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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
7 sheet music found
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1
The Twelve Days of Christmas - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Christmas
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Ray Thompson
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Ray Thompson
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The Twelve Days of Christmas -
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1322945 Composed by Ray Thompson. Arranged by Ra...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1322945 Composed by Ray Thompson. Arranged by Ray Thompson. 21st Century,Chamber,Christmas. 16 pages. RayThompsonMusic #911217. Published by RayThompsonMusic (A0.1322945). An original composition based on the 12 Days of Christmas, for wind quintet.The Twelve Days of Christmas is an English Christmas carol. A classic example of a cumulative song, the lyrics detail a series of increasingly numerous gifts given to the speaker by their true love on each of the twelve days of Christmas (the twelve days that make up the Christmas season, starting with Christmas Day).This is NOT a standard play through of all 12 verses.It could be a challenge for your audience to sing along to, I suggest you tell them not to try!I have added/removed/inserted bars of different length, changed the timing of entry for each new day, and generally had fun.I started the piece in the key of Bb, modulating through C, Db, D and ending in Eb!I have also added syncopation in parts. This gives the piece more interest both for the player and the listener!!The melody is carried by varying members of the quintet at different times.
$19.95
Pampeana
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Dario Duarte
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Pampeana
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Dario Duarte
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1337676 By Dario Duarte. By Dario Duarte. 21st Century,Classical,Contemporary,Fol...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1337676 By Dario Duarte. By Dario Duarte. 21st Century,Classical,Contemporary,Folk,Multicultural,World. 25 pages. Dario Duarte #923441. Published by Dario Duarte (A0.1337676). Pampeana for wind quintetThis work refers to a region in central Argentina that is characterized by extensive plains and a pleasant temperate climate. The name Pampa comes from Quechua, a language of native peoples of South America that means plain between mountains. The Pampean landscape is made up of grasslands and prairies and is a very large extension of very quiet territory. Visiting the Pampas region is predisposing to contemplation and reflection. This work is part of the compositional work related to music and climate change in which the importance of the different biomes of our planet is highlighted in the face of a complex problem of our contemporary times.
$8.99
I Had Much Grief
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Tei...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
Second Suite in F (arr. for wind quintet) [score only]
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Contemporary
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Gustav Holst
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Natheniel Siu
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Second Suite in F
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Notesetter
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.911059 Composed by Gustav Holst. Arranged by Natheniel Siu. 20th Century,Concert,...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.911059 Composed by Gustav Holst. Arranged by Natheniel Siu. 20th Century,Concert,Contemporary,Patriotic,Standards. 18 pages. Notesetter #6354103. Published by Notesetter (A0.911059). Score with parts also available now!!Instrumentation- Flute, Piccolo- Oboe, Cor Anglais- Clarinet in Bâ™- Horn- BassoonPerformance timeWhole Suite: ~11’ 30I. March (Morris Dance): ~4’ 30II. Song Without Words - I’ll Love My Love: ~2’ 30III. Song of the Blacksmith: ~1’ 15IV. Fantasia on the Dargason: ~3’ 30IntroductionThis faithful adaptation of the beloved Holst concert band suite extract the quintessence of the original and skilfully distribute into the five winds players. The beautiful euphonium solo in the March is given to the horn-the sometimes overlooked member of the ensemble. This arrangement chose the oboe as the solo instrument instead of the clarinet in the 2nd movement. However, it is easy to exchange the parts is the clarinet solo is preferred.For more information (transposition needs, or custom arrangement requests), please contact [ info (at) notesetter.com ]. We are happy to be of service!Notesetter Publishing © 2020NS-KW0006
$20.00
Second Suite in F (arr. for wind quintet)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
#
Classical
#
Contemporary
#
Gustav Holst
#
Natheniel Siu
#
Second Suite in F
#
Notesetter
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.911056 Composed by Gustav Holst. Arranged by Natheniel Siu. 20th Century,Concert,...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.911056 Composed by Gustav Holst. Arranged by Natheniel Siu. 20th Century,Concert,Contemporary,Patriotic,Standards. 54 pages. Notesetter #6097129. Published by Notesetter (A0.911056). Instrumentation- Flute, Piccolo- Oboe, Cor Anglais- Clarinet in Bâ™- Horn- BassoonPerformance timeWhole Suite: ~11’ 30I. March (Morris Dance): ~4’ 30II. Song Without Words - I’ll Love My Love: ~2’ 30III. Song of the Blacksmith: ~1’ 15IV. Fantasia on the Dargason: ~3’ 30IntroductionThis faithful adaptation of the beloved Holst concert band suite extract the quintessence of the original and skilfully distribute into the five winds players. The beautiful euphonium solo in the March is given to the horn-the sometimes overlooked member of the ensemble. This arrangement chose the oboe as the solo instrument instead of the clarinet in the 2nd movement. However, it is easy to exchange the parts is the clarinet solo is preferred. For more information (transposition needs, or custom arrangement requests), please contact [ info (at) notesetter.com ]. We are happy to be of service!Notesetter Publishing © 2020NS-KW0006
$35.00
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