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She Said I
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You've selected:
She Said I
Cello
Sheetmusic to print
8 sheet music found
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1
I Am... I Said (Easy/Intermediate Level)
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Cello
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EASY
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Rock
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Pop music
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Neil Diamond
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I Am... I Said
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
I Am... I Said (Easy Level)
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Cello
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EASY
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Rock
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Pop music
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Neil Diamond
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I Am... I Said
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
Quartier Libre (Leave from Barracks) for 2 cellos (mp3)
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Cello
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Ölveti Mátyás and M
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Quartier Libre
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David Warin Solomons
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SheetMusicPlus
Cello - Digital Download SKU: A0.1103849 By Ölveti Mátyás and Mády-Szabó Eszter. By Davied Warin Solomons. Chamber,Contemporary. Full Per...
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Cello - Digital Download SKU: A0.1103849 By Ölveti Mátyás and Mády-Szabó Eszter. By Davied Warin Solomons. Chamber,Contemporary. Full Performance. Duration 119. David Warin Solomons #707131. Published by David Warin Solomons (A0.1103849). This is based on my vocal duo on the poem by Jacques Prévert. It relates how the soldier took leave, left his army cap in the cage and went out with the bird (of freedom) on his head. J'ai mis le képi dans la cage Et je suis sorti avec l'oiseau sur la tête Alors, on ne salue plus? a demandé le commandant Non, non ne salue plus a répondu l'oiseau Ah bon, excusez moi Je croyais qu'on saluait A dit le commandant Vous êtes tout excusé, car tout le monde peut se tromper a dit l'oiseau. [literal translation] I put my army cap in the cage and went out with the bird on my head Now then, don't we salute any more? asked the commander. No we don't salute any more replied the bird. Oh, OK, pardon me, I thought we saluted. said the commander. You are quite forgiven, because anyone can make a mistake. said the bird. Performed by Ölveti Mátyás and Mády-Szabó Eszter of Budapest Scoring Cellos.
$5.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
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Cello
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Publishe...
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Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Paregamutiun [cello solo] (suite of 4 pieces)
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Cello
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EASY
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Juan MarÃa Solare
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Paregamutiun [cello solo]
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Juan Maria Solare
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SheetMusicPlus
Cello Solo - Level 2 - Digital Download SKU: A0.596489 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards,World. Individual part. 12 p...
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Cello Solo - Level 2 - Digital Download SKU: A0.596489 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards,World. Individual part. 12 pages. Juan Maria Solare #3088085. Published by Juan Maria Solare (A0.596489). Paregamutiún (Friendship): Four melodies of Armenian connotations for cello solo.I am not Armenian, but these melodies could be: it is an invented folklore. Nevertheless, I never wanted to compose an imitation of real Armenian music; for that I should live in Armenia a few years, learn the language, soak in a couple of millennia of culture and impregnate myself with the current problems. And yet it would be doubtful that the result would sound authentic. Neither I was interested in composing some sounding touristic postcards. These melodies reflect, yes, how a thankful being sees the Armenian from outside. And this is what grants them legitimacy.About the titles:The general title of the piece, Paregamutiún, is translatable as friendship. Sometimes it is transliterated Baregamutyun (as a certain station of the subway in Yerevan). The single titles of each piece refers to a lake, a mountain, a mythical patriarch and a tree of Armenia:1) Sevanavank: Monastery of the Black Lake, founded in 874. The name Sevan means literally Black Van, referring to a lake called Van. It is said that long ago the Armenians came from areas next to the lake Van towards the lake Sevan, they noticed that its waters were dark, almost black, but they reminded them of the lake Van, and therefore called it black Van: Sevan.2) Hayk is the patriarch of the foundational myth of the Armenian nation, and the original name of the country (Hayastán: land of the Armenians); some sources affirm that he was great great grandson or great-great-great grandson of Noah.3) Dziranà Dzar: apricot tree, the Armenian national fruit. Dzar is tree and dzirán is apricot, the obvious phonetic similitude seems to underline a strong semantic proximity between both concepts. The letter Dz is a complex phoneme similar to a smooth th.4) Masis is the Armenian name of mount Ararat, where -according to the Bible- ended up Noah's Arch after the Flood (Genesis 8:4).www.JuanMariaSolare.com
$10.00
Blue Danube (Strauss Jr) - Easy arrangement
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Cello
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BEGINNER
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Blue Danube
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Fabio Eduardo
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SheetMusicPlus
Cello Solo - Level 1 - Digital Download SKU: A0.1275536 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 19th Century,...
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Cello Solo - Level 1 - Digital Download SKU: A0.1275536 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Individual part. 1 pages. Fabio Eduardo #867401. Published by Fabio Eduardo (A0.1275536). Free Download Playback The Blue Danube is the common English title of An der schönen blauen Donau, Op. 314 (German for By the Beautiful Blue Danube), a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesang-Verein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, The devil take the waltz, my only regret is for the coda—I wish that had been a success!.
$1.99
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