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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Johann |Sebastian Bach Baroque
Not classified
2,890
Piano & keyboards
Piano solo
1,903
Easy Piano
442
Organ
217
Piano, Voice
210
2 Pianos, 4 hands
63
Piano, Vocal and Guitar
46
1 Piano, 4 hands
40
Harpsichord
40
Piano Trio: piano, violin, cello
38
Organ, Trumpet (duet)
35
C Instruments
30
Piano Accompaniment
12
Piano Quintet: piano, 2 violins, viola, cello
8
Piano Quartet: piano, 2 violins, cello
7
Piano Quartet: piano, violin, viola, cello
7
Accordion
5
Solo instrument and Organ
4
Organ, Piano (duet)
4
Big Note Piano
4
1 Piano, 6 hands
4
2 Organs (duet)
4
2 Accordions
1
Melody line, Piano
1
Piano Quintet: piano, violin, viola, cello, double bass
1
Piano (band part)
1
+ 20 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
324
Guitar
299
2 Guitars (duet)
91
Ukulele
34
4 Guitars (Quartet)
20
Bass guitar
19
3 Guitars (trio)
16
Melody line, (Lyrics) and Chords
13
Banjo
10
Mandolin
6
Piano, Guitar (duet)
5
Dulcimer
3
2 Ukuleles
1
Mandolin, Piano (duet)
1
Guitar, Violin, Cello (trio)
1
2 Mandolins (duet)
1
Baritone Ukulele
1
Mandolin, Guitar (duet)
1
Lap Steel Guitar
1
+ 14 instrumentations
-
Retract
Voice
Choral SATB
106
Choral 3-part
25
Choral TTBB
15
Choral Unison
8
Soprano voice, Piano
5
Choral 2-part
5
Vocal duet
5
Choral SSAA
4
Voice solo
3
Vocal duet, Piano
3
Low voice, Piano
3
Tenor voice, Piano
2
Choral SSATB
2
Medium voice, Piano
2
High voice
1
Choral
1
Baritone voice, Piano
1
+ 12 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
321
Flute and Piano
289
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
253
2 Saxophones (duet)
205
2 Clarinets (duet)
201
Clarinet Quartet: 4 clarinets
200
Clarinet and Piano
195
Recorder
175
2 Flutes (duet)
169
Flute, Oboe, Clarinet, Bassoon
164
Flute
133
Oboe, Piano (duet)
131
Flute and Guitar
127
Alto Saxophone and Piano
123
Clarinet
122
Saxophone Quintet: 5 Saxophones
122
Flute Quartet: 4 flutes
119
3 Clarinets (trio)
109
Tenor Saxophone and Piano
97
Recorder Quartet
92
3 Recorders (trio)
91
3 Saxophones (trio)
90
Soprano Saxophone and Piano
86
Clarinet Quintet: 5 clarinets
85
Alto Saxophone
77
Flute, Clarinet (duet)
76
2 Recorders (duet)
68
Tenor Saxophone
62
Flute Trio: 3 flutes
61
Saxophone (band part)
58
Flute Quintet : 5 flutes
50
Oboe (band part)
48
Clarinet, Bassoon (duet)
47
Oboe, Clarinet (duet)
45
Oboe, Bassoon (duet)
44
Baritone Saxophone, Piano
43
Clarinet Ensemble
41
2 Oboes (duet)
40
Oboe, Clarinet, Bassoon (trio)
38
5 Recorders
37
Flute ensemble
35
English horn, Piano
32
Flute, Violin
29
Flute, Clarinet and Bassoon.
29
Flute, Violoncello
29
Clarinet, Violin (duet)
28
Flute, Oboe (duet)
27
Bass Clarinet, Piano
24
Flute, Oboe, Clarinet (trio)
23
Oboe, Violin (duet)
23
Oboe
22
Clarinet, Cello (duet)
22
Flute, Trumpet (duet)
21
Saxophone, Violin (duet)
19
Saxophone, Clarinet (duet)
19
Recorder Ensemble
18
Oboe, Trumpet (duet)
17
Saxophone ensemble
16
Oboe, Cello
16
Flute, Oboe, Bassoon
13
Descant (Soprano) Recorder
12
Treble (Alto) Recorder
11
Flute, Trombone (duet)
10
Flute, Cello, Piano (trio)
10
Clarinet, Harp (duet)
10
Soprano Saxophone
10
Flute, Bassoon, and Piano
10
Flute (band part)
10
Flute, Viola (duet)
10
Clarinet, Trombone (duet)
9
Flute, Clarinet, Horn and Bassoon (Quartet)
9
4 Oboes
9
Saxophone
8
Flute, Violin and Violoncello
7
English Horn
7
Tenor Recorder
7
Oboe ensemble
7
Flute, Clarinet, Piano (trio)
7
Flute, Violin, Piano
7
2 Flutes, Piano
7
Clarinet (band part)
6
Baritone Saxophone
6
Clarinet, Guitar (duet)
5
Flute and Strings Trio
5
Oboe, Flute
5
Clarinet, Cello, Piano (trio)
5
Saxophone, Bassoon (duet)
5
Oboe, Harp
5
3 Oboes
5
Harmonica
4
Bass Clarinet
4
Treble (Alto) Recorder, Piano
4
Pennywhistle
4
2 Saxophones, Piano
4
Flute, Oboe, Piano (trio)
4
Clarinet, Bassoon, Piano (trio)
3
Descent (Soprano) Recorder, Piano
3
Saxophone and cello
2
Eb Instruments
2
Flute, Violin, Violoncello and Piano
2
Recorder, Guitar (duet)
2
Oboe, Trombone (duet)
2
Saxophone and Piano
2
Oboe and viola (duet)
2
2 Clarinets, Bassoon
2
Clarinet and Viola
2
Flute, Tuba (duet)
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
Piccolo, Piano
2
Flute, Organ (duet)
2
Oboe, Clarinet and Piano (Trio)
1
Flute, Cello, Guitar
1
Wind ensemble
1
Flute, Saxophone (duet)
1
Flute, Orchestra
1
Flute, Viola and Piano
1
Flute and String Quartet
1
Oboe, Violin, Piano
1
Flute, Clarinet, Violin (trio)
1
Flute, Oboe, Violin
1
2 Flutes and Harp
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Clarinet, trumpet and piano
1
2 Flutes, 2 Clarinets (Quartet)
1
Clarinet, Tuba
1
Saxophone and Harp
1
Saxophone and Guitar
1
2 English horns and Pianoforte
1
Flute, harp and violin
1
Flute, trombone and piano
1
Flute, Viola and Cello
1
Piccolo
1
Treble (Alto) Recorder, Basso continuo
1
+ 128 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
246
Trumpet, Piano
141
Trumpet
106
Trombone and Piano
92
Trombone
91
Brass quartet : 2 trumpets, trombone, tuba
85
French Horn and Piano
84
2 Trumpets (duet)
72
French horn
62
2 Trombones (duet)
60
Trumpet, Trombone (duet)
54
Brass Quartet: 4 trombones
51
Trombone ensemble
51
Tuba and Piano
43
2 French horns (duet)
42
Tuba
40
Brass Quartet
36
Brass Quartet: 2 trumpets, horn, trombone
32
English horn, Piano
32
Brass Quartet: 4 horns
31
Trumpet, Saxophone (duet)
25
Trumpet (band part)
25
Trumpet, Bassoon (duet)
23
Euphonium, Piano (duet)
21
3 Trombones (trio)
20
Trombone, cello (duet)
19
2 Tubas (duet)
18
Trumpet, violin (duet)
17
Brass Quartet: 4 trumpets
17
Trumpet ensemble
15
4 Tubas
11
Trumpet, Horn (duert)
11
Brass Trio
10
Trombone, Violin (duet)
10
Horn, Cello (duet)
10
Trombone, Horn (duet)
9
2 Euphoniums and 2 Tubas
9
3 Trumpets (trio)
8
Euphonium, Tuba (duet)
8
Trumpet, Cello (duet)
8
English Horn
7
Horn Ensemble
7
3 Tubas (trio)
7
2 Trumpets, Keyboard (piano or organ)
7
Euphonium
7
Horn, Tuba (duet)
6
3 French horns (trio)
5
French horn and Basson (duet)
4
Trumpet, Tuba (duet)
4
2 Euphoniums (duet)
4
Tuba and Organ
4
Trombone, Tuba (duet)
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Bb Instruments
3
Bass Trombone and Piano
2
Trumpet, Harp
2
Bass Clef Instruments
2
Trombone, Organ
2
French Horn and Harp
2
Bass Trombone
1
Trumpet, Orchestra
1
4 Euphoniums
1
Trombone, Viola (duet)
1
Horn, Cello and Piano
1
3 Euphoniums
1
Horn and Organ
1
2 English horns and Pianoforte
1
+ 62 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
655
Violin and Piano
282
Violin, Cello (duet)
240
Violin
194
Cello, Piano
184
Viola, Piano
182
String Trio: violin, viola, cello
182
Cello
158
2 Violins (duet)
141
2 Cellos (duet)
136
Violin, Viola (duet)
122
Viola
86
Harp
81
Viola, Cello (duet)
74
2 Violas (duet)
62
String Trio: 2 violins, cello
47
Double bass, Piano (duet)
46
String Quintet: 2 violins, viola, cello, bass
40
String Trio: 3 cellos
34
4 Cellos
34
String Trio: 3 violins
32
Double Bass
31
String quartet: 4 violins
24
Violin (band part)
19
String trio
19
Harp, Flute (duet)
19
Viola (band part)
17
Violin, Bassoon (duet)
17
Cello, String Bass (duet)
17
Violin, Guitar (duet)
16
String Trio: 3 violas
16
Viola and Bassoon
16
2 Double basses (duet)
12
Harp, Violin (duet)
12
Violin, Organ
11
String Quartet : 4 violas
11
Piano Trio: Violin, Viola, Piano
10
String Trio: 2 violins, viola
10
String Quintet: 2 violins, 2 violas, cello
8
2 Harps (duet)
8
2 Violins, Piano
7
Cello Ensemble
7
String Quintet: 2 violins, viola, 2 cellos
6
Cello, Guitar (duet)
6
Violin ensemble
4
Viola ensemble
4
Cello (band part)
4
Harp, Violin, Violoncello
3
Harp and Piano
3
Cello, Orchestra
3
Harp, Cello (duet)
3
Cello, Organ
3
Viola, Guitar (duet)
3
2 Cellos, Piano
2
3 double basses
2
Violin, Clarinet, Piano (trio)
1
Violin, Tuba (duet)
1
Viola and Harp
1
Violin, Cello, Clarinet
1
4 Double Basses
1
Flute, Doublebass (duet)
1
Doublebass (band part)
1
2 Violas, Piano
1
+ 58 instrumentations
-
Retract
Orchestra & Percussion
String Orchestra
179
Concert band
117
Brass ensemble
98
Chamber Orchestra
72
Orchestra
27
2 Marimbas
15
Handbells
14
Woodwind Quartet: any 4 woodwinds
13
Percussion Ensemble
10
Woodwind Quintet
8
Jazz Ensemble
8
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
7
Xylophone, Piano
6
Marimba
5
Vibraphone
4
Flexible Instrumentation
2
Vibraphone and Marimba
2
Vibraphone (band part)
1
Marching band
1
Xylophone
1
Drums
1
2 Xylophones
1
Orchestra, Violin
1
Jazz combo
1
+ 19 instrumentations
-
Retract
Others
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Johann |Sebastian Bach Baroque
Saxophone Quartet: 4 saxophones
Sheetmusic to print
321 sheet music found
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301
Arioso Bach Alto Saxophone Quartet
#
Saxophone Quartet: 4 saxophones
#
BEGINNER
#
Classical
#
Johann Sebastian Bach
#
Arioso Bach Alto Saxophone Qua
#
SheetMusicPlus
Alto Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroo...
(+)
Alto Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
Arioso Bach Saxophone Quartet 2 Alto 2 Tenor
#
Saxophone Quartet: 4 saxophones
#
BEGINNER
#
Classical
#
Johann Sebastian Bach
#
Arioso Bach Saxophone Quartet
#
SheetMusicPlus
Alto Sax, Tenor Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sac...
(+)
Alto Sax, Tenor Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
Arioso Bach Saxophone Quartet
#
Saxophone Quartet: 4 saxophones
#
BEGINNER
#
Classical
#
Johann Sebastian Bach
#
Arioso Bach Saxophone Quartet
#
SheetMusicPlus
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685...
(+)
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$7.99
Arioso Bach Soprano Saxophone Quartet
#
Saxophone Quartet: 4 saxophones
#
BEGINNER
#
Classical
#
Johann Sebastian Bach
#
Arioso Bach Soprano Saxophone
#
SheetMusicPlus
Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Class...
(+)
Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
Bach Jesu, joy of man's desiring for Saxophone Quartet
#
Saxophone Quartet: 4 saxophones
#
BEGINNER
#
Classical
#
Johann Sebastian Bach
#
Bach Jesu, joy of man's desiri
#
SheetMusicPlus
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685...
(+)
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.
Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
Bach Jesu, joy of man's desiring for Alto Saxophone Quartet
#
Saxophone Quartet: 4 saxophones
#
BEGINNER
#
Classical
#
Johann Sebastian Bach
#
Bach Jesu, joy of man's desiri
#
SheetMusicPlus
Alto Sax, Woodwind Choir or Ensemble, Alto Saxophone Quartet - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque ...
(+)
Alto Sax, Woodwind Choir or Ensemble, Alto Saxophone Quartet - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.
Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
5 Famous Songs by Bach for Baritone Sax Quartet
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Saxophone Quartet: 4 saxophones
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EASY
#
Classical
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Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Bar
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Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach,...
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738138. Published by Woods Only, Arrangements (A0.1137884). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
#
EASY
#
Classical
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Sax
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther....
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738143. Published by Woods Only, Arrangements (A0.1137887). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Tenor Sax Quartet
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Saxophone Quartet: 4 saxophones
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EASY
#
Classical
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Ten
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Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, an...
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738132. Published by Woods Only, Arrangements (A0.1137878). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Alto Sax Quartet
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Saxophone Quartet: 4 saxophones
#
EASY
#
Classical
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Alt
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Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738125. Published by Woods Only, Arrangements (A0.1137872). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
Bach: Air on G string (Sax quartet)
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Saxophone Quartet: 4 saxophones
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Classical
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Johann Sebastian Bach
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Danillo Porto
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Bach: Air on G string
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Porto, Dan
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Digital Download SKU: A0.493921 Composed by Johann Sebastian Bach....
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Digital Download SKU: A0.493921 Composed by Johann Sebastian Bach. Arranged by Danillo Porto. A Cappella,Baroque,Classical,Praise & Worship,Wedding. 7 pages. Published by Porto, Dan (A0.493921). Composed by Johann Sebastian Bach (1685 - 1750). Baroque Period, Classical, Praise & Workship, A Capella, Wedding, Graduation, Recital, Ambience Music. Individual Part, Lead Sheet, Sax Quartet, Score, Set of Parts. 7 pages. Published by Danillo Porto. Johann Sebastian Bach - Air for G string BWV - 1068 #Air #SaxQuartet #Bach.
$4.99
Air On The G String (from Suite No.3 in D Major) (Bach) - Sax quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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André Alberto Santos
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André Alberto Santos
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Air On The G String
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Soul - Musical Creations
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1205839 By A...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1205839 By André Alberto Santos. By Johann Sebastian Bach. Arranged by André Alberto Santos. Baroque,Christian,Christmas,Classical,Wedding. 7 pages. Soul - Musical Creations #804026. Published by Soul - Musical Creations (A0.1205839). Get now the complete score of Air On The G String from Suite No.3 by BachAir On The G String by J. S. Bach is a versatile piece that can be played on many occasions. Whether in a formal concert, in a school or university performance, or even in an informal performance among friends, this piece guarantees a classic and elegant sound. Plus, the PDF sheet music lets you print as many copies as you need, making it an affordable option for music groups and orchestras.With a streamlined arrangement that allows for easy reading and interpretation, this arrangement is an excellent choice for music students, professional musicians, and amateurs looking to add a timeless piece to their repertoire.Don't miss the opportunity to have this masterpiece in your hands. Get now the sheet music in PDF of Air on the G String from Suite No.3 by J. S. Bach and discover the beauty and magic of baroque music. Order now and instantly receive the full score in your email to print or access on any device.Johann Sebastian Bach, Suite No.3, D Major, Orchestral Suite No. 3, Baroque period, Classical music, Air on the G string, Violin, Sheet music, PDF, Transcription, Arrangement, Solo instrument, Chamber orchestra, Music theory, Counterpoint, Musical composition, Musical form, String ensemble, Musical notation, woodwind ensemble , saxophone ensemble.
$9.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes - SATB
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach : Orgelbüchlein
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534471 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708–1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:L’Orgelbüchlein (Le Petit LIvre D‘Orgue) BWV 599−644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitl’organiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Fried’ und Freud’ ich fahr’ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuß den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, bewein’ dein’ Sünde groß, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daß mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heil’ge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heut’ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wend’, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heil’gen zehn Gebot’, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adam’s Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich hab’ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et l’Enterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
$64.95
Arioso Bach Tenor Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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BEGINNER
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Classical
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Johann Sebastian Bach
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Woods Only
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Arioso Bach Tenor Saxophone Qu
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble Tenor Saxophone - Level 1 - Digital Download SKU: A0.956776 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Easter,I...
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Woodwind Ensemble Tenor Saxophone - Level 1 - Digital Download SKU: A0.956776 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Easter,Instructional,Sacred,World. 7 pages. Woods Only, Arrangements #6384917. Published by Woods Only, Arrangements (A0.956776). Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
Bach Jesu, joy of man's desiring for Saxophone Quartet A A T T
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Saxophone Quartet: 4 saxophones
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BEGINNER
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Classical
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Johann Sebastian Bach
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Woods Only
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Bach Jesu, joy of man's desiri
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956826 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christi...
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Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956826 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christian,Easter,Instructional,World. 10 pages. Woods Only, Arrangements #6408689. Published by Woods Only, Arrangements (A0.956826). This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 Herz und Mund und Tat und Leben or Heart and mouth and deed and life from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
Bach Jesu, joy of man's desiring for Tenor Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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BEGINNER
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Classical
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Johann Sebastian Bach
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Woods Only
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Bach Jesu, joy of man's desiri
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble Tenor Saxophone - Level 1 - Digital Download SKU: A0.956806 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christia...
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Woodwind Ensemble Tenor Saxophone - Level 1 - Digital Download SKU: A0.956806 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christian,Easter,Instructional,World. 10 pages. Woods Only, Arrangements #6401127. Published by Woods Only, Arrangements (A0.956806). This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 Herz und Mund und Tat und Leben or Heart and mouth and deed and life from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
Bach Jesu, joy of man's desiring for Saxophone Quartet T T B B
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Saxophone Quartet: 4 saxophones
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BEGINNER
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Classical
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Johann Sebastian Bach
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Woods Only
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Bach Jesu, joy of man's desiri
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956827 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christi...
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Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956827 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christian,Easter,Instructional,World. 10 pages. Woods Only, Arrangements #6408693. Published by Woods Only, Arrangements (A0.956827). This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 Herz und Mund und Tat und Leben or Heart and mouth and deed and life from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
Bach Jesu, joy of man's desiring for Saxophone Quartet A A T B
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Saxophone Quartet: 4 saxophones
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BEGINNER
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Classical
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Johann Sebastian Bach
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Woods Only
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Bach Jesu, joy of man's desiri
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956825 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christi...
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Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.956825 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christian,Easter,Instructional,World. 10 pages. Woods Only, Arrangements #6408687. Published by Woods Only, Arrangements (A0.956825). This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 Herz und Mund und Tat und Leben or Heart and mouth and deed and life from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
Bach: Wachet auf for Sax Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Sax Quart
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Ba...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Bach: Six Partitas Complete BWV 825-830 for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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Bach: Six Partitas Complete BW
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1434546 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1434546 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 475 pages. Jmsgu3 #1014683. Published by jmsgu3 (A0.1434546). The Partitas, BWV 825-830, are a set of six keyboard suites composed by Johann Sebastian Bach and published in 1731 as his Opus 1, the first of his works to be published under his direction. They were among the last keyboard suites Bach composed, written between 1725 and 1731, after the English and French Suites. Each partita consists of a series of dances, typically opening with a prelude-like movement followed by an Allemande, Courante, Sarabande, and Gigue, with additional dances inserted. The tonalities of the six partitas form an ascending and descending pattern of intervals, starting and ending with keys related to Bach's name (B-flat and B). Bach supervised the publication, initially publishing them separately before compiling them into the 1731 Clavier-Übung collection. Many surviving printed copies contain handwritten annotations, some likely stemming from Bach himself, providing insights into the composer's final intentions. They are among Bach's greatest keyboard works, demonstrating mastery of counterpoint, expression, and the instrument's technical capabilities. The partitas range widely in character, from the poetic No. 1 in B-flat to the monumental tragic No. 6 in E minor. So, the Partitas represent the culmination of Bach's genius for keyboard composition and his final thoughts on the dance suite genre.YouTube Playlist Link: https://www.youtube.com/playlist?list=PLT9KtY0S7DRDEAJI68McqwUGB6XPMvGHl.
$128.85
Jesu, Joy of Man’s Desiring for Baritone Saxophone Quartet by Bach BWV 147
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
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Johann Sebastian Bach
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ã‚Œã‚ã‚‹ ã‚
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Jesu, Joy of Man’s Desiring
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Simple Chamber「å˜ç´”ãªå®¤å†…楽ã€
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1410429 Composed by Johann Sebastian Bach. Arranged by ã‚...
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1410429 Composed by Johann Sebastian Bach. Arranged by ã‚Œã‚ã‚‹ ã‚„ã™ã‘. Baroque,Chamber,Christian,Easter. 11 pages. Simple Chamber「å˜ç´”ãªå®¤å†…楽〠#992845. Published by Simple Chamber「å˜ç´”ãªå®¤å†…楽〠(A0.1410429). This is an arrangement of Bach’s piece, Jesu, Joy of Man’s Desiring BWV 147, adapted for a baritone saxophone quartet. This arrangement with chord symbols is a pedagogical tool for teachers and a learning opportunity for music students. In this arrangement, the complexity of the original composition has been carefully simplified, making it accessible and attractive to beginner musicians. Each part, from the highest to the lowest, presents a gradation of difficulty, allowing musicians to develop their skills effectively. This arrangement is useful for teachers, as it offers a pedagogical tool to introduce students to chamber music and Bach’s works. Even simplified, the arrangement maintains the beauty of Bach’s original composition. This arrangement is an excellent choice for music students, teachers, and Johann Sebastian Bach lovers.
$9.99
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