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--INSTRUMENTS--
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One Of A Kind
Not classified
384
Piano & keyboards
Piano solo
134
Piano, Voice
39
Piano, Vocal and Guitar
37
Easy Piano
15
Organ
15
1 Piano, 4 hands
13
C Instruments
5
Piano Trio: piano, violin, cello
5
Piano Quartet: piano, violin, viola, cello
5
2 Pianos, 4 hands
3
Piano (band part)
2
Piano Accompaniment
2
Piano Quartet: piano, 2 violins, cello
1
Harpsichord
1
Organ, Trumpet (duet)
1
Accordion
1
+ 11 instrumentations
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Retract
Guitars
Guitar
23
Guitar notes and tablatures
11
Melody line, (Lyrics) and Chords
6
Ukulele
5
Bass guitar
5
Guitar (band part)
4
2 Guitars (duet)
3
Guitar, Violin, Cello (trio)
1
Baritone Ukulele
1
Banjo
1
Plectrum Orchestra
1
Mandolin
1
+ 7 instrumentations
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Retract
Voice
Choral SATB
113
Choral 2-part
20
Choral 3-part
16
Choral TTBB
14
Choral SSAA
13
Choral Unison
11
Soprano voice, Piano
11
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6
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5
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4
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2
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1
Tenor voice, Piano
1
Choral SSATB
1
Choral SSAATTBB
1
Medium voice, Piano
1
Baritone voice, Piano
1
+ 13 instrumentations
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Retract
Woodwind
Saxophone Quartet: 4 saxophones
37
2 Saxophones (duet)
31
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
31
2 Flutes, Piano
26
Clarinet and Piano
25
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23
2 Flutes (duet)
20
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18
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17
Tenor Saxophone and Piano
17
Tenor Saxophone
17
Clarinet
16
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16
Flute and Piano
15
Oboe, Piano (duet)
13
Saxophone, Clarinet (duet)
12
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10
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10
Clarinet, Violin (duet)
9
2 Clarinets (duet)
7
Flute, Oboe, Clarinet, Bassoon
7
English horn, Piano
6
Oboe, Bassoon (duet)
6
Saxophone Quintet: 5 Saxophones
6
Flute
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Flute, Clarinet (duet)
5
Clarinet and Viola
5
2 Oboes (duet)
5
Flute and Guitar
4
Flute, Trumpet (duet)
4
3 Saxophones (trio)
4
Clarinet Quartet: 4 clarinets
4
Flute, Saxophone (duet)
4
2 Saxophones, Piano
4
Flute, Violin
4
Flute Quartet: 4 flutes
4
Oboe, Flute
4
Clarinet Ensemble
3
Flute, Viola (duet)
3
Clarinet, Guitar (duet)
3
Descant (Soprano) Recorder
3
Oboe, Clarinet (duet)
3
Saxophone ensemble
3
Ocarina
2
Bass Clarinet, Piano
2
Clarinet, Trumpet (duet)
2
2 Recorders (duet)
2
5 Recorders
2
Clarinet Quintet: 5 clarinets
1
2 English horns and Pianoforte
1
Flute, Viola and Piano
1
Flute, Violin, Piano
1
Treble (Alto) Recorder
1
Flute, Clarinet, Piano (trio)
1
English Horn, Guitar (duet)
1
Flute and Strings Trio
1
Clarinet, Cello, Piano (trio)
1
Oboe, Cello
1
Flute ensemble
1
Tenor Recorder
1
Flute Trio: 3 flutes
1
Flute (band part)
1
Clarinet, Bassoon (duet)
1
Recorder Quartet
1
Flute, Bassoon, and Piano
1
3 Clarinets (trio)
1
Flute, Cello, Piano (trio)
1
+ 62 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
28
Trombone and Piano
27
Brass quartet : 2 trumpets, trombone, tuba
27
Trombone (band part)
14
Trombone
14
Trumpet
14
Trumpet, Saxophone (duet)
10
2 Trombones (duet)
8
French Horn and Piano
7
Trumpet, Piano
7
Trumpet, Trombone (duet)
7
Trumpet (band part)
6
English horn, Piano
6
Tuba and Piano
6
Brass Quartet: 4 trombones
4
Brass Quartet: 2 trumpets, horn, trombone
3
Tuba
3
2 Trumpets (duet)
3
Euphonium, Piano (duet)
2
Brass Quartet
2
2 English horns and Pianoforte
1
Trumpet, Trombone, Piano
1
Trumpet ensemble
1
French horn
1
Trombone, Tuba (duet)
1
English Horn, Guitar (duet)
1
Tuba (band part)
1
Trombone, Violin (duet)
1
Brass Trio
1
Brass Quartet: 4 horns
1
French horn (band part)
1
+ 26 instrumentations
-
Retract
Strings
Violin and Piano
28
String Quartet: 2 violins, viola, cello
27
Cello, Piano
17
Viola, Piano
16
Harp
15
Violin, Cello (duet)
12
Violin, Viola (duet)
6
String Trio: violin, viola, cello
5
Violin
5
2 Violins (duet)
5
Cello
4
String Trio: 2 violins, cello
3
2 Violas (duet)
3
Doublebass (band part)
3
2 Cellos (duet)
2
Harp, Voice
2
String Quintet: 2 violins, viola, cello, bass
2
Violin, Guitar (duet)
2
Viola, Guitar (duet)
1
String quartet: 4 violins
1
Viola (band part)
1
Piano Trio: Violin, Viola, Piano
1
Harp, Violin (duet)
1
Viola and Harp
1
+ 19 instrumentations
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Retract
Orchestra & Percussion
Concert band
91
String Orchestra
36
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28
Brass ensemble
25
Chamber Orchestra
16
Jazz combo
10
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Drum (band part)
2
Handbells
2
Percussion Ensemble
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Marching band
2
Piano and Orchestra
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Marimba
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Percussion
1
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O Holy Night for Baritone Sax & Piano
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Baritone Saxophone, Piano
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BEGINNER
#
Christmas
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Adam
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James M
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O Holy Night for Baritone Sax
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score an...
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410425. Published by jmsgu3 (A0.548670). Duration: 4:56 Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Shlof Mein Kind, Jewish Lullaby for Trombone Duet
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2 Trombones (duet)
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INTERMEDIATE
#
Klezmer
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Sholem Aleichem
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David McKeown
#
Shlof Mein Kind, Jewish Lullab
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David McKeown
#
SheetMusicPlus
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.589707 Composed by Sholem Aleichem. Arranged by David McKeown. Hanukkah,Jewish,World. Score. ...
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Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.589707 Composed by Sholem Aleichem. Arranged by David McKeown. Hanukkah,Jewish,World. Score. 3 pages. David McKeown #6088193. Published by David McKeown (A0.589707). Shlof Mein Kind is a Yiddish lullaby, often performed by Klezmer musicians. This version is arranged as a duet for two Trombones.There are two melodies in use for Shlof Mein Kind. The melody in this arrangement is the lesser known one, as sung by Paul Robeson. There is no record of the tune’s composer, but the words are a setting of a poem by the Jewish Ukrainian writer, Sholem Aleichem. Aleichem is best known as the creator of the Tevye short stories, which later inspired the musical Fiddler on the Roof.Shlof Mein Kind is arranged in a key and range best suited to the instruments. The simple melody is played three times with varying accompaniment. Shlof Mein Kind is suitable for players at an intermediate level and above. Around three minutes long, this version of Shlof Mein Kind invites an expressive performance andis perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Fanfare for Everyone
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Robert Ashford
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Fanfare for Everyone
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Robert Ashford
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SheetMusicPlus
B-Flat Trumpet,Horn,Instrumental Duet - Digital Download SKU: A0.1490155 Composed by Robert Ashford. 20th Century,Chamber,Classical. 3 pages. Robert Ashf...
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B-Flat Trumpet,Horn,Instrumental Duet - Digital Download SKU: A0.1490155 Composed by Robert Ashford. 20th Century,Chamber,Classical. 3 pages. Robert Ashford #1067004. Published by Robert Ashford (A0.1490155). Also available in the set, Works in ProgressRobert Ashford's music is aired on radio stations throughout the USA. His compositions will please anyone who loves beautiful melody and harmony. His melodies are immediately appealing and grow on you the more you hear them. Ashford’s music has a calming and centering quality that promotes concentration and is good for children of all ages.Noted musicologist Don Campbell, champion of the Mozart Effect, described Ashford's music as both awakening and calming at the same time, ...clean, beautifully structured and inspiring.Ornette Coleman, said Robert Ashford’s music has a natural and spiritual beauty that everyone should hear.Luminous beauty were words used by Australian Composer Simon Wade to describe Robert Ashford’s music, Robert Ashford’s music is a true delight. in the words of Rachael Kohn, Producer of the The Spirit of Things on ABC Radio National, Australia.According to BMI's Concert Music Director, Ralph Jackson, Robert Ashford's music is receiving extraordinary radio air play. Ashford is truly one-of-a-kind.With extraordinary originality, Robert Ashford builds on centuries of melodic development from early madrigals through Schubert and beyond, adding fresh contemporary expression, to compose truly exquisite new melodies that will be borrowed, arranged, and orchestrated by others well into the future.Robert Ashford’s music is available on cdbaby.com
$4.99
O Holy Night for Trombone & Piano
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Trombone and Piano
#
BEGINNER
#
Christmas
#
Adam
#
James M
#
O Holy Night for Trombone & Pi
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.548678 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10...
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548678 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410439. Published by jmsgu3 (A0.548678). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Luther: Out of the Depths for Baritone Sax & Piano
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Baritone Saxophone, Piano
#
BEGINNER
#
Martin Luther
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James M
#
Luther: Out of the Depths for
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional...
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Shlof Mein Kind, Jewish Lullaby for Trumpet and Trombone Duet
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Trumpet, Trombone (duet)
#
INTERMEDIATE
#
Klezmer
#
Sholem Aleichem
#
David McKeown
#
Shlof Mein Kind, Jewish Lullab
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.589712 Composed by Sholem Aleichem. Arranged by David McKeown. ...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.589712 Composed by Sholem Aleichem. Arranged by David McKeown. Hanukkah,Jewish,World. Score and parts. 3 pages. David McKeown #6088207. Published by David McKeown (A0.589712). Shlof Mein Kind is a Yiddish lullaby, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Trombone.There are two melodies in use for Shlof Mein Kind. The melody in this arrangement is the lesser known one, as sung by Paul Robeson. There is no record of the tune’s composer, but the words are a setting of a poem by the Jewish Ukrainian writer, Sholem Aleichem. Aleichem is best known as the creator of the Tevye short stories, which later inspired the musical Fiddler on the Roof.Shlof Mein Kind is arranged in a key and range best suited to the instruments. The simple melody is played three times with varying accompaniment. Shlof Mein Kind is suitable for players at an intermediate level and above. Around three minutes long, this version of Shlof Mein Kind invites an expressive performance andis perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Once Upon A Time In The West
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
#
Contemporary
#
Ennio Morricone
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Josef Štastný
#
Once Upon A Time In The West
#
Josef STASTNY
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.743513 Composed by Ennio Morricone. Arranged by Josef Štastný. Contempora...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.743513 Composed by Ennio Morricone. Arranged by Josef Štastný. Contemporary. Score and parts. 8 pages. Josef STASTNY #3909131. Published by Josef STASTNY (A0.743513). One of the magic melodies from the movie Once Upon a Time in the West sung by many singers around the world - Andrea Bocelli is one of them. This beuaty should be a part of repertoire of any kind of band. INSTRUMENTS:
$15.99
Shlof Mein Kind, Jewish Lullaby for Flute and Alto Saxophone Duet
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Flute, Saxophone (duet)
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INTERMEDIATE
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Klezmer
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Sholem Aleichem
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David McKeown
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Shlof Mein Kind, Jewish Lullab
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David McKeown
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.589692 Composed by Sholem Aleichem. Arranged by David McKeo...
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Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.589692 Composed by Sholem Aleichem. Arranged by David McKeown. Hanukkah,Jewish,World. Score and parts. 3 pages. David McKeown #6088159. Published by David McKeown (A0.589692). Shlof Mein Kind is a Yiddish lullaby, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Alto Saxophone.There are two melodies in use for Shlof Mein Kind. The melody in this arrangement is the lesser known one, as sung by Paul Robeson. There is no record of the tune’s composer, but the words are a setting of a poem by the Jewish Ukrainian writer, Sholem Aleichem. Aleichem is best known as the creator of the Tevye short stories, which later inspired the musical Fiddler on the Roof.Shlof Mein Kind is arranged in a key and range best suited to the instruments. The simple melody is played three times with varying accompaniment. Shlof Mein Kind is suitable for players at an intermediate level and above. Around three minutes long, this version of Shlof Mein Kind invites an expressive performance andis perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Shlof Mein Kind, Jewish Lullaby for Soprano Saxophone and Clarinet Duet
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Saxophone, Clarinet (duet)
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INTERMEDIATE
#
Klezmer
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Sholem Aleichem
#
David McKeown
#
Shlof Mein Kind, Jewish Lullab
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David McKeown
#
SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.589704 Composed by Sholem Aleichem. Arranged by David...
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Instrumental Duet Clarinet,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.589704 Composed by Sholem Aleichem. Arranged by David McKeown. Hanukkah,Jewish,World. Score and parts. 3 pages. David McKeown #6088187. Published by David McKeown (A0.589704). Shlof Mein Kind is a Yiddish lullaby, often performed by Klezmer musicians. This version is arranged as a duet for one Soprano Saxophone and one Clarinet.There are two melodies in use for Shlof Mein Kind. The melody in this arrangement is the lesser known one, as sung by Paul Robeson. There is no record of the tune’s composer, but the words are a setting of a poem by the Jewish Ukrainian writer, Sholem Aleichem. Aleichem is best known as the creator of the Tevye short stories, which later inspired the musical Fiddler on the Roof.Shlof Mein Kind is arranged in a key and range best suited to the instruments. The simple melody is played three times with varying accompaniment. Shlof Mein Kind is suitable for players at an intermediate level and above. Around three minutes long, this version of Shlof Mein Kind invites an expressive performance andis perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Shlof Mein Kind, Jewish Lullaby for Trumpet and Alto Saxophone Duet
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Trumpet, Saxophone (duet)
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INTERMEDIATE
#
Klezmer
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Sholem Aleichem
#
David McKeown
#
Shlof Mein Kind, Jewish Lullab
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David McKeown
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.589710 Composed by Sholem Aleichem. Arranged by David McK...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.589710 Composed by Sholem Aleichem. Arranged by David McKeown. Hanukkah,Jewish,World. Score and parts. 3 pages. David McKeown #6088203. Published by David McKeown (A0.589710). Shlof Mein Kind is a Yiddish lullaby, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Alto Saxophone.There are two melodies in use for Shlof Mein Kind. The melody in this arrangement is the lesser known one, as sung by Paul Robeson. There is no record of the tune’s composer, but the words are a setting of a poem by the Jewish Ukrainian writer, Sholem Aleichem. Aleichem is best known as the creator of the Tevye short stories, which later inspired the musical Fiddler on the Roof.Shlof Mein Kind is arranged in a key and range best suited to the instruments. The simple melody is played three times with varying accompaniment. Shlof Mein Kind is suitable for players at an intermediate level and above. Around three minutes long, this version of Shlof Mein Kind invites an expressive performance andis perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Shlof Mein Kind, Jewish Lullaby for Trumpet and Tenor Saxophone Duet
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Trumpet, Saxophone (duet)
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INTERMEDIATE
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Klezmer
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Sholem Aleichem
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David McKeown
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Shlof Mein Kind, Jewish Lullab
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David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.589711 Composed by Sholem Aleichem. Arranged by David Mc...
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Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.589711 Composed by Sholem Aleichem. Arranged by David McKeown. Hanukkah,Jewish,World. Score and parts. 3 pages. David McKeown #6088205. Published by David McKeown (A0.589711). Shlof Mein Kind is a Yiddish lullaby, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Tenor Saxophone.There are two melodies in use for Shlof Mein Kind. The melody in this arrangement is the lesser known one, as sung by Paul Robeson. There is no record of the tune’s composer, but the words are a setting of a poem by the Jewish Ukrainian writer, Sholem Aleichem. Aleichem is best known as the creator of the Tevye short stories, which later inspired the musical Fiddler on the Roof.Shlof Mein Kind is arranged in a key and range best suited to the instruments. The simple melody is played three times with varying accompaniment. Shlof Mein Kind is suitable for players at an intermediate level and above. Around three minutes long, this version of Shlof Mein Kind invites an expressive performance andis perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Pro-Play Duets for Baritone Sax - Play along with professional musicians - Key compatible for 10 ins
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Rock
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Ken Hartfield
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Ken Hartfield
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Pro-Play Duets for Baritone Sa
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Ken Hartfield - Freeze Tracks Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Oboe,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.97...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Oboe,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.977465 Composed by Ken Hartfield. Arranged by Ken Hartfield. Pop,Rock. Score and parts. 11 pages. Ken Hartfield - Freeze Tracks Music #4287909. Published by Ken Hartfield - Freeze Tracks Music (A0.977465). One-of-a-kind duet series. Play along with professional musicians. Pro-Play Duets for beginner brass and woodwind students.This duet series helps the student for role modelling, improves intonation, reading abilities and makes practicing fun! The students can also use the piano accompaniment for an acoustic performance, which is ideal for music festivals since all of the duets are key compatible for 10 different instruments, example trumpet and flute. Recommended by The Canadian Music Educators' Association. Voice command compatible for: Siri, Google and Alexa. When you have purchased the Duet Book, email us at freezetracks3@gmail.com and we will email you the download links for the mp3's and piano accompaniment book at no charge. Watch our video at https://youtu.be/pZYiap1uBio
$9.99
Pro-Play Duets for Trombone - Play along with professional musicians - Key compatible for 10 instrum
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Rock
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Ken Hartfield
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Ken Hartfield
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Pro-Play Duets for Trombone -
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Ken Hartfield - Freeze Tracks Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Oboe,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.97...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Oboe,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.977466 Composed by Ken Hartfield. Arranged by Ken Hartfield. Pop,Rock. Score and parts. 11 pages. Ken Hartfield - Freeze Tracks Music #4287917. Published by Ken Hartfield - Freeze Tracks Music (A0.977466). One-of-a-kind duet series. Play along with professional musicians. Pro-Play Duets for beginner brass and woodwind students.This duet series helps the student for role modelling, improves intonation, reading abilities and makes practicing fun! The students can also use the piano accompaniment for an acoustic performance, which is ideal for music festivals since all of the duets are key compatible for 10 different instruments, example trumpet and flute. Recommended by The Canadian Music Educators' Association. Voice command compatible for: Siri, Google and Alexa. When you have purchased the Duet Book, email us at freezetracks3@gmail.com and we will email you the download links for the mp3's and piano accompaniment book at no charge. Watch our video at https://youtu.be/pZYiap1uBio
$9.99
I Believe In A Thing Called Love - String Quartet, Trio, Duo or Solo Violin!
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Rock
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The Darkness
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Thomas Winter
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I Believe In A Thing Called Lo
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Thomas Winter
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SheetMusicPlus
Violin, Viola, Cello, String Duet, String Trio, String Quartet - Intermediate - Digital Download By The Darkness. Arranged by Thomas Winter. Score, Set...
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Violin, Viola, Cello, String Duet, String Trio, String Quartet - Intermediate - Digital Download By The Darkness. Arranged by Thomas Winter. Score, Set of Parts. 15 pages. Published by Thomas Winter
This 2000's metal his is one of a kind!! Energetic and articulate, I believe this song you'll love!
$14.99
Badinerie - J.S.Bach - for Baritone Sax and Piano
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Baritone Saxophone, Piano
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Raymond Fenech
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Badinerie - J.S.Bach - for Bar
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Raymond Fenech
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.1304476 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Co...
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.1304476 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Contest,Easter,Festival,Multicultural,World. Score and part. 9 pages. Raymond Fenech #893967. Published by Raymond Fenech (A0.1304476). The second of Bach’s four orchestral suites is actually the one he composed last, in Leipzig around 1739, and is probably the last orchestral music of any kind that he wrote. It is basically a solo flute concerto in the form of a dance suite, and an extraordinarily difficult flute concerto at that. A badinerie is a sort of character piece in 18th-century suites, with no particular dance rhythm or meter. This one has a full measure of the light and lively bantering the title implies, which has made it also popular with jazz arrangers. The Duration is approx. 1.32 minutes and the level is Advanced Intermediate.
$3.99
Frankie the Frank Frankenstein, Halloween Duet for Trombone
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2 Trombones (duet)
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INTERMEDIATE/ADVANCED
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Halloween
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David McKeown
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he likes to speak his mind
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Frankie the Frank Frankenstein
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David McKeown
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SheetMusicPlus
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.592162 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Scor...
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Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.592162 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #6354275. Published by David McKeown (A0.592162). Frankie the Frank Frankenstein is a fun and original duet written by David McKeown for two Trombones. Frankie the Frank Frankenstein is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.Frankie is a straightforward kinda monster. He tells it as he sees it; he likes to speak his mind. Unfortunately, he is constructed from so many and various spare parts that he isn’t always entirely sure which eyes he saw it through, which mind to believe, or indeed from which mouth to say it. Frankie the Frank Frankenstein is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the changing styles and tempo and some syncopated rhythms. With a playing-time of around three and a half minutes, Frankie the Frank Frankenstein is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Luther: Out of the Depths for Trombone & Piano
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Trombone and Piano
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BEGINNER
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards...
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411759. Published by jmsgu3 (A0.548722). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Tenor Sax & Piano
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Tenor Saxophone and Piano
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BEGINNER
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,St...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411761. Published by jmsgu3 (A0.548723). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Soprano Sax & Piano
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Soprano Saxophone and Piano
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BEGINNER
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,...
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Alto Sax & Piano
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Alto Saxophone and Piano
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BEGINNER
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards....
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
The Fairest of the Fair for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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John Philip Sousa Arranged by
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John Philip Sousa
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Jari A
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The Fairest of the Fair for Br
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.722745 Composed by John Philip Sousa. Arranged by Jari A. Villan...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.722745 Composed by John Philip Sousa. Arranged by Jari A. Villanueva. Folk,Holiday,Patriotic,Romantic Period. Score and parts. 29 pages. JV MUSIC #3414623. Published by JV MUSIC (A0.722745). The Fairest of the Fair March for Brass Quintet and Optional DrumsBy John Philip Sousa Arranged by Jari VillanuevaScore 2 Trumpets in BbHorn in FTromboneTubaOptional DrumsSubstitute parts for Eb Horn and Baritone T.C .providedThe Fairest of the Fair (1908) by John Philip Sousa was composed for the annual Boston Food Fair of 1908 and is claimed that the memory of a pretty girl he had seen at an earlier fair inspired the composition. Sousa composed The Fairest of the Fair intending his Band to perform it at the annual Boston Food Fair in the fall of 1908. It is the only work of any kind that he composed that year and one of only a handful of compositions that he wrote between 1906 and 1910. He apparently completed it in New York during the summer, as the final page of the original score was signed John Philip Sousa, Camp Comfort, Saranac Lake, Adirondack, New York, July 8, 1908.The march almost missed its premier at the Boston Food Fair. Because of an oversight the music, which Sousa had written and scored out, did not have individual parts written out for the performers. This was discovered the day before the performance. The new composition had received much advanced publicity and it would have been an embarrassment to Sousa not to have it performed. The band’s copyist, Louis Morris, rose to the occasion and on the train to Boston stayed up and copied out the parts so the band could premier the work as advertised on September 28, 1908. In the morning when Sousa found out Morris was working all night he instructed him to finish the work and get some rest. Morris missed the concert and the premier but found an extra $50 in his next paycheck.Published by JV MUSIC Baltimore MD www.jvmusic.net https://youtu.be/KeE5dMnrevU
$15.00
Stompin' Jam - Trumpet Trombone Duet
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Trumpet, Trombone (duet)
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INTERMEDIATE/ADVANCED
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Eddie Lewis
Jazz out wi
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Eddie Lewis
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Stompin' Jam - Trumpet Trombon
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Tiger Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.750372 Composed by Eddie Lewis. Blues,Jazz,Multicultural,World....
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.750372 Composed by Eddie Lewis. Blues,Jazz,Multicultural,World. Score and parts. 4 pages. Tiger Music #6624793. Published by Tiger Music (A0.750372). Stompin’ Jam Trumpet and Trombone Duet MTR 0255 4143 By Eddie Lewis Jazz out with your trumpet or trombone friend playing this cool sounding duet. We’re calling it a jam because both players get to play a solo over the repeated accompaniment line. First the trombone player jams, then the trumpet. Here is the first of what I hope to be many, many duets made possible by my Just Friends video series. In this series I am inviting one of my musician friends over to make music, do an interview and maybe follow it all up with a Q and A session. I wrote this duet for one of those videos and we had a good time recording it. I enjoy writing music for the people I work with. Does trumpet and trombone seem like an odd duet to write? Well, you may not believe this, but sometimes trumpet players have trombone player friends. :-) Thus, the purpose of the duet. Trumpet Pro Skill Level The highest note in the trumpet part is B natural. The rhythms are also just a little complicated. That’s why we put this at the Trumpet Pro level. We recorded it the same day when I wrote it, so it’s not like I was working on this for days. But there was a little bit of awkwardness in the trumpet part. Practice Recommendations My number one suggestion for practicing this piece is to learn the rhythms first. Notice the anticipation of the third beat. This happens in almost every measure. This rhythm grew on me during my trip to South Africa in 2016 when I performed with the Afrika Mkhize big band. There were lots of songs at the jazz festival in Grahamstown that had that twelve-eight groove with the anticipated third beat. I am NOT saying that this composition is South African. I would not presume to know how to write that kind of music. What I am saying is that the music in South Africa has influenced my writing. In much the same way as playing in all those salsa bands in the 90’s did. So, recognize that the rhythms in this composition are very important and learn those first. The rest of it should fall into place after that. About the Trumpet Pro Skill Level The Trumpet Pro skill level is the fifth skill level in our system. This skill level has exercises and music up to high C. There are many other considerations in this skill level but that is the most obvious. To find more music for this specific skill level, search our other publications for the word Trumpet Pro in the title or descriptions. We publish books and compositions for students at the Trumpet Pro level that we believe you or your students will truly enjoy.
$4.99
Donegal Reel
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Violin and Piano
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INTERMEDIATE
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Traditional Fiddle Tunes
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Heather M Music
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Donegal Reel
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Heather Mueller Music
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1361338 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This e...
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Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1361338 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 48. Heather Mueller Music #19FKGNjEGpy2I07VSC8gsF. Published by Heather Mueller Music (A0.1361338). Key: D major.Immerse yourself in the brilliance of the Donegal Reel with our interactive sheet music made just for violinists. This one-of-a-kind experience allows you to grasp the lovely melody, explore clear chord symbols, and play along at your own pace and key. Elevate your practice sessions with flexibility and accuracy, making each sonic discovery of this Irish classic absolutely unique and satisfying. Key Details: Dynamic Tempo Control: Customize the experience based on your skill level and comfort. Versatile Key Selection: Discover the Donegal Reel in your preferred key, allowing for more customized and adaptable performance. Melody Focus: Dive into the enticing melody while traversing simple and precise chord symbols. Tailored for Violinists: Designed exclusively for violinists, resulting in an authentic and effortless musical journey. Interactive Exploration: Experience the genuine spirit of Irish fiddling with sheet music that adjusts to your particular playing style. Order today to experience the flexibility of interactive sheet music, where you may change the pace and key, resulting in a customized and stimulating musical trip with the Donegal Reel..
$2.99
The Swan (Le Cygne) by Saint-Saens - Trombone and Piano (Full Score and Parts)
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1207300 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Centur...
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1207300 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Children,Film/TV,Romantic Period. Score and part. 8 pages. Sheet Music To Play Editions #805468. Published by Sheet Music To Play Editions (A0.1207300). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Trombone and Piano. With Full Score and Individual Parts. Enjoy it!Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Danny Boy for Solo Trombone/Euphonium in C (bass clef) and Piano. Version in A Minor
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Trombone and Piano
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INTERMEDIATE
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Traditional
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Tim Curd
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Danny Boy for Solo Trombone/Eu
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Tim Curd
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.716701 Composed by Traditional. Arranged by Tim Curd. Contemporary,Folk,Holiday,Patriotic. Score and ...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.716701 Composed by Traditional. Arranged by Tim Curd. Contemporary,Folk,Holiday,Patriotic. Score and part. 6 pages. Tim Curd #3588975. Published by Tim Curd (A0.716701). Danny Boy for Solo Trombone/Euphonium in C (bass clef) and Piano. Version in A Minor.I have done two Version of Danny Boy this one in A minor and another in Bb Minor which is slightly higher but has kinder slide positions.An arrangement of the Irish traditional, also known as Londonderry Air for solo trombone or euphonium (bass clef in C) and piano . A great concert item for school or general performance and a popular choice for St Patricks Day and Funerals.There is a backing track available:https://www.sheetmusicplus.com/title/danny-boy-for-solo-trombone-euphonium-in-c-bass-clef-and-piano-....
$3.99
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