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--INSTRUMENTS--
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BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
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EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
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MUSIC COURSE
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OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
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RECORDER
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XYLOPHONE
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What She
Not classified
3,792
Piano & keyboards
Piano solo
4,419
Piano, Vocal and Guitar
2,973
Piano, Voice
1,958
Easy Piano
1,528
Organ
247
C Instruments
239
Big Note Piano
151
1 Piano, 4 hands
121
Piano Accompaniment
56
Piano (band part)
48
Accordion
47
Piano Trio: piano, violin, cello
42
2 Pianos, 4 hands
29
Piano Quartet: piano, violin, viola, cello
12
Melody line, Piano
9
Organ, Piano (duet)
9
Organ, Trumpet (duet)
7
Keyboard
6
Piano Quartet: piano, 2 violins, cello
4
Harpsichord
4
Solo instrument and Organ
4
1 Piano, 6 hands
3
Accordion, Voice
3
Piano Quintet: piano, 2 violins, viola, cello
3
2 Pianos, 8 hands
2
Fake Book
1
+ 21 instrumentations
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Guitars
Guitar notes and tablatures
987
Melody line, (Lyrics) and Chords
740
Guitar
359
Ukulele
306
Lyrics and Chords
301
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171
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71
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21
2 Guitars (duet)
18
Piano, Guitar (duet)
14
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12
Banjo
12
4 Guitars (Quartet)
8
3 Guitars (trio)
6
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6
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5
Baritone Ukulele
5
2 Dulcimers (duet)
4
Ukulele Ensemble
2
Lap Steel Guitar
1
Band Scores
1
2 Guitars, Clarinet (trio)
1
Guitar, Violin, Cello (trio)
1
Guitar, Orchestra
1
Mandolin, Piano (duet)
1
+ 20 instrumentations
-
Retract
Voice
Choral SATB
1,584
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542
Choral 2-part
360
Choral Instrumental Pak
356
Choral TTBB
312
Choral Unison
189
Choral SSAA
160
Choral
91
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86
Voice solo
75
Vocal duet
56
Alto voice, Piano
49
High voice
45
Baritone voice, Piano
36
Soprano voice, Piano
30
Tenor voice
29
Soprano voice
27
Tenor voice, Piano
15
Choral SSAATTBB
9
Medium voice, Piano
9
Low voice, Piano
8
Voice, Guitar
4
Choral SSATB
4
Choral SSAB a cappella
3
Choral SSAATB
2
Choral SATTB
1
Mezzo-Soprano voice, Piano
1
Low voice
1
Choral SSATBB
1
Choral SSATTB
1
Medium Voice
1
+ 26 instrumentations
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Retract
Woodwind
Saxophone (band part)
416
Flute
344
Clarinet
307
Saxophone Quartet: 4 saxophones
276
Flute and Piano
252
Alto Saxophone
247
Flute, Oboe, Clarinet, Bassoon
216
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
210
Clarinet and Piano
203
Tenor Saxophone
201
Alto Saxophone and Piano
166
2 Saxophones (duet)
161
Oboe, Piano (duet)
149
Saxophone Quintet: 5 Saxophones
132
Saxophone
131
Tenor Saxophone and Piano
127
Oboe (band part)
120
Clarinet Quartet: 4 clarinets
111
2 Flutes (duet)
106
Clarinet (band part)
103
2 Clarinets (duet)
97
Flute (band part)
92
Soprano Saxophone and Piano
82
Flute Quartet: 4 flutes
58
Flute ensemble
46
Flute, Clarinet (duet)
44
3 Saxophones (trio)
42
Baritone Saxophone, Piano
38
3 Clarinets (trio)
38
Clarinet Ensemble
37
Flute and Guitar
31
Saxophone ensemble
26
Flute Trio: 3 flutes
25
Clarinet, Violin (duet)
23
Clarinet Quintet: 5 clarinets
23
English horn, Piano
22
Oboe, Bassoon (duet)
21
2 Oboes (duet)
21
Saxophone, Clarinet (duet)
21
Flute, Violin
20
Oboe
20
Harmonica
17
Eb Instruments
17
English Horn
17
Flute Quintet : 5 flutes
17
Flute, Oboe, Clarinet (trio)
17
Soprano Saxophone
16
Flute, Violin, Piano
16
Descant (Soprano) Recorder
15
2 Recorders (duet)
15
Oboe, Clarinet, Bassoon (trio)
14
Oboe, Clarinet (duet)
13
Recorder Quartet
13
Recorder
12
Flute, Clarinet, Piano (trio)
12
2 Flutes, Piano
11
Flute, Oboe (duet)
10
Flute, Clarinet, Horn and Bassoon (Quartet)
10
Clarinet, Trumpet (duet)
10
Clarinet, Guitar (duet)
9
Ocarina
9
Flute, Oboe, Bassoon
9
2 Clarinets, Piano
9
Clarinet and Viola
9
Flute, Trumpet (duet)
8
Clarinet, Bassoon (duet)
8
Treble (Alto) Recorder
7
Flute, Saxophone (duet)
7
Oboe, Flute
7
Flute, Clarinet and Bassoon.
7
Pennywhistle
6
Flute, Clarinet, Violin (trio)
6
Bass Clarinet, Piano
6
Clarinet, Harp (duet)
6
Tenor Recorder
6
Flute, Oboe, Violin
5
Treble (Alto) Recorder, Piano
5
Flute, Violin and Violoncello
5
Clarinet, Cello (duet)
5
Baritone Saxophone
5
Piccolo
5
Flute, harp and violin
5
Flute, Violoncello
5
Oboe, Violin (duet)
4
Recorder Ensemble
4
Oboe, Trumpet (duet)
4
Flute, Viola (duet)
4
Saxophone, Violin (duet)
4
Flute, Viola and Piano
4
Clarinet, Cello, Piano (trio)
4
3 Recorders (trio)
3
Descent (Soprano) Recorder, Piano
3
Flute, Trombone (duet)
3
Flute, Oboe, Piano (trio)
3
2 Oboes, Piano
3
2 Clarinets, Bassoon
3
Oboe, Guitar (duet)
3
English Horn, Guitar (duet)
3
Flute, Cello, Piano (trio)
3
Saxophone and Harp
3
Clarinet, Trombone (duet)
2
Saxophone and Guitar
2
Oboe, Bassoon and Piano
2
Recorder, Guitar (duet)
2
Clarinet, trumpet and piano
2
Recorder, Piano
2
Clarinette, Viola and Piano (trio)
2
Oboe, Harp
2
4 Oboes
2
Flute, Violin, Violoncello and Piano
2
2 Saxophones, Piano
2
Flute, Harp and Cello
2
Flute, trombone and piano
2
Harmonica, Piano
1
Saxophone and cello
1
Flute and Strings Trio
1
Piccolo, Piano
1
Oboe, Cello
1
Clarinet Quintet: Clarinet, String Quartet
1
Saxophone and Organ
1
Saxophone, Bassoon (duet)
1
2 Oboes, 2 Horns and 2 Bassoons
1
3 Oboes
1
Flute, Organ (duet)
1
Oboe, Trombone (duet)
1
Flute, Cello, Guitar
1
2 Flutes and Guitar
1
Oboe, Violin, Piano
1
Flute, Guitar, Piano
1
Flute, Bassoon, and Piano
1
5 Recorders
1
2 Flutes and Harp
1
Bass Clarinet
1
Saxophone and Piano
1
+ 129 instrumentations
-
Retract
Woodbrass
Trumpet (band part)
299
Trumpet
298
Brass Quintet: 2 trumpets, horn, trombone, tuba
258
Trombone
245
Trombone (band part)
244
Trumpet, Piano
173
French horn
168
Trombone and Piano
158
Brass quartet : 2 trumpets, trombone, tuba
114
Brass Quartet
113
French Horn and Piano
101
2 Trombones (duet)
72
Tuba
63
French horn (band part)
61
Tuba and Piano
50
Brass Quartet: 4 trombones
49
Tuba (band part)
47
2 Trumpets (duet)
46
Brass Quartet: 2 trumpets, horn, trombone
44
Bass Clef Instruments
29
Trumpet, Trombone (duet)
25
Trumpet, Saxophone (duet)
24
English horn, Piano
22
2 French horns (duet)
21
Bb Instruments
20
Euphonium, Piano (duet)
19
English Horn
17
Euphonium
15
Brass Trio
15
Brass Quartet: 4 horns
15
Trombone ensemble
13
2 Euphoniums and 2 Tubas
11
Trumpet ensemble
10
2 Euphoniums (duet)
9
Trumpet, Horn (duert)
9
4 Tubas
9
2 Tubas (duet)
8
Brass Quartet: 4 trumpets
6
3 Trombones (trio)
6
3 Trumpets (trio)
6
2 Trumpets, Keyboard (piano or organ)
6
Euphonium, Tuba (duet)
5
Horn Ensemble
5
Trombone, cello (duet)
4
Trumpet, violin (duet)
4
F Instruments
4
Bass Trombone
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
2 French horns, Piano
3
English Horn, Guitar (duet)
3
Trombone, Organ
2
Clarinet, Horn (duet)
2
Trumpet, Harp
2
Horn, Cello (duet)
2
Trumpet, Tuba (duet)
2
Tuba or Euphonium or Saxhorn
2
French Horn and Harp
2
Brass Quartet: 2 trumpets, 2 trombones
2
Trombone and Orchestra
2
Bass Trombone and Piano
2
Trombone, Horn (duet)
1
French horn and Basson (duet)
1
Horn, Tuba (duet)
1
Trumpet, Trombone, Piano
1
Trombone, Tuba (duet)
1
Trumpet, Bassoon (duet)
1
Trombone, Viola (duet)
1
2 Trombones, Piano
1
Trombone, Violin (duet)
1
Trumpet, Cello, Piano
1
Trumpet, Cello (duet)
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
+ 67 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
670
Violin
359
Violin and Piano
346
Cello
268
Cello, Piano
226
Viola, Piano
202
Viola
198
Harp
174
2 Violins (duet)
112
Violin, Cello (duet)
108
String Quintet: 2 violins, viola, cello, bass
103
String Trio: violin, viola, cello
99
Doublebass (band part)
74
Violin (band part)
72
2 Cellos (duet)
64
Viola (band part)
63
Violin, Viola (duet)
52
Double Bass
50
Double bass, Piano (duet)
50
String Trio: 2 violins, cello
39
2 Violas (duet)
38
Viola, Cello (duet)
23
Cello (band part)
22
Piano Trio: Violin, Viola, Piano
20
2 Harps (duet)
16
String Trio: 3 violins
16
4 Cellos
15
Violin, Guitar (duet)
13
Harp, Flute (duet)
13
String quartet: 4 violins
10
String Trio: 3 cellos
10
String trio
9
Harp, Violin (duet)
9
Cello, Guitar (duet)
9
Cello, String Bass (duet)
9
String Trio: 2 violins, viola
9
Violin ensemble
8
2 Violins, Piano
8
Harp, Voice
6
String Quintet: 2 violins, 2 violas, cello
6
Harp, Cello (duet)
5
Harp and Piano
4
Viola and Harp
4
2 Double basses (duet)
4
Viola, Guitar (duet)
4
4 Double Basses
3
4 Harps
3
2 Cellos, Piano
3
Viola ensemble
3
String Quartet : 4 violas
3
Violin, Clarinet, Piano (trio)
3
Violin, Organ
3
Harp, Violin, Violoncello
2
Viola and Bassoon
2
Cello, Organ
2
Harp, Trombone (duet)
2
Violin, Bassoon (duet)
2
2 Violas, Piano
2
String Trio: 3 violas
1
Violin, Cello, Clarinet
1
Cello Ensemble
1
Violin, Trumpet and Piano
1
+ 57 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,240
Jazz Ensemble
402
Orchestra
394
String Orchestra
256
Marching band
253
Drums
198
Handbells
157
Brass ensemble
138
Chamber Orchestra
79
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72
Drum (band part)
67
Jazz combo
50
Percussion Ensemble
26
Vibraphone
13
Marimba
12
Timpani (band part)
10
Percussion
7
Piano and Orchestra
6
Xylophone, Piano
3
Woodwind Trio: any 3 woodwinds
2
Timpani
1
Xylophone (band part)
1
3 Marimbas
1
Vibraphone and Marimba
1
School Ensemble
1
2 Percussions
1
Snare drums
1
Xylophone
1
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Retract
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You've selected:
What She
Chamber Orchestra
Sheetmusic to print
79 sheet music found
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1
26
51
76
What's Up
#
Chamber Orchestra
#
INTERMEDIATE
#
Contemporary
#
4 Non Blondes
#
Betsuel Uesile Prado
#
What's Up
#
BETSUEL UESILE DO PRADO
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.809338 By 4 Non Blondes. By Linda Perry. Arranged by Betsuel Uesile Prado. Contemporary. Score and...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.809338 By 4 Non Blondes. By Linda Perry. Arranged by Betsuel Uesile Prado. Contemporary. Score and parts. 20 pages. BETSUEL UESILE DO PRADO #6602073. Published by BETSUEL UESILE DO PRADO (A0.809338). Amazing arrangement of 4 Non Blondes What's Up for String Quartet and Acoustic Guitar.
$19.99
Do You Hear What I Hear
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Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Carrie Underwood
#
Dennis Ruello
#
Do You Hear What I Hear
#
Chicory Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.734392 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. Christian...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.734392 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. Christian,Gospel,Rock. Score and parts. 19 pages. Chicory Music #3690903. Published by Chicory Music (A0.734392). Do You Hear What I Hear? is a song written in October 1962, with lyrics by Noël Regney and music by Gloria Shayne Baker. The pair, married at the time, wrote it as a plea for peace during the Cuban Missile Crisis. Regney had been invited by a record producer to write a Christmas song, but he was hesitant due to the commercialism of the Christmas holiday. It has sold tens of millions of copies and has been covered by hundreds of artists, This Advanced Intermediate Level arrangement for Chamber orchestra is appropriate for holiday recitals, concerts and church services.Performance time is approx. 2 min. 40 sec. 2018 Holiday Contest Entry .
$18.99
What a friend we have in Jesus
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Chamber Orchestra
#
BEGINNER
#
Capital Music Academy Orchestr
#
Brian Lia
#
What a friend we have in Jesus
#
Brian Lia Phiri
#
SheetMusicPlus
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1462098 By Capital Music Academy Orchestra. By JOSEPH MEDLICOTT SCRIVEN. Arranged by Brian Lia. Pr...
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1462098 By Capital Music Academy Orchestra. By JOSEPH MEDLICOTT SCRIVEN. Arranged by Brian Lia. Praise & Worship,Religious,Spiritual. 14 pages. Brian Lia Phiri #1040848. Published by Brian Lia Phiri (A0.1462098). Hymn medley.
$13.89
What Wondrous Love is This - Mary's Love (Christmas song) - Strings and piano
#
Chamber Orchestra
#
EASY
#
Connie Boss
#
What Wondrous Love is This - M
#
Connie Boss
#
SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801501 Arranged by Connie Boss. Christian,Christmas,Easter,Sacred. Score and parts. 4 pages. Conni...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801501 Arranged by Connie Boss. Christian,Christmas,Easter,Sacred. Score and parts. 4 pages. Connie Boss #6051913. Published by Connie Boss (A0.801501). This arrangement is for strings and piano. It has a lot of moving parts which makes it very pretty. The lyrics are included and for Christmas but could be used at any time. cdboss@cvalley.net
$5.00
What A Wonderful World
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Chamber Orchestra
#
INTERMEDIATE
#
Jazz
#
Louis Armstrong With Kenny G
#
Vinicius Louzada
#
What A Wonderful World
#
Vinicius Louzada
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.951463 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Vinicius...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.951463 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Vinicius Louzada. Jazz. Score and parts. 22 pages. Vinicius Louzada #6361535. Published by Vinicius Louzada (A0.951463).
$12.99
[Carl] What's Underfoot
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Chamber Orchestra
#
Contemporary
#
Robert Carl
#
[Carl] What's Underfoot
#
American Composers Alliance Inc.
#
SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.953143 Composed by Robert Carl. Contemporary. Score and parts. 51 pages. American Composers Alliance Inc. #4...
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Chamber Orchestra - Digital Download SKU: A0.953143 Composed by Robert Carl. Contemporary. Score and parts. 51 pages. American Composers Alliance Inc. #4640451. Published by American Composers Alliance Inc. (A0.953143). A work for chamber orchestra in memoriam Gustav Meier - instrumentation: 2(1,2+picc)11(s.sax)1 - 111(=btbn)0 - 2 perc - 2111.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$31.95
WHAT NOW?!
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Chamber Orchestra
#
INTERMEDIATE
#
Klaudio Tubin
#
WHAT NOW?!
#
Klaudio Tubin
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1017549 Composed by Klaudio Tubin. Contemporary,Film/TV,Jazz. Score and parts. 59 pages. Klaudio T...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1017549 Composed by Klaudio Tubin. Contemporary,Film/TV,Jazz. Score and parts. 59 pages. Klaudio Tubin #6231215. Published by Klaudio Tubin (A0.1017549). Duration 8 min. ,from Megablast - Soundtracks for Your Life by KT ,( https://www.youtube.com/watch?v=18gWiKmtQS4&list=OLAK5uy_mVgZw7D7nX_SC546plklLxSlTGDeAZhrI&index=18 ) ,chord note separation recommended .
$7.77
Gabriel's Oboe - YO YO MA VERSION (for Oboe, Violoncello Solo and strings)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Film/TV
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Ennio Morricone
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Gabriel's Oboe - YO YO MA VERS
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Flavio Regis Cunha
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SheetMusicPlus
By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 16 pages. Published by Flavio Regis Cunha...
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By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 16 pages. Published by Flavio Regis Cunha
This arrangement by Gabrie's Oboe was based on the famous recording of Yo Yo Ma playing with Roma Sinfonietta. The score reproduces as faithfully as possible what the performers played. You and your ensemble will love playing this beautiful arrangement. Your audience will be delighted.
$49.99
What a friend we have in Jesus (For Violin and Chamber)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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C
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Han-Ki Kim
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What a friend we have in Jesus
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Han-Ki Kim
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1433607 By C.C.Converse. By C.C.Converse. Arranged by Han-Ki Kim. Chamber,Christian,Classical,Reli...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1433607 By C.C.Converse. By C.C.Converse. Arranged by Han-Ki Kim. Chamber,Christian,Classical,Religious,Sacred. 25 pages. Han-Ki Kim #1013839. Published by Han-Ki Kim (A0.1433607). “What a Friend We Have in Jesus” is a Chriatian hymn written in 1855 by preacher Joseph M. Scriven. The motive for writing this poem was to comfort his mother, who was in Ireland while M.Scriven was living in Canada, when she lay sick in her bed. Scriven originally wrote this poem anonymously, and it was not until 1880 that his name became known. The hymn's melody was composed by Charles Crozat Converse in 1868. I quoted this beautiful melody and arranged it into a small violin concerto format.
$15.90
When She Loved Me
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Sarah McLachlan
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John Langley / Studio Orchestr
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When She Loved Me
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www.studio-orchestrations.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1430293 By Sarah McLachlan. By Randy Newman. Arranged by John Langley / Studio Orchestrations. Bro...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1430293 By Sarah McLachlan. By Randy Newman. Arranged by John Langley / Studio Orchestrations. Broadway,Children,Contemporary,Film/TV,Musical/Show,Singer/Songwriter. 28 pages. Www.studio-orchestrations.com #1010934. Published by www.studio-orchestrations.com (A0.1430293). What a privilege to share an arrangement of this perfect song, sung by Sarah McLachlan in Toy Story 2 in 1999. If Toy Story and Toy Story 2 hadn't already entirely induced a nostalgic empathy from its audience for the life of old toys we used to play with, Jessie's heartfelt song of her memories with 'Emily' tugs the heart strings to make grown men cry. Randy Newman wrote a perfect little gem in this short but iconic moment in movie history. In the most respectful way the write and the song do so little SO well. The orchestration is sparse but completely appropriate and supportive. This arrangement follows the original soundtrack as closely as possible and would make a wonderful addition to a kids or education concert or an evening of film, musicals or just a celebration of great song writers. Thank you Randy Newman for your wonderful understated genius for using musical simplicity to unpack human complexity.
$140.00
Carson Cooman: Autumn Sun Canticle (2006) for Bb or C trumpet and orchestra:, score and complete par
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Chamber Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Autumn Sun Cant
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533666 Composed by Carson Cooman. Contemporary. Score and parts. 36 pages. Musik Fabrik Music Publ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533666 Composed by Carson Cooman. Contemporary. Score and parts. 36 pages. Musik Fabrik Music Publishing #3036593. Published by Musik Fabrik Music Publishing (A0.533666). Autumn Sun Canticle (2006) for trumpet and orchestra was commissioned by The CommissionProject in memory of Bob Stata. Bob Stata was a jazz bassist and teacher, who died on June 14, 2005at the age of 52. (Stata commissioned and directed the premiere of Cooman's The Great Wilno(1999) for solo piano and wind ensemble.)This work has an autumnal spirit, but is lyrical and hopeful as well. An opening aria section leadstoward a chorale-like passage. A development of this material leads towards a passionate andsomewhat anguished climax. The opening aria returns, before an elegiac coda closes the work.Orchestration: 2222/0000/1perc/Solo Trumpet/stringsBoth Bb and C trumpets parts are included in the set. A version for trumpet and piano is also available for sale.
$64.95
Carson Cooman: Autumn Sun Canticle (2006) for Bb or C trumpet and orchestra:, score and solo parts
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Chamber Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Autumn Sun Cant
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533665 Composed by Carson Cooman. Contemporary. Score and parts. 27 pages. Musik Fabrik Music Publ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533665 Composed by Carson Cooman. Contemporary. Score and parts. 27 pages. Musik Fabrik Music Publishing #3036591. Published by Musik Fabrik Music Publishing (A0.533665). Autumn Sun Canticle (2006) for trumpet and orchestra was commissioned by The CommissionProject in memory of Bob Stata. Bob Stata was a jazz bassist and teacher, who died on June 14, 2005at the age of 52. (Stata commissioned and directed the premiere of Cooman's The Great Wilno(1999) for solo piano and wind ensemble.)This work has an autumnal spirit, but is lyrical and hopeful as well. An opening aria section leadstoward a chorale-like passage. A development of this material leads towards a passionate andsomewhat anguished climax. The opening aria returns, before an elegiac coda closes the work.Orchestration: 2222/0000/1perc/Solo Trumpet/stringsBoth Bb and C trumpets parts are included in the set. A version for trumpet and piano is also available for sale.
$19.95
The Wild Beast of the Bungalow (Orchestra Score) - Score Only
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Rachel J Peters
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The Wild Beast of the Bungalow
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Rachel J Peters
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1368170 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Sho...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1368170 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Show,Opera. 337 pages. Rachel J Peters #952492. Published by Rachel J Peters (A0.1368170). The Wild Beast of the Bungalow is a triptych of short operas (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself. Libretto by Royce Vavrek, based on and further inspired by the short story by Sheila Heti.CAST: 1 coloratura soprano plus eight additional principals playing multiple rolesINSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-ukulele (doubling banjo)/1.0.0.1.1 (Parts must be rented separately.)DURATION: 90 minutesPAGES: 337WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights and more information, please write to the composer at rachel@racheljpeters.com.
$70.00
Mermaid in the Jar Full Score - Score Only
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Rachel J Peters
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Mermaid in the Jar Full Score
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Rachel J Peters
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. Published by Rachel J Peters (A0.1325451). A short chamber operaLibretto by Royce Vavrek, based on the short story by Sheila Heti.Mermaid in the Jar is the first short chamber opera in the Wild Beast of the Bungalow triptych (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself.CAST: coloratura soprano, mezzo-soprano, bass-baritone, and three additional treble voices. (If the Prologue is omitted, no bass-baritone is required.)INSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-1.0.0.1.1 (Parts need to be rented separately.)DURATION: 20 minutesPAGES: 86WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright.. For all performance inquiries, please write to rachel@racheljpeters.com.
$28.00
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Piano Concerto No. 1 - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Sco...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - SECOND movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th C...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Chamber Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Chamber Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
Love On Top
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Chamber Orchestra
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EASY
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Beyonce
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Frances Dawson
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Love On Top
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Frances Dawson
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1493775 By Beyonce. By Beyonce Knowles, Shea Taylor, and Terius Nash. Arranged by Frances Dawson. ...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1493775 By Beyonce. By Beyonce Knowles, Shea Taylor, and Terius Nash. Arranged by Frances Dawson. 21st Century,Children,Contemporary,Pop,R & B. 54 pages. Frances Dawson #1070438. Published by Frances Dawson (A0.1493775). 'Naughties nostalgia' A mash-up arrangement of 8 well known pop songs from the early 2000's for small chamber orchestra.-Strings, clarinet and flute. Songs include 'Bby'-Justin Beiber, 'Everybody in love'-JLS, 'Murder on the dancefloor'-Sophie Ellis-Bextor, 'About you now'-Sugarbabes, 'What makes you beautiful'-1D, 'Fight for this love'-Cheryl Cole, 'Umbrella'-Rhianna and 'Love on top'-Beyonce.This 6 min arrangent is perfect for youth and community music groups who want to play some fun pop music with thier classical instruments.
$49.99
Appassionato
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Chamber Orchestra
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Peter Nostrand
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Peter Nostrand
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the strings are supportive
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Appassionato
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Imagine Music - Digital
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SheetMusicPlus
Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Pub...
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Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagine Music - Digital (IZ.OMS128). 9 x 12 in inches.For Chamber Orchestra (Grade 3). By Peter Nostrand. Appassionato is a story about the struggle for love. While it was composed in a traditional ABA structure, there are many elements in this composition which are not at all traditional. As the piece awakens, the oboes and flutes seem innocent and coquettish. As orchestral participation grows, one has the sense of an entire field of rich colors growing before our very ears. Enter the piano. Simple, elegant and romantic. Softly supported by the strings, the piano issues an invitation to the winds. They respond cautiously, obviously curious to see what this charming piano has in mind. The strings express an opinion. It's not what the piano wants and he presses harder. The strings and winds question each other, back and forth with triplets. Who is this piano? The mid-section is an announcement by the strings that a love relationship may be in the cards. The piano replies with passion and tenderness.With eighth notes, the strings become entangled with the piano, counseling it, guiding it. The winds using triplets put their two cents on the table. They're not so sure. The piano makes a passionate plea; the strings are supportive. The piano and the winds have a conversation. They finally dance together. In the end,.Appassionato is a musical expression of the struggle over whether or not love is worth the risk Sometimes in conflict sometimes in harmony, the piano and winds do unite. Passion has won.
$30.00
Something
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Chamber Orchestra
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INTERMEDIATE
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Rock
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The Beatles
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Guilherme Sparrapan
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Something
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Guilherme Sparrapan
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1342044 By The Beatles. By George Harrison. Arranged by Guilherme Sparrapan. 21st Century,Classica...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1342044 By The Beatles. By George Harrison. Arranged by Guilherme Sparrapan. 21st Century,Classical,Pop,Rock. 43 pages. Guilherme Sparrapan #927556. Published by Guilherme Sparrapan (A0.1342044). Something, in the original tonality with different form elements of the 1969 release.Duration: 3'30Instrumentation: 2222 / 2221 / strings / rock bandAccording to the ArrangeMe.com blogpost, the overall difficulty of this arrangement would be GRADE 3, with some wind instruments on GRADE 4 (flute 1 solo). The sheet music written for the rock band are just suggestions. The musicians and musical director may do what is proposed or create and perform as it pleases them.
$49.99
Penny Lane
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Chamber Orchestra
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INTERMEDIATE
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Rock
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The Beatles
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Guilherme Sparrapan
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Penny Lane
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Guilherme Sparrapan
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1341916 By The Beatles. By John Lennon and Paul McCartney. Arranged by Guilherme Sparrapan. 21st C...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1341916 By The Beatles. By John Lennon and Paul McCartney. Arranged by Guilherme Sparrapan. 21st Century,Classical,Pop,Rock. 77 pages. Guilherme Sparrapan #927426. Published by Guilherme Sparrapan (A0.1341916). Penny Lane, in the original tonality with few different form elements of the 1967 release.Duration: 3'Instrumentation: 2(pic)222 / 2221/ perc. / strings / rock bandPerc.: splash cymbals, half-moon, triangleAccording to the ArrangeMe.com blogpost, the overall difficulty of this arrangement would be GRADE 3, with some wind instruments on GRADE 4. The bars from 32 to 42 there are ad libitum soli for several instruments. The musicians and musical director may choose which instrument will do the adapted solo.The sheet music written for the rock band are just suggestions. The musicians and musical director may do what is proposed or create and perform as it pleases them.
$49.99
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