Home page
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Strong
Not classified
1,137
Piano & keyboards
Piano solo
1,057
Piano, Vocal and Guitar
534
Piano, Voice
332
Easy Piano
280
Organ
73
C Instruments
73
Accordion
72
1 Piano, 4 hands
22
Big Note Piano
21
Piano Accompaniment
13
Piano (band part)
13
Piano Trio: piano, violin, cello
10
2 Pianos, 4 hands
4
Piano Quintet: piano, 2 violins, viola, cello
4
Piano Quartet: piano, 2 violins, cello
3
Organ, Trumpet (duet)
3
Piano Quartet: piano, violin, viola, cello
3
Melody line, Piano
1
Keyboard
1
Solo instrument and Organ
1
Organ, Piano (duet)
1
+ 16 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
218
Melody line, (Lyrics) and Chords
170
Guitar
118
Lyrics and Chords
52
Bass guitar
50
Ukulele
45
Guitar (band part)
14
Dulcimer
7
Mandolin
4
Piano, Guitar (duet)
3
2 Guitars (duet)
3
Banjo
3
4 Guitars (Quartet)
2
3 Guitars (trio)
2
Baritone Ukulele
1
+ 10 instrumentations
-
Retract
Voice
Choral SATB
680
Choral 3-part
248
Choral TTBB
140
Choral 2-part
102
Choral SSAA
83
Choral Unison
59
Choral Instrumental Pak
48
Voice solo
33
Choral
30
Vocal duet, Piano
20
Vocal duet
8
Alto voice, Piano
8
High voice
6
Soprano voice, Piano
6
Baritone voice, Piano
4
Soprano voice
3
Medium voice, Piano
3
Choral SSAB a cappella
2
Choral SSAATTBB
2
Tenor voice, Piano
2
Low voice
2
Choral SSAATB
1
Tenor voice
1
+ 18 instrumentations
-
Retract
Woodwind
Flute
112
Saxophone
103
Clarinet
100
Saxophone (band part)
86
Saxophone Quartet: 4 saxophones
80
2 Saxophones (duet)
70
Flute and Piano
65
Clarinet and Piano
58
Oboe, Piano (duet)
55
Alto Saxophone
53
Flute, Oboe, Clarinet, Bassoon
47
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
46
2 Clarinets (duet)
41
Clarinet Quartet: 4 clarinets
39
Tenor Saxophone
38
Alto Saxophone and Piano
36
2 Flutes (duet)
32
Recorder
30
Saxophone, Clarinet (duet)
28
Tenor Saxophone and Piano
26
Flute Quartet: 4 flutes
25
Clarinet (band part)
24
Clarinet, Violin (duet)
22
Soprano Saxophone and Piano
22
3 Clarinets (trio)
21
Saxophone Quintet: 5 Saxophones
20
Oboe
18
Oboe (band part)
17
Flute, Clarinet (duet)
17
English horn, Piano
16
2 Oboes (duet)
15
Clarinet, Trumpet (duet)
13
Flute, Trumpet (duet)
13
Flute, Violin
13
Eb Instruments
13
Baritone Saxophone, Piano
12
Saxophone ensemble
12
Oboe, Clarinet (duet)
12
Flute ensemble
12
Clarinet Quintet: 5 clarinets
11
Flute (band part)
11
Flute, Saxophone (duet)
10
Oboe, Bassoon (duet)
10
Clarinet and Viola
9
Clarinet Ensemble
9
Flute Trio: 3 flutes
7
3 Saxophones (trio)
7
Flute and Guitar
7
Oboe, Flute
6
Soprano Saxophone
6
Harmonica
5
Flute, Oboe (duet)
5
Bass Clarinet, Piano
5
Flute, Viola (duet)
5
Oboe, Trumpet (duet)
4
Saxophone, Violin (duet)
4
Oboe, Violin (duet)
4
Clarinet, Bassoon (duet)
4
2 Recorders (duet)
3
Ocarina
3
Recorder Quartet
3
Descent (Soprano) Recorder, Piano
2
Clarinet, Trombone (duet)
2
Bass Clarinet
2
Clarinet, Cello (duet)
2
Flute, Violoncello
2
Flute, Oboe, Clarinet (trio)
2
Clarinet, Cello, Piano (trio)
2
Flute, harp and violin
2
Flute, Trombone (duet)
1
Recorder, Guitar (duet)
1
Bagpipe
1
Flute, Oboe, Violin
1
Pennywhistle
1
Descant (Soprano) Recorder
1
Flute, Clarinet, Piano (trio)
1
Flute, Clarinet, Violin (trio)
1
Flute, Clarinet and Bassoon.
1
Flute Quintet : 5 flutes
1
Clarinet, Harp (duet)
1
Flute, Violin, Violoncello and Piano
1
Treble (Alto) Recorder, Piano
1
Oboe, Cello
1
Oboe, Bassoon and Piano
1
+ 79 instrumentations
-
Retract
Woodbrass
Trumpet
196
Brass Quintet: 2 trumpets, horn, trombone, tuba
86
Trumpet (band part)
83
Trombone (band part)
72
Trombone
64
Trumpet, Piano
49
Brass quartet : 2 trumpets, trombone, tuba
44
Trombone and Piano
40
French Horn and Piano
30
French horn
30
Tuba
23
Trumpet, Saxophone (duet)
22
2 Trumpets (duet)
22
2 Trombones (duet)
22
Brass Quartet: 2 trumpets, horn, trombone
19
English horn, Piano
16
Euphonium
16
Brass Quartet
15
Bb Instruments
13
French horn (band part)
13
Bass Clef Instruments
12
Euphonium, Piano (duet)
11
2 French horns (duet)
10
Brass Quartet: 4 trombones
10
Trumpet, Trombone (duet)
9
Tuba (band part)
9
Tuba and Piano
8
Brass Quartet: 4 horns
6
Trombone, cello (duet)
4
Trumpet, violin (duet)
4
3 Trumpets (trio)
4
3 Trombones (trio)
4
Trombone ensemble
3
2 Tubas (duet)
2
Brass Trio
2
Tuba and Organ
2
2 Euphoniums and 2 Tubas
2
Trumpet, Horn (duert)
2
F Instruments
1
Brass Quartet: 2 trumpets, 2 trombones
1
3 Euphoniums
1
Brass Quartet: 4 trumpets
1
Horn, Cello (duet)
1
2 Euphoniums (duet)
1
Bass Trombone
1
2 French horns, Piano
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
Trumpet, Tuba (duet)
1
Cornet and Orchestra
1
Trombone, Organ
1
+ 45 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
236
Violin
92
Cello
80
Violin and Piano
79
String Trio: violin, viola, cello
56
Viola
56
Cello, Piano
53
Violin, Cello (duet)
50
Viola, Piano
43
2 Violins (duet)
32
Harp
25
Violin, Viola (duet)
23
2 Cellos (duet)
21
Violin (band part)
21
Doublebass (band part)
18
2 Violas (duet)
17
Viola (band part)
13
String Trio: 2 violins, cello
9
String Quintet: 2 violins, viola, cello, bass
9
Double Bass
8
Viola, Cello (duet)
8
String Trio: 3 violins
7
Double bass, Piano (duet)
6
Cello (band part)
5
String trio
5
Piano Trio: Violin, Viola, Piano
5
String Trio: 3 cellos
4
4 Cellos
4
String Trio: 2 violins, viola
4
Violin, Guitar (duet)
4
Harp, Flute (duet)
2
String quartet: 4 violins
2
Harp, Violin (duet)
2
Harp, Voice
2
Viola and Bassoon
1
Harp, Trombone (duet)
1
String Quartet : 4 violas
1
Violin, Bassoon (duet)
1
String Quintet: 2 violins, 2 violas, cello
1
Viola, Guitar (duet)
1
Violin, Clarinet, Piano (trio)
1
+ 36 instrumentations
-
Retract
Orchestra & Percussion
Concert band
833
Marching band
130
Jazz Ensemble
108
String Orchestra
100
Orchestra
94
Brass ensemble
67
Handbells
49
Drums
25
Chamber Orchestra
25
Jazz combo
25
Percussion (band part)
18
Percussion Ensemble
12
Drum (band part)
10
Marimba
6
Timpani (band part)
3
Vibraphone
2
Piano and Orchestra
1
3 Percussions
1
Flexible Instrumentation
1
2 Xylophones
1
Snare drums
1
Percussion
1
+ 17 instrumentations
-
Retract
Others
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
1,144
Digital Sheet Music
25
Sheet Music Books
4
Music Equipment
2,220
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Active criteria:
Strong
Chamber Orchestra
Sheetmusic to print
25 sheet music found
<
1
Concertino for Horn in D and Alto Trombone
#
Chamber Orchestra
#
Classical
#
Michael Haydn
#
Angus Armstrong
#
Concertino for Horn in D and A
#
Angus Armstrong
#
SheetMusicPlus
Composed by Michael Haydn (1737-1806). Arranged by Angus Armstrong. Classical Period. Score, Set of Parts. 68 pages. Published by Angus Armstrong (S0.19393). - ...
(+)
Composed by Michael Haydn (1737-1806). Arranged by Angus Armstrong. Classical Period. Score, Set of Parts. 68 pages. Published by Angus Armstrong (S0.19393). - Score,Set of Parts - Classical Period - Angus Armstrong
$75.00
Requiem
#
Chamber Orchestra
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Legacy for Chamber Orchestra
#
Chamber Orchestra
#
ADVANCED
#
Sy Brandon
#
Legacy for Chamber Orchestra
#
Sy Brandon
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Pub...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
Odogwu
#
Chamber Orchestra
#
EASY
#
Burna Boy
#
Caleb Kadiene
#
Odogwu
#
Naija music score by Bugoking
#
SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1473479 By Burna Boy. By Damini Ogulu and Kelvin Peters. Arranged by Caleb Kadiene. 21st Century,C...
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1473479 By Burna Boy. By Damini Ogulu and Kelvin Peters. Arranged by Caleb Kadiene. 21st Century,Chamber,Hip-Hop,Multicultural,Traditional,World. 31 pages. Naija music score by Bugoking #1051276. Published by Naija music score by Bugoking (A0.1473479). Odogwu in the Igbo language means a strong man or a great man, ususally attributed to personalities like worriors and the wealthy in the society.
$65.00
BH015REC - Recorder Quartet Songs, Book 15 (>70 pages)
#
Chamber Orchestra
#
INTERMEDIATE
#
Carl Van Pevenage
#
BH015REC - Recorder Quartet So
#
Carl Van Pevenage
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921196 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 9...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921196 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 94 pages. Carl Van Pevenage #4324591. Published by Carl Van Pevenage (A0.921196). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 141 Folk dance: The ballad of the King's cookChansonnette 142 Romantic song: Broken Wings Chansonnette 143 Folk dance: His castle on the hill Chansonnette 144 Daughter's reflection Chansonnette 145 Maybe old, probably not wise, happy for sure Chansonnette 146 Romantic song: Turn your face to the sun Chansonnette 147 Hello Mr. Fun Chansonnette 148 A day of my lifeChansonnette 149 PrayerChansonnette 150 A strong personality.
$9.95
Concerto No.1 for Violin and Orchestra
#
Chamber Orchestra
#
ADVANCED
#
Contemporary
#
David Chesky
#
Concerto No.1 for Violin and O
#
Pamaluc Music
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882392 Composed by David Chesky. Contemporary. Score and parts. 825 pages. Pamaluc Music #18831. P...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882392 Composed by David Chesky. Contemporary. Score and parts. 825 pages. Pamaluc Music #18831. Published by Pamaluc Music (A0.882392). From the composers Urban Series. The highly engaging Violin Concerto features colorful, though light-scoring, memorable themes, essentially tonal harmonies, and rhythmic vigor, and a bracing rhythmic figure that involves some of the orchestral musicians clapping in a vaguely flamenco style The second movement is a disguised Cuban Danzon. The Third movement finale takes up very strong rhythms in what is a commentary on Bach's ,Brandenburg Concerto No.3. Duration 26:13 min 2fl./ 2ob./ 2cl./ 2bs/ 4 perc./ harp/ strings.
$34.98
Lame Tango (from Tango Suite) - Letter version
#
Chamber Orchestra
#
ADVANCED
#
Jozsef Remenyi
#
Lame Tango
#
Jozsef Remenyi
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.999104 Composed by Jozsef Remenyi. 20th Century,Latin. Score and parts. 26 pages. Jozsef Remenyi #...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.999104 Composed by Jozsef Remenyi. 20th Century,Latin. Score and parts. 26 pages. Jozsef Remenyi #5986219. Published by Jozsef Remenyi (A0.999104). This is the fourth movement of my Tango Suite, written in 5/4, with strange rhythms, but strong tango-feeling. The style is close to Piazzolla's tangos. Duration: 2:38. Print size: A4 (check the A4 version in my catalog). The pdf contains the score and all parts.
$19.90
Amazing Grace (Small Orchestra)
#
Chamber Orchestra
#
INTERMEDIATE
#
Sacred music
#
Traditional
#
Clark Cothern
#
Amazing Grace
#
Clark Cothern
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.823145 Composed by Traditional. Arranged by Clark Cothern. Christian,Praise & Worship,Sacred,Spiri...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.823145 Composed by Traditional. Arranged by Clark Cothern. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 22 pages. Clark Cothern #5205127. Published by Clark Cothern (A0.823145). This timeless hymn has been arranged for small orchestra. It features variations in style and a strong ending.
$25.00
Lame Tango (from Tango Suite) - A4 version
#
Chamber Orchestra
#
ADVANCED
#
Jozsef Remenyi
#
Lame Tango
#
Jozsef Remenyi
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.999103 Composed by Jozsef Remenyi. 20th Century,Latin. Score and parts. 27 pages. Jozsef Remenyi #...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.999103 Composed by Jozsef Remenyi. 20th Century,Latin. Score and parts. 27 pages. Jozsef Remenyi #5986205. Published by Jozsef Remenyi (A0.999103). This is the fourth movement of my Tango Suite, written in 5/4, with strange rhythms, but strong tango-feeling. The style is close to Piazzolla's tangos. Duration: 2:38. Print size: A4 (check the Letter version in my catalog). The pdf contains the score and all parts.
$19.90
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
#
Chamber Orchestra
#
Ofer Ben-Amots
#
Songs from the Pomegranate Gar
#
The Composer's Own Press
#
SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own...
(+)
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Serenade in D Minor, 1st Movement (Score & Parts)
#
Chamber Orchestra
#
INTERMEDIATE
#
Classical
#
AntoniÌn Dvořák
#
Steven Klaus
#
Serenade in D Minor, 1st Movem
#
NiceChart
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.931991 Composed by AntoniÌn Dvořák. Arranged by Steven Klaus. Romantic Period. Score and...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.931991 Composed by AntoniÌn Dvořák. Arranged by Steven Klaus. Romantic Period. Score and parts. 55 pages. NiceChart #4764581. Published by NiceChart (A0.931991). This piece, also known as ‘Serenade for wind instruments, cello, and double bass’, has a strong old-world Slavonic styling. This serenade was written as a dedication to composer and music critic Louis Ehlert, whose positive reviews of Dvořák’s works, helped boost his career in Germany. This arrangement focuses on the first of the four movement work which was labeled as Moderato, quasi marcia. The orchestration alone makes this piece unique and requires many of the instruments found in an orchestra. It is a great choice for ensembles that have players that double on other instruments and as a way to showcase chamber work without excluding too many musicians.To add options to this arrangement, supplemental parts have been included for Piano, Guitar, Timpani, Marimba, Snare Drum, Drum Set, Cymbals and Triangle/Bass Drum.
$50.00
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (9x12)
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jamey Aston
#
Far and Away: Concerto for Obo
#
Montana Knites Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025353 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 77 pages. Montana Kni...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025353 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 77 pages. Montana Knites Publishing #5802253. Published by Montana Knites Publishing (A0.1025353). Concerto for Oboe and String Orchestra: Far and AwayOboe, Violin I & II, Solo Violin, Viola, Cello, Contrabass*Optimized for 9 x 12 in paperAn intermediate level piece suitable for college level or advanced high school orchestras. Far and Away is a semi-thematic piece. The first movement is pastoral in nature with a gentle melody and strong call and response between the oboe and the orchestra. The driving second movement, The Adventure, is true to its name with a constant string ostinato keeping the listener on the edge of their seat. The Journey Home, the third movement, is light and jovial with some emotional surprises for the audience. Duration: 19 minutes. First movement 9 minutes. Second and third movements each approximately 5 minutes.Publisher: Montana Knites Publishing ASCAPFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you play this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!
$34.95
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (8 1/2 x 11)
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jamey Aston
#
Far and Away: Concerto for Obo
#
Montana Knites Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025352 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 82 pages. Montana Kni...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025352 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 82 pages. Montana Knites Publishing #5294211. Published by Montana Knites Publishing (A0.1025352). Concerto for Oboe and String Orchestra: Far and AwayOboe, Violin I & II, Solo Violin, Viola, Cello, Contrabass*Optimized for 8 1/2 x 11 in paperAn intermediate level piece suitable for college level or advanced high school orchestras. Far and Away is a semi-thematic piece. The first movement is pastoral in nature with a gentle melody and strong call and response between the oboe and the orchestra. The driving second movement, The Adventure, is true to its name with a constant string ostinato keeping the listener on the edge of their seat. The Journey Home, the third movement, is light and jovial with some emotional surprises for the audience. Duration: 19 minutes. First movement 9 minutes. Second and third movements each approximately 5 minutes.Publisher: Montana Knites Publishing ASCAPFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you play this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!
$34.95
Mussorgsky: Promenade from Pictures
#
Chamber Orchestra
#
INTERMEDIATE
#
Classical
#
M
#
Joshua Feltman
#
Mussorgsky: Promenade from Pic
#
Ryan Blauvelt
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921874 Composed by M. Mussorgsky. Arranged by Joshua Feltman. Romantic Period. Score and parts. 10...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921874 Composed by M. Mussorgsky. Arranged by Joshua Feltman. Romantic Period. Score and parts. 10 pages. Ryan Blauvelt #3692805. Published by Ryan Blauvelt (A0.921874). Modest Mussorgsky composed Pictures at an Exhibition in honor of his friend and painter, Viktor Hartmann.Each of the movements of Pictures attempts to capture the sketches, watercolors and architectural designs displayed at the Hartmann exhibition. Mussorgsky depicts himself moving from one picture to the next with a musical Promenade.Open your concert with this piece and your audience won't forget it. Hear the large brass sound of the original version through flute and piano in their strongest registers.
$30.00
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
#
Chamber Orchestra
#
ADVANCED
#
Contemporary
#
Germaine Tailleferre
#
Germaine Tailleferre: Concerto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Mus...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
Zemira
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Jose Mauricio Nunes Garcia
#
Steven Nunes
#
Zemira
#
Nagamon Publications
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1394923 Composed by Jose Mauricio Nunes Garcia. Arranged by Steven Nunes. 19th Century,Classical. ...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1394923 Composed by Jose Mauricio Nunes Garcia. Arranged by Steven Nunes. 19th Century,Classical. 60 pages. Nagamon Publications #978408. Published by Nagamon Publications (A0.1394923). José MaurÃcio Nunes Garcia (September 20, 1767 – April 18, 1830) was a Brazilian classical composer, one of the greatest exponents of Classicism in the Americas.Born in Rio de Janeiro, son of two bi-racial parents, Nunes Garcia lost his father at an early age. His mother perceived that her son had an inclination for becoming a musician and, for this reason, improved her work to allow him to continue his musical studies.Nunes Garcia became a priest and, when King John VI of Portugal came to Rio de Janeiro with his 15,000 people, Nunes Garcia was appointed Master of the Royal Chapel. He sang and played the harpsichord, performing his compositions as well as those of other composers such as Domenico Cimarosa and Wolfgang Amadeus Mozart. He was a very prestigious musician in the royal court of John VI.His musical style was strongly influenced by Viennese composers of the period, such as Mozart and Haydn. This edition has been prepared from the composer's manuscript, and the PDF contains the Full Score and a full set of parts. Please note that the string parts have been formatted for larger paper.
$50.00
Visions of Nowhere, op. 10 - Score Only
#
Chamber Orchestra
#
ADVANCED
#
Contemporary
#
Peter Le Tissier
#
Visions of Nowhere, op. 10 - S
#
Peter Le Tissier
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1218112 Composed by Peter Le Tissier. Classical,Contemporary. 65 pages. Peter Le Tissier #814627. ...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1218112 Composed by Peter Le Tissier. Classical,Contemporary. 65 pages. Peter Le Tissier #814627. Published by Peter Le Tissier (A0.1218112). Visions of Nowhere was written in the latter half of 2021 into the first months of 2022. The piece is a melting pot of ideas, strongly connected with some of the GÃ idhlig songs written during the years 2018-2021 and motifs from the Symphony in D/E Minor (2017-2021). The piece is scored for small Chamber Orchestra, with an orchestral Harp part that has been written with the intention that a Piano may be used as a substitute should it be required. The work is roughly 8-10 minutes long.Parts are available upon contact with the composer at www.peterletissier.com.
$20.99
Concerto Grosso in F minor.
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
George Frideric Handel
#
Arte Nova Music Lab
#
Concerto Grosso in F minor.
#
Arte Nova Music Lab
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standa...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Sérénade for
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Canon in D for three violins and continuo
#
Chamber Orchestra
#
INTERMEDIATE
#
Classical
#
J
#
Mark Armstrong
#
Canon in D for three violins a
#
Seolta Music Limited
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1298473 Composed by J. Pachelbel. Arranged by Mark Armstrong. Baroque. 22 pages. Seolta Music Limi...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1298473 Composed by J. Pachelbel. Arranged by Mark Armstrong. Baroque. 22 pages. Seolta Music Limited #888445. Published by Seolta Music Limited (A0.1298473). Pachelbel's celebrated Canon in D for three violins and continuo edited with keyboard continuo part.For more orchestral pieces from Seolta Publishing please click here.
$50.00
Air from Suite No.3 ('Air on a G string')
#
Chamber Orchestra
#
INTERMEDIATE
#
Classical
#
Johann Sebastian Bach
#
Mark Armstrong
#
Air from Suite No.3
#
Seolta Music Limited
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1298471 Composed by Johann Sebastian Bach. Arranged by Mark Armstrong. Baroque. 10 pages. Seolta M...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1298471 Composed by Johann Sebastian Bach. Arranged by Mark Armstrong. Baroque. 10 pages. Seolta Music Limited #888443. Published by Seolta Music Limited (A0.1298471). Full score and parts for string orchestra for J.S.Bach's Air from Suite No.3 ('Air on a G string') edited with keyboard continuo part.For more orchestral pieces from Seolta Publishing please click here.
$50.00
What A Wonderful World
#
Chamber Orchestra
#
INTERMEDIATE
#
Jazz
#
Louis Armstrong With Kenny G
#
Vinicius Louzada
#
What A Wonderful World
#
Vinicius Louzada
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.951463 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Vinicius...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.951463 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Vinicius Louzada. Jazz. Score and parts. 22 pages. Vinicius Louzada #6361535. Published by Vinicius Louzada (A0.951463).
$12.99
The Arrival of the Queen of Sheba
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
George Frideric Handel
#
Mark Armstrong
#
The Arrival of the Queen of Sh
#
Seolta Music Limited
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1298467 Composed by George Frideric Handel. Arranged by Mark Armstrong. Baroque. 30 pages. Seolta ...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1298467 Composed by George Frideric Handel. Arranged by Mark Armstrong. Baroque. 30 pages. Seolta Music Limited #888439. Published by Seolta Music Limited (A0.1298467). This exhilarating orchestral piece from the start of Act 3 of the oratorio Samson is one of Handel's best-known work (2 oboes, strings, harpsichord).For more orchestral pieces from Seolta Publishing please click here.
$45.00
Elizabeth: The Golden Age
#
Chamber Orchestra
#
INTERMEDIATE
#
Film/TV
#
A
#
Juan Villodre
#
Elizabeth: The Golden Age
#
Juan Villodre
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1331995 Composed by A. R. Rahman and Craig Mackenzie Armstrong. Arranged by Juan Villodre. Film/TV...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1331995 Composed by A. R. Rahman and Craig Mackenzie Armstrong. Arranged by Juan Villodre. Film/TV. 21 pages. Juan Villodre #918767. Published by Juan Villodre (A0.1331995). For string orchestra, flute and piano.
$49.99
Far from the Madding Crowd - Opening - Chamber Music Orchestra
#
Chamber Orchestra
#
ADVANCED
#
Contemporary
#
Craig Armstrong
#
Far from the Madding Crowd - O
#
SheetMusicPlus
By Craig Armstrong. Arranged by Luca Albanese. Score, Set of Parts. 48 pages. Published by Luca Albanese...
(+)
By Craig Armstrong. Arranged by Luca Albanese. Score, Set of Parts. 48 pages. Published by Luca Albanese
$25.00
<
1
