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It Had To Be You
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It Had To Be You
Cello
Sheetmusic to print
7 sheet music found
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1
How Sweet It Is (To Be Loved By You)
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Cello
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INTERMEDIATE
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James Taylor
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Homco/Crinion
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How Sweet It Is
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Homco/Crinion
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SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.1472565 By James Taylor. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Homco/Crinion. ...
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Cello Solo - Level 3 - Digital Download SKU: A0.1472565 By James Taylor. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Homco/Crinion. Jazz,R & B,Soul,Wedding. Individual part. 3 pages. Homco/Crinion #1050213. Published by Homco/Crinion (A0.1472565). This Marvin Gaye song was requested as the Recessional/Postlude at a recent wedding for which the bride & groom had only booked a Solo Cello. Could it work? I was doubtful, but gave it a go. I was hesitant even up until the day-of, but I had put a lot of time into the arrangement and practiced hard. It actually materialized just as I had imagined! ...And much to my surprise, many guests even complimented the choice as they exited to the jazzy tune. How sweet it is!
$7.99
Love Me Like You Do
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Cello
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INTERMEDIATE/ADVANCED
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Ellie Goulding
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Sarah Cellobat Chaffee
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Love Me Like You Do
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello Solo - Level 4 - Digital Download SKU: A0.526187 By Ellie Goulding. By Ali Payami, Ilya, Max Martin, Savan Kotecha, and Tove Lo. Arranged by Sarah ...
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Cello Solo - Level 4 - Digital Download SKU: A0.526187 By Ellie Goulding. By Ali Payami, Ilya, Max Martin, Savan Kotecha, and Tove Lo. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Wedding. Individual part. 2 pages. Sarah Cellobat Chaffee #5954059. Published by Sarah Cellobat Chaffee (A0.526187). Love Me Like You Do was the second single released from the soundtrack of box office hit Fifty Shades of Grey, and Ellie Goulding's powerful interpretation earned her her first Grammy nomination for Best Pop Solo Performance. The song has been massively popular ever since, and it is often requested for strings! This arrangement for solo cello was originally commissioned for a wedding cocktail hour, but it's also perfect for ceremonies, proposals, pop concerts, or just to play for fun! No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs (if you're buying a track, note that this chart has been transposed to the more cello-friendly key of G major). This arrangement is rated advanced-intermediate for some basic thumb position and some tricky rhythms, and it will be playable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$7.99
Let It Be
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Cello
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EASY
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Rock
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The Beatles
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David McKeown
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Let It Be
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David McKeown
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SheetMusicPlus
Cello Solo - Level 2 - Digital Download SKU: A0.588347 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual par...
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Cello Solo - Level 2 - Digital Download SKU: A0.588347 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5318575. Published by David McKeown (A0.588347). Let It Be was one of the Beatles last recordings, released in 1970 when Paul McCartney had already announced his departure from the band. This full version of Let it Be is arranged in a suitable key and range for solo Cello, and includes chord accompaniment above the stave.This arrangement of Let It Be is suitable for musicians at an early intermediate level, though the short transcribed guitar solo presents a little more difficulty. The overall performance time is around three minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
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Cello
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Publishe...
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Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Note Reading in Color, for Cello Students
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Cello
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BEGINNER
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Traditional and Beethoven
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Aaron Sinnett
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Note Reading in Color, for Cel
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Aaron Sinnett
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SheetMusicPlus
Cello Solo - Level 1 - Digital Download SKU: A0.1358007 Composed by Traditional and Beethoven. Arranged by Aaron Sinnett. 19th Century,Children,Classical...
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Cello Solo - Level 1 - Digital Download SKU: A0.1358007 Composed by Traditional and Beethoven. Arranged by Aaron Sinnett. 19th Century,Children,Classical,Instructional,Traditional. Individual part. 8 pages. Aaron Sinnett #942515. Published by Aaron Sinnett (A0.1358007). Note reading in music can be challenging. The little black dots sitting in the midst of 5 horizontal lines can blur together after a time. This method uses colors to help one quickly identify which string you should be playing on. Even if you are still not very quick to name the notes, learning to group the notes according to string can make that naming game a little simpler. In use are four colors. They represent the four strings on the cello: A, D, G, C. This method can be very informative. Rather than struggle week after week with the same slow results, try this color-coded strategy. There are three familiar tunes in this download. Mary Had a Little Lamb (this one tends to be straight forward enough that every student can play it in a matter of half a lesson), Ode to Joy (by: Beethoven), and Are You Sleeping?. They are organized with increasing amounts of string crossings. This creates the need to remember, more fluidly, which string any given note should be played on. The price is low to encourage you to give it a try. Think of it this way, if you were to get private lessons, it would likely take several lessons to get this information and you only have your memory. Now, you are only a click or so away to having the same information in a PDF that you can refer to again and again.
$4.00
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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Cello
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #346...
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Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Variations on "Maienzeit" for cello solo
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Cello
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INTERMEDIATE/ADVANCED
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Georg Mertens
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Variations on "Maienzeit" for
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Georg Mertens
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SheetMusicPlus
Cello Solo - Level 4 - Digital Download SKU: A0.790841 Composed by Georg Mertens. Classical,Concert,Contemporary,New Age,World. Individual part. 6 pages....
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Cello Solo - Level 4 - Digital Download SKU: A0.790841 Composed by Georg Mertens. Classical,Concert,Contemporary,New Age,World. Individual part. 6 pages. Georg Mertens #3508003. Published by Georg Mertens (A0.790841). Medieval Gothic Lied by Neidhardt von Reuenthal (c 1180-1240) and Variations built upon the medieval 6 note scale, by Georg Mertens. Maienzeit is probably the oldest song I know. He was the most famous Minnesinger (love song writer) of the Gothic medieval period. He is the only Minne singer, whose songs made it over 300 years to be printed - in different versions, according to the area they had travelled to. It was one of my favourite songs of my childhood. https://www.youtube.com/watch?v=HEgRjS9mU1A
$4.99
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