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You've selected:
Ten studies
Saxophone Quartet: 4 saxophones
Sheetmusic to print
5 sheet music found
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1
Saplings, studies for saxophone
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Saxophone Quartet: 4 saxophones
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Paul Marshall
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Saplings, studies for saxophon
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Sindel-Marshall Music Studio
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.962173 Composed by Paul...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.962173 Composed by Paul Marshall. Contemporary,Jazz. 39 pages. Sindel-Marshall Music Studio #2968781. Published by Sindel-Marshall Music Studio (A0.962173). These studies cover a diverse range of styles and start at an elementary level and continue to an advanced student level. Always musically interesting whilst still providing a good technical foundation.
$17.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Saxophone Quartet (AATB or SATB)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.784345 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.784345 Composed by Joshua Hauser. Instructional. 110 pages. Slide Ride #5288699. Published by Slide Ride (A0.784345). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50
Sammy Nestico: A Study In Contrasts (COMPLETE) - saxophone quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Sammy Nestico
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Virtualsheetmusic
Instantly printable sheet music by Sammy Nestico for saxophone quartet of MEDIUM skill level. Contents: etude, etudes, studies, exercises / concert,instructional...
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Instantly printable sheet music by Sammy Nestico for saxophone quartet of MEDIUM skill level. Contents: etude, etudes, studies, exercises / concert,instructional
$12.99
The Good, The Bad And The Ugly (Main Title)
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Saxophone Quartet: 4 saxophones
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EASY
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Ennio Morricone
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Harry O'Brien
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The Good, The Bad And The Ugly
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Harry O'Brien
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1464593 Composed by Ennio Morr...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1464593 Composed by Ennio Morricone. Arranged by Harry O'Brien. 20th Century,Classical,Contemporary,Film/TV,Multicultural,World. 14 pages. Harry O'Brien #1043316. Published by Harry O'Brien (A0.1464593). An Intermediate 4 piece saxophone ensemble arrangement of Ennio Morricone's Main Theme from the 1966 film, The Good, The Bad And The Ugly. The spaghetti western's soundtrack has become one of the most iconic soundtracks in film history, and typifies 20th century contemporary classical music.The arrangement for 2 altos, 1 tenor and 1 baritone creatively arranges the once diverse orchestration into a small saxophone ensemble, and can be played by either a quartet, or an ensemble with multiple players per part. a fun piece for any saxophone ensemble.Comes with Full Score and parts for the following instruments:Alto Saxophone 1Alto Saxophone 2Tenor SaxophoneBaritone SaxophoneAbout the arranger:Harry O'Brien is an emerging composer, arranger, guitarist and music educator in Sydney, Australia. His rock/jazz performance background, orchestral and film composition studies at Sydney Conservatorium, along with being an experienced conductor/director of school-level concert bands and guitar ensembles, give him a highly versatile and distinct arranging sound, one which understands the role every instrument can play in a school band. Arrangements for professional orchestras have been performed in venues around Australia including the State Theatre and Her Majesty's Theatre Adelaide. Website: https://obrienharry08.wixsite.com/music
$40.00
Schumann: Four Fugues, Op. 72, for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Robert Schumann
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James M
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Schumann: Four Fugues, Op. 72,
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1422323 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1422323 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 42 pages. Jmsgu3 #1003659. Published by jmsgu3 (A0.1422323). Schumann's Op. 72 is an integral part of his compositional output. The set consists of four fugal character pieces - a category that Schumann viewed as defining true music. The four fugues were composed as part of Schumann's studies in counterpoint that he undertook with his wife Clara in 1845. During this period, Clara also composed several fugues, including some on themes by Robert. Schumann's Op. 72 Fugues demonstrate his mastery of the fugal form and his passion for the genre, which is also evident in other works like his Six Fugues on the Name BACH, Op. 60. Overall, the Four Fugues, Op. 72 are an important example of Schumann's contrapuntal writing and his exploration of the fugue as a musical form.
$42.95
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