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Saxophone Quartet: 4 saxophones
Sheetmusic to print
5 sheet music found
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1
St. Paul's Suite Op. 29
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Gustav Holst
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James Pybus
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a muted Ostinato (Presto)
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St. Paul's Suite Op. 29
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James Pybus
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SheetMusicPlus
Saxophone quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764653 Composed by Gustav Hols...
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Saxophone quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764653 Composed by Gustav Holst (1874-1934). Arranged by James Pybus. 20th Century,Contemporary,Contest,Festival. 97 pages. James Pybus #36481. Published by James Pybus (A0.764653). In 1905 Gustav Holst became Director of Music at St. Paul’s Girls’ School in Hammersmith, London, a post which he retained right up until his death in 1934. St. Paul's Suite was written for the school’s string orchestra in 1912. The work is in four movements: a Jig, reminiscent of English fiddle tunes; a muted Ostinato (Presto); an Intermezzo which starts fairly slowly and softly, switching abruptly to a short Vivace section. The rhythmic tune here is based on an Arab song which Holst had noted in his sketchbook a few years earlier while on holiday in Algeria. After this brief interlude, the music returns to the slower opening tempo, and in the very last bars of the movement ‘the descending chromatic sixths are like a gesture of farewell to the good old days: never again did [Holst] indulge in such an unblushing display of nineteenth-century romanticism’--- these rather severe words are his daughter’s, quoted from her biography of her father. The Finale is framed around a familiar English folk tune (the Dargason), which, in the course of the movement, is used as a counter-melody to the even more familiar Greensleeves. Holst was evidently fond of this tune, as he also used it as the concluding movement of his well-known Suite No. 2 in F, Op. 28b for Military Band. Durations: 1. Jig 4:00; 2. Ostinato 1:28; 3. Intermezzo 3:41; 4. Finale (The Dargason) 4:00; Total time 13:09 I wrote this arrangement for SATB Saxophone Quartet in 2004, with revisions in 2015. It is a challenging yet ultimately rewarding piece for both audiences and players. contact me at james.pybus56@gmail.com.
$30.00
Six of the Bestiary
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Anthony Gilbert
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Six of the Bestiary
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Schott Music - Digital
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SheetMusicPlus
Saxophone quartet - difficult - Digital Download SKU: S9.Q6324 For saxophone quartet. Composed by Anthony Gilbert. This edition: score and parts. ...
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Saxophone quartet - difficult - Digital Download SKU: S9.Q6324 For saxophone quartet. Composed by Anthony Gilbert. This edition: score and parts. Dieses lebhafte Charakterstück bringt Abwechslung in jedes Programm. Downloadable, Score and parts. Duration 10' 20. Schott Music - Digital #Q6324. Published by Schott Music - Digital (S9.Q6324). Based upon Jorge Luis Borges' imaginary ancient Chinese encyclopaedia in which the animal kingdom is broken down into fourteen categories such as 'Frenzied creatures' and 'Those belonging to the Emperor', this quartet reflects on the bizarre imagery suggested by these headings. 'The first movement 'Stray dogs' tends, after the fashion of these creatures, suddenly to appear in unexpected places' (Gilbert). This lively piece of character music would add much variety to any programme.
$51.99
Un bel dì (One Fine Day) from Madama Butterfly
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Giacomo Puccini
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James Pybus
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Un bel dì
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764693 Compo...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764693 Composed by Giacomo Puccini (1858-1924). Arranged by James Pybus. Contest,Festival,Opera,Romantic Period,Wedding. 11 pages. James Pybus #4359253. Published by James Pybus (A0.764693). Un bel dì (One Fine Day) is sung in Act 2 of Puccini's famous 1898 opera Madama Butterfly. In this, the opera's most famous aria (and one of the most popular works in the soprano repertoire, which many critics agree Maria Callas owned), Butterfly says that one beautiful day, they will see a puff of smoke on the far horizon. Then a ship will appear and enter the harbour. She will not go down to meet him but will wait on the hill for him to come. After a long time, she will see in the far distance a man beginning the walk out of the city and up the hill. When he arrives, he will call Butterfly from a distance, but she will not answer, partly for fun and partly not to die from the excitement of the first meeting. Then he will speak the names he used to call her: Little one. Dear wife. Orange blossom. Butterfly promises Suzuki that this will happen. Suzuki departs, as Sharpless and Goro arrive in the garden.This arrangement is playable by either SATB or AATB Saxophone Quartet. The duration is ca. 4:05. Please contact me at james.pybus56@gmail.com.
$17.99
'Contrapunctus 19' By J.S.Bach BWV 1080 from 'The Art of the Fugue' for Saxophone Quartet.
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Classical
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Johann Sebastian Bach
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Stephen Davies
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'Contrapunctus 19' By J.S.Bach
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.891915 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.891915 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque. 49 pages. Stephen Davies #3480611. Published by Stephen Davies (A0.891915). The final composition of J.S.Bach is surprisingly triumphant, despite his demise just after bar 239. It's also a matter of scholarly conjecture that Bach wrote 'The Art of Fugue' for the keyboard, as some will argue that certain Contrapunctii (?!) are almost impossible to play, bearing in mind that the sustain pedal had yet to be invented. And thus, the most credible path would be that Bach wrote them as A) Academic exercises for study or B) To be played by a suitable ensemble. I'm going with the latter obviously! I include Donald Tovey's conclusion to the work, its brilliance is noted the world over, but surely not what Bach intended, but damn close! This Saxophone version is particularly LOUD!!, so, go make some noise!!
$14.99
J. S. Bach: The Art of The Fugue, - SATB saxophone quartet
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: The Art of The Fug
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534350 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534350 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 242 pages. Musik Fabrik Music Publishing #3368447. Published by Musik Fabrik Music Publishing (A0.534350). The Art of the Fugue is considered to be one of the greatest musical creations everundertaken. A series of fourteen fugues (last of which is not complete) and four canonswhich are all based on the same d minor theme would perhaps seem, at first glance, to be apendantic academic exercise. However, in the hands of a composer such as Bach, themonothematic material is magnified through repetion which creates a sound universe whichis all it’s own.The work is also shrouded in mystery, as there are no tempo indications in the manuscript,no indications of the instrumentation which Bach intended and no clear indication as to theorder of the movements. An ordering was given to the work after the composer’s death bythe composer’s son, C. P. E. BACH which attempted to underline the pedogogical aspects ofthe composition (as a sort of a textbook for studying fugues and counterpoint). The orderused in this arrangement respects this ordering as it was given by Bach’s heirs. It wouldseem probable however, that this order was not that intended by Bach.The editor hopes that this new version of the Art of the Fugue will be useful in allowingSaxophonists everywhere to perform this great work. For those who might have scruplesabout performing this work on the saxophone, it is best to follow the example of our pianistfriends, who perform this work and others on an instrument that Bach himself said that hedisliked.
$64.95
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