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REJOICE!
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120
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77
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8
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7
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Piano Quartet: piano, 2 violins, cello
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Organ, Piano (duet)
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Organ, Trumpet (duet)
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+ 12 instrumentations
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+ 1 instrumentations
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195
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Medium Voice
1
Alto voice, Piano
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Voice, Guitar
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+ 13 instrumentations
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36
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26
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24
2 Saxophones (duet)
23
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11
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10
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7
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5
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4
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3
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Flute, Clarinet and Bassoon.
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2
Clarinet and Viola
2
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2
2 Flutes, Piano
2
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2
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Eb Instruments
2
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2
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1
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1
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1
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1
Flute, Bassoon, and Piano
1
Flute, Clarinet, Piano (trio)
1
Descant (Soprano) Recorder
1
Flute, Viola and Piano
1
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1
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1
Flute, Violin, Piano
1
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1
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1
Wind ensemble
1
2 Oboes (duet)
1
+ 65 instrumentations
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Retract
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37
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33
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26
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18
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17
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13
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12
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11
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10
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6
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5
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4
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2
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1
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1
3 Trombones (trio)
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Retract
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36
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6
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1
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REJOICE!
Chamber Orchestra
Sheetmusic to print
6 sheet music found
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1
Rejoice Mary (tune of O Come O Come Emmanuel) - strings and piano
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Chamber Orchestra
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EASY
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Connie Boss
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Rejoice Mary
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801467 Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 7 pages. Connie Boss ...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801467 Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 7 pages. Connie Boss #5987555. Published by Connie Boss (A0.801467). This is a song about Mary and the Angel Gabriel. It is set to the tune of O Come O Come Emmanuel, but It has a unique intro and the lyrics are changed for the verses after verse 1. You can purchase the mp3 and vocal music on here. cdboss@cvalley.net for questions. See Lyrics below:
$5.50
Rejoice Mary (tune of O Come O Come Emmanuel) Advent - strings and piano with parts
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Chamber Orchestra
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EASY
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Connie Boss
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Rejoice Mary
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801534 Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 11 pages. Connie Boss...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801534 Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 11 pages. Connie Boss #6073301. Published by Connie Boss (A0.801534). The melody to this Advent song is O Come O Come Emmanuel. It has a unique intro that is slow and then move at a faster pace. The lyrics have been changed. They tell the story of Mary finding out from the angel, that she would bear God's son. cdboss@cvalley.net see lyrics below:
$5.50
Rejoice (2018) (Soloist & Orch.)
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Chamber Orchestra
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INTERMEDIATE
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Ric Flauding
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Rejoice
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Denise Lea Flauding
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.867964 Composed by Ric Flauding. 20th Century,Celtic,Film/TV,Spiritual,Wedding. Score and parts. 7...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.867964 Composed by Ric Flauding. 20th Century,Celtic,Film/TV,Spiritual,Wedding. Score and parts. 70 pages. Denise Lea Flauding #3560641. Published by Denise Lea Flauding (A0.867964). New expanded orchestra version as recorded by Ric Flauding. On Spotify, Apple Music and others. Has a great Harp solo! In the Celtic style based on Psalm 33. Makes a great encore piece, or light classical number, great for a church service. Includes an additional Rhythm Section part with the melody so any C soloist can play. Also includes optional parts (Cello soloist / C instrument-treble clef-melody / C instrument-alto clef-melody). The orchestra track is available from Flauding Music (see contact below). Duration: 3:40.flaudingmusic.com
$45.00
Morning Dance
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Chamber Orchestra
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ADVANCED
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Andy Fielman
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24
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Morning Dance
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Gisela August Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022717 Composed by Andy Fielman. 20th Century,Baroque,Classical,Contemporary. Score and parts. 77...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022717 Composed by Andy Fielman. 20th Century,Baroque,Classical,Contemporary. Score and parts. 77 pages. Gisela August Publishing #3002559. Published by Gisela August Publishing (A0.1022717). This is the day that the Lord has made. Let us rejoice and be glad in it. Psalm 118: 24 Rejoice in the new day! Dance, this morning, with Morning Dance. Clocking in at 3:33, this piece is difficult. Suitable for any performance including church services. Dimensions: Score – legal size (8 ½ x 14), parts – letter size (8 ½ x 11) Available for listening: https://www.youtube.com/watch?v=OoBeo5JoMzk Andy Fielman, ASCAP
$34.95
Aria: 'Kommt, ihr angefochtnen Sünder' (from Cantata No. 30 - 'Freue dich, erlöste Schar', BWV 30)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Flavio Regis Cunha
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Aria: 'Kommt, ihr angefochtnen
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597312 Composed by Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Concert,Easter,S...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.597312 Composed by Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Concert,Easter,Sacred,Wedding. Score and parts. 36 pages. Flavio Regis Cunha #5316987. Published by Flavio Regis Cunha (A0.597312). New edition with clean ornament indications and Alto Solo part was written for Oboe Solo.Freue dich, erlöste Schar (Rejoice, redeemed flock), BWV 30.2, BWV 30, is a church cantata by Johann Sebastian Bach. It is one of his later realisations in the genre: he composed it for the Feast of John the Baptist (24 June) in 1738, and based its music largely on Angenehmes Wiederau, a secular cantata which he had composed a year earlier. Christian Friedrich Henrici (Picander), the librettist of the secular model of the cantata, is likely also the author of the sacred cantata's version of the text. Composition
$18.49
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Chamber Orchestra
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ADVANCED
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Classical
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCERTO I
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Scor...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
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