Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
If It\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s Love
Not classified
278
Piano & keyboards
Piano, Voice
213
Piano solo
169
Piano, Vocal and Guitar
94
Easy Piano
76
Piano Accompaniment
69
C Instruments
22
1 Piano, 4 hands
6
Organ
5
Piano Quartet: piano, 2 violins, cello
3
Piano Trio: piano, violin, cello
3
2 Pianos, 4 hands
2
Big Note Piano
1
Piano Quartet: piano, violin, viola, cello
1
Organ, Trumpet (duet)
1
+ 9 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
21
Guitar
17
Ukulele
14
Melody line, (Lyrics) and Chords
14
Bass guitar
6
2 Guitars (duet)
6
2 Mandolins (duet)
2
Dulcimer
2
3 Guitars (trio)
1
4 Guitars (Quartet)
1
+ 5 instrumentations
-
Retract
Voice
Choral SATB
102
Choral 3-part
34
Choral TTBB
31
Tenor voice, Piano
18
Choral SSAA
12
Choral 2-part
10
Soprano voice, Piano
9
Alto voice, Piano
9
High voice
5
Choral Unison
5
Tenor voice
5
Low voice, Piano
4
Medium voice, Piano
2
Baritone voice, Piano
2
Soprano voice
1
Vocal duet, Piano
1
Choral SSATTB
1
+ 12 instrumentations
-
Retract
Woodwind
Flute and Piano
16
Flute
15
Saxophone Quartet: 4 saxophones
14
Alto Saxophone
14
Clarinet and Piano
13
Oboe, Piano (duet)
12
2 Saxophones (duet)
12
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
12
Oboe (band part)
12
Clarinet Ensemble
11
Clarinet
11
Soprano Saxophone and Piano
10
Flute, Clarinet (duet)
10
Flute ensemble
10
Flute and Guitar
8
Alto Saxophone and Piano
8
Clarinet Quartet: 4 clarinets
8
2 Flutes (duet)
8
Baritone Saxophone, Piano
8
Tenor Saxophone and Piano
7
Tenor Saxophone
7
Flute, Oboe, Clarinet, Bassoon
6
English horn, Piano
6
Saxophone, Clarinet (duet)
5
Saxophone Quintet: 5 Saxophones
5
2 Clarinets (duet)
5
Clarinet, Trumpet (duet)
4
Clarinet, Violin (duet)
4
Recorder
4
Pennywhistle
4
Flute Quartet: 4 flutes
4
Clarinet Quintet: 5 clarinets
4
Clarinet, Guitar (duet)
4
Flute, Viola (duet)
3
Descant (Soprano) Recorder
3
Oboe
2
Oboe, Clarinet (duet)
2
Flute Quintet : 5 flutes
2
Bass Clarinet, Piano
2
2 Oboes (duet)
2
Flute, Trumpet (duet)
2
Clarinet and Viola
2
Soprano Saxophone
2
Baritone Saxophone
2
Saxophone (band part)
2
Descent (Soprano) Recorder, Piano
2
Treble (Alto) Recorder, Piano
1
Clarinet, Bassoon (duet)
1
Clarinet, Cello (duet)
1
Flute Trio: 3 flutes
1
Clarinet, Trombone (duet)
1
Recorder Quartet
1
Oboe, Bassoon (duet)
1
Flute, harp and violin
1
2 Recorders, Guitar
1
Saxophone ensemble
1
+ 51 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
32
Trumpet
13
Trombone
13
Trombone and Piano
13
French Horn and Piano
10
French horn
10
Trumpet, Piano
9
Tuba
8
Tuba and Piano
6
English horn, Piano
6
Euphonium, Piano (duet)
5
Brass quartet : 2 trumpets, trombone, tuba
5
Trumpet, Trombone (duet)
4
Trumpet, Horn (duert)
3
Trumpet (band part)
2
Trombone ensemble
2
Trumpet ensemble
2
2 Trombones (duet)
1
Tuba ensemble
1
Trumpet, Euphonium (duet)
1
2 Euphoniums and 2 Tubas
1
Trumpet, Bassoon (duet)
1
3 Euphoniums
1
Trumpet, Saxophone (duet)
1
3 Trombones (trio)
1
Trumpet, Tuba (duet)
1
2 Trumpets (duet)
1
Trumpet, Trombone, Piano
1
Trombone (band part)
1
+ 24 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
55
Violin
29
Violin and Piano
29
Cello
26
Violin, Cello (duet)
21
Harp
17
Viola
14
Cello, Piano
14
Viola, Piano
14
String Trio: violin, viola, cello
10
Violin, Viola (duet)
10
String Trio: 2 violins, cello
8
Double bass, Piano (duet)
6
2 Cellos (duet)
6
2 Violins (duet)
5
Piano Trio: Violin, Viola, Piano
4
Viola (band part)
4
2 Violas (duet)
3
Double Bass
2
Viola ensemble
2
String Quintet: 2 violins, viola, cello, bass
2
Violin ensemble
2
Harp, Violin (duet)
1
Viola, Cello (duet)
1
Violin (band part)
1
String Trio: 3 cellos
1
Viola and Bassoon
1
Violin, Guitar (duet)
1
Harp, Voice
1
+ 24 instrumentations
-
Retract
Orchestra & Percussion
Concert band
57
String Orchestra
30
Orchestra
25
Jazz Ensemble
11
Brass ensemble
9
Chamber Orchestra
7
Jazz combo
6
Marching band
4
Percussion Ensemble
4
Handbells
4
Percussion (band part)
1
Percussion
1
3 Marimbas
1
Drums
1
+ 9 instrumentations
-
Retract
Others
Free Sheet Music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
4
Digital Sheet Music
14
Sheet Music Books
8
Music Equipment
284
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
If It\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s Love
Saxophone Quartet: 4 saxophones
Sheetmusic to print
14 sheet music found
<
1
Love In The First Degree
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Sushi
#
Russell Ward
#
Love In The First Degree
#
Russell Ward
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999556 By Sus...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999556 By Sushi. By Keren Woodward, Matt Aitken, Matthew Aitken, Michael Stock, Mike Stock, Pete Waterman, Peter Alan Waterman, Peter Waterman, Sarah Dallin, Siobhan Fahey, and Siobhan Maire Deirdre Fahey. Arranged by Russell Ward. Contemporary. 8 pages. Russell Ward #6047135. Published by Russell Ward (A0.999556). This is the First Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. The opening movement here features the Bananarama hit Love in the First Degree Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo – I Should Be So Lucky III: Adagio – Never Gonna Give You Up IV: Vivace – Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au
$14.99
I Love Lucy
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE
#
Contemporary
#
Eliot Daniel
#
Dennis Ruello
#
I Love Lucy
#
Chicory Music
#
SheetMusicPlus
Small Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Drum Set,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.734611 ...
(+)
Small Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Drum Set,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.734611 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music #6669321. Published by Chicory Music (A0.734611). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster. This arrangement for sax quartet (SATB) plus optional Acoustic Bass and Drum Set parts remains faithful to the original.The Soprano Sax part may be played by clarinet if no soprano sax player or instrument is available.Performance Time Approx. 1 minute 25 seconds
$12.99
My Own True Love (tara's Theme)
#
Saxophone Quartet: 4 saxophones
#
EASY
#
Mack David and Max Steiner
#
David Perkins
#
My Own True Love
#
David Perkins
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1300092 Comp...
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1300092 Composed by Mack David and Max Steiner. Arranged by David Perkins. 20th Century,Chamber,Film/TV,Standards,Wedding. 12 pages. David Perkins #889848. Published by David Perkins (A0.1300092). Tara's Theme, the famous theme tune from Gone With the Wind (1939) is arranged here for saxophone quartet. Â It is also known by My Own True Love when it was set to words by Mack David 15 years later.This arrangement is perfect for weddings or any celebration of love. The length is under 3 mins so is short enough for the entrance of the bride or it could be repeated if a longer piece is needed eg register signing etc.
$12.99
I Should Be So Lucky
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Kylie Minogue
#
Russell Ward
#
I Should Be So Lucky
#
Russell Ward
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999557 By Kyl...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999557 By Kylie Minogue. By Matt Aitken and Mike Stock. Arranged by Russell Ward. Dance,Pop. 8 pages. Russell Ward #6047143. Published by Russell Ward (A0.999557). This is the 2nd Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. The 2nd movement here features the Kylie Minogue hit Love in the First Degree Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo – I Should Be So Lucky III: Adagio – Never Gonna Give You Up IV: Vivace – Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au
$14.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Together Forever
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jimmy Fallon
#
Russell Ward
#
Together Forever
#
Russell Ward
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999560 By Jim...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999560 By Jimmy Fallon. By Matthew Aitken, Michael Stock, Pete Waterman, and Peter Alan Waterman. Arranged by Russell Ward. Contemporary. 16 pages. Russell Ward #6047155. Published by Russell Ward (A0.999560). This is the 4th and final Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo – I Should Be So Lucky III: Adagio – Never Gonna Give You Up IV: Vivace – Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au
$14.99
Every Time I Hear That Song
#
Saxophone Quartet: 4 saxophones
#
EASY
#
Contemporary
#
Blake Shelton
#
Jeff Tincher
#
Every Time I Hear That Song
#
Jeff Tincher
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.585667 By Bla...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.585667 By Blake Shelton. By Aimee Mayo, Brad Warren, Brett Warren, and Christopher Lindsey. Arranged by Jeff Tincher. Contemporary. 14 pages. Jeff Tincher #6342331. Published by Jeff Tincher (A0.585667). When I first heard this song I fell in love with it. It's a great country love song. In the original key from Blake Shelton's If I'm Honest CD. Duration = 3:38. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Chaconne: for saxophone ensemble (SAATB)
#
Saxophone Quartet: 4 saxophones
#
BEGINNER
#
Contemporary
#
Healey Willan
#
Derrick Thomas Lewis
#
Chaconne: for saxophone ensemb
#
Derrick Thom. Lewis
#
SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1453660 Composed by Healey Wil...
(+)
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1453660 Composed by Healey Willan. Arranged by Derrick Thomas Lewis. 20th Century. 11 pages. Derrick Thom. Lewis #1032874. Published by Derrick Thom. Lewis (A0.1453660). Healy WILLAN Chaconne 1956 (from Rondino,Elegy & Chaconne, for Organ)Composer of over 800 works and teacher for over 50 years, Mr.Willan was known for long as the Dean of Canadian Composers and was a fixture of the Toronto music scene for a very long while. Apparently he wrote Operas and Symphonies as well, but these have not been easily available to experience. Perhaps this is just Canadian natural reticence or 'reserve'. However, it's a characteristic that is not conducive to cultivating popularity. Nevertheless, Willan's music is simply lovely, and it's nice to know that, if you 'cotton on' to it, you will probably never exhaust his supply, at least to play.CANADIAN composer (Healey Wilan) & CANADIAN arranger (Derrick Thomas Lewis)
$34.99
Made You Look
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE
#
Meghan Trainor
#
Lisa Ochoco
#
Made You Look
#
Lisa L Ochoco
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1249489 By Meghan Trainor. By Luis Federico Vindv...
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1249489 By Meghan Trainor. By Luis Federico Vindver, Megan Trainor, and Sean Douglas. Arranged by Lisa Ochoco. 21st Century,Contemporary,Pop. 19 pages. Lisa L Ochoco #843925. Published by Lisa L Ochoco (A0.1249489). This catchy doo-wop song resonates with people with its familiar chord progressions and beat.  Trainor co-wrote this song as part of a therapy exercise after she became insecure about her body after her pregnancy. While this is an instrumental version, the lyrics of this song promote self-love and self-confidence.  The tune is quite repetitive, but it's fun to play and, if anything, is a good filler in between your more technically challenging pieces in your recital. Scored for saxophone quartet - 4 altos. There is an optional tenor sax part to play in lieu of the 4th alto.  There are also 2 percussion parts that are optional, but they are there if in case there is a person at your disposal who can play them along with you. This song is just a feel-good, toe-tapping piece that is not difficult and quite entertaining.Duration: 2.25 minutes.
$15.00
White Christmas
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Christmas
#
Michael Buble Duet With Shania
#
Luiza Lale
#
White Christmas
#
Luiza Lale
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1280063 By M...
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1280063 By Michael Buble Duet With Shania Twain. By Irving Berlin. Arranged by Luiza Lale. Chamber,Christmas,Holiday,Jazz. 25 pages. Luiza Lale #871485. Published by Luiza Lale (A0.1280063). This arrangement for saxophone quartet is based on the version of White Christmas recorded by Michael Buble and Shania Twain. My quartet loves playing this each year. It's an essential addition to every Christmas set list, no matter if you are students or professionals. :).
$22.99
Fast Car
#
Saxophone Quartet: 4 saxophones
#
EASY
#
Contemporary
#
Tracy Chapman
#
Jeff Tincher
#
Fast Car
#
Jeff Tincher
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.583393 By Tra...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.583393 By Tracy Chapman. By Tracy Chapman. Arranged by Jeff Tincher. Contemporary. 34 pages. Jeff Tincher #3859809. Published by Jeff Tincher (A0.583393). If your looking for a love gone wrong story, this song has it. In the original key from Tracy Chapman's self-titled first album, this song is one of my favorite story songs. A simple song that sticks in your mind. Duration = 5:06. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
<
1
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
