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--INSTRUMENTS--
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CHORAL - VOCAL - CHOIR
Not classified
18,814
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844
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543
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170
Easy Piano
77
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30
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21
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20
1 Piano, 4 hands
16
Organ, Trumpet (duet)
12
C Instruments
9
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8
2 Pianos, 4 hands
7
Piano Quartet: piano, violin, viola, cello
6
Piano Quartet: piano, 2 violins, cello
4
Piano Quintet: piano, 2 violins, viola, cello
3
Accordion
3
Piano, Voice
2
Harpsichord
1
Melody line, Piano
1
Fake Book
1
+ 15 instrumentations
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Guitars
Melody line, (Lyrics) and Chords
36
Guitar
36
Guitar notes and tablatures
29
Guitar (band part)
29
4 Guitars (Quartet)
8
Ukulele
5
2 Guitars (duet)
4
Electric Bass (band part)
3
Banjo
3
3 Guitars (trio)
1
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1
Lyrics and Chords
1
Mandolin
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+ 8 instrumentations
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Choral Instrumental Pak
15,965
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12,074
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4,919
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2,435
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2,188
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2,093
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1,316
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879
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146
Choral SSAATTBB
44
Choral SSATTB
40
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27
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22
Choral SSAB a cappella
18
Voice solo
14
Choral SSAATB A Cappella
8
Choral SATBB
6
Soprano voice, Orchestra
5
Choral SAATB A Cappella
4
Choral SSAB, Piano
3
High voice
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Low voice, Piano
1
Medium voice, Piano
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+ 18 instrumentations
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399
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156
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108
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3 Saxophones (trio)
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Alto Saxophone
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Recorder Quartet
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2 Clarinets (duet)
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Baritone Saxophone, Piano
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Flute, Clarinet, Horn and Bassoon (Quartet)
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Recorder
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3 Recorders (trio)
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3 Clarinets (trio)
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Tenor Saxophone
11
Descant (Soprano) Recorder
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Flute Trio: 3 flutes
10
2 Recorders (duet)
9
Saxophone ensemble
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Recorder Ensemble
7
Clarinet Ensemble
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Flute Quintet : 5 flutes
6
Tenor Recorder
6
Clarinet Quintet: Clarinet, String Quartet
5
Oboe
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Clarinet, Bassoon (duet)
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English Horn
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Baritone Saxophone
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2
Flute, Violoncello
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Oboe, Bassoon (duet)
2
2 Oboes (duet)
2
Flute, Clarinet and Bassoon.
2
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2
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4 Oboes
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1
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1
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1
3 Oboes
1
Wind ensemble
1
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1
Flute and String Quartet
1
Oboe, Cello
1
Flute ensemble
1
Saxophone
1
+ 79 instrumentations
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Trumpet (band part)
507
Brass Quintet: 2 trumpets, horn, trombone, tuba
184
Trombone (band part)
140
Trumpet, Piano
59
Brass quartet : 2 trumpets, trombone, tuba
58
Brass Quartet: 4 trombones
55
Trombone and Piano
47
Brass Quartet
40
French Horn and Piano
39
Trumpet
38
French horn (band part)
36
Brass Quartet: 4 horns
32
Brass Quartet: 2 trumpets, horn, trombone
27
2 Euphoniums and 2 Tubas
23
Tuba (band part)
22
English horn, Piano
20
French horn
16
Trombone
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Tuba and Piano
16
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Trumpet, Trombone (duet)
13
2 Trumpets (duet)
12
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10
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9
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Tuba
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6
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Horn and Orchestra
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4
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4
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Tuba and Organ
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3
English Horn
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3
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2
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1
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1
Horn, Cello (duet)
1
Euphonium (band part)
1
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1
French horn and Basson (duet)
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15
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1
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Harp (band part)
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String Quintet: 2 violins, viola, 2 cellos
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CHORAL - VOCAL - CHOIR
Piano Quartet: piano, violin, viola, cello
Sheetmusic to print
6 sheet music found
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1
St Anthony Chorale for String Quartet with optional piano
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE
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Classical
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Haydn/Brahms
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Jerry Lanning
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St Anthony Chorale for String
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Jerry Lanning
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.767756 Composed by Haydn/Brahms. Arranged by Jerry Lanning. C...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.767756 Composed by Haydn/Brahms. Arranged by Jerry Lanning. Classical,Romantic Period. Score and parts. 8 pages. Jerry Lanning #3863257. Published by Jerry Lanning (A0.767756). St Anthony Chorale is the theme from Brahms' great set of orchestral variations, the 'Variations on a Theme of Haydn'. It may be played by string quartet or piano quintet, the piano being optional. If the piano is present the viola and/or cello parts may be safely omitted, so this arrangement is very flexible.
$7.95
Jesus Bleibet Meine Freude (Choral From Cantata BWV 153)
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Piano Quartet: piano, violin, viola, cello
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BEGINNER
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Classical
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Johann Sebastian Bach
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Jesus Bleibet Meine Freude
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SheetmusicLAB
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SheetMusicPlus
Quartet (Violin, Viola, Cello, Piano) - Primer Level - Digital Download SKU: P5.CL-BAR-11778 Composed by Johann Sebastian Bach. Baroque Period. Score and...
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Quartet (Violin, Viola, Cello, Piano) - Primer Level - Digital Download SKU: P5.CL-BAR-11778 Composed by Johann Sebastian Bach. Baroque Period. Score and Parts. 15 pages. SheetmusicLAB #CL-BAR-11778. Published by SheetmusicLAB (P5.CL-BAR-11778). 651 x 297 mm inches.
$3.50
Pray for Them
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE
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Sacred music
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Jaie Tiefenbrunn
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Pray for Them
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Tiefenbrunn Music
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1149783 Composed by Jaie Tiefenbrunn. Broadway,Musical/Show,P...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1149783 Composed by Jaie Tiefenbrunn. Broadway,Musical/Show,Pop,Praise & Worship. Score and parts. 24 pages. Tiefenbrunn Music #749934. Published by Tiefenbrunn Music (A0.1149783). This choral anthem with solo feature is a prayer for all those who are struggling with mental illness - from depression to anxiety. Suitable for concert or contemporary worship service. This is the conductor's score for the choral sheet available here. Original song by Jaie Tiefenbrunn composed in 2009, optional strings added in 2017.
$9.99
Mozart: Romanze from K. 525 for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 fo
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Class...
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
O Come All Ye Faithful for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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BEGINNER
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Christmas
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Pub...
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Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
Luther: Out of the Depths for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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BEGINNER
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instruct...
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Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
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