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Edward-German century
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
2 sheet music found
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3 Dances from Henry VIII set for Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Contemporary
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Sir Edward German
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John Gibson
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3 Dances from Henry VIII set f
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JB Linear
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.581966 Composed by Sir Edward German. Arranged by John Gibson. 20th ...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.581966 Composed by Sir Edward German. Arranged by John Gibson. 20th Century. Score and parts. 56 pages. JB Linear #3604245. Published by JB Linear (A0.581966). Edward German's Three Dances from Henry VIII set for Woodwind Quintet by John Gibson. Before motion pictures it was common to have incidental music performed during plays. These three dances by Edward German (composed 1892) are fun and very British. The three dances are Morris Dance, Shepherd's Dance, and Torch Dance. It is arranged for woodwind quintet (flute, oboe, Bb clarinet, F horn, and bassoon).
$16.25
Harmony Music No.1
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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E Elgar
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Philip Le Bas
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Harmony Music No.1
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Philip Le Bas
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Ba...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,Chamber,Classical. 26 pages. Philip Le Bas #728449. Published by Philip Le Bas (A0.1127840). An arrangement by Philip Le Bas of a very early wind quintet written by Edward Elgar while still based in Worcester in 1878-9, entitled Harmony Music No.1, after the German Harmoniemusik, meaning music for wind instruments. His quintet group (in which he played the bassoon) consisted of two flutes, an oboe, a clarinet and a bassoon, which by modern standards is rather unusual (omitting the usual French horn). He agreed to write a quintet for the group once a week, and he claimed to have written most of them during the 25-minute sermons at St. George's R.C. Church, where he had taken over the organ-playing from his father (and where the arranger ministered for three years in the 1990s!) It is a wonderful, cheerful, tuneful short piece (4-5 minutes long), but the original version is rarely performed, perhaps because of its difficulty on several fronts. First it is very fast, challenging performers' ability to tongue rapidly. Secondly, it repeatedly leaves no time to breathe, especially for the flautists (meaning that it has to be performed even faster, in order to get through it.) Thirdly, Elgar's oboist must have been extremely versatile, as its part is very low indeed in places (several low B's played pp at speed.) Finally, published copies seem to have rather a lot of editorial errors... This arrangement was therefore created in the hope that the piece might become more accessible and be more frequently performed. Although the bassoon part remains Elgar's, the other four players are used imaginatively to overcome many of the difficulties of the original. For example, the original low oboe parts are here played by one of the clarinets instead, and the severe breathing problems are solved by sharing repeated quavers between the four higher instruments.
$5.99
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