
2
String Quintet: 2 violins, 2 violas, cello
2
Viola and Harp
2
Harp, Cello (duet)
1
Viola and orchestra
1
Violin, Organ
1
Violin, Trumpet and Piano
1
+ 56 instrumentations
-
Retract
Orchestra & Percussion
Orchestra
686
String Orchestra
584
Jazz Ensemble
567
Concert band
368
Chamber Orchestra
287
Handbells
207
Brass ensemble
155
Jazz combo
104
Xylophone, Piano
48
Piano and Orchestra
27
Marimba
27
Vibraphone
26
Vibraphone (band part)
25
Marching band
17
Percussion Ensemble
15
Percussion (band part)
12
Marimba, Piano (duet)
10
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
8
School Ensemble
7
Drums
7
Xylophone
7
Drum (band part)
7
Orchestra, Violin
3
Brass Quintet: other combinaisons
2
Percussion
2
2 Xylophones
1
Big band
1
Woodwind Quintet
1
2 Marimbas
1
+ 24 instrumentations
-
Retract
Others
Musical course - Solfege
45
Stationery
1
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--INSTRUMENTS--
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Piano Man
Chamber Orchestra
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287 sheet music found
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276
Heinzelmannchens Wachtparade
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Chamber Orchestra
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Classical
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Kurt Noack
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Heinzelmannchens Wachtparade
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Schott Music - Digital
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SheetMusicPlus
Salon orchestra - Digital Download Character piece. Composed by Kurt Noack. This edition: piano direction and parts. Domesticum. Downloadable. Op. 5....
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Salon orchestra - Digital Download Character piece. Composed by Kurt Noack. This edition: piano direction and parts. Domesticum. Downloadable. Op. 5. Duration 8 minutes. Schott Music - Digital #Q49252. Published by Schott Music - Digital
The parade of the 'Heinzelmaennchen' (brownies) is reminiscent of old times. Catchy naive motifs prompt the listener to sing along, move to the rhythm and wallow in memories. Extremely popular in post-war Germany and frequently played even today, this music carries you off into the coffee houses of the 1920s. It is part of the standard repertoire of each spa and salon orchestra still today.
$42.99
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Chamber Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Mu...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Chamber Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Chamber Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
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Chamber Orchestra
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INTERMEDIATE
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Robert Schumann
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James M
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Schumann: Träumerei Op. 15 No
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standard...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jmsgu3 #4598499. Published by jmsgu3 (A0.550196). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà An unexpected and welcome recital encore.Schumann's Träumerei (Dreaming), Op. 15 No. 7, is a solo piano piece that is part of his Scenes from Childhood (Kinderszenen) set, which was his first attempt at writing a piano solo. The piece is significant for several reasons:Emotional Appeal: Träumerei is considered a masterpiece due to its great emotional appeal, combining both haunting sadness and nostalgic tenderness. This emotional depth has allowed the piece to touch many people's hearts and become a beloved piece of music worldwide.Universal Themes: The piece explores themes of childhood, memories, and feelings from a sentimental adult perspective. These themes are universally cherished and can be appreciated by adults and children.Cultural Impact: Träumerei has been used in various cultural contexts, such as in the 1947 Hollywood film Song of Love and the 1944 German biographical film on Schumann. In Russia, a hummed choral, a cappella version that became known as mourning music, was played annually during the Minute of Silence on Victory Day.Influence on Other Artists: The piece has inspired other artists, such as violinist Fenella Humphreys, who released an arrangement of Träumerei for violin in 2021.Schumann's Träumerei is a significant piece of music due to its emotional appeal, universal themes, cultural impact, and influence on other artists. Its timeless beauty and emotional depth continue to resonate with audiences worldwide.
$48.95
Concerto for Trumpet and Orchestra (score, piano reduction, solo trumpet parts)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Gary Friedman
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Concerto for Trumpet and Orche
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Gary Friedman
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.889880 Composed by Gary Friedman. Contemporary,Romantic Period. Score and parts. 87 pages. Gary Fr...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.889880 Composed by Gary Friedman. Contemporary,Romantic Period. Score and parts. 87 pages. Gary Friedman #12841. Published by Gary Friedman (A0.889880). Concerto for Trumpet and Orchestra The first and third movements are lively, the second is reflective. There are several solo passages for other players. This was first performed by professional musicians including John Thomas, trumpet soloist, at a composers' workshop at Bard College on August 1, 2003. The orchestra was tiny, with only one player per string part, one each of flute, oboe/English horn, clarinet, bassoon, French horn, trombone, and two percussionists and very little rehearsing was possible. The audio clip is of that performance, 3rd movement. Please listen to the other movements at my website, www.garyfriedmanmusic.net. Provided here are the complete orchestra score, a piano reduction of the orchestra, and the solo trumpet parts for both B flat and E flat trumpet. Each has been preferred by some soloists. A complete set of parts is available separately for $20. Also available separately for $20 is an arrangement for brass septet with the 2 trumpet players sharing the solo part. Included with the septet is an arrangement of the 3rd movement for brass dectet. Duration: about 15 minutes Year: 2003.
$20.00
12 Variations on "Ah, vous dirai-je maman", K.265 for flute and orchestra
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Chamber Orchestra
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Classical
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Wolfgang Amadeus Mozart
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James Strauss
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12 Variations on "Ah, vous dir
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James Strauss
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.1035220 Composed by Wolfgang Amadeus Mozart. Arranged by James Strauss. Christmas,Classical,Easter,Holiday,L...
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Chamber Orchestra - Digital Download SKU: A0.1035220 Composed by Wolfgang Amadeus Mozart. Arranged by James Strauss. Christmas,Classical,Easter,Holiday,Love. Score and parts. 37 pages. James Strauss #5298007. Published by James Strauss (A0.1035220). Twelve Variations on Ah vous dirai-je, Maman, K. 265/300e, is a piano composition by Wolfgang Amadeus Mozart, composed when he was around 25 years old (1781 or 1782). This piece consists of twelve variations on the French folk song Ah! vous dirai-je, Maman. The French melody first appeared in 1761, and has been used for many children's songs, such as Twinkle, Twinkle, Little Star, Baa, Baa, Black Sheep and the Alphabet Song.Here is an arrangement for flute and orchestra .
$29.00
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score only
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Chamber Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 31 pages. Musik Fabrik ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 31 pages. Musik Fabrik Music Publishing #3033833. Published by Musik Fabrik Music Publishing (A0.533630). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$25.95
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score and parts
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Chamber Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533631 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 65 pages. Musik Fabrik ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533631 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 65 pages. Musik Fabrik Music Publishing #3033835. Published by Musik Fabrik Music Publishing (A0.533631). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$64.95
Sonatina 5 (Romanza)
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Chamber Orchestra
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INTERMEDIATE
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L
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Maurizio Chiavaroli
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Sonatina 5
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Maurizio Chiavaroli
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.790379 Composed by L.v.Beethoven. Arranged by Maurizio Chiavaroli. Instructional,Romantic Period,S...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.790379 Composed by L.v.Beethoven. Arranged by Maurizio Chiavaroli. Instructional,Romantic Period,Standards,World. Score and parts. 10 pages. Maurizio Chiavaroli #3477933. Published by Maurizio Chiavaroli (A0.790379). Arrangiamento per pianoforte e quintetto d'archi dell'ultimo movimento della Sonatina 5 di L.V.BeethovenArrangement for piano and string quintet of the last movement from the Sonatina 5 by L.V.Beethoven.
$6.99
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, piano part
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Chamber Orchestra
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ADVANCED
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Christian contemporary
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Sacred music
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.535418 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 9 pages. Musik Fabrik Musi...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.535418 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 9 pages. Musik Fabrik Music Publishing #3037717. Published by Musik Fabrik Music Publishing (A0.535418). This is the piano part for this work by Carson Cooman
$4.99
Carson Cooman: Autumn Sun Canticle (2006) for Bb or C trumpet and orchestra:, score and complete par
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Chamber Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Autumn Sun Cant
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533666 Composed by Carson Cooman. Contemporary. Score and parts. 36 pages. Musik Fabrik Music Publ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533666 Composed by Carson Cooman. Contemporary. Score and parts. 36 pages. Musik Fabrik Music Publishing #3036593. Published by Musik Fabrik Music Publishing (A0.533666). Autumn Sun Canticle (2006) for trumpet and orchestra was commissioned by The CommissionProject in memory of Bob Stata. Bob Stata was a jazz bassist and teacher, who died on June 14, 2005at the age of 52. (Stata commissioned and directed the premiere of Cooman's The Great Wilno(1999) for solo piano and wind ensemble.)This work has an autumnal spirit, but is lyrical and hopeful as well. An opening aria section leadstoward a chorale-like passage. A development of this material leads towards a passionate andsomewhat anguished climax. The opening aria returns, before an elegiac coda closes the work.Orchestration: 2222/0000/1perc/Solo Trumpet/stringsBoth Bb and C trumpets parts are included in the set. A version for trumpet and piano is also available for sale.
$64.95
Carson Cooman: Autumn Sun Canticle (2006) for Bb or C trumpet and orchestra:, score and solo parts
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Chamber Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Autumn Sun Cant
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533665 Composed by Carson Cooman. Contemporary. Score and parts. 27 pages. Musik Fabrik Music Publ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533665 Composed by Carson Cooman. Contemporary. Score and parts. 27 pages. Musik Fabrik Music Publishing #3036591. Published by Musik Fabrik Music Publishing (A0.533665). Autumn Sun Canticle (2006) for trumpet and orchestra was commissioned by The CommissionProject in memory of Bob Stata. Bob Stata was a jazz bassist and teacher, who died on June 14, 2005at the age of 52. (Stata commissioned and directed the premiere of Cooman's The Great Wilno(1999) for solo piano and wind ensemble.)This work has an autumnal spirit, but is lyrical and hopeful as well. An opening aria section leadstoward a chorale-like passage. A development of this material leads towards a passionate andsomewhat anguished climax. The opening aria returns, before an elegiac coda closes the work.Orchestration: 2222/0000/1perc/Solo Trumpet/stringsBoth Bb and C trumpets parts are included in the set. A version for trumpet and piano is also available for sale.
$19.95
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Chamber Orchestra
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ADVANCED
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Christian contemporary
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Sacred music
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Mus...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Ah vous dirai - je Maman (Young Ensembles)
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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Piotr Lachert
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Ah vous dirai - je Maman
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CMP
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.896356 Composed by Wolfgang Amadeus Mozart. Arranged by Piotr Lachert. Children,Classical,Standard...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.896356 Composed by Wolfgang Amadeus Mozart. Arranged by Piotr Lachert. Children,Classical,Standards. Score and parts. 59 pages. CMP #3629153. Published by CMP (A0.896356). Instruments: Score, Fl 1, Fl 2, Trian, Mar, Xil 1, Xil 2, Guit. 1, Guit 2, Piano 1, Piano 2. (pf 4 Hands) (Orff's Instruments)Pages 52 (17+3+3+1+2+3+3+3+3+6+7).
$9.99
Fauré: Pavane Op. 50 for Piano Sextet
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Gabriel Faure
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James M
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Fauré: Pavane Op. 50 for Pian
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards....
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
Piano Concerto No. 1 - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Jesus, Joy of Man's Desiring - Orchestra
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Chamber Orchestra
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EASY
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Classical
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Johann Sebastian Bach
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Hyunsung Lee, Hyunsung Essie L
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Jesus, Joy of Man's Desiring -
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Hyunsung Essie Lee
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1266758 Composed by Johann Sebastian Bach. Arranged by Hyunsung Lee, Hyunsung Essie Lee. 19th Cent...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1266758 Composed by Johann Sebastian Bach. Arranged by Hyunsung Lee, Hyunsung Essie Lee. 19th Century,Christian,Classical,Religious,Sacred. Score and Parts. 38 pages. Hyunsung Essie Lee #859436. Published by Hyunsung Essie Lee (A0.1266758). Only $5.90 at essie-music.comClick Here to download at best price!Level : From Children to Advanced.It can be performed without Piano.
$7.50
Piano Concerto No. 1 - FIRST movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Sco...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - SECOND movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th C...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
12 Variations on Twinkle, Twinkle, Little Star by Mozart arr. for piano quartet: Parts for strings (
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Chamber Orchestra
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EASY
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Classical
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Wolfgang Amadeus Mozart
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Lauri Hämäläinen
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12 Variations on Twinkle, Twin
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.885851 Composed by Wolfgang Amadeus Mozart. Arranged by Lauri Hämäläinen. Classical,Instr...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.885851 Composed by Wolfgang Amadeus Mozart. Arranged by Lauri Hämäläinen. Classical,Instructional,Standards. Score and parts. 26 pages. Suomi Music #4330975. Published by Suomi Music (A0.885851). Set of parts for Twinkle, Twinkle, Little Star by Mozart arranged for piano quartet (violin, viola, cello, piano).Between 1781-1782 Mozart wrote 12 variations on the theme Ah vous dirai-je, Maman for piano. This publication by Violin Friends is an arrangement of his composition for a piano quartet. The individual parts can be played by a junior string orchestra or an intermediate level string trio, but the piano part requires an advanced player especially in the last variations.The arrangement gives the opportunity for school orchestras to perform the arrangement with 12 different piano students from beginner students to more advanced players.The parts include easily readable parts (with a big font size) for: Violin (6 pages), Viola (7 pages), Cello (6 pages).
$19.99
A.Durand - S.Youdenitch "Valse" for piano and string orchestra
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Chamber Orchestra
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EASY
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Classical
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A
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S
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A.Durand - S.Youdenitch "Valse
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Razamanta
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.980603 Composed by A.Durand, S.Youdenitch. Arranged by S.Youdenitch. 20th Century,Children,Classic...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.980603 Composed by A.Durand, S.Youdenitch. Arranged by S.Youdenitch. 20th Century,Children,Classical,Romantic Period. Score and parts. 41 pages. Razamanta #6020979. Published by Razamanta (A0.980603). Piece is originally written for piano solo. I compose orchestra accomaniment for that.
$15.00
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