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1,811
Piano & keyboards
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913
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472
Easy Piano
365
Piano, Vocal and Guitar
242
C Instruments
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Organ
71
Accordion
49
Big Note Piano
42
2 Pianos, 4 hands
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Piano Accompaniment
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1 Piano, 4 hands
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Piano Quintet: piano, 2 violins, viola, cello
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Piano (band part)
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Piano Quartet: piano, violin, viola, cello
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Piano Quartet: piano, 2 violins, cello
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Organ, Trumpet (duet)
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2 Pianos, 8 hands
2
1 Piano, 6 hands
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Accordion, Voice
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Harpsichord
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Keyboard
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Organ, Piano (duet)
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+ 18 instrumentations
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Guitars
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126
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2 Guitars (duet)
3
4 Guitars (Quartet)
2
Guitar Ensemble
2
Mandolin, Guitar (duet)
1
Electric Bass (band part)
1
+ 11 instrumentations
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Voice
Choral SATB
383
Choral 3-part
196
Choral 2-part
117
Choral Unison
67
Choral TTBB
50
Choral SSAA
36
Voice solo
34
Vocal duet, Piano
22
Vocal duet
16
Choral Instrumental Pak
16
Baritone voice, Piano
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Low voice, Piano
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Alto voice, Piano
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High voice
10
Choral
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Soprano voice, Piano
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Tenor voice, Piano
4
Medium voice, Piano
3
Mezzo-Soprano voice, Piano
2
Choral SSATB
2
Choral SSATTB
1
Choral SATBB
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Tenor voice
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Choral SSAB, Piano
1
Low voice
1
+ 20 instrumentations
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Retract
Woodwind
Saxophone
186
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172
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43
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Pennywhistle
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33
Flute, Clarinet (duet)
33
Soprano Saxophone and Piano
30
2 Oboes (duet)
28
Oboe, Bassoon (duet)
28
Flute ensemble
27
Saxophone ensemble
26
Clarinet and Viola
26
3 Saxophones (trio)
25
Flute, Violin
25
Oboe, Flute
25
Saxophone Quintet: 5 Saxophones
24
Clarinet Ensemble
23
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22
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22
Flute, Saxophone (duet)
20
Baritone Saxophone, Piano
19
Descant (Soprano) Recorder
18
Recorder
16
3 Clarinets (trio)
15
Flute, Trumpet (duet)
15
Treble (Alto) Recorder
10
Flute, Violoncello
10
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10
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9
Clarinet, Trombone (duet)
9
3 Recorders (trio)
9
Ocarina
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Recorder Quartet
9
Flute Trio: 3 flutes
9
English horn, Piano
9
Clarinet Quintet: 5 clarinets
9
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8
Flute and Guitar
7
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6
Flute, Clarinet and Bassoon.
6
Piccolo, Piano
6
Flute, Oboe, Bassoon
6
Flute (band part)
5
Oboe
5
Recorder Ensemble
5
Flute, Violin, Piano
5
Oboe, Clarinet, Bassoon (trio)
5
Flute Quintet : 5 flutes
4
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4
Flute, Oboe (duet)
4
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Oboe, Guitar (duet)
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Harmonica
2
4 Oboes
2
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2 Clarinets, Bassoon
2
Oboe and viola (duet)
1
Oboe, Cello
1
Melodica
1
English Horn
1
Flute, harp and violin
1
2 Saxophones, Piano
1
Flute, Cello, Piano (trio)
1
Baritone Saxophone
1
Flute, Basso continuo
1
Oboe, Violin (duet)
1
+ 84 instrumentations
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Trumpet
137
Trombone
116
Brass Quintet: 2 trumpets, horn, trombone, tuba
79
Trumpet, Piano
50
2 Trombones (duet)
50
French horn
48
Trombone and Piano
47
2 Trumpets (duet)
47
Trumpet, Saxophone (duet)
41
Trumpet (band part)
35
French Horn and Piano
35
Trumpet, Trombone (duet)
31
Brass quartet : 2 trumpets, trombone, tuba
29
Tuba
27
Tuba and Piano
23
Trombone (band part)
21
Brass Quartet: 2 trumpets, horn, trombone
21
Brass Quartet
17
2 French horns (duet)
11
Euphonium, Piano (duet)
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2 Euphoniums (duet)
10
Euphonium
10
Trombone ensemble
9
English horn, Piano
9
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7
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7
2 Tubas (duet)
6
Brass Quartet: 4 horns
5
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3 Trombones (trio)
4
Trumpet ensemble
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French horn (band part)
4
Euphonium, Tuba (duet)
3
2 Euphoniums and 2 Tubas
3
4 Tubas
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Horn Ensemble
3
Trombone, Horn (duet)
2
Brass Quartet: 4 trumpets
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Trumpet, Tuba (duet)
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Bb Instruments
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Bass Trombone
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Brass Quintet: 2 trumpets, horn, 2 trombones
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Brass Trio
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Tuba (band part)
1
English Horn
1
3 Trumpets (trio)
1
Horn, Tuba (duet)
1
3 French horns (trio)
1
3 Tubas (trio)
1
+ 46 instrumentations
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Retract
Strings
Harp
779
String Quartet: 2 violins, viola, cello
273
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134
Violin and Piano
123
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106
Cello
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Cello, Piano
67
2 Violins (duet)
66
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58
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56
Violin, Viola (duet)
52
Viola
52
2 Cellos (duet)
52
String Trio: 2 violins, cello
34
2 Violas (duet)
34
Double bass, Piano (duet)
33
Double Bass
19
Cello, String Bass (duet)
16
String Quintet: 2 violins, viola, cello, bass
16
Viola (band part)
13
2 Harps (duet)
11
Violin (band part)
9
Viola, Cello (duet)
9
String quartet: 4 violins
7
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6
Piano Trio: Violin, Viola, Piano
5
String Trio: 3 violins
5
Flute, Doublebass (duet)
5
4 Cellos
5
String Trio: 3 violas
4
2 Double basses (duet)
4
Violin, Bassoon (duet)
4
String Trio: 3 cellos
4
4 Double Basses
3
Harp, Voice
3
String Quartet : 4 violas
3
Cello (band part)
3
2 Violins, Piano
2
Viola ensemble
2
Violin, Guitar (duet)
2
Harp, Flute (duet)
2
Violin ensemble
2
Cello Ensemble
1
String Quintet: 2 violins, 2 violas, cello
1
Violin, Clarinet, Piano (trio)
1
Harp, Trombone (duet)
1
Cello, Guitar (duet)
1
Violoncello, Basso continuo
1
String trio
1
Viola and Harp
1
2 Cellos, Piano
1
Viola and Bassoon
1
Cello, Organ
1
+ 48 instrumentations
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400
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134
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125
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94
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89
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48
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45
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42
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22
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4
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2 Xylophones
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1
Woodwind Quintet
1
Percussion
1
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Piano Quartet: piano, violin, viola, cello
Sheetmusic to print
3 sheet music found
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1
O Holy Night for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
#
EASY
#
Christmas
#
Adam
#
James M
#
O Holy Night for Piano Quartet
#
jmsgu3
#
SheetMusicPlus
Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages...
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Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$39.95
Parallel Tracks
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Piano Quartet: piano, violin, viola, cello
#
INTERMEDIATE/ADVANCED
#
Terry Vosbein
#
Parallel Tracks
#
Max Frank Music
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
The First Noel for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
#
EASY
#
Christmas
#
Traditional
#
James M
#
The First Noel for Piano Quart
#
jmsgu3
#
SheetMusicPlus
Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jms...
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Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
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