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I Like It, I Love It
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I Like It, I Love It
Saxophone Quartet: 4 saxophones
Sheetmusic to print
15 sheet music found
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1
(i've Been) Searchin' So Long
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Saxophone Quartet: 4 saxophones
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EASY
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Rock
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Chicago
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Jeff Tincher
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(i've Been) Searchin' So Long
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.584292 By Chi...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.584292 By Chicago. By James Pankow. Arranged by Jeff Tincher. Pop,Rock. 16 pages. Jeff Tincher #5373355. Published by Jeff Tincher (A0.584292). One of Chicago's best love songs. I love when Chicago makes a change in the middle of a song that doesn't make it sound like a medley. In the original key from their VII LP. Duration = 4:16. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Love Me Like I Am
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Saxophone Quartet: 4 saxophones
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EASY
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Sacred music
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Christian contemporary
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King & Country
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Jeff Tincher
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Country song
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Love Me Like I Am
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Jeff Tincher
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1227050 By K...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1227050 By King & Country. By Joel Smallbone, Josh Kerr, Luke Smallbone, and Michael Pollack. Arranged by Jeff Tincher. Christian,Contemporary,Praise & Worship,Religious,Sacred. 14 pages. Jeff Tincher #823060. Published by Jeff Tincher (A0.1227050). This is my favorite For King & Country song. I first heard it at one of their concerts and fell in love with it. This arrangement, in the original key, is from the single released with Jordan Sparks. It is much more powerful than the original, I feel. Duration = 3:07. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
I Will Always Love You
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Film/TV
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Whitney Houston
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Kayleigh Huelin
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I Will Always Love You
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Kayleigh Huelin
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.738650 By Whitney Houston. By ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.738650 By Whitney Houston. By Dolly Parton. Arranged by Kayleigh Huelin. Film/TV. 7 pages. Kayleigh Huelin #6080613. Published by Kayleigh Huelin (A0.738650). A bona-fide classic from the nineties, Whitney Houston took this song by Dolly Parton and truly made it her own. Recorded for her film The Bodyguard, this was a smash hit on release and still today is one of the biggest-selling singles in the world. This new arrangement for AATB saxophone quartet starts with rubato solo parts for the tenor and alto saxophone before the rest of the quartet join in for this moving ballad. Like this? Why not check out my website for more saxophone arrangements: www.khuelinmusic.co.uk
$19.99
I Will Always Love You
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
#
Film/TV
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Whitney Houston
#
Kayleigh Huelin
#
I Will Always Love You
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Kayleigh Huelin
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.738707 By Whitney Houston. By Dolly Parton. Arran...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.738707 By Whitney Houston. By Dolly Parton. Arranged by Kayleigh Huelin. Film/TV. 7 pages. Kayleigh Huelin #6086641. Published by Kayleigh Huelin (A0.738707). A bona-fide classic from the nineties, Whitney Houston took this song by Dolly Parton and truly made it her own. Recorded for her film The Bodyguard, this was a smash hit on release and still today is one of the biggest-selling singles in the world. This new arrangement for AATT saxophone quartet starts with rubato solo parts for the tenor and alto saxophone before the rest of the quartet join in for this moving ballad. Like this? Why not check out my website for more saxophone arrangements: www.khuelinmusic.co.uk
$19.99
A Christmas Love Song
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Christmas
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Manhattan Transfer
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Jeff Tincher
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A Christmas Love Song
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.583225 By Man...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.583225 By Manhattan Transfer. By Johnny Mandel. Arranged by Jeff Tincher. Contemporary. 31 pages. Jeff Tincher #3618311. Published by Jeff Tincher (A0.583225). This is a Saxophone Quartet (Soprano, Alto, Tenor, Baritone) arrangement of a classic Christmas song. In the original key from Johnny Mathis' The Christmas Album, this is another one of those Christmas song that will give you memories to last a lifetime. What I particularly like with this song is that it changes keys but you don't hear the key changes, they blend so well. Great for any Christmas celebration or sitting around the fireplace! Duration= 3:23. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
A Windy Christmas for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Christmas
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Handel, Traditional
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Stephanie Daige
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A Windy Christmas for Saxophon
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.796857 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.796857 Composed by Handel, Traditional. Arranged by Stephanie Daige. Christian,Christmas,Sacred,Traditional. 24 pages. Stephanie Daige #3245943. Published by Stephanie Daige (A0.796857). 2017 Holiday Contest EntryThis arrangement of seven traditional Christmas favorites for saxophone quartet will make your heart joyful as you prepare for the Christmas season! The first part can be played on either soprano or alto saxophone, and the other three parts are for alto, tenor, and baritone saxophone. The melody moves around from instrument to instrument in a conversation-like way, with rich harmonies and beautiful descants enhancing the melodies. The medley begins triumphantly in the key of concert F Major, moves soulfully to the parallel minor, then finishes brightly back in F Major. Christmas carols featured are:· Joy to the World· Good King Wenceslas· We Wish You a Merry Christmas· Deck the Halls· God Rest Ye Merry Gentlemen· What Child is This?· Ding Dong Merrily on HighI hope you will enjoy performing this medley as much as I have enjoyed arranging it! Audiences are sure to love it. This would work well in a variety of venues during the Christmas season: school concert, church, shopping mall background music, chamber music concert, prelude to a choral performance/ carol sing-along, etc. It’s perfect for anywhere you want to lift people’s spirits with beautiful, familiar seasonal music. There are also versions of this medley available for brass quintet, woodwind quintet, flute choir, clarinet choir, string quartet, and piano.
$14.99
You've Got A Friend
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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James Taylor
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Thomas Graf
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You've Got A Friend
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.568897 By Jam...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.568897 By James Taylor. By Carole King. Arranged by Thomas Graf. Contemporary,Pop. 25 pages. Thomas Graf - the-hit-factory.com #3407371. Published by Thomas Graf - the-hit-factory.com (A0.568897). The world famous Ballade by Carole King has been N# 1 of the US-Single Charts in 1971 – as recorded by James Taylor. It is a real must for your repertoire and the perfect choice for any occasion like Birthday or Wedding services, recitals or any concert. Your audience will love it! Instrumentation: Part I (Soprano/Alto), Part II (Alto), Part III (Tenor), Part IV (Baritone/Bass Sax) Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Wo1kc8rZ82Y
$14.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Nessun Dorma
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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The Usaf Band
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James Pybus
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Nessun Dorma
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.764694 By Th...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.764694 By The Usaf Band. By Giacomo (Dp) Puccini and Giacomo Puccini. Arranged by James Pybus. Classical,Contemporary,Contest,Festival,Opera. 11 pages. James Pybus #4355799. Published by James Pybus (A0.764694). Nessun dorma (English: None shall sleep) is an aria from act three of Turandot, and is one of the best-known tenor arias in all opera. Luciano Pavarotti made it one of his signature arias. It is sung by Calaf, il principe ignoto (the unknown prince), who falls in love at first sight with the beautiful but cold Princess Turandot. However, any man who wishes to wed Turandot must first answer her three riddles; if he fails, he will be beheaded. This arrangement for saxophones can be played by either SATB or AATB quartet, with an optional Bass saxophone part which doubles the Baritone part. I would like to believe that Puccini would have approved of this adaptation of what is perhaps his most recognizable aria since the original orchestration for Turandot calls for a very large orchestra that includes two on-stage Alto Saxophones. Duration is 2:34. Please contact me at james.pybus56@gmail.com
$15.00
The Leprechaun's Dream
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Jazz
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Chick Corea
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Jeff Tincher
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The Leprechaun's Dream
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.585490 By Chi...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.585490 By Chick Corea. By Chick Corea. Arranged by Jeff Tincher. Jazz. 75 pages. Jeff Tincher #6294029. Published by Jeff Tincher (A0.585490). The Leprechaun was the first LP that I heard by Chick Corea. I fell in love with his music ever since. I especially liked Chick's music when he used a lot of instruments in his music. This song has woodwind, brass, and strings along with his combo. The Leprechaun's Dream is the finale to the masterful LP. It is an epic tune with different keys, dynamics, key signatures and tempos. His wife, Gayle Moran, did the vocals on this piece. The beginning and ending chords are amazing. This is a complex piece with beautiful harmonies. In the original key. Duration = 13:03. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$20.99
We Wish You a Merry Christmas (Saxophone Quartet) - Intermediate Level
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Christmas
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Traditional Christmas Carol
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Henrique Oliveira
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We Wish You a Merry Christmas
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Henrique Oliveira
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1311611 By T...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1311611 By Traditional Christmas Carol. By Traditional Christmas Carol. Arranged by Henrique Oliveira. Christian,Christmas,Holiday,Religious,Traditional. 13 pages. Henrique Oliveira #900620. Published by Henrique Oliveira (A0.1311611). Lovely and simple arrangement of the Christmas Carol We Wish You a Merry Christmas for saxophone quartet, perfect to play among your friends, students or family. The PDF file is instantly available with the individual parts and the full score. For more arrangements like this, please make sure to check out my page. I hope you enjoy it and have a good practice! 🙂.
$4.99
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