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Sequence
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455
Piano & keyboards
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222
Piano, Voice
70
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39
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25
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23
1 Piano, 4 hands
9
C Instruments
5
2 Pianos, 4 hands
3
Piano Quartet: piano, violin, viola, cello
2
Piano Trio: piano, violin, cello
1
Harpsichord
1
Organ, Piano (duet)
1
Big Note Piano
1
+ 8 instrumentations
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Retract
Guitars
Guitar notes and tablatures
53
Guitar
25
Electric Bass (band part)
5
Ukulele
4
Bass guitar
4
Dulcimer
2
Mandolin
2
Guitar Ensemble
1
Lyrics and Chords
1
4 Guitars (Quartet)
1
Banjo
1
Melody line, (Lyrics) and Chords
1
+ 7 instrumentations
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Voice
Choral SATB
107
Choral Unison
40
Choral TTBB
17
Choral 3-part
12
Voice solo
9
Choral SSAA
6
Medium voice, Piano
5
Choral 2-part
4
Low voice
4
High voice
3
Vocal duet
2
Soprano voice, Piano
2
Alto voice, Piano
1
Choral SSAATTBB
1
Tenor voice, Piano
1
Choral SAATB A Cappella
1
+ 11 instrumentations
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Woodwind
Flute and Piano
32
Saxophone (band part)
24
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
21
Clarinet (band part)
18
Saxophone Quartet: 4 saxophones
14
Clarinet and Piano
12
Flute
12
Saxophone ensemble
11
Oboe, Piano (duet)
11
Clarinet Ensemble
10
2 Saxophones (duet)
10
Flute, Oboe, Clarinet, Bassoon
10
2 Flutes (duet)
8
Flute (band part)
8
Tenor Saxophone and Piano
7
Clarinet Quartet: 4 clarinets
7
Tenor Saxophone
7
Flute Quartet: 4 flutes
7
2 Clarinets (duet)
6
Alto Saxophone and Piano
6
Saxophone Quintet: 5 Saxophones
5
Oboe (band part)
5
Clarinet
5
Alto Saxophone
4
Clarinet, Cello, Piano (trio)
4
Flute and Guitar
4
2 Recorders (duet)
4
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3
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3
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3
Flute, Viola and Piano
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2 Oboes (duet)
3
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2
Flute, Oboe, Clarinet (trio)
2
Recorder Ensemble
2
Clarinet, Violin (duet)
2
Oboe
2
Oboe, Bassoon (duet)
2
Flute Quintet : 5 flutes
2
Clarinet Quintet: 5 clarinets
2
Flute ensemble
2
2 Clarinets, Piano
1
Ocarina
1
3 Clarinets (trio)
1
Saxophone
1
Piccolo, Piano
1
Oboe, Bassoon and Piano
1
2 Flutes, Piano
1
Clarinette, Viola and Piano (trio)
1
Oboe, Clarinet (duet)
1
Flute, Violin
1
Soprano Saxophone and Piano
1
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1
Clarinet, Trumpet (duet)
1
Flute, Saxophone (duet)
1
Flute, Clarinet (duet)
1
Oboe, Flute
1
Recorder Quartet
1
+ 53 instrumentations
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Retract
Woodbrass
Trumpet (band part)
20
Brass quartet : 2 trumpets, trombone, tuba
17
Brass Quintet: 2 trumpets, horn, trombone, tuba
14
Trombone (band part)
12
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9
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9
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9
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8
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7
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6
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5
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3
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2
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2
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2
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2
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2
Brass Quartet: 2 trumpets, horn, trombone
1
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1
Tuba ensemble
1
Horn Ensemble
1
+ 23 instrumentations
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Strings
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41
String Quartet: 2 violins, viola, cello
35
Violin
25
Cello
15
Viola, Piano
13
Cello, Piano
12
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9
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7
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5
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5
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5
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4
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4
2 Violas (duet)
3
Double Bass
3
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2
Violin, Guitar (duet)
2
Violin ensemble
2
4 Double Basses
2
Cello, Guitar (duet)
2
String Trio: 2 violins, cello
1
Viola, Cello (duet)
1
4 Cellos
1
Viola, Guitar (duet)
1
Harp
1
+ 20 instrumentations
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Retract
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Concert band
53
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41
Orchestra
34
String Orchestra
25
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18
Handbells
8
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6
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5
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4
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4
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3
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3
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3
Chamber Orchestra
3
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1
Drums
1
+ 12 instrumentations
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Chamber Orchestra
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3 sheet music found
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Promenade (Walking The Dog)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
#
George Gershwin
#
Kevin Riley
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Promenade
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Kevin Riley
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1437857 Composed by George Gershwin. Arranged by Kevin Riley. 20th Century,Film/TV. 35 pages. Kevi...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1437857 Composed by George Gershwin. Arranged by Kevin Riley. 20th Century,Film/TV. 35 pages. Kevin Riley #1017923. Published by Kevin Riley (A0.1437857). Walking the Dog is one of many musical numbers written in 1937 by George Gershwin for the Fred Astaire – Ginger Rogers film score for Shall We Dance. In the film, the music accompanies a sequence of walking a dog on board a luxury liner. In 1960, the sequence was published as Promenade.This arrangement for smaller community orchestra features the solo clarinet with some optional bassoon and oboe.
$60.00
Legacy for Chamber Orchestra
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Chamber Orchestra
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ADVANCED
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Pub...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
Three Laments of Heloise for Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
#
Dosia McKay
#
Three Laments of Heloise for C
#
Gavia Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
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