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A New Life
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Piano Quartet: piano, 2 violins, cello
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64
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57
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52
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44
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41
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28
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23
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12
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9
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A New Life
Piano Quartet: piano, violin, viola, cello
Sheetmusic to print
6 sheet music found
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1
La Vie En Rose
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Piano Quartet: piano, violin, viola, cello
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BEGINNER
#
Edith Piaf
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André Nusa
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La Vie En Rose
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Andre_Nusa
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 1 - Digital Download SKU: A0.1236393 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by AndrÃ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 1 - Digital Download SKU: A0.1236393 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. Jazz,Singer/Songwriter,Standards. 8 pages. Andre_Nusa #831908. Published by Andre_Nusa (A0.1236393). Immerse yourself in the timeless allure of Edith Piaf's La Vie en Rose with this captivating arrangement for violin, viola, cello, and piano. Indulge in the romantic and soul-stirring melodies of this iconic French song as they intertwine harmoniously among these four exquisite instruments. The strings paint heartfelt and expressive melodies, while the piano adds depth, texture, and rhythmic intricacies to create a captivating tapestry of sound. The interplay between the instruments ignites a mesmerizing musical dialogue, allowing you to fully immerse yourself in the passionate essence of Piaf's composition.Whether performing for an audience or savoring the music in the comfort of your own space, this arrangement promises an unforgettable experience. Let the expressive melodies and harmonies of La Vie en Rose ignite your heart and soul, as the violin, viola, cello, and piano unite to breathe new life into this beloved classic.
$12.99
La Vie En Rose
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Piano Quartet: piano, violin, viola, cello
#
EASY
#
Edith Piaf
#
André Nusa
#
La Vie En Rose
#
Andre_Nusa
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1236693 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by AndrÃ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1236693 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. Jazz,Singer/Songwriter,Standards. 7 pages. Andre_Nusa #832214. Published by Andre_Nusa (A0.1236693). Immerse yourself in the timeless allure of Edith Piaf's La Vie en Rose with this captivating arrangement for violin, viola, cello and piano. Indulge in the romantic and soul-stirring melodies of this iconic French song as they intertwine harmoniously among these four exquisite instruments. The strings paint heartfelt and expressive melodies, while the piano adds depth, texture, and rhythmic intricacies to create a captivating tapestry of sound. The interplay between the instruments ignites a mesmerizing musical dialogue, allowing you to fully immerse yourself in the passionate essence of Piaf's composition.Whether performing for an audience or savoring the music in the comfort of your own space, this arrangement promises an unforgettable experience. Let the expressive melodies and harmonies of La Vie en Rose ignite your heart and soul, as the violin, viola, cello, and piano unite to breathe new life into this beloved classic.
$12.99
Parallel Tracks
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE/ADVANCED
#
Terry Vosbein
#
Parallel Tracks
#
Max Frank Music
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
Christ the Lord is Risen Today
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Piano Quartet: piano, violin, viola, cello
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BEGINNER
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Sacred music
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Charles Wesley
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André Nusa
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Christ the Lord is Risen Today
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Andre_Nusa
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 1 - Digital Download SKU: A0.1356565 Composed by Charles Wesley. Arranged by André Nusa. Easter,Religio...
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Piano Quartet Cello,Piano,Viola,Violin - Level 1 - Digital Download SKU: A0.1356565 Composed by Charles Wesley. Arranged by André Nusa. Easter,Religious,Sacred. 6 pages. Andre_Nusa #941230. Published by Andre_Nusa (A0.1356565). Experience the joy of Easter with this beginner-friendly arrangement of 'Christ the Lord Is Risen Today' for violin, viola, cello and piano. This ensemble piece, designed for novice players, brings the uplifting spirit of the season to life. The arrangement features a harmonious blend of strings and piano, providing a fulfilling musical experience for players at the early stages of their musical journey. Whether for church services, family gatherings, or Easter events, this arrangement adds a touch of celebration and renewal to your repertoire.
$4.99
The First Noel for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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EASY
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Christmas
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jms...
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Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Luther: Out of the Depths for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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BEGINNER
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
#
SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instruct...
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Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
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