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Clarinet Quartet: 4 clarinets
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6 sheet music found
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1
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Instructional
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Joshua Hauser
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#
Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. ...
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Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
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Clarinet Quartet: 4 clarinets
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Publi...
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Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
5 Famous Songs by Bach for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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EASY
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Classical
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Cla
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.1137849 Composed by Christian Petzold, Johann Sebastian Bach, and Martin...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.1137849 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738108. Published by Woods Only, Arrangements (A0.1137849). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
Zacatecas March (for Clarinet Quartet)
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Genaro Codina
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Kenneth Abeling
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Zacatecas March
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.515062 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,World...
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.515062 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,World. 13 pages. LINCOLN MUSIC PUBLICATIONS #4635421. Published by LINCOLN MUSIC PUBLICATIONS (A0.515062). Zacatecas March or, La Marche De Zacatecas by Genaro Codina arranged here for Clarinet Quartet by Kenneth Abeling. Zacatecas March is a Mexican Patriotic Song, the anthem of the state of Zacatecas and considered to be the second national anthem of Mexico. This is an advanced intermediate arrangement and this delightful march and is suitable for general performance as well as Mexican ethnic and patriotic events. The Playing time can range from 1:48 to 4:30 depending on repeats, the D.C. and which of the two possible end points is chosen. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$12.99
I Need Thee Every Hour for clarinet quartet
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Clarinet Quartet: 4 clarinets
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BEGINNER
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Sacred music
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Robert Lowry
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David Warin Solomons
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I Need Thee Every Hour for cla
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David Warin Solomons
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SheetMusicPlus
Composed by Robert Lowry. Arranged by David Warin Solomons. 20th Century, Romantic Period, Christian, Praise and Worship, General Worship. Score, Set of Parts. ...
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Composed by Robert Lowry. Arranged by David Warin Solomons. 20th Century, Romantic Period, Christian, Praise and Worship, General Worship. Score, Set of Parts. 6 pages. Published by David Warin Solomons (S0.221177). - Score,Set of Parts - 20th Century,Romantic Period,Christian,Praise and Worship,General Worship - David Warin Solomons
This is one from a collection of 7 gospel songs from the late 18th, 19th and early 20th Century, in their original versions, as arranged for clarinet quartet. The arrangements differ from the choral originals for instrumental purposes in that: some repeated notes in the lower instruments are merged into single long notes various notes are slurred or made into staccatos and fermatas (pauses) are recreated as extended notes and bars, where it makes musical sense to do so. These arrangements are also available as a bundle of 7 (7 Songs of Glory ) for $25 and also separately, at $4.00 each: The Glory Song (C H Gabriel) I Need Thee Every Hour (Robert Lowry) Count your Blessings (E O Excell) Just As I Am (W Bradbury) O for a thousand tongues to sing (Charles Wesley) (Hymn tune known as Lyngham) Tell me the old old story (W H Doane) Trust and obey (D B Towner) In each case the pdfs contain score and parts and the sound samples are electronic previews. I plan to create extended versions, with my own variations, in due course, but these versions are basically transcriptions of the originals.
$4.00
Tell me the old old story for clarinet quartet
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Clarinet Quartet: 4 clarinets
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BEGINNER
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Sacred music
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W H Doane
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David Warin Solomons
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Tell me the old old story for
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David Warin Solomons
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SheetMusicPlus
Composed by W H Doane. Arranged by David Warin Solomons. 20th Century, Romantic Period, Christian, Praise and Worship, General Worship. Score, Set of Parts. 7 p...
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Composed by W H Doane. Arranged by David Warin Solomons. 20th Century, Romantic Period, Christian, Praise and Worship, General Worship. Score, Set of Parts. 7 pages. Published by David Warin Solomons (S0.221179). - Score,Set of Parts - 20th Century,Romantic Period,Christian,Praise and Worship,General Worship - David Warin Solomons
This is one from a collection of 7 gospel songs from the late 18th, 19th and early 20th Century, in their original versions, as arranged for clarinet quartet. The arrangements differ from the choral originals for instrumental purposes in that: some repeated notes in the lower instruments are merged into single long notes various notes are slurred or made into staccatos and fermatas (pauses) are recreated as extended notes and bars, where it makes musical sense to do so. These arrangements are also available as a bundle of 7 (7 Songs of Glory ) for $25 and also separately, at $4.00 each: The Glory Song (C H Gabriel) I Need Thee Every Hour (Robert Lowry) Count your Blessings (E O Excell) Just As I Am (W Bradbury) O for a thousand tongues to sing (Charles Wesley) (Hymn tune known as Lyngham) Tell me the old old story (W H Doane) Trust and obey (D B Towner)
$4.00
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