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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Sing Together
Sheetmusicplus
Not classified
786
Piano & keyboards
Piano solo
318
Piano, Voice
150
Easy Piano
125
Piano, Vocal and Guitar
83
C Instruments
28
1 Piano, 4 hands
18
Organ
15
Piano Accompaniment
13
Piano Trio: piano, violin, cello
8
2 Pianos, 4 hands
4
Piano Quartet: piano, 2 violins, cello
2
2 Pianos, 8 hands
2
Accordion
1
Organ, Trumpet (duet)
1
Piano Quartet: piano, violin, viola, cello
1
1 Piano, 6 hands
1
+ 11 instrumentations
-
Retract
Guitars
Guitar
18
Guitar notes and tablatures
17
2 Guitars (duet)
10
Melody line, (Lyrics) and Chords
10
Ukulele
7
Bass guitar
3
3 Guitars (trio)
2
Guitar Ensemble
1
4 Guitars (Quartet)
1
Baritone Ukulele
1
2 Ukuleles
1
+ 6 instrumentations
-
Retract
Voice
Choral SATB
301
Choral 2-part
240
Choral 3-part
168
Choral Unison
68
Choral TTBB
48
Choral SSAA
34
Vocal duet, Piano
16
Choral Instrumental Pak
10
Vocal duet
8
Voice solo
6
Soprano voice, Piano
3
High voice
2
Alto voice, Piano
2
Baritone voice, Piano
2
Low voice, Piano
1
Mezzo-Soprano voice, Piano
1
Tenor voice
1
Choral SSAATTBB
1
+ 13 instrumentations
-
Retract
Woodwind
Alto Saxophone
60
Flute
58
Tenor Saxophone
51
Clarinet
43
Flute and Piano
37
Oboe, Piano (duet)
31
Saxophone (band part)
29
Oboe
28
Soprano Saxophone
27
2 Saxophones (duet)
21
Alto Saxophone and Piano
20
Saxophone Quartet: 4 saxophones
19
2 Clarinets (duet)
19
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
19
Clarinet and Piano
18
Tenor Saxophone and Piano
18
2 Flutes (duet)
16
Flute, Oboe, Clarinet, Bassoon
13
Flute, Clarinet (duet)
13
Oboe (band part)
13
English horn, Piano
12
Flute ensemble
12
Clarinet, Violin (duet)
11
Clarinet Quartet: 4 clarinets
11
Flute Quartet: 4 flutes
10
English Horn
9
Clarinet, Bassoon (duet)
8
Oboe, Clarinet (duet)
8
Oboe, Bassoon (duet)
8
Soprano Saxophone and Piano
8
Baritone Saxophone, Piano
7
Flute, Violoncello
7
Clarinet Quintet: 5 clarinets
7
Flute and Guitar
6
Saxophone, Clarinet (duet)
6
Flute, Violin
6
2 Oboes (duet)
6
Flute, Viola (duet)
6
Oboe, Cello
6
Recorder
5
Clarinet, Cello (duet)
5
Flute, Oboe (duet)
5
Oboe, Flute
5
3 Saxophones (trio)
4
Bass Clarinet, Piano
4
Clarinet, Guitar (duet)
4
Descent (Soprano) Recorder, Piano
3
English Horn, Guitar (duet)
3
Recorder Quartet
3
Saxophone ensemble
3
3 Clarinets (trio)
3
Oboe, Violin (duet)
3
Clarinet and Viola
3
Flute, Saxophone (duet)
3
Oboe and viola (duet)
3
Baritone Saxophone
2
Flute, Bassoon, and Piano
2
Clarinet (band part)
2
Flute, Trumpet (duet)
2
Flute, Violin, Piano
2
Flute, Clarinet, Piano (trio)
2
Saxophone Quintet: 5 Saxophones
2
Clarinet, Cello, Piano (trio)
2
Flute Trio: 3 flutes
2
Flute, Oboe, Clarinet (trio)
2
Clarinette, Viola and Piano (trio)
1
Clarinet, Harp (duet)
1
Flute, Cello, Piano (trio)
1
2 Clarinets, Piano
1
Descant (Soprano) Recorder
1
Flute, Harp and Cello
1
2 Flutes, Piano
1
Piccolo, Piano
1
Oboe, Violin, Piano
1
Oboe, Cello and Piano
1
Flute Quintet : 5 flutes
1
Oboe, Bassoon and Piano
1
Clarinet, Trumpet (duet)
1
Oboe, Clarinet, Bassoon (trio)
1
Flute, Clarinet and Bassoon.
1
Pennywhistle
1
2 Saxophones, Piano
1
Flute, Viola and Piano
1
Flute, Oboe, Bassoon
1
2 Recorders (duet)
1
Oboe, Clarinet and Piano (Trio)
1
Clarinet, Trombone (duet)
1
Recorder, Piano
1
Clarinet, Bassoon, Piano (trio)
1
+ 84 instrumentations
-
Retract
Woodbrass
Trumpet
56
Trombone
51
French horn
36
Brass Quintet: 2 trumpets, horn, trombone, tuba
28
Trumpet, Piano
22
Trombone and Piano
17
English horn, Piano
12
2 Trumpets (duet)
10
English Horn
9
Brass quartet : 2 trumpets, trombone, tuba
9
2 Trombones (duet)
9
French Horn and Piano
8
2 French horns (duet)
8
Trumpet (band part)
8
Tuba and Piano
8
Trumpet, Trombone (duet)
7
Trumpet, Saxophone (duet)
6
Tuba
5
Euphonium, Piano (duet)
5
Trombone (band part)
4
English Horn, Guitar (duet)
3
Brass Quartet: 2 trumpets, horn, trombone
3
Trumpet, Horn (duert)
3
2 Tubas (duet)
3
French horn (band part)
3
Tuba (band part)
2
Trumpet, Tuba (duet)
2
Horn, Cello (duet)
2
Trombone, Tuba (duet)
2
Trumpet and Guitar
1
Trumpet, Bassoon (duet)
1
Trumpet, Euphonium (duet)
1
Trumpet, violin (duet)
1
Trombone ensemble
1
3 French horns (trio)
1
2 French horns, Piano
1
3 Trombones (trio)
1
Brass Quartet: 4 trumpets
1
Trumpet, Trombone, Piano
1
Trumpet, Cello, Piano
1
Trumpet ensemble
1
Brass Quartet: 4 horns
1
Brass Quartet: 4 trombones
1
Brass Quartet
1
+ 39 instrumentations
-
Retract
Strings
Violin
75
String Quartet: 2 violins, viola, cello
75
Cello
57
Violin and Piano
43
Viola
42
Double Bass
35
Violin, Cello (duet)
27
Cello, Piano
22
Harp
22
2 Violins (duet)
19
Viola, Piano
19
2 Harps (duet)
18
2 Cellos (duet)
15
String Trio: violin, viola, cello
14
String Trio: 2 violins, cello
12
Violin, Viola (duet)
9
Violin (band part)
9
2 Violas (duet)
8
Viola, Cello (duet)
7
Violin, Bassoon (duet)
5
String Trio: 3 violins
3
Violin, Clarinet, Piano (trio)
3
String Trio: 2 violins, viola
3
Viola (band part)
3
Harp, Voice
3
Harp, Flute (duet)
3
Piano Trio: Violin, Viola, Piano
3
String Trio: 3 cellos
3
Double bass, Piano (duet)
3
String quartet: 4 violins
3
String Quintet: 2 violins, viola, 2 cellos
2
Cello (band part)
2
Violin, Guitar (duet)
2
Viola and Bassoon
2
2 Double basses (duet)
2
Doublebass (band part)
1
4 Cellos
1
Harp, Violin (duet)
1
String Quintet: 2 violins, viola, cello, bass
1
+ 34 instrumentations
-
Retract
Orchestra & Percussion
Concert band
190
String Orchestra
59
Orchestra
52
Handbells
43
Brass ensemble
33
Chamber Orchestra
13
Jazz Ensemble
9
School Ensemble
5
Percussion Ensemble
4
Xylophone, Piano
4
Percussion (band part)
3
Drums
3
Jazz combo
2
Percussion
2
Orchestra, Violin
1
Xylophone
1
Vibraphone
1
Marching band
1
+ 13 instrumentations
-
Retract
Others
Musical course - Solfege
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Sing Together
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Chamber Orchestra
Sheetmusic to print
13 sheet music found
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1
Sing We Now of Christmas
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Chamber Orchestra
#
ADVANCED
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French carol
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Kyra Beacock
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Sing We Now of Christmas
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Kyra Beacock
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.963820 Composed by French carol. Arranged by Kyra Beacock. Christmas,Classical,Renaissance,Sacred,...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.963820 Composed by French carol. Arranged by Kyra Beacock. Christmas,Classical,Renaissance,Sacred,World. Score and parts. 34 pages. Kyra Beacock #4841145. Published by Kyra Beacock (A0.963820). The idea behind my arrangements is for a group of keyboard, digital piano, or acoustic piano players to come together and be able to play in a piano band. Students learn how to listen, sight read, follow a conductor and play an individual part within an ensemble setting. It brings pianists together to make music and enjoy the camaraderie of group participation.
$24.95
ARIA for Violin Solo and String Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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A
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ARIA for Violin Solo and Strin
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Adrian D Biggs
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.882277 Composed by A. Douglas Biggs. Concert,Contemporary,Sacred,Standards. Score and parts. 35 pa...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.882277 Composed by A. Douglas Biggs. Concert,Contemporary,Sacred,Standards. Score and parts. 35 pages. Adrian D Biggs #6423113. Published by Adrian D Biggs (A0.882277). Aria arises from the general idea of an aria. It is an expressive and melodic work, incorporating modal and jazz inflected harmonies for the solo violin and orchestra to sing together. It is appropriate for intermediate to advance players, offering beautiful, soaring melodies, interesting harmonies and ample opportunity for ensemble interplay.
$20.00
In Dulci Jubilo - family band
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Chamber Orchestra
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Traditional
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Sophia Johanna
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In Dulci Jubilo - family band
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Sophia Transistor
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.851122 Composed by Traditional. Arranged by Sophia Johanna. Christian,Christmas,Classical,World. Score and p...
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Chamber Orchestra - Digital Download SKU: A0.851122 Composed by Traditional. Arranged by Sophia Johanna. Christian,Christmas,Classical,World. Score and parts. 17 pages. Sophia Transistor #3684543. Published by Sophia Transistor (A0.851122). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly. Thisarrangement of the german traditional chistmas church song In Dulci Jubilo (In Sweet Rejoicing) offers several parts for many variableinstruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decentvocal scores with the original german lyrics and also english lyrics. The score includes: - Piano (piano with chordsymbols) - vocals (in english and in german); 3 verses for each language - solo instruments in C (violin, flute,etc.); quartet - solo instruments in bass clef (trombone, cello, bass, etc.); quartet - solo instruments in Bb(trumpet, clarinet, tenor saxophone, etc.); quartet - solo instruments in Eb (alto saxophone, Eb-clarinet, etc.);quartet - solo instruments in F (french horn, F-tuba, etc.); quartet - accordion / harmonica - guitar (notes/tabs/chord) - drumsYouTube Play Along: https://youtu.be/G4I5bI43wAIGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns dochwas zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht... DiesesArrangement des Weihnachtsklassikers In Dulci Jubilo (nun singet und seid froh!) beinhaltet Noten für die gängigstenHausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert undden Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt: -Klavier (leicht, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie) - Gesang (auf Englisch undauf Deutsch); jeweils 6 Strophen - Soloinstrumente in C (Geige, Flöte, etc.); Quartett - Soloinstrumente mitBassschlüssel (Posaune, Cello, Bass, etc.); Quartett - Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon,etc.); Quartett - Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett - Soloinstrumente in F(Waldhorn, F-Tuba, etc.); Quartett - Akkordeon / Harmonika - Gitarre (Noten/Akkorde/Tabs) - SchlagwerkViel Spaß beim Ausprobieren!This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put togetherad libitum. All parts are matching, can be combined or played alone.traditional german christmas church songarranged by Sophia Johannafor family band2018 Holiday Contest Entry Public Domain Instrumental
$4.99
When I Survey the Wondrous Cross - Orchestration
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Chamber Orchestra
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INTERMEDIATE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sa...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Chamber Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Mu...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Arizona Centennial Overture - Chamber Orchestra Version
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Sy Brandon
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Arizona Centennial Overture -
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Bran...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.
$39.99
Ever Forward
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Chamber Orchestra
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INTERMEDIATE
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Trinity Chamber Orchestra of B
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Ever Forward
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Elizabeth Ann Davis
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Clas...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Classical,Contemporary,Folk. Score and Parts. 57 pages. Elizabeth Ann Davis #750461. Published by Elizabeth Ann Davis (A0.1150285). Water, especially moving water, was always a vibrant part of my childhood, from playing in the small creek down the hill out my back door, to swimming and fishing at Deam Lake, riding riverboats along the Ohio, or enjoying the beaches. Water carries with it the promise of life, the power of nature. Ever Forward is written in three sections - Waves, Wreck and Work. Waves begins as woodwinds sing mellow tunes over the gentle ripples on languid waters in the strings. An abrupt, unannounced Wreck interrupts the relaxed excursion - the siren alarms blaring out against the havoc. Finally, just as sailors would pull together to tackle tough jobs, the community rallies together to Work out answers to the problems that have surfaced. Cellos start up Haul Away, Joe, a short-drag chantey (used mainly for tightening the sheet) where all hands haul together on the last ‘Joe’. More and more join in on the effort, bringing the piece to a spirited finale.
$14.99
Concertino - for clarinet, mandolin and symphony orchestra
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Chamber Orchestra
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Klezmer
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, man
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own...
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
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Chamber Orchestra
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ADVANCED
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studi...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #727154. Published by Studio at the Post (A0.1126484). Score only (see A727154 for Parts) Duration: 11 - 12 minutes, 37 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$15.04
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
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Chamber Orchestra
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ADVANCED
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Stud...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02
Druantia's Dance
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Andrew Smith
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Druantia's Dance
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Andrew M. Smith
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.938726 Composed by Andrew Smith. Children,Contemporary. Score and parts. 15 pages. Andrew M. Smith...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.938726 Composed by Andrew Smith. Children,Contemporary. Score and parts. 15 pages. Andrew M. Smith #31125. Published by Andrew M. Smith (A0.938726). Druantia is an eternal Mother Goddess and Queen of the Druids in ancient Celtic folklore. She was known as the protector of forests, and a patron of knowledge, creativity, passion, sex, and fertility of both plants and animals. She is often portrayed as a beautiful, red-headed, slender woman with elven features, draped in forest-green robes. As the protector of forests, she was also guardian of forest spirits and sprites. These spirits are said to inhabit trees, a belief that spans across many cultures, like the Kodoma in Japanese folklore. Druantia’s Dance, a pizzicato string orchestra piece, depicts a joyous ritual of Druantia and her forest spirits; they scurry through the forest, dancing together, while creating new life and blessing the plants and animals around them, aiding in their growth.
$9.99
Appassionato
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Chamber Orchestra
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Peter Nostrand
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Peter Nostrand
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the strings are supportive
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Appassionato
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Imagine Music - Digital
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SheetMusicPlus
Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Pub...
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Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagine Music - Digital (IZ.OMS128). 9 x 12 in inches.For Chamber Orchestra (Grade 3). By Peter Nostrand. Appassionato is a story about the struggle for love. While it was composed in a traditional ABA structure, there are many elements in this composition which are not at all traditional. As the piece awakens, the oboes and flutes seem innocent and coquettish. As orchestral participation grows, one has the sense of an entire field of rich colors growing before our very ears. Enter the piano. Simple, elegant and romantic. Softly supported by the strings, the piano issues an invitation to the winds. They respond cautiously, obviously curious to see what this charming piano has in mind. The strings express an opinion. It's not what the piano wants and he presses harder. The strings and winds question each other, back and forth with triplets. Who is this piano? The mid-section is an announcement by the strings that a love relationship may be in the cards. The piano replies with passion and tenderness.With eighth notes, the strings become entangled with the piano, counseling it, guiding it. The winds using triplets put their two cents on the table. They're not so sure. The piano makes a passionate plea; the strings are supportive. The piano and the winds have a conversation. They finally dance together. In the end,.Appassionato is a musical expression of the struggle over whether or not love is worth the risk Sometimes in conflict sometimes in harmony, the piano and winds do unite. Passion has won.
$30.00
Intermezzo from Cavalleria Rusticana; transcription for string quartet with harp
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Pietro Mascagni
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N
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Intermezzo from Cavalleria Rus
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iStrings
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.875786 Composed by Pietro Mascagni. Arranged by N. Szederkenyi. Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.875786 Composed by Pietro Mascagni. Arranged by N. Szederkenyi. Romantic Period. Score and parts. 8 pages. IStrings #3875553. Published by iStrings (A0.875786). This amazing music from Cavalleria Rusticana by P. Mascagni is one of the most beautiful music gems ever. It is transcribed for string quartet with the original harp part, a great piece for an encore, or in a program with small pieces put together. Written by Hungarian violin virtuoso Nandor Szederkenyi, former concertmaster in several major orchestras from Japan to Austria, who also had a long career as soloist. Published using the leading notation software Finale.
$10.00
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