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Over And Over Again
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
8 sheet music found
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1
Sing Them Over Again To Me (Woodwind Quintet)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Phillip P
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Joseph Pugh
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Sing Them Over Again To Me
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Joseph Pugh
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.855024 Composed by Phillip P. Bliss. Arranged by Joseph Pugh. Christ...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.855024 Composed by Phillip P. Bliss. Arranged by Joseph Pugh. Christian,Sacred,Standards. Score and parts. 9 pages. Joseph Pugh #6059013. Published by Joseph Pugh (A0.855024). Bliss became an itinerant music teacher, making house calls on horseback during the winter, and during the summer attending the Normal Academy of Music in Genesco, New York. His first song was published in 1864, and in 1868 Dwight L. Moody advised him to become a singing evangelist. This wonderful, light woodwind quintet by Joseph Pugh has hints of contemporary stylings but is close to the original harmony.
$9.99
HERO SANDWICH from Odd Beethoven
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Contemporary
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West Coast Wind Quintet
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HERO SANDWICH from Odd Beethov
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Thinkling Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1162314 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical. 14 pages...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1162314 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical. 14 pages. Thinkling Music #762674. Published by Thinkling Music (A0.1162314). Once again, my mind goes to food. What can I say? But this is no random title. “Hero†refers of course to the subtitle of Beethoven’s third symphony, the “Eroicaâ€. Just as in Sixth Sense, my piece begins a lot like the original, but soon goes astray - into a blues style which  Beethoven never knew. There IS drama here, along with the witty stuff.  After all, it is “Odd BEETHOVENâ€. And “Beethoven†is synonymous with “dramaâ€â€¦ as well as with “witâ€! The overall mood is whimsical and fun – and the piece is brief, making it a perfect encore piece – short and sweet.
$5.00
When The Party's Over
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Pop music
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Billie Eilish
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Daniel E
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When The Party's Over
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Daniel Self
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1302902 By Billie Eilish. By Finneas O'Connell. ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1302902 By Billie Eilish. By Finneas O'Connell. Arranged by Daniel E. Self. 21st Century,Contemporary,Pop,Rock. 17 pages. Daniel Self #892514. Published by Daniel Self (A0.1302902). An outstanding option for any wind quintet's popular music collection this arrangement of When The Party's Over features densely packed harmonies, abd subtle nuances of dynamics and texture. Scored for wind quintet (flute, oboe, clarinet, horn, and bassoon) the arrangmenet opens with a chorale like introduction of the songs main chord progression. The melody is introduced one voice at a time over long sustained notes only joining together in a tutti at the first chorus. The texture and intensity expands in the second verse before revisitng the gently stated tutti of the chorus once again. The bridge is led by the horn and punctuated by the upper voices of the woodwinds before passing off to a brief solo flute passage setting up the final chorus. The song closes just as it begun with a soft chorale of the songs opening chord progression. Score and parts included (17 pages).
$15.00
Wind Quintet - One Rule
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Serv...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 18...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$17.50
Wind Quintet - Summer in Bloom
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Mike Lyons
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Wind Quintet - Summer in Bloom
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767557 Composed by Mike Lyons. Concert,Contemporary. 39 pages. Lyons Music Servic...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767557 Composed by Mike Lyons. Concert,Contemporary. 39 pages. Lyons Music Services #5968167. Published by Lyons Music Services (A0.767557). This is a brand new, original piece for wind quintet.I decided that I wanted to create a musical description of summer under lockdown, spending time in the garden (although there are no bird sounds) in the NorthWest of England. The weather here is usually very changeable (it's why we talk about it so much) so, of course, I included a thunderstorm in the middle!The piece opens with a gentle walk in the garden, (bassoon) the beautiful flowers swaying in the slight breeze (clarinet and horn). The oboe melody that enters in bar two expresses my thoughts of delight at the beautiful scene. The melody is passed around the ensemble, there's a duet with the flute and then the bassoon takes charge, with the horn taking over the walking bassline.At letter C there's an abrupt change of scene as I notice the bees busily flitting from flower to flower, pollenating and collecting nectar. The instruments play flutter-tongue to imitate an annoyed buzz every now and again as bees from different hives chance upon the same flower, but all remains peacefully business-like.At Letter D, we have a slight slowing of tempo as some butterflies flit from place to place, aimlessly taking off and landing fluttering for a short while in the sunshine. This section is as carefree as possible and should just amble along. The tempo can be pulled about quite a bit.At Letter F, there's a huge, sudden thunderstorm, jagged lightning and rolling thunder as a downpour drenches the garden. Just as suddenly as it started, the storm ends and rain reduces to a thin drizzle. Out comes the sun and we continue through the garden into the distance.
$30.00
I Had Much Grief
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Tei...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
Always Look On The Bright Side Of Life
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Broadway
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Monty Python
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John Hoesly
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Always Look On The Bright Side
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PRS&B
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.753615 By Monty Python. By Eric Idle. Arranged by John Hoesly. Broadway. 20 pages...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.753615 By Monty Python. By Eric Idle. Arranged by John Hoesly. Broadway. 20 pages. PRS&B #2946003. Published by PRS&B (A0.753615). ALWAYS LOOK ON THE BRIGHT SIDE OF LIFE- Words and music by Eric Idle, arranged for woodwind quintet by John Hoesly. First appearing in the film MONTY PYTHON’S LIFE OF BRIAN, Always Look on the Bright Side of Life is a sing a-long style song which portrays a stiff upper lip sensibility. It was again used in the Broadway hit SPAMALOT. Though it is marked Swing, the notation is in a legit manner. Interpret as needed. The overall feeling is cheeky and absurd.
$20.00
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