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Claude Debussy: Prélude à L'Après-midi d'un Faune, - flute and piano
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Claude Debussy: Prélude à L'Après-midi d'un Faune, - flute and piano
expert
Sheetmusic to print
2 sheet music found
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Prelude to an Afternoon of a Faun for Tuba or Bass Trombone and Piano
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Tuba and Piano
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ADVANCED
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Classical
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Claude Debussy
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Sauer, Ralph
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Prelude to an Afternoon of a F
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Gordon Cherry
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SheetMusicPlus
Piano,Tuba - Level 5 - Digital Download SKU: A0.810798 Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century. Score and part. 20 pages. Gord...
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Piano,Tuba - Level 5 - Digital Download SKU: A0.810798 Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century. Score and part. 20 pages. Gordon Cherry #3087967. Published by Gordon Cherry (A0.810798). One of the greatest works of the French impressionist era, Prélude à l’après-midi d’un faune by Claude Debussy evokes mystery, stillness, lyricism, finesse, sensuality, nature, dreams, and desires. Taken from a poem by Stéphane Mallarmé, this work is considered by some to be a turning point of musical history as an awakening of modern music as it stretches the limits of tonality. The work was later choreographed in 1912 by Nijinsky.This marvelous arrangement by Ralph Sauer, is appropriate for advanced performers and is about ten minutes in length.
$27.50
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Organ
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ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabri...
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Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95
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