Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Way Down South
Not classified
82
Piano & keyboards
Piano, Voice
77
Piano solo
60
Piano, Vocal and Guitar
53
Easy Piano
30
Big Note Piano
15
Organ
4
1 Piano, 4 hands
3
Piano Quartet: piano, violin, viola, cello
1
C Instruments
1
+ 4 instrumentations
-
Retract
Guitars
Melody line, (Lyrics) and Chords
20
Ukulele
10
Guitar notes and tablatures
8
Guitar
5
Dulcimer
1
Voice
Choral SATB
25
Choral TTBB
12
Choral 2-part
10
Choral 3-part
9
High voice
7
Vocal duet, Piano
3
Choral Unison
3
Choral SSAA
3
Choral
1
Soprano voice, Piano
1
+ 5 instrumentations
-
Retract
Woodwind
Alto Saxophone
7
Tenor Saxophone
6
Flute and Piano
6
Flute
5
2 Saxophones (duet)
4
Clarinet and Piano
4
Alto Saxophone and Piano
3
Tenor Saxophone and Piano
3
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
3
Clarinet
3
Flute, Oboe, Clarinet, Bassoon
2
Oboe, Piano (duet)
2
Saxophone Quartet: 4 saxophones
2
Clarinet Quartet: 4 clarinets
2
Flute and Guitar
2
2 Clarinets (duet)
1
Bass Clarinet, Piano
1
English horn, Harp (duet)
1
Saxophone Quintet: 5 Saxophones
1
Saxophone (band part)
1
Baritone Saxophone, Piano
1
Clarinet Ensemble
1
+ 17 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
20
Trumpet
8
Trombone
5
Trumpet, Piano
4
Brass Quartet
4
Brass quartet : 2 trumpets, trombone, tuba
3
Trombone and Piano
1
English horn, Harp (duet)
1
Trumpet ensemble
1
4 Tubas
1
Trumpet, Trombone (duet)
1
Euphonium
1
Euphonium, Piano (duet)
1
Brass Quartet: 4 horns
1
French Horn and Piano
1
Tuba and Piano
1
French horn
1
+ 12 instrumentations
-
Retract
Strings
Violin
8
String Quartet: 2 violins, viola, cello
7
Harp
7
Viola
5
Cello, Piano
5
Violin and Piano
3
Viola, Piano
2
Cello
2
Harp, Flute (duet)
2
String Trio: violin, viola, cello
2
Violin, Guitar (duet)
2
Viola (band part)
2
String Trio: 3 cellos
1
Violin (band part)
1
Double bass, Piano (duet)
1
2 Violins (duet)
1
4 Cellos
1
String Trio: 3 violins
1
+ 13 instrumentations
-
Retract
Orchestra & Percussion
Concert band
48
Orchestra
10
String Orchestra
9
Brass ensemble
7
Chamber Orchestra
7
Marching band
3
Jazz combo
3
Jazz Ensemble
1
Piano and Orchestra
1
Percussion Ensemble
1
+ 5 instrumentations
-
Retract
Others
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
18
Digital Sheet Music
7
Sheet Music Books
0
Music Equipment
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Way Down South
Chamber Orchestra
Sheetmusic to print
7 sheet music found
<
1
South Of The Border (Down Mexico Way)
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Patsy Cline
#
Jim Bicigo
#
South Of The Border
#
Polar Publications
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1426089 By Patsy Cline. By Jimmy Kennedy and Michael Carr. Arranged by Jim Bicigo. Chamber,Country...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1426089 By Patsy Cline. By Jimmy Kennedy and Michael Carr. Arranged by Jim Bicigo. Chamber,Country,Latin. 35 pages. Polar Publications #1006905. Published by Polar Publications (A0.1426089). This arrangement for the Central Alberta Chamber Orchestra is perfect for pops concerts or any concert ith a latic theme.
$65.00
Requiem
#
Chamber Orchestra
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
#
Chamber Orchestra
#
ADVANCED
#
Contemporary
#
Germaine Tailleferre
#
Germaine Tailleferre: Concerto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Mus...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
Ebb Tide (Full score only) - Score Only
#
Chamber Orchestra
#
INTERMEDIATE
#
Stuart Brown
#
Stuart Brown
#
Ebb Tide
#
Stuart Brown Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1182181 By Stuart Brown. By Stuart Brown. Arranged by Stuart Brown. Celtic,Classical,Contest,Festi...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1182181 By Stuart Brown. By Stuart Brown. Arranged by Stuart Brown. Celtic,Classical,Contest,Festival,Irish,Multicultural,World. 22 pages. Stuart Brown Music #781945. Published by Stuart Brown Music (A0.1182181). 'Ebb Tide' is a setting for high voice (tenor or soprano), two flutes, oboe and strings of a poem by the Cornish poet Julia Allard. It is a beautifully visual piece of music, which captures very well the atmosphere of the sea, seabirds, fishing boats and a small coastal fishing community, all familiar to the composer from his childhood in the far southwest of the United Kingdom. The music has a thoroughly Celtic feel without being in any way stereotypical. It's quite easy to sing and the orchestral parts are suitable for an advanced high school orchestra.Note that the vocal score and a complete package of score plus all parts are available also as separate items.
$4.00
Ebb Tide (Vocal score only) - Score Only
#
Chamber Orchestra
#
INTERMEDIATE
#
Stuart Brown
#
Stuart Brown
#
Ebb Tide
#
Stuart Brown Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1182187 By Stuart Brown. By Stuart Brown. Arranged by Stuart Brown. Celtic,Classical,Contest,Festi...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1182187 By Stuart Brown. By Stuart Brown. Arranged by Stuart Brown. Celtic,Classical,Contest,Festival,Irish,Multicultural,World. 14 pages. Stuart Brown Music #781948. Published by Stuart Brown Music (A0.1182187). 'Ebb Tide' is a setting for high voice (tenor or soprano), two flutes, oboe and strings of a poem by the Cornish poet Julia Allard. It is a beautifully visual piece of music, which captures very well the atmosphere of the sea, seabirds, fishing boats and a small coastal fishing community, all familiar to the composer from his childhood in the far southwest of the United Kingdom. The music has a thoroughly Celtic feel without being in any way stereotypical. It's quite easy to sing and the orchestral parts are suitable for an advanced high school orchestra.Note that the full score and a complete package of score plus all parts are available also as separate items.
$2.60
Ebb Tide (Full score + vocal score + all parts)
#
Chamber Orchestra
#
INTERMEDIATE
#
Stuart Brown
#
Stuart Brown
#
Ebb Tide
#
Stuart Brown Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1182175 By Stuart Brown. By Stuart Brown. Arranged by Stuart Brown. Celtic,Classical,Contest,Festi...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1182175 By Stuart Brown. By Stuart Brown. Arranged by Stuart Brown. Celtic,Classical,Contest,Festival,Irish,Multicultural,World. 91 pages. Stuart Brown Music #781940. Published by Stuart Brown Music (A0.1182175). 'Ebb Tide' is a setting for high voice (tenor or soprano), two flutes, oboe and strings of a poem by the Cornish poet Julia Allard. It is a beautifully visual piece of music, which captures very well the atmosphere of the sea, seabirds, fishing boats and a small coastal fishing community, all familiar to the composer from his childhood in the far southwest of the United Kingdom. The music has a thoroughly Celtic feel without being in any way stereotypical. It's quite easy to sing and the orchestral parts are suitable for an advanced high school orchestra.Note that the full score and the vocal score are available also as separate items.
$30.00
Esther Suite
#
Chamber Orchestra
#
INTERMEDIATE
#
Gordon Rouse
#
Gordon Rouse
#
Esther Suite
#
Rosemary Abetz-Rouse
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1236385 Composed by Gordon Rouse. Arranged by Gordon Rouse. Broadway,Folk,Jewish,Musical/Show,Oper...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1236385 Composed by Gordon Rouse. Arranged by Gordon Rouse. Broadway,Folk,Jewish,Musical/Show,Opera. Score and Parts. 95 pages. Rosemary Abetz-Rouse #831458. Published by Rosemary Abetz-Rouse (A0.1236385). Esther: Queen of Persian is a full choral musical first performed in South Morang 1997. This is an orchestral suite adapted from the overture. This features excerpts:FanfareBattle SceneEsther's PleaZeresh and Agagite DanceThis suitable for a reduced orchestra with piano feature. The oboe part is the same as the 2nd flute here. Please feel free to fill out brass by doubling clarinet parts.All parts on the score are included as separate instrumental parts.The piano gets a beautiful solo in the middle, this is like a Nocturne - milk it hard!
$24.99
<
1
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
