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When She Loved Me - SAATB
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You've selected:
When She Loved Me - SAATB
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
4 sheet music found
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1
When She Loved Me
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Contemporary
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Sarah McLachlan
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Greg Eaton
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When She Loved Me
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Greg Eaton
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Digital Download SKU: A0.785523 By Sarah McLachlan. By Randy Newman. Arranged by Greg Ea...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Digital Download SKU: A0.785523 By Sarah McLachlan. By Randy Newman. Arranged by Greg Eaton. Contemporary. 10 pages. Greg Eaton #6622087. Published by Greg Eaton (A0.785523). When She Loved Me - from Toy Story 2 - Sarah McLachlan. Arr. for Woodwind Quartet by Greg Eaton. Great for gigging quartets and school ensembles.
$12.99
40 Beloved Christian Hymns Volume II (for Woodwind Quintet and optional Organ)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Sacred music
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Day - For The Life That You Ha
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Various
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Kenneth Abeling
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40 Beloved Christian Hymns Vol
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.1104136 Composed by Various. Arranged by Kenneth Abeling. ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.1104136 Composed by Various. Arranged by Kenneth Abeling. Christmas,Easter,Religious,Sacred. 157 pages. LINCOLN MUSIC PUBLICATIONS #707369. Published by LINCOLN MUSIC PUBLICATIONS (A0.1104136). 40 Beloved Christian Hymns Volume II for Woodwind Quintet by Kenneth Abeling is the second collection of traditionally scored, and frequently used hymns in many Christian worship services. This collection also includes an optional Organ part. The Titles Include: All Glory Laud And Honor - All Things Bright And Beautiful, Alleluia - Sing To Jesus! - And Can It Be? - Angels From The Realm Of Glory - Arise - Your Light Has Come! - As With Gladness Men Of Old, Be Still, My Soul - The Lord Is On Thy Side - Brightest And The Best Stars - Children Of The Heavenly Father, Christ Arose! - Christ The Lord Is Risen Today - Come Thou Fount Of Every Blessing - Day By Day - For The Life That You Have Given - Good Christians All, Rejoice And Sing - Guide Me, O Thou Great Redeemer - I Know That My Redeemer Lives! - I Love Your Kingdom Lord - Immortal, Invisible, God Only Wise - Jesus Keep Me Near The Cross - Just As I Am - Lord Jesus Think On Me - Love Divine All Love’s Excelling, -My Jesus I Love Thee - Now Thank We All Our God - O Jesus, I Have Promised - O Love That Wilt Not Let Me Go - O Master Let Me Walk With Thee - O Perfect Love - O, How I Love Jesus - Oh God, Our Help In Ages Past - Praise God From Whom All Blessings Flow (Doxology) - Praise To The Lord, The Almighty - Praise, My Soul, The King Of Heaven - Ride On, Ride On In Majesty! - Savior, Like A Shepherd Lead Us - Stand Up Stand Up For Jesus - Thine Is The Glory - When I Survey The Wondrous Cross. Total Playing Time approximately 53:00 To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$28.99
The Old Rugged Cross (for woodwind quintet)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Rev
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Ralph Raymond Hays
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The Old Rugged Cross
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Ralph Raymond Hays
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.720744 Composed by Rev. George Bennard. Arranged by Ralph Raymond Hays. Contempor...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.720744 Composed by Rev. George Bennard. Arranged by Ralph Raymond Hays. Contemporary,Easter,Gospel,Sacred. 16 pages. Ralph Raymond Hays #6273555. Published by Ralph Raymond Hays (A0.720744). Created by one of SMP's top arrangers, this captivating setting will highlight a recital or Worship Service during Lent, on Easter, or throughout the year. Masterful counterpoint, exquisite harmonies, and innovative rhythmic nuances bring a contemporary perspective to one of Christendom's most beloved masterworks.The Old Rugged Cross was my Papa's favorite hymn. Although it was played and sung at his funeral, my most vivid memories of it are from summer Friday nights when three generations of my family would convene around the piano in my grandparents' living room. My Nana would play through the Reader's Digest Songbook of Family Faith and Joy from cover to cover as the rest of sang -- improvising harmonies and blending our voices as only family can. We each had our favorites (it will surprise no one that mine was Climb Ev'ry Mountain) and it was obvious by how he sang a bit stronger and more fervently each time, that this was Papa's. With cherished recollections to guide me, I strove to embody the joy and warmth of those gatherings in this arrangement.- Ralph Raymond Hays
$12.99
Bach Fuga BWV 539 For Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Classical
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroqu...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
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