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Back To Life
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
4 sheet music found
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1
In My Life
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Rock
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The Beatles
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Ray Thompson
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In My Life
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1273254 By The Beatles. By John Lennon and Paul ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1273254 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 10 pages. RayThompsonMusic #865399. Published by RayThompsonMusic (A0.1273254). Arranged wind quintet: fl, ob, clt, hn and bsnIn My Life is a song by the English rock band the Beatles. It appeared on their 1965 album Rubber Soul. Its lyrics were written primarily by John Lennon, credited to Lennon–McCartney. George Martin contributed the  solo bridge passage.The song was recorded on 18 October 1965, and was complete except for the instrumental bridge. At that time, Lennon had not decided what instrument to use, but he subsequently asked George Martin to play a piano solo, suggesting something Baroque-sounding. Martin wrote a Bach-influenced piece that he found he could not play at the song's tempo. On 22 October, the solo was recorded with the tape running at half speed, so when played back at normal pace the piano was twice as fast and an octave higher, solving the performance challenge and also giving the solo a unique timbre, reminiscent of a harpsichord.According to Lennon, In My Life was his first real major piece of work because it was the first time he wrote about his own life.In 2000, Mojo named In My Life the best song of all time. Rolling Stone ranked it number 23 on its 2004 list of The 500 Greatest Songs of All Time, and number 98 on the 2021 revised list, as well as fifth on its list of the Beatles' 100 Greatest Songs.i have given 1st verse to oboe, and the 2nd verse to the clarinet.The mp3 excerpt is the end of the clarinet verse going into the bridge.
$17.95
Deck the Halls by Oliphant for Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Christmas
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Thomas Oliphant
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Ander
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Deck the Halls by Oliphant for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1317969 Composed by Thomas Oliphant. Arranged by Ander. Chamber,Christian,Christm...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1317969 Composed by Thomas Oliphant. Arranged by Ander. Chamber,Christian,Christmas. 13 pages. Woods Only, Arrangements #906661. Published by Woods Only, Arrangements (A0.1317969). We present to you the arrangement of Deck the Halls for Woodwind Quintet. This arrangement brings a new and magical perspective to this famous melody, playing with the original melody, but maintaining the essence of the work. It is perfect for any Christmas event, whether for chamber music in recitals, concerts, public shows, or as teaching material for music teachers to encourage their students. Deck the Halls is a traditional Christmas carol. The melody is Welsh, dating back to the 16th century, and belongs to a winter carol, “Nos Galanâ€. The English lyrics, written by the Scottish musician Thomas Oliphant, date from 1862. This arrangement brings new life to this historical melody, making it a valuable addition to any Christmas repertoire. This arrangement of Deck the Halls is more than just a score; it is a piece of musical history, skillfully adapted for the modern scene. Purchase today and bring a touch of magic to your Christmas with this charming arrangement of Deck the Halls.
$9.99
White Christmas
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Christmas
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Bing Crosby
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Ander
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White Christmas
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1321430 By Bing Crosby. By Irving Berlin. Arranged by Ander. Chamber,Christmas. 1...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1321430 By Bing Crosby. By Irving Berlin. Arranged by Ander. Chamber,Christmas. 16 pages. Woods Only, Arrangements #909889. Published by Woods Only, Arrangements (A0.1321430). I present to you an innovative arrangement of Irving Berlin’s White Christmas for Woodwind Quintet. This arrangement breathes new life into the famous melody, playfully tinkering with the original melody, yet maintaining the essence of the original work. It is perfect for any Christmas event, whether as chamber music in recitals, concerts, public shows, or as teaching material for teachers to encourage their music students. White Christmas is a song that harks back to an old-fashioned Christmas setting. The song was written by Berlin for the 1942 musical film, Holiday Inn. This arrangement of White Christmas is a tribute to Berlin’s genius and the timeless beauty of his music. With its playful tweaks to the melody, this arrangement offers a fresh perspective on the beloved song, making it even more special for Christmas celebrations. Purchase this arrangement and bring the magic of Christmas to your music!
$12.99
Bach Fuga BWV 539 For Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Classical
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroqu...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
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