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Cello
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3 sheet music found
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1
The Unforgiven
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Cello
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EASY
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Metallica
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Aaron Sinnett
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The Unforgiven
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Aaron Sinnett
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SheetMusicPlus
Cello Solo - Level 2 - Digital Download SKU: A0.1375969 By Metallica. By James Hetfield, Kirk Hammett, and Lars Ulrich. Arranged by Aaron Sinnett. 20th C...
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Cello Solo - Level 2 - Digital Download SKU: A0.1375969 By Metallica. By James Hetfield, Kirk Hammett, and Lars Ulrich. Arranged by Aaron Sinnett. 20th Century,Rock. Individual part. 4 pages. Aaron Sinnett #960521. Published by Aaron Sinnett (A0.1375969). The key signature is the same as the original.The melody has been simplified to reduce the amount of syncopation. This makes it immediately more accessible to earlier-level players. The melody also features twice. First, it is presented quite low in register, entirely in the first position; Second, it is raised up one octave to where it is found in the fourth position and lower.The cue notes were written with the intent to be played. So, have at them if you so choose. If you are intermediate level all of the notes on the page are manageable.This is a cello only version.If you are still working out some technique, leave out the cue notes (and higher melody—the second verse. The melody could be played twice in either the low or high register depending on your level.) Later, come back for those notes and passages that are more difficult after achieving the requisite skills.In general, I think that Metallica’s songs lend well to the cello’s register. I hope this will be a good experience for all.
$5.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
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Cello
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Publishe...
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Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Guthrie: Amarilli Variations for Solo Cello
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Cello
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INTERMEDIATE
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James M
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Guthrie: Amarilli Variations f
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jmsgu3
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SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.549917 Composed by James M. Guthrie. Instructional,Standards. Individual part. 3 pages. Jmsgu3 #3914671. ...
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Cello Solo - Level 3 - Digital Download SKU: A0.549917 Composed by James M. Guthrie. Instructional,Standards. Individual part. 3 pages. Jmsgu3 #3914671. Published by jmsgu3 (A0.549917). A set of variations for solo cello based upon the madrigal Amarilli mia bella from La Nuove Musiche, 1602, by Giulio Caccini.Amarilli, mia bella is a well-known solo madrigal composed by Giulio Caccini. Included in his collection Le nuove musiche from 1602, It is considered one of the most popular solo madrigals of the 17th century and has remained a prominent piece in vocal pedagogy. Alessandro Guarini wrote the text of the madrigal. The song is distinguished by its leggiadria and dolcezza, and it was one of the first of Caccini's songs to be widely disseminated through Italy and Europe. Amarilli, mia bella is the oldest song in the 24 Italian Songs and Arias. Various composers have reworked it, and it has appeared in vocal anthologies up to the present day.Le nuove musiche is a significant collection of monodies and songs for solo voice and basso continuo by the composer Giulio Caccini, published in Florence in July 1602. It is one of the earliest and most significant examples of music written in the early baroque style of the seconda pratica. The volume contains 12 madrigals and ten arias and is dedicated to Lorenzo Salviati. It is known for its essential introduction, which clearly describes the purpose, intent, and correct performance of monody from the time. The preface also includes musical examples of ornaments and expresses Caccini's disappointment at inappropriate ornamentation by the singers of his day. Le nuove musiche was highly influential and inspired many similar collections in the seventeenth century. It is regularly anthologized in modern collections, and its success changed the course of music history.
$24.95
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