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Me On Your Mind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
3 sheet music found
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Speak Your Mind, Compromise - Barter, Trust, for wind quintet & other instruments - Score and Parts
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Paul Burnell
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Speak Your Mind, Compromise -
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Paul Burnell
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1500108 Composed by Paul Burnell. 21st Century,C...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1500108 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 18 pages. Paul Burnell #1076184. Published by Paul Burnell (A0.1500108). Speak Your Mind, Compromise - Barter, Trust, by Paul Burnell, composed 2000 for wind quintet and other instruments as required. Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F Individual parts can be used for rehearsal. In performance the combined score/part can be used - each wind quintet instrument plays as written, with the bassoon playing as if with a bass clef, the others as if with a treble clef. Eb and alto clef parts (based on the horn in F) are also available to enable inclusion, in a larger ensemble, of alto saxophone, tenor horn, viola. Programme Note I wanted to write a piece that took inspiration from one aspect of the political process. The starting point was a quote from William Burke (1729-97): All government, indeed every human benefit and enjoyment, every virtue, and every prudent act, is founded on compromise and barter. [Speech on Conciliation with America, 1775] This quote did not in itself suggest to me all that was required, and so I tried to suggest the ideas of 'SpeakYour Mind' and 'Trust' in the other two sections. The music is presented as a combined score/part and I felt that in this context the idea of musicians playing within a single 'forum' would have an extra resonance. The music is presented on two sides of a single page, and I deliberately preceded the third section 'Trust' with the instruction 'turn over...'. In this way I hope to evoke the idea of 'turning over a new leaf'.
$4.99
Bach Fuga BWV 539 For Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Classical
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroqu...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
Guide to Holiday Shopping
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Christmas
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Gary D
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Guide to Holiday Shopping
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Gary D. Belshaw Music
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SheetMusicPlus
Woodwind Quintet - Advanced Intermediate - Digital Download Composed by Gary D. Belshaw (ASCAP). Contemporary Classical, Christmas, Thanksgiving, Ame...
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Woodwind Quintet - Advanced Intermediate - Digital Download Composed by Gary D. Belshaw (ASCAP). Contemporary Classical, Christmas, Thanksgiving, Americana. Score, Set of Parts. 18 pages. Published by Gary D. Belshaw Music
16 pages of score and parts. Duration: less than three minutes.
Arranged from the original solo piano version (also available in Sheet Music Plus, and on Richard Fountain's debut CD, American Ivory), Guide to Holiday Shopping is joyous Christmas rondo for the advanced wind quintet. All players get to dabble in the foreground music. Listen for the clarinet's "hallelujahs" at Rehearsal G. This is music to help us balance the stresses of the holidays with the purpose and mission of our shopping, and to remind us of the reason for the season. Completely appropriate for inclusion on any social event during November and December.
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$14.99
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