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Piece No. 5
Not classified
555
Piano & keyboards
Piano solo
755
Piano, Voice
85
Easy Piano
71
Organ
38
1 Piano, 4 hands
24
Piano, Vocal and Guitar
16
Piano Trio: piano, violin, cello
8
C Instruments
4
2 Pianos, 4 hands
4
Harpsichord
1
Organ, Piano (duet)
1
2 Accordions
1
Piano Quintet: piano, 2 violins, viola, cello
1
Piano (band part)
1
Piano Accompaniment
1
+ 10 instrumentations
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Retract
Guitars
Guitar
63
Guitar notes and tablatures
29
2 Guitars (duet)
14
Piano, Guitar (duet)
8
Dulcimer
4
Guitar (band part)
3
Guitar Ensemble
3
Ukulele
2
Banjo
2
Bass guitar
1
Mandolin
1
+ 6 instrumentations
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Retract
Voice
Choral SATB
57
Choral 3-part
12
Choral TTBB
5
Choral 2-part
3
Choral SSAA
3
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2
Vocal duet
2
Choral Instrumental Pak
2
Medium voice, Piano
1
Vocal duet, Piano
1
Choral Unison
1
Voice solo
1
+ 7 instrumentations
-
Retract
Woodwind
Saxophone Quintet: 5 Saxophones
105
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
80
Flute and Piano
61
Clarinet and Piano
57
Clarinet Quintet: 5 clarinets
56
3 Saxophones (trio)
52
Saxophone Quartet: 4 saxophones
51
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45
2 Saxophones (duet)
43
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43
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39
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37
2 Flutes (duet)
35
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30
Tenor Saxophone and Piano
28
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27
3 Clarinets (trio)
25
Flute
24
Flute Quartet: 4 flutes
18
2 Clarinets (duet)
18
Clarinet Ensemble
17
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14
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14
2 Oboes (duet)
12
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11
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11
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11
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10
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10
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10
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9
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8
2 Recorders (duet)
8
Flute ensemble
8
Oboe
7
Tenor Saxophone
7
5 Recorders
6
Baritone Saxophone
6
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6
Descant (Soprano) Recorder
5
Saxophone ensemble
5
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5
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5
Oboe (band part)
5
Piccolo, Piano
4
Recorder Ensemble
4
Piccolo
4
Tenor Recorder
4
Soprano Saxophone
4
Treble (Alto) Recorder, Piano
4
English Horn
4
Oboe, Clarinet (duet)
4
Bass Clarinet, Piano
4
Flute, Clarinet and Bassoon.
4
3 Recorders (trio)
3
Oboe, Bassoon (duet)
3
Flute (band part)
3
Flute and Guitar
3
Saxophone and Guitar
2
Flute, Violin, Violoncello and Piano
2
Flute, Oboe, Piano (trio)
2
Clarinet, Guitar (duet)
2
Flute, Oboe (duet)
2
Flute, Violin, Piano
2
Recorder
1
Oboe, Flute
1
Flute, Violin and Violoncello
1
Treble (Alto) Recorder
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Flute, Cello, Piano (trio)
1
Oboe ensemble
1
Pennywhistle
1
2 Flutes, Piano
1
2 English horns and Pianoforte
1
+ 69 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
131
Trumpet, Piano
45
Trombone and Piano
37
French Horn and Piano
32
Tuba and Piano
28
Trumpet
27
Brass quartet : 2 trumpets, trombone, tuba
18
Brass Quartet: 2 trumpets, horn, trombone
14
Trombone
14
French horn
13
English horn, Piano
11
Euphonium, Piano (duet)
11
2 French horns (duet)
10
2 Trombones (duet)
10
Brass Quartet: 4 horns
9
2 Trumpets (duet)
9
Brass Quartet: 4 trumpets
8
Tuba
8
Brass Quartet: 4 trombones
7
3 Trombones (trio)
6
Trumpet, Horn (duert)
5
4 Tubas
4
Bass Trombone
4
Trombone (band part)
4
English Horn
4
2 Tubas (duet)
4
3 Tubas (trio)
4
Trumpet ensemble
4
Trumpet, Trombone (duet)
4
Brass Quartet
3
Trombone, Horn (duet)
3
Euphonium, Tuba (duet)
3
3 Trumpets (trio)
3
2 Euphoniums (duet)
3
Trumpet and Guitar
2
Bass Trombone and Piano
2
Horn, Tuba (duet)
2
Trumpet (band part)
2
Brass Trio
2
Trombone ensemble
2
Horn Ensemble
2
Tuba (band part)
1
3 French horns (trio)
1
French horn (band part)
1
Euphonium
1
2 English horns and Pianoforte
1
+ 41 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
149
Violin and Piano
77
Cello, Piano
58
Viola, Piano
49
String Trio: violin, viola, cello
49
Harp
38
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31
Violin
31
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27
Violin, Viola (duet)
25
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24
Cello
24
Viola
18
String Trio: 3 violins
18
String Trio: 2 violins, cello
14
2 Violas (duet)
11
Double bass, Piano (duet)
11
String Trio: 3 cellos
10
4 Cellos
8
Double Bass
7
String Quartet : 4 violas
6
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6
String Trio: 3 violas
5
String quartet: 4 violins
5
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5
String Quintet: 2 violins, viola, cello, bass
4
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4
String Trio: 2 violins, viola
4
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3
Harp, Violin (duet)
3
Viola (band part)
3
Doublebass (band part)
2
Violin, Organ
2
Violin (band part)
2
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2
Viola ensemble
1
Viola, Guitar (duet)
1
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1
Violin ensemble
1
2 Harps (duet)
1
Viola and Harp
1
2 Double basses (duet)
1
Cello (band part)
1
+ 38 instrumentations
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Retract
Orchestra & Percussion
Concert band
82
Handbells
68
Orchestra
64
String Orchestra
59
Jazz Ensemble
25
Brass ensemble
16
Chamber Orchestra
9
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6
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5
2 Xylophones
2
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2
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1
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1
Marching band
1
Brass Quintet: other combinaisons
1
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Piece No. 5
Chamber Orchestra
Sheetmusic to print
9 sheet music found
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1
Orchestral Suite No 3 in D Major BWV 1068
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Chamber Orchestra
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ADVANCED
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Classical
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Johann Sebastian Bach
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Arte Nova Music Lab
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Orchestral Suite No 3 in D Maj
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standar...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 111 pages. Arte Nova Music Lab #3005423. Published by Arte Nova Music Lab (A0.742401). The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written;[1] Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a Monsieur Schouster, presumably for a fee, so all three may attest to the form's popularity.Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below.The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. Taken from https://en.wikipedia.org/wiki/Orchestral_suites_(Bach)
$27.00
RACHMANINOV Hungarian Dance Op.6 No.2 for chamber orchestra
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Chamber Orchestra
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ADVANCED
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Classical
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RACHMANINOV
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Ian Butterworth
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piano
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RACHMANINOV Hungarian Dance Op
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Ian Butterworth
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.963753 Composed by RACHMANINOV. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 59 ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.963753 Composed by RACHMANINOV. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 59 pages. Ian Butterworth #5998723. Published by Ian Butterworth (A0.963753). An early piece originally written for violin & piano. A lively dance with slower sections - 6 mins approx. The orchestration (1.2.0.2:2.0.0.0) is similar to many 18th Century symphonies and so the piece makes a striking contrast in a concert programme.  Copying of individual string parts for sole use by the purchaser is permitted. A version for strings arranged by Ian Butterworth is also available. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$12.99
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Chamber Orchestra
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ADVANCED
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Christian contemporary
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Sacred music
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Mus...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 2nd Movement
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Chamber Orchestra
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ADVANCED
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Classical
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arranging these Concerti for s
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Wolfgang Amadeus Mozart
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Geoffrey Loff
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For String Quartet and Piano:
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Geoffrey Loff
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882858 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts....
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.882858 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 24 pages. Geoffrey Loff #1988435. Published by Geoffrey Loff (A0.882858). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 1st Movement
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Chamber Orchestra
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ADVANCED
#
Classical
#
arranging these Concerti for s
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Wolfgang Amadeus Mozart
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Geoffrey Loff
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For String Quartet and Piano:
#
Geoffrey Loff
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882855 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts....
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.882855 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 70 pages. Geoffrey Loff #1988433. Published by Geoffrey Loff (A0.882855). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Ophélie, String Parts
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Chamber Orchestra
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ADVANCED
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Classical
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Claude Debussy
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Christopher Benfield
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Ophélie, String Parts
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Christopher Benfield
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.909884 Composed by Claude Debussy. Arranged by Christopher Benfield. 20th Century,Contemporary,Mul...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.909884 Composed by Claude Debussy. Arranged by Christopher Benfield. 20th Century,Contemporary,Multicultural,World. Score and parts. 8 pages. Christopher Benfield #4292989. Published by Christopher Benfield (A0.909884). This is an arrangement of the incredibly famous piano piece Arabesque No. 1 by Claude Debussy for string quartet and soprano soloist. Inspired by the works of Heitor Villa Lobos in his work Bachianas Brasileiras, the piece draws from the evocative poetry of Arthur Rimbaud and brings to mind the images of nature shown through a woman's body. Ophélie is great for a recital of new music, or arrangements of old music! This piece should be performed by advanced singers and string players. These are the parts for the individual string instruments only.
$2.99
Bachata Sinfónica (Symphony Bachata) - Baila Conmigo
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Chamber Orchestra
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ADVANCED
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Roberto Pálmer
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Bachata Sinfónica
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Roberto Pálmer Music
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1341672 By Roberto Pálmer. By Roberto Pálmer. 21st Century,Classical,Contemporary,Latin. 62 ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1341672 By Roberto Pálmer. By Roberto Pálmer. 21st Century,Classical,Contemporary,Latin. 62 pages. Roberto Pálmer Music #927221. Published by Roberto Pálmer Music (A0.1341672). BAILA CONMIGO es el segundo movimiento de la tercera sinfonia del compositor español Roberto Pálmer. Se trata de una pieza única por tratarse de musica original (no es una adaptacion u orquestacion) escrita para orquesta sinfonica, sin letra, sin voz y sin los instrumentos y percusion propios de la bachata. Son los instrumentos de cuerda y viento habituales de la orquesta sinfonica los que realizan la percusion para recrear el ritmo de bachata, de una manera novedosa en la practica instrumental.BAILA CONMIGO is the second movement of the third symphony of the spanish composer Roberto Palmer. it is an unique piece of original music (not an arrangement nor an orchestration) written for symphony orchestra, with no lyrics, no singer and none of the bachata traditional instruments and percussion. Are the strings and winds sections of the orchestra who play their instruments in new different ways to recreate bachata rhythm.Web
$30.00
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