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You've selected:
Rather Be - Marimba
Cello
Sheetmusic to print
13 sheet music found
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1
Rather Be
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Cello
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INTERMEDIATE/ADVANCED
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Clean Bandit Feat
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Fernando Britto
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Rather Be
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Minhas Partituras
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SheetMusicPlus
Cello Solo - Level 4 - Digital Download SKU: A0.685573 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marsh...
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Cello Solo - Level 4 - Digital Download SKU: A0.685573 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Fernando Britto. Contemporary,Pop,Wedding. Individual part. 2 pages. Minhas Partituras #6373887. Published by Minhas Partituras (A0.685573). Arrangement of the song Rather Be (Clean Bandit) for Cello Solo with Chords (In C Major).
$4.99
Rather Be
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Cello
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ADVANCED
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Pop music
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Clean Bandit Feat
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Fernando Britto
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Rather Be
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Minhas Partituras
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SheetMusicPlus
Cello Solo - Level 5 - Digital Download SKU: A0.685553 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marsh...
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Cello Solo - Level 5 - Digital Download SKU: A0.685553 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Fernando Britto. Pop. Individual part. 2 pages. Minhas Partituras #6373289. Published by Minhas Partituras (A0.685553). Arrangement of the song Rather Be (Clean Bandit) for Cello Solo with Chords.
$4.99
Rather Be
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Cello
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INTERMEDIATE/ADVANCED
#
Pop music
#
Clean Bandit Feat
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Fernando Britto
#
Rather Be
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Minhas Partituras
#
SheetMusicPlus
Cello Solo - Level 4 - Digital Download SKU: A0.685566 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marsh...
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Cello Solo - Level 4 - Digital Download SKU: A0.685566 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Fernando Britto. Pop. Individual part. 2 pages. Minhas Partituras #6373457. Published by Minhas Partituras (A0.685566). Arrangement of the song Rather Be (Clean Bandit) for Cello Solo with Chords (In Bb Major).
$4.99
Rather Be
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Cello
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Pop music
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Clean Bandit Feat
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Joeri de Graaf
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Rather Be
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Joeri de Graaf Muziekproducties
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SheetMusicPlus
Cello Solo - Digital Download SKU: A0.840824 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arran...
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Cello Solo - Digital Download SKU: A0.840824 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Joeri de Graaf. Pop. Individual part. 2 pages. Joeri de Graaf Muziekproducties #447549. Published by Joeri de Graaf Muziekproducties (A0.840824). An accurate transcription of the cello part of the song ‘Rather Be’ by Clean Bandid. Separate parts for violin 1, violin 2 and viola are available. I changed the key of the song to G minor (the original is F# minor) to improve the playability.
$4.99
Rather Be
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Cello
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EASY
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Pop music
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Clean Bandit Feat
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Wesley S
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Rather Be
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Wesley S. Silva
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SheetMusicPlus
Cello Solo - Level 2 - Digital Download SKU: A0.895107 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marsh...
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Cello Solo - Level 2 - Digital Download SKU: A0.895107 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Wesley S. SIlva. Pop. Individual part. 1 pages. Wesley S. Silva #6617377. Published by Wesley S. Silva (A0.895107). Sheet music for solo cello.
$4.99
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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Cello
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #346...
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Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Note Reading in Color, for Cello Students
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Cello
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BEGINNER
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Traditional and Beethoven
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Aaron Sinnett
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Note Reading in Color, for Cel
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Aaron Sinnett
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SheetMusicPlus
Cello Solo - Level 1 - Digital Download SKU: A0.1358007 Composed by Traditional and Beethoven. Arranged by Aaron Sinnett. 19th Century,Children,Classical...
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Cello Solo - Level 1 - Digital Download SKU: A0.1358007 Composed by Traditional and Beethoven. Arranged by Aaron Sinnett. 19th Century,Children,Classical,Instructional,Traditional. Individual part. 8 pages. Aaron Sinnett #942515. Published by Aaron Sinnett (A0.1358007). Note reading in music can be challenging. The little black dots sitting in the midst of 5 horizontal lines can blur together after a time. This method uses colors to help one quickly identify which string you should be playing on. Even if you are still not very quick to name the notes, learning to group the notes according to string can make that naming game a little simpler. In use are four colors. They represent the four strings on the cello: A, D, G, C. This method can be very informative. Rather than struggle week after week with the same slow results, try this color-coded strategy. There are three familiar tunes in this download. Mary Had a Little Lamb (this one tends to be straight forward enough that every student can play it in a matter of half a lesson), Ode to Joy (by: Beethoven), and Are You Sleeping?. They are organized with increasing amounts of string crossings. This creates the need to remember, more fluidly, which string any given note should be played on. The price is low to encourage you to give it a try. Think of it this way, if you were to get private lessons, it would likely take several lessons to get this information and you only have your memory. Now, you are only a click or so away to having the same information in a PDF that you can refer to again and again.
$4.00
A Lannister Always Pays His Debts
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Cello
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EASY
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Contemporary
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Ramin Djawadi
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Samantha J Bramley - stringspi
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Play 'Cello!
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A Lannister Always Pays His De
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Samantha Bramley
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SheetMusicPlus
Cello Solo - Level 2 - Digital Download SKU: A0.800200 Composed by Ramin Djawadi. Arranged by Samantha J Bramley - stringspirational@gmail.com. Contempor...
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Cello Solo - Level 2 - Digital Download SKU: A0.800200 Composed by Ramin Djawadi. Arranged by Samantha J Bramley - stringspirational@gmail.com. Contemporary. Individual part. 11 pages. Samantha Bramley #3875421. Published by Samantha Bramley (A0.800200). A tribute to the hugely popular soundtrack of Game of Thrones, arranged for 5 'cellos. Lasting approximately 3 minutes, this would make a great encore for a 'cello ensemble concert and would complement my arrangement of the Opening Title (also availble on SheetMusicPlus). Both pieces are a great showcase for the versatility and current popularity of the 'cello. Written entirely in bass clef and never above 4th position (with the exception of A harmonics) this is a very accessible arrangement for most ensembles of beginner/intermediate ability. If played by a 'cello orchestra (rather than 5 individual 'cellists) parts 1 and 2 should be solo in bars 11 - 18 only (or could be 2 celli per part for less confident performers). All other parts are tutti throughout. Dynamics should be varied accordingly. Note from the arranger: All my arrangements for 'cello quartet, quintet and sextet are conceived specifically with the range and technical capabilities of the 'cello in mind - no simple transpositions or re-orchestrations of string quartet scores. They are therefore both easily playable and enjoyable by any intermediate to advanced 'cello ensemble. Most parts do not go beyond 4th position, making them equally suitable for student, mixed ability groups or ‘cello choirs. A complete score and set of individual parts is included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com Keep Calm & Play 'Cello!
$14.99
Game Of Thrones
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Cello
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EASY
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Film/TV
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Ramin Djawadi
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Samantha J Bramley - stringspi
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Game Of Thrones
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Samantha Bramley
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SheetMusicPlus
Cello Solo - Level 2 - Digital Download SKU: A0.800199 Composed by Ramin Djawadi. Arranged by Samantha J Bramley - stringspirational@gmail.com. Film/TV. ...
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Cello Solo - Level 2 - Digital Download SKU: A0.800199 Composed by Ramin Djawadi. Arranged by Samantha J Bramley - stringspirational@gmail.com. Film/TV. Individual part. 14 pages. Samantha Bramley #3487921. Published by Samantha Bramley (A0.800199). A tribute to the hugely popular opening title track of Game of Thrones, arranged for 5 'cellos. Lasting only 1 and a half minutes, this would make a great encore for a 'cello ensemble concert and is a great showcase for the versatility of the 'cello.Some tenor clef, some simple double stopping (in fifths), and with an exciting col legno opening, this is a very accessible arrangement for most ensembles of intermediate ability. If played by a 'cello orchestra (rather than 5 individual 'cellists) parts 1 and 4 should be solo in bars 9 - 24 only. All other parts are tutti throughout. Dynamics should be varied accordingly.Note from the arranger: All my arrangements for 'cello quartet, quintet and sextet are conceived specifically with the range and technical capabilities of the 'cello in mind - no simple transpositions or re-orchestrations of string quartet scores. They are therefore both easily playable and enjoyable by any intermediate to advanced 'cello ensemble. Most parts do not go beyond 4th position, making them equally suitable for student, mixed ability groups or ‘cello choirs. A complete score and set of individual parts is included - enjoy!Keep Calm & Play 'Cello!
$14.99
Lead, Kindly Light cello solo with piano
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Cello
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INTERMEDIATE
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Sacred music
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John B
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Cydney Olson Van Duker
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Lead, Kindly Light cello solo
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Cydney Olson Van Duker
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SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.816619 Composed by John B.Dykes. Arranged by Cydney Olson Van Duker. Christian,Sacred. Individual part. 6...
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Cello Solo - Level 3 - Digital Download SKU: A0.816619 Composed by John B.Dykes. Arranged by Cydney Olson Van Duker. Christian,Sacred. Individual part. 6 pages. Cydney Olson Van Duker #6861625. Published by Cydney Olson Van Duker (A0.816619). Lead, Kindly Light is another one of my favorite hymns. I've arranged it into a cello solo with a beautiful flowing piano accompaniment. The cello part does go a bit high, but you can always bring it down and octave and it will sound fine. Better to play it down an octave and have it sound nice rather than try to play it up high and struggle with the notes. Right? The piano part is a more advanced intermediate level. This would be appropriate for any worship service. This piece is also available as a piano solo. Enjoy!
$5.00
I Will Follow
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Cello
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INTERMEDIATE
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Christian contemporary
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Chris Tomlin
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Liz Lee - Cellomoji
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I Will Follow
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Cellomoji
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SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.900295 By Chris Tomlin. By Chris Tomlin, Jason Ingram, and Reuben Morgan. Arranged by Liz Lee - Cellomoji...
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Cello Solo - Level 3 - Digital Download SKU: A0.900295 By Chris Tomlin. By Chris Tomlin, Jason Ingram, and Reuben Morgan. Arranged by Liz Lee - Cellomoji. Christian. Individual part. 3 pages. Cellomoji #4287889. Published by Cellomoji (A0.900295). This is the cello transcription for I Will Follow by Chris Tomlin. It is written in the key of the recording off of the album And If Our God Is For Us and you can play along with the track. Just know there are a lot of phrases that are repetitive, but I wrote them out rather than writing repeat signs. It should line up with what you are hearing! Written in the key of B flat it would be helpful to know the two octave scale. However, if it is too challenging, you can always feel free to bring the upper notes down an octave. This is a great praise and worship song, and I love how it sounds on the cello! Hope you enjoy playing it!Cellomoji Website: http://eepurl.com/cOx6H9Cellomoji Instagram: www.instagram.com/cellomoji
$4.99
Kommos (Lamentation) / "When the World Moved On" - Violoncello
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Cello
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Cello Solo - Level 4 - Digital Download SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sa...
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Cello Solo - Level 4 - Digital Download SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Theme from Dvorak New World Symphony (Largo) for six 'cellos
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Cello
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EASY
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Classical
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Antonin Dvorak
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Samantha J Bramley - stringspi
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Theme from Dvorak New World Sy
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Samantha Bramley
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SheetMusicPlus
Cello Solo - Level 2 - Digital Download SKU: A0.800215 Composed by Antonin Dvorak. Arranged by Samantha J Bramley - stringspirational@gmail.com. Classica...
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Cello Solo - Level 2 - Digital Download SKU: A0.800215 Composed by Antonin Dvorak. Arranged by Samantha J Bramley - stringspirational@gmail.com. Classical,Romantic Period. Individual part. 10 pages. Samantha Bramley #6009463. Published by Samantha Bramley (A0.800215). Theme from ‘New World Symphony’ by Dvorak – 2nd Movement ‘Largo’ This is a six ‘cello version of the famous Largo theme from the second movement of Dvorak’s ‘New World Symphony.’ The duration of the arrangement is 3 and a half minutes, making it a nice encore or perfect for inclusion in a varied program. All parts are written in bass clef and none go above 4th position, making it ideal for a student ensemble. If played by a ‘cello orchestra (rather than 6 individual ‘cellists) the solo and tutti markings should be observed with dynamics varied accordingly. Keep Calm & Play Cello! Note from the arranger: All my arrangements for ‘cello quartet, quintet and sextet are conceived specifically with the range and technical capabilities of the ‘cello in mind – no simple transpositions or re-orchestrations of string quartet scores. They are therefore both easily playable and enjoyable by any intermediate to advanced ‘cello ensemble. Most parts do not go beyond 4th position, making them equally suitable for student, mixed ability groups or ‘cello choirs. A complete score and set of parts is included. Enjoy and feel free to email comments or request for other works to stringspirational@gmail.com or visit my website www.stringspirational.com to find out more.
$12.99
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