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Came Here For Love
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
7 sheet music found
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1
Bach Fuga BWV 539 For Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Classical
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroqu...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
Christmas Joy Medley for Wind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Felix Bartholdy Mendelssohn, J
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Stephanie Daige
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Audiences are sure to love it
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Christmas Joy Medley for Wind
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.796888 Composed by Felix Bartholdy Mendelssohn, Johann Sebastian Bach, and Tradit...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.796888 Composed by Felix Bartholdy Mendelssohn, Johann Sebastian Bach, and Traditional. Arranged by Stephanie Daige. Baroque,Christian,Christmas,Classical,Concert. 25 pages. Stephanie Daige #3674631. Published by Stephanie Daige (A0.796888). This arrangement of seven traditional Christmas favorites will make your heart joyful as you prepare for the holiday season! The melody moves around from instrument to instrument in a conversation-like way, with rich harmonies and beautiful descants enhancing the melodies. This triumphant medley is in the key of concert G major. Christmas carols featured are: • Hark! The Herald Angels Sing • O Come, All Ye Faithful • O Little One Sweet • Bring A Torch, Jeannette, Isabella • It Came Upon the Midnight Clear • O Little Town of Bethlehem • We Wish You a Merry Christmas I hope you will enjoy performing this medley as much as I have enjoyed arranging it! Audiences are sure to love it. This medley works well in a variety of venues during the Christmas season: school concert, church, shopping mall background music, chamber music recital, prelude to a choral performance/ sing-along, etc. It'd perfect for anywhere you want to lift people's spirits with beautiful, familiar seasonal music. Duration is approximately 4.5 minutes. There are also versions of this medley available for piano and other chamber music ensembles. 2018 Holiday Contest Entry
$17.99
It Came Upon A Midnight Clear for Wind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Edmund Sears and Richard Storr
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James Smith
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It Came Upon A Midnight Clear
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James Smith
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1343257 Composed by Edmund Sears and Richard Sto...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1343257 Composed by Edmund Sears and Richard Storrs Willis. Arranged by James Smith. Christian,Christmas,Holiday,Jazz,Traditional. 20 pages. James Smith #928780. Published by James Smith (A0.1343257). A beloved Christmas tune, It Came Upon A Midnight Clear was a poem & carol written in 1849 by Edmund Sears, with music written by Richard Storrs Willis. Sears wrote the hymn while serving as a part-time preacher. Writing during a period of personal melancholy, and with news of revolution in Europe and the United States' war with Mexico fresh in his mind, Sears portrayed the world as dark, full of sin and strife, and not hearing the Christmas message.This arrangement features chorale and jazz renditions of the tune that is sure to keep the audience engaged, with an optional section for members of the group to improvise. Great for holiday concerts!Want to view more of my arrangements? View my entire catalog here at https://linktr.ee/jamessmithmusic.
$14.99
Communion (for Wind Quintet)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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EASY
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Andrew Lamb
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Andrew Lamb
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Communion
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Andrew Lamb
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1219628 By Andrew Lamb. By William Faulkes (1863...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1219628 By Andrew Lamb. By William Faulkes (1863-1933). Arranged by Andrew Lamb. 19th Century,Chamber,Christian,Religious. 10 pages. Andrew Lamb #815992. Published by Andrew Lamb (A0.1219628). Title: CommunionComposer: William Faulkes (1863-1933)Arranger: Andrew LambDescription: This is a transcription of Andante Religioso by Henry Smith (1813-1879).William Faulkes was a renowned British composer and organist, born in 1863. He began his musical career as a choirboy at York Cathedral, where he developed his love for music. Faulkes went on to study music and became a distinguished organist, playing at prestigious cathedrals and churches throughout England. He also developed a reputation as a gifted composer, writing works for organ, choir, and orchestra. Faulkes’ music was known for its delicacy, simplicity, and expressive qualities. His work was admired by many, including the renowned composer Sir Edward Elgar. Faulkes was awarded numerous honours throughout his career, including the Order of the British Empire. He died in London in 1933, leaving behind a legacy of beautiful music that continues to inspire and delight music lovers to this day.
$6.00
I Had Much Grief
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Tei...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
Minuet by Boccherini for Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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EASY
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Luigi Boccherini
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Ander
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Minuet by Boccherini for Woodw
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1127185 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instru...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1127185 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. 9 pages. Woods Only, Arrangements #727816. Published by Woods Only, Arrangements (A0.1127185). This simple arrangement adapted for woodwind quintet was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference. Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$9.99
That's Amore (That's Love)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Pop music
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Harry Warren
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Robert Newth
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That's Amore
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Robert Newth
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.845708 Composed by Harry Warren. Arranged by Robert Newth. Pop. 16 pages. Robert ...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.845708 Composed by Harry Warren. Arranged by Robert Newth. Pop. 16 pages. Robert Newth #5865323. Published by Robert Newth (A0.845708). That's Amore was written in 1953 for the film The Caddy, where it was sung by Dean Martin. The song became a hit for Martin, and was nominated for the Academy Award for Best Song.This arrangement is for standard woodwind quintet of Flute, Oboe, Clarinet in Bb, French Horn, and Bassoon. The PDF download contains a full score and all five parts.If you have enjoyed this arrangement, please consider leaving a review.
$12.99
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