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C Major Solo
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1,185
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714
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281
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224
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179
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18
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11
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187
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25
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10
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2
2 Clarinets (duet)
2
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2
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1
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1
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1
3 Recorders (trio)
1
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1
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1
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1
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1
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1
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1
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1
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1
Flute, Oboe, Clarinet (trio)
1
Flute, Oboe (duet)
1
+ 66 instrumentations
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174
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79
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75
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68
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54
Trumpet, Piano
49
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48
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33
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32
Trombone and Piano
31
Bass Clef Instruments
25
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19
Trumpet (band part)
18
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7
Brass Quintet: 2 trumpets, horn, trombone, tuba
7
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7
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3
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2
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2
2 Trumpets (duet)
2
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2
2 French horns (duet)
1
Trumpet, Horn (duert)
1
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1
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1
Bass Trombone and Piano
1
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1
3 French horns (trio)
1
3 Tubas (trio)
1
Trombone ensemble
1
Brass Quartet: 4 trombones
1
3 Trombones (trio)
1
2 Trombones (duet)
1
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289
Cello
176
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168
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151
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118
Viola, Piano
117
Harp
66
Double Bass
35
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26
String Quartet: 2 violins, viola, cello
25
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17
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11
2 Violins (duet)
7
String Quintet: 2 violins, viola, cello, bass
7
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6
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2
String quartet: 4 violins
2
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2
4 Cellos
2
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1
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1
2 Violas (duet)
1
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1
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1
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1
Violin, Viola (duet)
1
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1
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1
Cello, Guitar (duet)
1
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1
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1
String Trio: 3 violins
1
String Trio: 3 cellos
1
+ 28 instrumentations
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36
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34
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31
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27
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14
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9
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3
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3
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3
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2
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2
Xylophone
2
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1
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1
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1
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1
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C Major Solo
Clarinet Quartet: 4 clarinets
Sheetmusic to print
5 sheet music found
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1
Andante from Piano Concerto No. 21 by Mozart for Clarinet Ensemble
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Clarinet Quartet: 4 clarinets
#
EASY
#
Classical
#
Wolfgang Amadeus Mozart
#
Ander
#
Andante from Piano Concerto No
#
Woods Only, Arrangements
#
SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1374462 Composed by Wolfgang Amadeus Mozart. Arran...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1374462 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. 15 pages. Woods Only, Arrangements #959071. Published by Woods Only, Arrangements (A0.1374462). Introducing the sheet music for an exclusive arrangement of the Second Movement (Andante) of Mozartâ??s Piano Concerto No. 21 in C major, K. 467 for Clarinet Ensemble. This arrangement maintains the entire original structure of the work without any reductions in duration or purpose, with only the ensemble being reduced. Additionally, the solo is not for piano; instead, the melody is contained within the arrangementâ??s disposition without the need for a pianist to perform it. This arrangement is intended for performance groups with musical performance experience but can also be used as instructional material for music students and can be used in academic recitals, concerts and ceremonies. The original work was composed by Wolfgang Amadeus Mozart in 1785 and is known for its beauty and serenity. With this arrangement, you can experience this masterpiece in a new and exciting way.
$7.99
Andante from Piano Concerto No. 21 by Mozart for Clarinet Quartet
#
Clarinet Quartet: 4 clarinets
#
EASY
#
Classical
#
Wolfgang Amadeus Mozart
#
Ander
#
Andante from Piano Concerto No
#
Woods Only, Arrangements
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1374459 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical...
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Clarinet Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1374459 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. 15 pages. Woods Only, Arrangements #959068. Published by Woods Only, Arrangements (A0.1374459). Introducing the sheet music for an exclusive arrangement of the Second Movement (Andante) of Mozart’s Piano Concerto No. 21 in C major, K. 467 for Clarinet Quartet. This arrangement maintains the entire original structure of the work without any reductions in duration or purpose, with only the ensemble being reduced. Additionally, the solo is not for piano; instead, the melody is contained within the arrangement’s disposition without the need for a pianist to perform it. This arrangement is intended for performance groups with musical performance experience but can also be used as instructional material for music students and can be used in academic recitals, concerts and ceremonies. The original work was composed by Wolfgang Amadeus Mozart in 1785 and is known for its beauty and serenity. With this arrangement, you can experience this masterpiece in a new and exciting way.
$7.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Clarinet Quartet: 4 clarinets
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. ...
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Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
#
Clarinet Quartet: 4 clarinets
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Publi...
(+)
Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
5 Famous Songs by Bach for Clarinet Quartet
#
Clarinet Quartet: 4 clarinets
#
EASY
#
Classical
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Cla
#
Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.1137849 Composed by Christian Petzold, Johann Sebastian Bach, and Martin...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.1137849 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738108. Published by Woods Only, Arrangements (A0.1137849). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
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