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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
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UKULELE
VIBRAPHONE
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VIOLIN - FIDDL…
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1,268
Piano & keyboards
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3,297
Organ
1,574
Piano solo
699
Piano, Voice
201
Easy Piano
189
Piano, Vocal and Guitar
162
Keyboard
60
C Instruments
46
1 Piano, 4 hands
20
2 Pianos, 4 hands
17
Piano Accompaniment
12
Piano (band part)
9
Piano Trio: piano, violin, cello
8
Accordion
4
Piano Quartet: piano, violin, viola, cello
3
Organ, Piano (duet)
2
Piano Quartet: piano, 2 violins, cello
2
2 Pianos, 8 hands
2
Organ, Trumpet (duet)
1
+ 14 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
82
Guitar
62
Guitar (band part)
18
Melody line, (Lyrics) and Chords
16
2 Guitars (duet)
11
Ukulele
11
Bass guitar
10
4 Guitars (Quartet)
7
Banjo
6
Dulcimer
4
Lyrics and Chords
4
3 Guitars (trio)
3
Guitar, Violin, Cello (trio)
1
Piano, Guitar (duet)
1
+ 9 instrumentations
-
Retract
Voice
Choral SATB
323
Choral 3-part
85
Choral TTBB
67
Choral 2-part
50
Choral SSAA
47
Choral Instrumental Pak
35
Choral Unison
28
Alto voice, Piano
11
Voice solo
11
Vocal duet, Piano
9
Soprano voice, Piano
6
Vocal duet
5
Low voice, Piano
4
Choral SSAATTBB
3
High voice
3
Choral SAATB A Cappella
2
Medium voice, Piano
2
Tenor voice, Piano
2
Low voice
2
Choral SSATTB
2
Baritone voice, Piano
1
Soli, Mixted choir and accompaniment
1
Choral SSAB, Piano
1
+ 18 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
171
Clarinet
90
Flute and Piano
79
Saxophone, Clarinet (duet)
68
2 Clarinets (duet)
66
Saxophone Quartet: 4 saxophones
65
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
64
2 Flutes (duet)
61
Saxophone (band part)
51
Clarinet and Piano
51
Clarinet, Violin (duet)
48
Flute, Oboe, Clarinet, Bassoon
46
Alto Saxophone and Piano
43
Oboe, Piano (duet)
41
Clarinet, Trumpet (duet)
35
Soprano Saxophone and Piano
32
Clarinet Quartet: 4 clarinets
31
Tenor Saxophone and Piano
30
2 Oboes (duet)
28
Flute, Violin
27
Flute, Clarinet (duet)
27
Oboe, Bassoon (duet)
26
Flute Quartet: 4 flutes
23
Oboe, Flute
23
Flute, Viola (duet)
22
Flute, Saxophone (duet)
22
Oboe, Clarinet (duet)
21
Clarinet and Viola
20
English horn, Piano
19
Flute, Trumpet (duet)
19
Flute
18
Oboe (band part)
14
Baritone Saxophone, Piano
14
Alto Saxophone
14
Flute ensemble
12
Clarinet Ensemble
11
Flute (band part)
10
Tenor Saxophone
10
Flute and Guitar
9
3 Clarinets (trio)
9
2 Recorders (duet)
8
Clarinet Quintet: 5 clarinets
8
Saxophone ensemble
8
Saxophone Quintet: 5 Saxophones
8
Bass Clarinet, Piano
7
Clarinet, Guitar (duet)
7
Flute Trio: 3 flutes
6
Descent (Soprano) Recorder, Piano
6
Treble (Alto) Recorder, Piano
4
Flute, Clarinet and Bassoon.
4
Clarinet (band part)
4
Descant (Soprano) Recorder
3
Oboe, Guitar (duet)
3
Flute, Violin, Piano
3
3 Saxophones (trio)
3
Ocarina
2
3 Recorders (trio)
2
Recorder Quartet
2
Clarinet, Bassoon (duet)
2
Oboe
2
Pennywhistle
2
Oboe, Cello
2
2 Flutes, Piano
2
Flute, Oboe, Clarinet (trio)
2
Clarinet, Harp (duet)
2
Flute, Oboe (duet)
2
Flute, harp and violin
2
Recorder
2
Flute, Harp and Cello
2
Clarinet Quintet: Clarinet, String Quartet
1
Oboe, Clarinet, Bassoon (trio)
1
Flute, Oboe, Bassoon
1
Saxophone
1
2 Clarinets, Piano
1
Clarinet, Cello (duet)
1
Saxophone and Guitar
1
Recorder, Piano
1
Clarinet, Cello, Piano (trio)
1
Tenor Recorder
1
Treble (Alto) Recorder
1
English Horn
1
Flute, Cello, Piano (trio)
1
Oboe, Violin (duet)
1
Harmonica
1
2 Oboes, Piano
1
English Horn, Guitar (duet)
1
Flute and Strings Trio
1
Flute, Violoncello
1
Flute Quintet : 5 flutes
1
Saxophone and Organ
1
Oboe, Harp
1
+ 86 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
90
Brass quartet : 2 trumpets, trombone, tuba
63
Trumpet, Saxophone (duet)
58
Trumpet (band part)
45
Trombone (band part)
41
Trombone and Piano
40
Trumpet
36
2 Trumpets (duet)
29
2 Trombones (duet)
28
Trumpet, Piano
27
Trumpet, Trombone (duet)
24
English horn, Piano
19
Brass Quartet: 4 trombones
19
Trombone
18
French Horn and Piano
17
French horn
15
Euphonium, Piano (duet)
13
Tuba
11
French horn (band part)
8
Brass Quartet
8
2 French horns (duet)
8
Tuba (band part)
7
Tuba and Piano
6
Trombone ensemble
3
Brass Trio
3
French Horn and Harp
2
2 Tubas (duet)
2
Euphonium, Tuba (duet)
1
Brass Quartet: 4 horns
1
3 Trombones (trio)
1
Clarinet, Horn (duet)
1
2 Euphoniums (duet)
1
Tuba ensemble
1
English Horn
1
Bass Trombone
1
Brass Quartet: 2 trumpets, horn, trombone
1
English Horn, Guitar (duet)
1
Trumpet, Euphonium (duet)
1
Brass Quartet: 4 trumpets
1
4 Tubas
1
Trombone, Organ
1
Bass Trombone and Piano
1
Horn Ensemble
1
2 French horns, Piano
1
+ 39 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
184
Harp
74
Violin and Piano
69
Violin
41
Cello
40
Cello, Piano
40
Violin, Cello (duet)
39
2 Violins (duet)
34
Violin, Viola (duet)
32
Viola, Piano
31
String Trio: violin, viola, cello
31
2 Cellos (duet)
30
2 Violas (duet)
22
String Trio: 2 violins, cello
18
Doublebass (band part)
14
String Quintet: 2 violins, viola, cello, bass
14
Viola
11
Viola (band part)
7
2 Harps (duet)
7
Violin (band part)
7
Harp, Flute (duet)
6
Double bass, Piano (duet)
6
Cello, Guitar (duet)
5
Double Bass
4
Viola, Cello (duet)
4
4 Cellos
3
String Trio: 3 violins
3
Harp, Voice
3
2 Violas, Piano
2
Cello (band part)
2
Viola, Guitar (duet)
2
String Trio: 3 cellos
2
Cello, String Bass (duet)
2
Viola and Harp
1
String Quintet: 2 violins, 2 violas, cello
1
Violin, Clarinet, Piano (trio)
1
Harp, Cello (duet)
1
2 Violins, Piano
1
Cello, Organ
1
Harp, Violin (duet)
1
Violin, Organ
1
4 Double Basses
1
+ 37 instrumentations
-
Retract
Orchestra & Percussion
Concert band
449
Jazz Ensemble
171
String Orchestra
100
Orchestra
97
Handbells
87
Brass ensemble
67
Marching band
49
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37
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33
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23
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17
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10
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9
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6
Percussion (band part)
4
Vibraphone
2
Piano and Orchestra
1
2 Marimbas
1
Snare drums
1
Woodwind Quintet
1
Brass Quintet: other combinaisons
1
Marimba, Piano (duet)
1
Bodhran
1
Big band
1
+ 19 instrumentations
-
Retract
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33 sheet music found
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1
26
Syzygy | Ethereal Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE
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Fiona Cork
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N/A
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Syzygy | Ethereal Chamber Orch
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Fiona Cork
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1133304 By Fiona Cork. By Fiona Cork. Arranged by N/A. Baroque,Chamber,Classical,Contemporary,Mult...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1133304 By Fiona Cork. By Fiona Cork. Arranged by N/A. Baroque,Chamber,Classical,Contemporary,Multicultural,World. Score and Parts. 22 pages. Fiona Cork #733457. Published by Fiona Cork (A0.1133304). Syzygy is an amalgam of four movements, all very different in feel, yet blended smoothly to paint a picture of the divine cosmos. With pronounced usage of the pentatonic scale, Syzygy invokes my personal love of Chinese orchestra (as well as some genre fusion to spice up the general aesthetic). I was sixteen when I wrote this, my first large-scale piece, and therefore was very fond of it; but I never got so big for my britches that I didn't ask for help. After the four-ish months I spent writing this, I revised it with several local music directors and composers, as well as personal friends who played specific instruments used in the score. _____________________________ syz·y·gy /ˈsizijē/ noun ASTRONOMY a conjunction or opposition, especially of the moon with the sun. the planets were aligned in syzygy a pair of connected or corresponding things. animus and anima represent a supreme pair of opposites, the syzygy.
$3.00
Christmas Time Is Here
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Chamber Orchestra
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INTERMEDIATE
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Christmas
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Lee Mendelson and Vince Guaral
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John Groves
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Christmas Time Is Here
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John Groves
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1090657 Composed by Lee Mendelson and Vince Guaraldi. Arranged by John Groves. Christmas,Contempor...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1090657 Composed by Lee Mendelson and Vince Guaraldi. Arranged by John Groves. Christmas,Contemporary,Film/TV,Holiday. Score and parts. 24 pages. John Groves #694835. Published by John Groves (A0.1090657). Christmas Time Is Here - arranged for Chamber Orchestra Arranged as woodwind, brass & string small ensemble chamber orchestra. Fun, straight forward audience pleasing version of a classic Christmas holiday tune from A Charlie Brown Christmas. Works well for limited personnel smaller size ensembles as well as ensembles with many more that can double up parts for a huge sound. Feel free to double up parts especially in the string section for a richer robust string orchestra configuration. Score & Parts Included: Flute / Piccolo Oboe Clarinet Bassoon Bb Trumpet Horn in F Trombone Tuba Violin 1 Violin 2 Viola Cello Double Bass.
$49.99
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
The Platypus
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Chamber Orchestra
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BEGINNER
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Sue Moore
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The Platypus
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Susie Moore
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SheetMusicPlus
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1008342 Composed by Sue Moore. Children,Instructional,Standards. Score and parts. 10 pages. Susie ...
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1008342 Composed by Sue Moore. Children,Instructional,Standards. Score and parts. 10 pages. Susie Moore #4766683. Published by Susie Moore (A0.1008342). An instructional Chamber Orchestra work written for beginning strings and early intermediate winds. This work is in 6/4 time. The string parts (depicting the bubbles that are seen as the Platypus are submerged) have been written where they are either using the open strings or the patterns are repeated over several bars so that beginning students are able to focus on the challenges of the 6/4 time. Mapping which beat each string part falls on is helpful when starting to teach this piece. Platypus are shy in nature and do not normally cohabit in the same location in large numbers. This piece was written as the composer observed an unusually large number of Platypus in one location. The wind parts depict the Platypus as they surfaced and descended in the billabong where they lived and as they happened to meet another Platypus or come up where she was sitting they quickly retreated with a loud splash. This is heard throughout the piece. Parts are available.
$4.99
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Georg Friedrich Händel, Ali
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Flavio Regis Cunha
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Händel: Atalanta, HWV 35: Ouv
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By Ge...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
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Chamber Orchestra
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INTERMEDIATE
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David Warin Solomons
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Bunny Rabbits for Chamber Orch
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. Davi...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #1791985. Published by David Warin Solomons (A0.578875). This letter to my grandmother is a recollection of her final years in the 1970s. She suffered from Parkinsons and became very frustrated with the fact that her body simply didn't follow the commands of her brain. But she was always a very polite, gentle and yet determined person - others in this situation might have used swear words, but, when she found herself immobilised, my gran would simply shout Bunny Rabbits!. This would make us laugh and she would laugh along with us. The frustration is represented in the music by the Delians melodic fragment DEFGEDE (in the D Dorian mode) interrupted by the timpani, and eventually other instruments, repeating the frustrated bunny rabbits theme. Finally - following her Christian beliefs, her soul goes up to an afterlife in which she is released from the frustration and the bunny rabbits, who have a final grumble on brass and timpani and give way to an ethereal minor chord with a major sixth, as suggested by the Dorian mode. The sound sample here is an electronic preview. The piece was premiered on 30 January 2016 by the Octava Chamber Orchestra along with various other short movements composed by other members of the Delian Society as part of Delian Suite No 8.
$5.00
Canticum Canticorum for Krzysztof Penderecki
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Chamber Orchestra
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ADVANCED
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and p...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
The Hunt
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Chamber Orchestra
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ADVANCED
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
Barbara Allen for piccolo and orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Trad...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
Homage to Sibelius
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanley...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Perfect
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Pop music
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Ed Sheeran
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Kováts István
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Perfect
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Kovats Istvan
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.764295 By Ed Sheeran. By Ed Sheeran. Arranged by Kováts István. Pop. Score and parts. 10 pag...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.764295 By Ed Sheeran. By Ed Sheeran. Arranged by Kováts István. Pop. Score and parts. 10 pages. Kovats Istvan #3684133. Published by Kovats Istvan (A0.764295). First I've made an arrangement for my String Quartet, this is a version with solo Tenor-Saxophone and String Quartet accompaniment. The string parts have bowings, legatos, dynamics and rehearsal marks A, B, C, etc. to help and to speed up the learning process. Just count, respect the bow directions and You're done. It's a beautiful song and it sounds great with solo Saxophone. (mp3 sample is coming hopefully in the next days)Enjoy it!Tip: In the cello part the double notes can be ignored, if you want you can play only the lower notes (with doubles sounds much better, it worths studying a little more)For more info, contact, etc. visit my Facebook page here: https://www.facebook.com/kovatsmusicGive it a thumbs up, thanks :).
$17.99
Overture and Minuet in C major, based on Beethoven's sketches, op. 83
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Adrian Gagiu
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Overture and Minuet in C major
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Adrian Gagiu
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian G...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Published by Adrian Gagiu (A0.1415801). Score and parts of a premiere realization of some of Beethoven's sketches for the first movement of another Symphony in C major before the First, dubbed 'No. 0' or Unv. 2 by some: 1. 'Overture' (Andante con moto - Allegro con brio), 2. Tempo di menuetto. Useful for people interested in Beethoven's sketches and for students of the Classical style. In 1794-1796, Beethoven made extensive concept sketches mostly for the first movement of this abortive symphony. The material is abundant and sometimes contradictory, as usual with his preliminary work, and he recycled later from this one only the main theme of the Finale of the completed Symphony No. 1. For this speculative realization, suggested by Mr. Armando Orlandi at the Centro Ricerche Musicali and dedicated to them, only the more promising sketches were utilized, and the slow introduction was assembled from the ones in cut time, while those in triple time make up now a Minuet. Virtually every bar of music here includes the sketches, also in the elaboration and coda of the 'overture', only with a few transpositions needed for assembling the sonata form and for the repeats in the Minuet. Obviously, Beethoven would have done it much differently, had he decided to continue working on this symphony, and the question remains regarding the utility of recycling material abandoned by some classical composer. However, this gives one an approximate idea of one of the many possibilities implied by the preliminary sketches for his Symphony 'No. 0'. Total duration 15 minutes. The mp3 audio clip is the first movement. Performing Rights Organization: SOCAN.
$100.00
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
Weihnachtslied
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Chamber Orchestra
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INTERMEDIATE
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Berliner Mozart-Chor, Volker S
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Sabine Fenske
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Weihnachtslied
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Sabine Fenske
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301288 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Ar...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301288 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Arnold Mendelssohn. Arranged by Sabine Fenske. Christmas,Romantic Period. 11 pages. Sabine Fenske #890925. Published by Sabine Fenske (A0.1301288). The most famous Christmas poem of Joseph von Eichendorff „Markt und Straßen steh’n verlassen“ „Markets and streets abandoned“, combined in one composition with the Lutheran „Vom Himmel hoch“ „From Heaven Up“ from Arnold Mendelssohn. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: romantic, language: Germanscore only.
$4.99
Weihnachtslied
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Chamber Orchestra
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INTERMEDIATE
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Berliner Mozart-Chor, Volker S
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Sabine Fenske
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Weihnachtslied
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Sabine Fenske
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301344 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Ar...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301344 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Arnold Mendelssohn. Arranged by Sabine Fenske. Christmas,Romantic Period. 19 pages. Sabine Fenske #890973. Published by Sabine Fenske (A0.1301344). The most famous Christmas poem of Joseph von Eichendorff „Markt und Straßen steh’n verlassen“ „Markets and streets abandoned“, combined in one composition with the Lutheran „Vom Himmel hoch“ „From Heaven Up“ from Arnold Mendelssohn. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: romantic, language: Germanscore and orchestral parts.
$12.99
Weihnachtslied
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Chamber Orchestra
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INTERMEDIATE
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Berliner Mozart-Chor, Volker S
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Sabine Fenske
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Weihnachtslied
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Sabine Fenske
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301303 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Ar...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301303 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Arnold Mendelssohn. Arranged by Sabine Fenske. Christmas,Romantic Period. 1 pages. Sabine Fenske #890941. Published by Sabine Fenske (A0.1301303). The most famous Christmas poem of Joseph von Eichendorff „Markt und Straßen steh’n verlassen“ „Markets and streets abandoned“, combined in one composition with the Lutheran „Vom Himmel hoch“ „From Heaven Up“ from Arnold Mendelssohn. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: romantic, language: Germanviola.
$1.99
O How the Winds are Changin'!
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Chamber Orchestra
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Contemporary
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James Alexander Pavlic
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O How the Winds are Changin'!
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James A. Pavlic
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.923347 Composed by James Alexander Pavlic. Contemporary. Score and parts. 25 pages. James A. Pavlic #6339863...
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Chamber Orchestra - Digital Download SKU: A0.923347 Composed by James Alexander Pavlic. Contemporary. Score and parts. 25 pages. James A. Pavlic #6339863. Published by James A. Pavlic (A0.923347). Work scored a finalist spot in the Great American Song Contest. Work was inspired about the ever changing nature of the wind. Sometimes it gets easy; and, sometimes it picks up, taking with it whatever it can within its grasp. Scored for chamber orchestra and link to audio of work is found here: https://distrokid.com/hyperfollow/alexanderjamespavlic/dmGf. Visual of score playing is at link included in Youtube Link.
$10.99
Weihnachtslied
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Chamber Orchestra
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INTERMEDIATE
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Berliner Mozart-Chor, Volker S
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Sabine Fenske
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Weihnachtslied
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Sabine Fenske
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301296 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Ar...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301296 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Arnold Mendelssohn. Arranged by Sabine Fenske. Christmas,Romantic Period. 1 pages. Sabine Fenske #890934. Published by Sabine Fenske (A0.1301296). The most famous Christmas poem of Joseph von Eichendorff „Markt und Straßen steh’n verlassen“ „Markets and streets abandoned“, combined in one composition with the Lutheran „Vom Himmel hoch“ „From Heaven Up“ from Arnold Mendelssohn. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: romantic, language: Germanflute 2.
$1.99
Weihnachtslied
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Chamber Orchestra
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INTERMEDIATE
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Berliner Mozart-Chor, Volker S
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Sabine Fenske
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Weihnachtslied
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Sabine Fenske
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301298 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Ar...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301298 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Arnold Mendelssohn. Arranged by Sabine Fenske. Christmas,Romantic Period. 1 pages. Sabine Fenske #890936. Published by Sabine Fenske (A0.1301298). The most famous Christmas poem of Joseph von Eichendorff „Markt und Straßen steh’n verlassen“ „Markets and streets abandoned“, combined in one composition with the Lutheran „Vom Himmel hoch“ „From Heaven Up“ from Arnold Mendelssohn. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: romantic, language: Germanviolin 1.
$1.99
Weihnachtslied
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Chamber Orchestra
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INTERMEDIATE
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Berliner Mozart-Chor, Volker S
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Sabine Fenske
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Weihnachtslied
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Sabine Fenske
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301293 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Ar...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301293 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Arnold Mendelssohn. Arranged by Sabine Fenske. Christmas,Romantic Period. 1 pages. Sabine Fenske #890931. Published by Sabine Fenske (A0.1301293). The most famous Christmas poem of Joseph von Eichendorff „Markt und Straßen steh’n verlassen“ „Markets and streets abandoned“, combined in one composition with the Lutheran „Vom Himmel hoch“ „From Heaven Up“ from Arnold Mendelssohn. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: romantic, language: Germanflute 2.
$1.99
Weihnachtslied
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Chamber Orchestra
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INTERMEDIATE
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Berliner Mozart-Chor, Volker S
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Sabine Fenske
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Weihnachtslied
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Sabine Fenske
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301300 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Ar...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1301300 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Arnold Mendelssohn. Arranged by Sabine Fenske. Christmas,Romantic Period. 1 pages. Sabine Fenske #890938. Published by Sabine Fenske (A0.1301300). The most famous Christmas poem of Joseph von Eichendorff „Markt und Straßen steh’n verlassen“ „Markets and streets abandoned“, combined in one composition with the Lutheran „Vom Himmel hoch“ „From Heaven Up“ from Arnold Mendelssohn. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: romantic, language: Germanviolin 2.
$1.99
Fem
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Chamber Orchestra
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INTERMEDIATE
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Pop music
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David Adedeji Adeleke
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AJAYI TOLUWANI JOHN
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Fem
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Johntbass
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1311076 Composed by David Adedeji Adeleke. Arranged by AJAYI TOLUWANI JOHN. Pop. 15 pages. Johntba...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1311076 Composed by David Adedeji Adeleke. Arranged by AJAYI TOLUWANI JOHN. Pop. 15 pages. Johntbass #900055. Published by Johntbass (A0.1311076). Fem is a music by Davido (here are his links Listen/Download: http://smarturl.it/DavidoFEM?IQid=yt )i came up with a simple chamber orchestra arrangement for classical musicians.
$100.00
L`Abeille (The Bee) for Two Trumpets and String Orchestra
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Chamber Orchestra
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ADVANCED
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Classical
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Schubert, Francois
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Dorm 40 Music
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L`Abeille
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dorm40music.com
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.785336 Composed by Schubert, Francois. Arranged by Dorm 40 Music. Romantic Period. Score and parts...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.785336 Composed by Schubert, Francois. Arranged by Dorm 40 Music. Romantic Period. Score and parts. 50 pages. Dorm40music.com #3560811. Published by dorm40music.com (A0.785336). Long before Rimsky teamed up with Korsakov and wrote Flight of the Bumblebee, Schubert wrote L`Abeille (The Bee) for violin which is stolen here for dueling trumpets and string orchestra. An excellent encore piece or concert starter!
$20.00
O Holy Night for Vocal Solo and/or String Quartet (C-major)
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Chamber Orchestra
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INTERMEDIATE
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Christmas
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Adolphe-Charles Adam
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Kovats Istvan
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O Holy Night for Vocal Solo an
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Kovats Istvan
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.764306 Composed by Adolphe-Charles Adam. Arranged by Kovats Istvan. Christian,Christmas. Score and...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.764306 Composed by Adolphe-Charles Adam. Arranged by Kovats Istvan. Christian,Christmas. Score and parts. 7 pages. Kovats Istvan #6645081. Published by Kovats Istvan (A0.764306). Beautiful Christmas song, for Vocal solo and String Quartet, intermediate level.It sounds great, enjoy it :)Tips:-If You don't have a singer, you can play just the String Quartet version from the instrumental parts (the two violins may play an octave higher)-If You need other transposition, check my scores, You may find what You need. If don't, please contact me on the link below, and I'll do it. For more info, contact, etc. visit my Facebook page here: https://www.facebook.com/kovatsmusicGive it a thumbs up, thanks :).
$4.99
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