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You've selected:
Take It Slow
Saxophone Quartet: 4 saxophones
Sheetmusic to print
14 sheet music found
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1
Mirrors
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
#
Justin Timberlake
#
Alison Hall
#
Mirrors
#
Alison Hall
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.507885 By Justin Timberlake. By...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.507885 By Justin Timberlake. By Chris Godbey, Garland Mosley, James Fauntleroy, Jerome Harmon, Justin Timberlake, and Tim Mosley. Arranged by Alison Hall. Dance,Pop. 17 pages. Alison Hall #2837101. Published by Alison Hall (A0.507885). Mirrors by Justin Timberlake Arrangement by Alison Hall for Saxophone Quartet (AATB) Thank you for stopping by and considering purchasing this piece. The pdf file is the score (Concert Pitch). Level: Intermediate Duration of Work: 3 minutes and 48 seconds Please hear the whole audio by visiting my YouTube channel. That has a link below to it. Performance practice suggestions: Take things slow. Practice makes Permanent. Listen to each other. This is not appropriate for church services. This is appropriate with most schools and students in this century. This version does not have lyrics. Social Media Channels are below and Feel Free to Stop by and say Hi! https://www.facebook.com/musicteacherdoghousesit/ https://www.linkedin.com/in/alisonhall https://www.youtube.com/channel/UChsWIo9k2WfBsMV514npmjw I recommend that you copy and paste the links. Once again, thank you for stopping by and I hope to hear from you! Sincerely, Alison Hall
$7.50
Mirrors
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE
#
Justin Timberlake
#
Alison Hall
#
Mirrors
#
Alison Hall
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.507884 By Justin Timberlake. By...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.507884 By Justin Timberlake. By Chris Godbey, Garland Mosley, James Fauntleroy, Jerome Harmon, Justin Timberlake, and Tim Mosley. Arranged by Alison Hall. Dance,Pop. 17 pages. Alison Hall #2837093. Published by Alison Hall (A0.507884). Mirrors by Justin Timberlake Arrangement by Alison Hall for Saxophone Quartet (AATB) Thank you for stopping by and considering purchasing this piece. The pdf file is the score (not concert pitch). Level: Intermediate Duration of Work: 3 minutes and 48 seconds Please hear the whole audio by visiting my YouTube channel. That has a link below to it. Performance practice suggestions: Take things slow. Practice makes Permanent. Listen to each other. This is not appropriate for church services. This is appropriate with most schools and students in this century. This version does not have lyrics. Social Media Channels are below and Feel Free to Stop by and say Hi! https://www.facebook.com/musicteacherdoghousesit/ https://www.linkedin.com/in/alisonhall https://www.youtube.com/channel/UChsWIo9k2WfBsMV514npmjw I recommend that you copy and paste the links. Once again, thank you for stopping by and I hope to hear from you! Sincerely, Alison Hall
$7.50
Mirrors
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE
#
Justin Timberlake
#
Alison Hall
#
Mirrors
#
Alison Hall
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.507890 By Jus...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.507890 By Justin Timberlake. By Chris Godbey, Garland Mosley, James Fauntleroy, Jerome Harmon, Justin Timberlake, and Tim Mosley. Arranged by Alison Hall. Dance,Pop. 48 pages. Alison Hall #2837147. Published by Alison Hall (A0.507890). Mirrors by Justin Timberlake Arrangement by Alison Hall for Saxophone Quartet (SATB) Thank you for stopping by and considering purchasing this piece. The pdf file are all the parts (Concert Pitch Score, Non-Concert Pitch Score, Soprano, Alto, Tenor, Bari). Level: Intermediate Duration of Work: 3 minutes and 48 seconds Please hear the whole audio by visiting my YouTube channel. That has a link below to it. Performance practice suggestions: Take things slow. Practice makes Permanent. Listen to each other. This is not appropriate for church services. This is appropriate with most schools and students in this century. This version does not have lyrics. Social Media Channels are below and Feel Free to Stop by and say Hi! https://www.facebook.com/musicteacherdoghousesit/ https://www.linkedin.com/in/alisonhall https://www.youtube.com/channel/UChsWIo9k2WfBsMV514npmjw I recommend that you copy and paste the links. Once again, thank you for stopping by and I hope to hear from you! Sincerely, Alison Hall
$15.00
Mirrors
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE
#
Justin Timberlake
#
Alison Hall
#
Mirrors
#
Alison Hall
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.507887 By Justin Timberlake. By...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.507887 By Justin Timberlake. By Chris Godbey, Garland Mosley, James Fauntleroy, Jerome Harmon, Justin Timberlake, and Tim Mosley. Arranged by Alison Hall. Dance,Pop. 48 pages. Alison Hall #2837111. Published by Alison Hall (A0.507887). Mirrors by Justin Timberlake Arrangement by Alison Hall for Saxophone Quartet (AATB) Thank you for stopping by and considering purchasing this piece. The pdf file are all of the parts (Concert Pitch Score, Non-Concert Pitch Score, Alto 1, Alto 2, Tenor, Bari). Level: Intermediate Duration of Work: 3 minutes and 48 seconds Please hear the whole audio by visiting my YouTube channel. That has a link below to it. Performance practice suggestions: Take things slow. Practice makes Permanent. Listen to each other. This is not appropriate for church services. This is appropriate with most schools and students in this century. This version does not have lyrics. Social Media Channels are below and Feel Free to Stop by and say Hi! https://www.facebook.com/musicteacherdoghousesit/ https://www.linkedin.com/in/alisonhall https://www.youtube.com/channel/UChsWIo9k2WfBsMV514npmjw I recommend that you copy and paste the links. Once again, thank you for stopping by and I hope to hear from you! Sincerely, Alison Hall
$15.00
Mirrors
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE
#
Justin Timberlake
#
Alison Hall
#
Mirrors
#
Alison Hall
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.507888 By Jus...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.507888 By Justin Timberlake. By Chris Godbey, Garland Mosley, James Fauntleroy, Jerome Harmon, Justin Timberlake, and Tim Mosley. Arranged by Alison Hall. Dance,Pop. 34 pages. Alison Hall #2837143. Published by Alison Hall (A0.507888). Mirrors by Justin Timberlake Arrangement by Alison Hall for Saxophone Quartet (SATB) Thank you for stopping by and considering purchasing this piece. The pdf file are both scores (Concert Pitch Score, Non-Concert Pitch Score). Level: Intermediate Duration of Work: 3 minutes and 48 seconds Please hear the whole audio by visiting my YouTube channel. That has a link below to it. Performance practice suggestions: Take things slow. Practice makes Permanent. Listen to each other. This is not appropriate for church services. This is appropriate with most schools and students in this century. This version does not have lyrics. Social Media Channels are below and Feel Free to Stop by and say Hi! https://www.facebook.com/musicteacherdoghousesit/ https://www.linkedin.com/in/alisonhall https://www.youtube.com/channel/UChsWIo9k2WfBsMV514npmjw I recommend that you copy and paste the links. Once again, thank you for stopping by and I hope to hear from you! Sincerely, Alison Hall
$10.00
Mirrors
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE
#
Justin Timberlake
#
Alison Hall
#
Mirrors
#
Alison Hall
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.507889 By Jus...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.507889 By Justin Timberlake. By Chris Godbey, Garland Mosley, James Fauntleroy, Jerome Harmon, Justin Timberlake, and Tim Mosley. Arranged by Alison Hall. Dance,Pop. 14 pages. Alison Hall #2837145. Published by Alison Hall (A0.507889). Mirrors by Justin Timberlake Arrangement by Alison Hall for Saxophone Quartet (SATB) Thank you for stopping by and considering purchasing this piece. The pdf file are the individual parts (Soprano, Alto, Tenor, Bari). Level: Intermediate Duration of Work: 3 minutes and 48 seconds Please hear the whole audio by visiting my YouTube channel. That has a link below to it. Performance practice suggestions: Take things slow. Practice makes Permanent. Listen to each other. This is not appropriate for church services. This is appropriate with most schools and students in this century. This version does not have lyrics. Social Media Channels are below and Feel Free to Stop by and say Hi! https://www.facebook.com/musicteacherdoghousesit/ https://www.linkedin.com/in/alisonhall https://www.youtube.com/channel/UChsWIo9k2WfBsMV514npmjw I recommend that you copy and paste the links. Once again, thank you for stopping by and I hope to hear from you! Sincerely, Alison Hall
$10.00
Skye Boat Song (Saxophone Quartet arrangement)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
#
William Ross
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James Pybus
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Skye Boat Song
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1277736 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1277736 Composed by William Ross (1762-1791). Arranged by James Pybus. Celtic,Chamber,Folk,Irish,Multicultural,Wedding,World. 18 pages. James Pybus #869418. Published by James Pybus (A0.1277736). The Skye Boat Song is a late 19th-century Scottish song adaptation of a Gaelic song composed c.1782 by William Ross, entitled Cuachag nan Craobh (Cuckoo of the Tree). In the original song, the composer laments to a cuckoo that his unrequited love, Lady Marion Ross, is rejecting him. The 19th-century English lyrics instead evoked the journey of Prince Charles Edward Stuart (Bonnie Prince Charlie) from Benbecula to the Isle of Skye as he evaded capture by government soldiers after his defeat at the Battle of Culloden in 1746. It is often played as a slow lullaby or waltz. It entered the modern folk canon in the twentieth century with versions by Paul Robeson, Tom Jones, Rod Stewart, Roger Whittaker, Tori Amos, and many others. Bear McCreary adapted the song as the opening theme music of the 2014 TV series Outlander, sung by Raya Yarbrough, changing the text of Robert Louis Stevenson's poem Sing Me a Song of a Lad That Is Gone (1892) to Lass to fit the story.This arrangement for SATB or AATB Saxophone Quartet is suitable for a wide variety of performance and concert settings. The duration is 4:13. Contact me at james.pybus56@gmail.com.
$21.00
Saxophonic Variability
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Saxophone Quartet: 4 saxophones
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Contemporary
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Zachary C
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Saxophonic Variability
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Divisi Labs
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.1010677 Composed by Zac...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.1010677 Composed by Zachary C. Daniels. Contemporary. 41 pages. Divisi Labs #6563895. Published by Divisi Labs (A0.1010677). Score and PartsSaxophonic Variability is written with the intent of demonstrating the full set of colors and technical possibilities of a saxophone quartet. The opening movement, slow and sombre, reminds us of the time when saxophones were first brought to the public eye regularly, the late 1800s. The continual flow between harmony, and dissonance is representative of what is to come in the remaining movements. The second movement takes off immediately, and departs on a musical journey of its' own. The rhythmic drive being heavily inspired by bebop jazz, and similar styles of the mid-twentiethcentury. Listen, as moments of solace break out in reverence of the great ballads written for the instrument by many jazz composers of this era. This movement ends as abrubtly as it began as we enter the slow, lyrical third movement. This next movement is incredibly slow, and brings out the lyrical, singing quality of the instrument given the right timbre. The piece concludes with a fiery finale that develops ideas introduced earlier in the piece.This is a great piece to showcase the flexibility of an ensemble, and makes for a good finisher.
$4.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
#
Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
"Pezzo in forma di Sonatina" from Serenade Op. 48 for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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P
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Diego Marani
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"Pezzo in forma di Sonatina" f
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.742915 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.742915 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic Period,Standards. 23 pages. Diego Marani #351038. Published by Diego Marani (A0.742915). Tchaikovsky's Serenade for Strings in C Major was written with an ear towards one of his idols, a certain 18th century composer by the name of Mozart. The title and structure of the piece are taken from the serenades of the latter, though this is certainly Tchaikovsky's own particularly 19th century rendering of these older ideas. That it is a masterful work, is demonstrated by the fact that it still remains among the most performed and appreciated by the public alongside the serenades by AntonÃn Dvořák and Josef Suk. Cast in a classical four movement outlay, the work begins with a sonata form movement (Tchaikovsky calls it a sonatina, i.e. little sonata, though it is a rather robust form, replete with a slow introduction and full development). This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) reflects faithfully the original and is suitable for classroom, repertoire and recital.
$14.99
Romanza from Symphony No.85 (Haydn)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Franz Joseph Haydn
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Brett A
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Romanza from Symphony No.85
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Brett A Foster
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1025680 Composed by Franz Joseph Haydn. Arranged by Brett A. Foster. Classical. ...
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Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1025680 Composed by Franz Joseph Haydn. Arranged by Brett A. Foster. Classical. 20 pages. Brett A Foster #5001797. Published by Brett A Foster (A0.1025680). The Symphony No. 85 in B♠major, Hoboken I/85, is the fourth of the six Paris symphonies (numbers 82–87) written by Joseph Haydn. It is popularly known as La Reine (The Queen). This arrangement is from the second movement: Romanze: Allegretto. The arrangement is an arrangement / reduction of the original slow movement for Four Saxophones - Soprano, Alto, Tenor and Baritone Saxes. It is a very pretty work in Theme and Variation style form. There have been some minor liberties taken in part writing and octaves to make sure it works well on saxophone. I myself am a high school teacher and saxophone player, so I have made the parts accessible for most players. This work would be accessible by high school players and above. See my other published music on https://www.sheetmusicmarketplace.com/store/bf-music .
$7.99
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