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Come Around
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11
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You've selected:
Come Around
Jazz combo
Sheetmusic to print
7 sheet music found
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1
Toads
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Jazz combo
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Blues
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Jazz
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Roger Aldridge
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Toads
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Roger Aldridge
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SheetMusicPlus
Jazz Combo - Digital Download SKU: A0.979631 Composed by Roger Aldridge. Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #428079. Published by Roger...
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Jazz Combo - Digital Download SKU: A0.979631 Composed by Roger Aldridge. Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #428079. Published by Roger Aldridge (A0.979631). Words that come to mind about this piece are strange, edgy, and fun. In just over a minute the music moves seamlessly through four different styles. I think of it as invoking images of mutant creatures wreaking havoc on a small town in a 1950's monster movie. Toads is meant to be OUT. The first section has a minor blues feeling even though it does not have have a minor blues harmonic structure. The solo fills (on E+7 and Db7) are fairly short on the demo recording. They can be played longer and have more of an avant-garde spirit. The second section has an angular melody line, with an emphasis on major 7th intervals, and shifting time. It can start softly and build in volume to the third section. The third section is also angular; however, there is a melodic shift from major 7th intervals to fourths & tri-tones and the rhythm section is in a more straight-ahead style. Finally, the fourth section (last 4 measures) has a funk feeling. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 4:00 YEAR OF RELEASE: 2010.
$3.00
Connecticut Avenue SUVs
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Jazz combo
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Roger Aldridge
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Connecticut Avenue SUVs
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Roger Aldridge
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SheetMusicPlus
Jazz Combo - Digital Download SKU: A0.979668 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 5 pages. Roger Aldridge #546393. Published b...
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Jazz Combo - Digital Download SKU: A0.979668 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 5 pages. Roger Aldridge #546393. Published by Roger Aldridge (A0.979668). Shifting time funk (for 5 wind instruments and rhythm section)! The title expresses my disdain for contending with monster SUVs when driving on Connecticut Avenue in Washington, DC. As I envision this music, it is funky and adventurous. The piece is a minimalist composition -- the melody is only 16 bars. However, it has expanded improvisation concepts for the soloist and the ensemble. The ensemble's collective improvisation is to sound like music coming out of car windows in traffic. The sounds change quickly. Different kinds of music come, go, and overlap. Radios (or electronics) may be used for additional layers of sound. The soloists use four chord progression patterns. Each soloist determines which patterns to play and their sequence. The patterns can be played in any order. Ideally, the patterns are determined within a performance instead of before. The soloist communicates the patterns, and when to shift to a new pattern, to the ensemble by hand signals. Music styles can also shift within a solo. Performers can take the music in any creative direction they want to go with it. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011.
$3.00
Pi, Why?
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Jazz combo
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Roger Aldridge
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Pi, Why?
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Roger Aldridge
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SheetMusicPlus
Jazz Combo - Digital Download SKU: A0.979629 Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Publi...
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Jazz Combo - Digital Download SKU: A0.979629 Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Published by Roger Aldridge (A0.979629). Pi, Why? is an unconventional blues that uses Pi (3.1415926....) as a sequence of melodic intervals. Do not let that scare you away -- the music swings. The structure of this 18-bar tune is based on 3-bar phrases and there is shifting time in places. The first 32 digits of Pi are used in this tune: 3.1415926535897932384626433832795. Here is how I converted the Pi numbers to melodic intervals: Simply, each number becomes an interval in relation to the root of the chord being used at the time. That is, the relationships change when the chords change. The intervals are natural or altered (b9, #9, #11, etc.) chord tones or higher tensions. For 3 on V7 chords, I use either natural 3 or minor 3 (enharmonically #9). The tune starts with the sequence of 3 (#9), 1, 4 (#11), 1, 5, 9 (b9) played twice with C7 (#9) and then transposed down a half-step for B7 (#9). The next sequence -- 2 (b9), 6, 5, 3 (natural), 5 -- is played with the Bb7 (#9) chord and so on through the rest of the 32-note sequence. While 3 is the first number of Pi, that is not why the tune is structured with 3-bar phrases. Simply, the 3-bar phrases felt natural and swinging to me. This tune has a strong blues flavor; however, it is not a conventional 12-bar blues in its structure or chord progression. The A part is 12 bars. Then, the B part is 6 bars with alternating 4/4 and 3/4 (one can think of it as 7/4). The B part also has a harmonic shift from V7 (#9) chords to V9 sus4 and major 7th chords. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 4:00 YEAR OF RELEASE: 1999.
$3.00
Until Next Time
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Jazz combo
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INTERMEDIATE
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Deborah Johnson
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Until Next Time
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Deborah Johnson
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SheetMusicPlus
Jazz Combo - Level 3 - Digital Download SKU: A0.877792 Composed by Deborah Johnson. Holiday,Jazz,Love,Pop. Score and parts. 10 pages. Deborah Johnson #22...
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Jazz Combo - Level 3 - Digital Download SKU: A0.877792 Composed by Deborah Johnson. Holiday,Jazz,Love,Pop. Score and parts. 10 pages. Deborah Johnson #22617. Published by Deborah Johnson (A0.877792). Beautiful love ballad, music and lyrics by Deborah Johnson. First written as a part of the musical, One Little Kiss, this is a folk-style jazz arrangement that can be performed as a solo or duet. In the score is the sparse secondary piano part, played two octaves apart, and the guitar solo. It has become a favorite in live performances. It includes 9 pages besides the title page. The song is available for download on the album The Hero Inside. https://DJworksMusic.com/products. Full video of the song at http://youtu.be/KP78n2T168o It can be performed with or without the duet, which is written mostly in octaves. It can also be performed very effectively with just guitar. The piano transcription is mostly at the intermediate level and the vocal range for the solo in this version is between a low E (below middle C) to a mid-A. It can easily be transposed up a key or two, depending on the singer.MP3 Instrumental background tracks are also available for sing-a-long or sing-a-long and play-a-long (without piano)DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. The author of multiple books, her music has been up for multiple GRAMMY Awards. You can find out more about Deborah at https://DJWorksMusic.com, https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com. Follow her on Instagram @Deborah_JohnsonMusic or on Facebook @Deborah.JohnsonMusic and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Additional production, guitars and bass by Michael Ferenci. Background vocal by David Johnson. Recorded at Ferenci Studios, Silverlake, CA.
$6.99
Goodbye To Summer
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Jazz combo
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Jazz
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Latin/World Music
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Roger Aldridge
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Goodbye To Summer
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Roger Aldridge
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SheetMusicPlus
Jazz Combo - Digital Download SKU: A0.979628 Composed by Roger Aldridge. Jazz,Latin. Score and parts. 1 pages. Roger Aldridge #427655. Published by Roger...
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Jazz Combo - Digital Download SKU: A0.979628 Composed by Roger Aldridge. Jazz,Latin. Score and parts. 1 pages. Roger Aldridge #427655. Published by Roger Aldridge (A0.979628). Goodbye To Summer is a gentle and reflective bossa nova. While this tune is AABA, it has an unusual structure. The first A section is 11 bars (repeated), the B section is 4 bars, and the last A section is 7 bars. The entire form is 33 bars. The bridge goes into a slower tempo and is to be played freely. The last A section was truncated, from 11 bars to 7, to have a lead-in for the soloist that suddenly comes out of nowhere. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 4:00 YEAR OF RELEASE: 1994.
$3.00
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