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Sing - Baritone T.C.
Clarinet Quartet: 4 clarinets
Sheetmusic to print
4 sheet music found
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1
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. ...
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Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
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Clarinet Quartet: 4 clarinets
#
INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Publi...
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Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Prelude and Fugue in C-minor BWV 549 for clarinet quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
#
Classical
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Johann Sebastian Bach
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Richard J
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Prelude and Fugue in C-minor B
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AMA Editions
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1308811 Composed by...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1308811 Composed by Johann Sebastian Bach. Arranged by Richard J. Alder, Jr. Baroque,Chamber,Classical,Early Music,Religious. 32 pages. AMA Editions #898047. Published by AMA Editions (A0.1308811). Flexible Instrumentation:Transposed Score (Eâ™, Bâ™, Alto, Bass)I. Eâ™ or Bâ™ ClarinetII. Bâ™ Clarinet, Basset Horn, or Alto ClarinetIII. Bâ™ Clarinet, Basset Horn, Alto Clarinet, or Bass ClarinetIV. Bass Clarinet (to low D) or Eâ™ Contra-Alto ClarinetLength: 5 minutesDifficulty: Intermediate/AdvancedNotes:J.S. Bach’s Prelude and Fugue BWV 549 in C-minor is one of his earlier works, believed to be a transcription of a work originally in D-minor (BWV 549a). This arrangement has been scored for clarinet quartet using flexible instrumentation for increased accessibility. The score has been written for Eâ™, Bâ™, alto, and bass clarinet, however, any combination of the included parts is acceptable.A Bâ™ clarinet part has been included for Part III to allow for one of the most common and accessible clarinet quartet settings of three Bâ™ clarinets and one bass clarinet, however, it required transposing some passages up an octave when it became too low, so using a basset horn, alto clarinet, or bass clarinet is preferable. The Part IV bass clarinet requires several low Ds so an extended range instrument is necessary. For a version that doesn’t require an extended range bass clarinet, BWV 549a in D-minor is available (AMA-008). This version also retains more of the original octaves in III. Bâ™ Clarinet.Richard originally arranged this work for SATB saxophone quartet and I have adapted it for clarinets. The editing of this arrangement has been in consultation with the Bärenreiter (1972) and Breitkopf & Härtel (2013) Urtext editions for organ.Dr Jason Alder, editor.
$20.00
A Set of Renaissance Dances for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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EASY
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MICHAEL PREATORIUS
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Johan de Wit
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A Set of Renaissance Dances fo
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Concustic
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.984317 Composed by MICHAEL PREATORIUS. Arranged by Johan de Wit. Concert...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.984317 Composed by MICHAEL PREATORIUS. Arranged by Johan de Wit. Concert,Renaissance,Standards,World. 39 pages. Concustic #3684739. Published by Concustic (A0.984317). Bright sounding dances, very suitable for work with students. But also fits in the concert of every clarinet chorus. Well playable single voices, notice that each player has his solistic part.www.concustic.compost(ät)concustic.comAll the Clarinet quartets by Johan de Wit in SheetMusicPlusLascia chi'o panga G.F. Händel - Item Number: S0.865935 | 4 for 4 - Item Number: S0.477923 | Tanz in die Nacht - Item Number: S0.428167 | Avenue du hêtre - Item Number: S0.424107 | Dans les rues des Paris - Item Number: S0.428403 | Flow my tears - Item Number: S0.428405 | A Set of Renaissance Dances - Item Number: S0.428401 | C'est La Vie - Item Number: H0.959627-SC001319905
$28.50
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