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King Of Anything
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Sheetmusic to print
23 sheet music found
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1
King of Anything - Advanced Piano Solo
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Piano solo
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ADVANCED
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Pop music
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Sara Bareilles
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King of Anything - Advanced Pi
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Amy Fairchild Music
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SheetMusicPlus
Piano Solo - Advanced - Digital Download By Sara Bareilles. Arranged by Amy Fairchild. 6 pages. Published by Amy Fairchild Music...
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Piano Solo - Advanced - Digital Download By Sara Bareilles. Arranged by Amy Fairchild. 6 pages. Published by Amy Fairchild Music
An energetic, early advanced arrangement of Sara Bareilles's hit song, King of Anything. This dynamic arrangement is so much fun to play! Levels: Late Intermediate to Advanced players.
$4.99
Heisenberg was looking for a raison d'être - Score Only
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Igor Korneitchouk
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Heisenberg was looking for a r
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Studio at the Post
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SheetMusicPlus
Piano Quintet - Level 5 - Digital Download SKU: A0.1129011 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 33 pages. Studio at the Post...
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Piano Quintet - Level 5 - Digital Download SKU: A0.1129011 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 33 pages. Studio at the Post #729534. Published by Studio at the Post (A0.1129011). Score only (see 729537 for Parts) Duration: 8 minutes, 19 pp. Description: When John Cage first invented the concept of prepared piano it was an invention born of necessity. (To realize his ideas Cage needed a percussion ensemble to accompany the dance troupe with which he worked. His solution to the impracticability of this was to create various percussion-like timbres from the studio piano which all dance spaces have.) In Heisenberg... all the instruments are engaged in a music made up of sound effects and unusual timbres; but because all the effects, in the case of the string instruments, must come from a limited number of strings, the preparation of these instruments are mutable — throughout the piece the performers are constantly preparing and un-preparing their instruments. This principle of mutable preparation has been carried over to the piano as well and thus the performance takes on the characteristic of an alien dance as a great deal of the work involves the logistics of setting up each succeeding phrase. Werner Heisenberg's great contribution to modern science is the Uncertainty Principle — the realization, expressed mathematically, that even in the hard sciences of physics and chemistry one could never be sure of anything. (According to The New Columbia Encyclopedia) “Werner Heisenberg — German physicist. One of the founders of the quantum theory, he is best known for his uncertainty principle, or indeterminacy principle, which states that it is impossible to determine with arbitrarily high accuracy both the position and momentum (essentially velocity) of a subatomic particle like the electron. The effect of this principle is to convert the laws of physics into statements about relative probabilities instead of absolute certainties.†(He won the Nobel Prize in Physics in 1932.).
$9.03
Heisenberg was looking for a raison d'être (Parts only)
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Piano Quintet: piano, 2 violins, viola, cello
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ADVANCED
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Igor Korneitchouk
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Heisenberg was looking for a r
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Studio at the Post
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1129014 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 57 ...
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Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1129014 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 57 pages. Studio at the Post #729537. Published by Studio at the Post (A0.1129014). Parts only (see A729534 for Score) Duration: 8 minutes, 5 Parts (2 violins, viola, cello, piano) with individual directions, parts averaging 5 – 7 pp. Description: When John Cage first invented the concept of prepared piano it was an invention born of necessity. (To realize his ideas Cage needed a percussion ensemble to accompany the dance troupe with which he worked. His solution to the impracticability of this was to create various percussion-like timbres from the studio piano which all dance spaces have.) In Heisenberg... all the instruments are engaged in a music made up of sound effects and unusual timbres; but because all the effects, in the case of the string instruments, must come from a limited number of strings, the preparation of these instruments are mutable — throughout the piece the performers are constantly preparing and un-preparing their instruments. This principle of mutable preparation has been carried over to the piano as well and thus the performance takes on the characteristic of an alien dance as a great deal of the work involves the logistics of setting up each succeeding phrase. Werner Heisenberg's great contribution to modern science is the Uncertainty Principle — the realization, expressed mathematically, that even in the hard sciences of physics and chemistry one could never be sure of anything. (According to The New Columbia Encyclopedia) “Werner Heisenberg — German physicist. One of the founders of the quantum theory, he is best known for his uncertainty principle, or indeterminacy principle, which states that it is impossible to determine with arbitrarily high accuracy both the position and momentum (essentially velocity) of a subatomic particle like the electron. The effect of this principle is to convert the laws of physics into statements about relative probabilities instead of absolute certainties.†(He won the Nobel Prize in Physics in 1932.).
$5.02
King Of Anything
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Pop music
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Sara Bareilles
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David W
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King Of Anything
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Cantabile Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.828929 By Sara Bareilles. By Sara Bareilles. Arranged by David W. Cason. Pop. Score an...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.828929 By Sara Bareilles. By Sara Bareilles. Arranged by David W. Cason. Pop. Score and parts. 12 pages. Cantabile Music #5374821. Published by Cantabile Music (A0.828929).
$12.99
Anything You Can Do . . . for violin and vibraphone
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Robert M
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Anything You Can Do . . . for
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contempor...
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00
To Rise Again
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Trombone and Piano
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ADVANCED
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Alex Schwarte
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To Rise Again
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Alex Schwarte
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and pa...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Alex Schwarte #1034623. Published by Alex Schwarte (A0.1455537). I have been working on To Rise Again for about a year since the passing of several close family members. As with any long-term struggle, some days are easier than others, and some days it is hard to do much of anything at all. Walking through hard days, this piece is about mental health, the struggles that you face, and on the most difficult days, what it takes to rise again. Despair: This movement opens with what I call the despair motif. This motif consists of seven notes and will return throughout the piece, reminding us of uncertainty and darkness. The middle of the movement includes a build-up leading to a complete panic attack, featuring cluster chords in the piano and extreme volumes and articulation in the trombone. Finally, a quasi-march leads us to the end, where we sink to the lowest and angriest point. Support: This tranquil and shimmering movement evokes the other side of grief and depression: the people around you. In the dark moments, these people can become pillars of aid and light. Even with support, there are moments of darkness and uncertainty, but support will always be there. Musically, this movement features numerous color tones and aims to create an emotionally understanding and steady atmosphere. The opening trombone line (the support motif) represents tender support and is used numerous times in the next movement. Overcome: The final movement opens with a haunting atmosphere created by plucked piano strings. The first normal piano entrance is the Rumbling motif: the feeling of the soul exerting its will to be free but not quite making it. Throughout the rest of the movement, the trombone and piano go back and forth, with the piano emphasizing support and the trombone wallowing in despair. Eventually, the trombone begins to come around and rise. Concluding with a triumphant feeling of release, the mind is lifted from despair, free and open to whatever life brings next. Mental health looks different for everyone, and I want to reflect that in this composition. For all future performances, the performers can make significant musical changes to better reflect their own challenges. This could be as small as a different tempo or as large as a completely different style and articulation. To Rise Again is very personal to me, and I want every performance of it to be just as personal.Playlist: https://www.youtube.com/playlist?list=PLDoVD8lbKulOjUbvdKcc9phxPNOgYLDuh.
$40.00
Rejoice, the Lord is King! PIANO SOLO
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Piano solo
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ADVANCED
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Jeanni Gould
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Jeanni Gould
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again I will say, rejoice
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Rejoice, the Lord is King! PIA
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Jeanni Gould
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1428192 By Jeanni Gould. By Charles Wesley and Horatio Parker. Arranged by Jeanni Gould. Christian,Contem...
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Piano Solo - Level 5 - Digital Download SKU: A0.1428192 By Jeanni Gould. By Charles Wesley and Horatio Parker. Arranged by Jeanni Gould. Christian,Contemporary,Easter,Praise & Worship,Religious. Score. 5 pages. Jeanni Gould #1008493. Published by Jeanni Gould (A0.1428192). YOU CAN PLAY THIS PIANO SOLO. Upbeat and bright, with big dynamic range from powerful to reverent. Rich and complex chords with gentle moments for contrast. Advanced level yet very accessible. Enjoy a big payoff when you perform this piece. Not too difficult and not too long.BACKSTORY Year 60 A.D. Oh my goodness! Paul was in prison in Rome, but wrote Rejoice in the Lord always; again I will say, rejoice. (Philippians 4:4) He continued. Let your reasonableness be known to everyone. The Lord is at hand; do not be anxious about anything, but in everything by prayer and supplication with thanksgiving let your requests be made known to God. And the peace of God, which passes all understanding, shall keep your hearts and minds through Christ Jesus. UPDATE 1744 A.D. Charles Wesley with his brother John started the Methodist movement, but they were persecuted and suffered lives of hardship. Charles wrote this song to encourage his followers. He wanted them to not get discouraged and lose hope, but to be a singing, joyful people.
$2.99
One
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Metallica
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David Oosse
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One
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David Oosse
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SheetMusicPlus
Instrumental Solo,Percussion - Level 5 - Interactive Download SKU: A0.1144838 By Metallica. By James Hetfield and Lars Ulrich. Arranged by David Oosse. T...
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Instrumental Solo,Percussion - Level 5 - Interactive Download SKU: A0.1144838 By Metallica. By James Hetfield and Lars Ulrich. Arranged by David Oosse. This edition: Interactive Download. Contest,Rock. Individual part. 7 pages. Duration 428. David Oosse #3B8VfaKu94vDmyZecDoRrX. Published by David Oosse (A0.1144838). Key: D major.One - Metallica Marimba arrangement for a soloist. All due credit given to the legends themselves - the members of Metallica. --- One day I thought to myself, How cool would it be to play a Metallica song on a marimba, for a solo and ensemble event? then I thought, What would be a good song? One with a slower, more lyrical part, and a crazy solo and a heavy ending? ... What about One? Then I sat down for some time, and started listening and writing, listening and editing, then playing and editing, until everything felt possible to play, with no weird transitions or stickings or anything else weird. Even with what little chops I had at the time, I learned the piece, made edits on the way to minimize awkward transitions, and now I am sharing the final product.
$19.95
Duo for Cello and Viola
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Viola, Cello (duet)
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ADVANCED
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Contemporary
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Patrick Prejean
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Duo for Cello and Viola
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Patrick Prejean
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1184237 Composed by Patrick Prejean. Classical,Contemporary. Score a...
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Instrumental Duet Cello,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1184237 Composed by Patrick Prejean. Classical,Contemporary. Score and parts. 23 pages. Patrick Prejean #783953. Published by Patrick Prejean (A0.1184237). There are no titles for this piece. I - Reminiscent of Ravel's Sonata for Violin and Cello, the eerie colors provide no warmth. Instead it is ice cold as one stands over a polar plateau alone.II - A parody of Palladio. This movement isn't playful. It has a crass and strident force that drives it forward throughout. There is no melody to be found here.III - This movement is about pain and agony. There is only grey and all other colors have gone away and disappeared. What sense of progress is lost, and we find ourselves looking for anything to latch onto to. Do we truly find it though?
$35.00
9.28.85
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Trombone
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ADVANCED
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #201...
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
Grace Kelly
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Choral SSAA
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ADVANCED
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Mika
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Liz Garnett
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Grace Kelly
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Danc...
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Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Dance,Pop. Octavo. 6 pages. Liz Garnett #4312139. Published by Liz Garnett (A0.856207). Mika's hit from 2007 is an exuberant (and at times petulant) critique of the way the music industry seeks out individuality and talent, then insists on working it over into safely commercial products. (Of course, that he had such success with it suggests that things aren't quite as bad as the song makes out.) But the song also works as a more general statement about everyone's personal stand against the tyranny of our peers' expectations.The original has a very rangy melody, which carries a considerable variety of vocal characterisation. The arrangement unfolds this onto the four different parts, each taking on certain aspects of the line's mercurial identity. Sharing the melody's vocal demands around does not necessarily make either the characterisation or the ranges easier, however, since it also means that every part is switching between lead and accompanying roles, at times quite quickly. So it needs generous ranges, quick-wittedness and - above all - performative swagger to carry it off.There is space for the snippets of dialogue from the original track; but whether (and how much) to use it would depend on the performance situation. My own feeling would be that the middle one ('getting angry won't solve anything') works just fine slotted in between the verses, but that the snippets at start and end would need more setting up to make sense to an audience unfamiliar with Mika's recording.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: F3 - F5Bari: G3 - C5Bass: E flat 3 - B flat 4NB - the list price includes 4 copies of the music
$12.99
Music For A Found Harmonium
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Bass guitar
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ADVANCED
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Simon Jeffes
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Calum Wood
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Music For A Found Harmonium
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Calum Wood
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SheetMusicPlus
Bass Guitar,Instrumental Solo - Level 5 - Digital Download SKU: A0.1077739 Composed by Simon Jeffes. Arranged by Calum Wood. Classical,Contemporary,Folk....
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Bass Guitar,Instrumental Solo - Level 5 - Digital Download SKU: A0.1077739 Composed by Simon Jeffes. Arranged by Calum Wood. Classical,Contemporary,Folk. Individual part. 2 pages. Calum Wood #681935. Published by Calum Wood (A0.1077739). Attention all guitar players and fans of instrumental music - we are excited to offer our BASS guitar score of the iconic tune Music for a Found Harmonium by the Penguin Cafe Orchestra.Our bass guitar score of Music for a Found Harmonium is written in both TAB and music notation, making it accessible to players of all levels. This tune is perfect for intermediate to advanced players looking to challenge themselves with a complex and nuanced piece of music.What makes our guitar score unique is the attention to detail and accuracy that we've applied to transcribing every note and chord. Our score captures the intricate fingerpicking patterns and playful melody of the original recording, allowing you to play the song just as the Penguin Cafe Orchestra intended.Music for a Found Harmonium is a unique and captivating song that defies genre and classification. The song's melody is both playful and hypnotic, and the intricate interplay between the guitar and harmonium creates a rich and textured sound that is unlike anything else.The history of Music for a Found Harmonium dates back to the early 1980s, when it was first recorded by the Penguin Cafe Orchestra. The song quickly gained a following and has since become a beloved classic in the world of instrumental music.Our guitar score of Music for a Found Harmonium is the perfect way to pay tribute to this iconic song and showcase your guitar skills. From the intricate fingerpicking patterns to the playful melody, our score captures the essence of this beloved tune and allows you to recreate it in your own unique style.Don't miss out on this opportunity to add Music for a Found Harmonium to your repertoire and showcase your love of instrumental music. Order your guitar score today and take your first step toward becoming a musical innovator!
$4.99
Music For A Found Harmonium
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Guitar notes and tablatures
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ADVANCED
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Simon Jeffes
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Calum Wood
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Music For A Found Harmonium
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Calum Wood
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SheetMusicPlus
Guitar - Level 5 - Digital Download SKU: A0.1077730 Composed by Simon Jeffes. Arranged by Calum Wood. Celtic,Classical,Folk,Irish,Traditional. Guitar Tab...
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Guitar - Level 5 - Digital Download SKU: A0.1077730 Composed by Simon Jeffes. Arranged by Calum Wood. Celtic,Classical,Folk,Irish,Traditional. Guitar Tab. 2 pages. Calum Wood #681928. Published by Calum Wood (A0.1077730). Attention all guitar players and fans of instrumental music - we are excited to offer our guitar score of the iconic tune Music for a Found Harmonium by the Penguin Cafe Orchestra.Our guitar score of Music for a Found Harmonium is written in both TAB and music notation, making it accessible to players of all levels. This tune is perfect for intermediate to advanced players looking to challenge themselves with a complex and nuanced piece of music.What makes our guitar score unique is the attention to detail and accuracy that we've applied to transcribing every note and chord. Our score captures the intricate fingerpicking patterns and playful melody of the original recording, allowing you to play the song just as the Penguin Cafe Orchestra intended.Music for a Found Harmonium is a unique and captivating song that defies genre and classification. The song's melody is both playful and hypnotic, and the intricate interplay between the guitar and harmonium creates a rich and textured sound that is unlike anything else.The history of Music for a Found Harmonium dates back to the early 1980s, when it was first recorded by the Penguin Cafe Orchestra. The song quickly gained a following and has since become a beloved classic in the world of instrumental music.Our guitar score of Music for a Found Harmonium is the perfect way to pay tribute to this iconic song and showcase your guitar skills. From the intricate fingerpicking patterns to the playful melody, our score captures the essence of this beloved tune and allows you to recreate it in your own unique style.Don't miss out on this opportunity to add Music for a Found Harmonium to your repertoire and showcase your love of instrumental music. Order your guitar score today and take your first step toward becoming a musical innovator!
$4.99
Love Stories
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Piano, Voice
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ADVANCED
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Ross Fiddes
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Love Stories
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1248246 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 31 pages. Ros...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1248246 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 31 pages. Ross Fiddes #842808. Published by Ross Fiddes (A0.1248246). It was late 2015. You have written music for our children and for many others, but you’ve never written anything for me†said my bride of (then) 36 years.  Point taken. Whilst she had inspired me and had been a sounding board for many works, I had never dedicated anything to her. In looking for texts which expressed something of the love and admiration I have for my dear lady, I found some beautiful poems by the late Australian poet, John Shaw Neilson. These express emotions which are romantic, whimsical, allegorical, contemplative and more, providing marvellous inspiration.Rejecting the idea of narrative song cycle, I decided each song would tell its own story, naming the grouping Love Stories.So here is is.Throughout, the music is treated in ensemble; the piano does not “accompany†but supports whilst charting its own course.The work was premiered in the 2018 Newcastle Music Festival by Michael Lampard with the composer at the piano.And the dedicatee gave the performers a huge hug onstage at the conclusion of the work!YouTube: https://www.youtube.com/watch?v=s-E8lJpMVGE&t=2sÂ
$50.00
The High Line: Sonata for Violin and Piano
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Violin and Piano
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ADVANCED
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Contemporary
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Andrew Shapiro
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The High Line: Sonata for Viol
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Airbox Music Publishing
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.987912 Composed by Andrew Shapiro. 20th Century,Classical,Contemporary. 21 pages. Airbox Music Publishi...
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Piano,Violin - Level 5 - Digital Download SKU: A0.987912 Composed by Andrew Shapiro. 20th Century,Classical,Contemporary. 21 pages. Airbox Music Publishing #2157881. Published by Airbox Music Publishing (A0.987912). Sonata Violin/Piano: THE HIGH LINE (2015)Commissioned by Gregory Fulkerson, Professor of Music, The Oberlin Conservatory of Music. Gregory Fulkerson writes: Andrew Shapiro is a composer and songwriter living in Brooklyn. I first met him during his senior year at Oberlin when he acted as an audio assistant for my 1998 Merkin Hall concert in New York. I reconnected with him by chance in 2012, and we discussed working together to develop a violin sonata. I love the forthright and amiable spirit that permeates the piece; it is definitely in a pop style, yet he handles the standard acoustic sonorities deftly and there is a wealth of detail in the patterns of the violin. I don’t know anything else quite like it.Andrew Shapiro writes: In 2011 I fell into a job as a High Line Park Ranger so as to be able to spend considerable time at this new, rather bizarre park. When there weren’t huge mobs of people around (and it wasn’t absolutely freezing), during my year working there I often found myself near the top of the Gansevoort stairs contemplating the view of the river. After a while I got the idea to write a few sweet and simple pieces of music about it at different times of the day.
$22.00
Brahms Sonata in F-minor, Opus 5, 3rd movement, as a Symphony
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Orchestra
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ADVANCED
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Classical
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Aere Greenway
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Aere Greenway
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Brahms Sonata in F-minor, Opus
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Aere R Greenway
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1272505 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. S...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1272505 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 46 pages. Aere R Greenway #864730. Published by Aere R Greenway (A0.1272505). As a life-long fan of the music of Brahms, I have wished there were more than his four symphonies to enjoy. Â So I set about orchestrating his sonata for piano, opus 5, as a symphony. Â I doing so, I've seen many things in his piano music, that suggest he was thinking orchestrally. Â And this is a composition from his youth (1854). Â In fact, I have been repeatedly amazed at how many simultaneous, independent parts, he has put into a piano solo. Â I haven't needed to create anything. Â It's all Brahms, coming through. Â Perhaps, if Brahms weren't so overwhelmed by the genius of Beethoven, who came before, he might have made this his first symphony. Â And you get to hear its third movement now. Â As with the tradition of Beethoven, the 3rd movement is a scherzo. Â You can think of it (at least in the beginning, and end), as the waltz of the gargoyles. Â Enjoy!Brahms has long been a staple of concert-going audiences, and with this piece, you can perform a new symphony of Brahms, created from his piano sonata in F-minor, orchestrated into a symphony by Aere.
$47.97
Brahms Sonata in F-minor, Opus 5, 2nd movement, as a Symphony
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Orchestra
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ADVANCED
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Classical
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Aere Greenway, via MuseScore
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Aere Greenway
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Brahms Sonata in F-minor, Opus
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Aere R Greenway
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1267868 By Aere Greenway, via MuseScore. By Johannes Brahms. Arranged by Aere Greenway. Classical,Rom...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1267868 By Aere Greenway, via MuseScore. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 65 pages. Aere R Greenway #860416. Published by Aere R Greenway (A0.1267868). As a life-long fan of the music of Brahms, I have wished there were more than his four symphonies to enjoy. Â So I set about orchestrating his sonata for piano, opus 5, as a symphony. Â I doing so, I've seen many things in his piano music, that suggest he was thinking orchestrally. Â And this is a composition from his youth (1854). Â In fact, I have been repeatedly amazed at how many simultaneous, independent parts, he has put into a piano solo. Â I haven't needed to create anything. Â It's all Brahms, coming through. Â Perhaps, if Brahms weren't so overwhelmed by the genius of Beethoven, who came before, he might have made this his first symphony. Â And your orchestra can perform it for your audiences to enjoy!Brahms has long been a staple of concert-going audiences, and with this piece, you can perform a new symphony of Brahms, created from his piano sonata in F-minor, orchestrated into a symphony by Aere.
$47.97
Blues Lullaby
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Piano solo
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ADVANCED
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PETER Z SALTZMAN
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Blues Lullaby
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Salt Muse, Inc
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.480874 By PETER Z SALTZMAN. By PETER Z SALTZMAN. This edition: Interactive ...
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Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.480874 By PETER Z SALTZMAN. By PETER Z SALTZMAN. This edition: Interactive Download. Blues,Children,Classical,Jazz. Individual part. 2 pages. Duration 86. Salt Muse, Inc #77okvfC6ltCj6rma22mFYB. Published by Salt Muse, Inc (A0.480874). Key: F major.Though it starts simply enough, this bluesy lullaby becomes increasingly complex as voices that started as accompaniment become counterpoint and the harmony becomes more and more, well, blue. So whille it initially seems pretty easy pianistically speaking, it ends up anything but. (For this reason, I'll be posting a simplified version soon: I think it would be an attractive recital piece for young pianists wanteding something a bit different.) Blues Lullaby comes from a suite/album called Blues, Preludes and Feuds. You can hear the entire album on any of the standard streaming services (Spotify, Apple, etc.) or here on Bandcamp: https://petersaltzman.bandcamp.com/album/blues-preludes-feuds-1-4.
$3.95
Top Gun Anthem
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Piano solo
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ADVANCED
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Harold Faltermeyer
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Timothy Stapay
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Top Gun Anthem
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1402686 Composed by Harold Faltermeyer. Arranged by Timothy Stapay. Film/TV,Jazz,Patriotic,Pop,Standards....
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Piano Solo - Level 5 - Digital Download SKU: A0.1402686 Composed by Harold Faltermeyer. Arranged by Timothy Stapay. Film/TV,Jazz,Patriotic,Pop,Standards. Score. 8 pages. Timothy Stapay #985910. Published by Timothy Stapay (A0.1402686). This arrangement of Top Gun Anthem is written in a powerful virtuosic style.“Top Gun Anthem†by Harold Faltermeyer. This instrumental piece, featured on the original motion picture soundtrack of the 1986 movie “Top Gun.Listening to the “Top Gun Anthem†feels like a celebration of triumph. It evokes a sense of boundless determination, inspiring listeners to conquer their fears and reach for the skies. The electrifying guitar tunes, paired with the powerful orchestration, create a sonic visualization of Maverick and his fellow pilots taking flight while pushing the limits of their abilities. It serves as a reminder that no dream is too big and that with enough courage, we can accomplish anything.
$7.99
"Quincie", Quintet For Two Violins, Viola, Cello And Piano
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Piano Quintet: piano, 2 violins, viola, cello
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ADVANCED
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Cello - Will Mace, Robert Asto
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"Quincie", Quintet For Two Vio
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Geraldine
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1312666 By Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, a...
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Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1312666 By Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, and Violins - Matthew Chadbond and James Warburton. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary. 222 pages. Geraldine (Denny) Green at Oakmountmusic #901515. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1312666). ALL PURCHASES COME WITH SCORE AND PARTSIn 4 movements – total duration 35 minutes.Quincie was written between July 2018 and January 2019. I had just begun receiving the main ideas for it when a pianist I know locally, Robert Aston, happened to ask me if I had written anything for piano and string quartet. I believe that Quincie “heard†this and that was the trigger and the door unlocking. Because the next thing I knew I was absolutely engulfed in the writing of this work for the next six months.Like all my works, this one is an emotional journey, and my own nickname for it is Quincie, The Comic Healer. Each movement tells a progressive story of the different stages of a journey through a long period of grief, illness, depression and chronic anxiety. The overall mood of the whole piece is extremely energetic, loving, warm, compassionate and audience friendly, and while there is some heart ache in the middle of the first movement, the work is also extremely comical and hilarious in its third and fourth movements. It has a great sense of slapstick humour alongside the deep ache of grief and unfathomable sadness. It is completely tonal and in a highly Romantic style.It has enjoyed the following performances:April 27th 2019 at the Triangle Church, Bolton BL1 5QP 7.30pm by the Pennine QuintetJune 1st 2019 at the Victoria Hall, Knowsley St. Bolton BL1 2AS at 1pm Lunchtime concert, by the Pennine QuintetJuly 7th 2019 at the Horwich Community Centre, Beaumont Rd, BL6 7BG at 2.45pm as part of the Horwich Music Festival.A great start for a brand new work! My gratitude to the Pennine Quintet and concert organizers is immense and not something I will ever forget. Thank you. The following performance was recorded and filmed at the Horwich Music Festival on July 7th 2019 and added to YouTube with permission of the Pennine Ensemble. Many many thanks.Very sadly, in June 2020, the pianist, Robert Aston, passed away from cancer. Without his wonderful support and encouragement this work never would have had even one performance let alone FOUR! Therefore, I have now fully dedicated this piece to Robert as the least I could do to thank him for all the wonderful music he gave so freely to Bolton, UK, over his lifetime. Thank you, Robert. You were FAB!!!
$75.00
4 x 2 x 1 Bass Trombone Solo with Double Trombone Quartet
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Jim Pugh
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4 x 2 x 1 Bass Trombone Solo w
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811134 Composed by Jim Pugh. 20th Century,Contemporary,Jazz. Score and parts. 43 pages. Gord...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811134 Composed by Jim Pugh. 20th Century,Contemporary,Jazz. Score and parts. 43 pages. Gordon Cherry #5337657. Published by Gordon Cherry (A0.811134). Jim Pugh's 4 x 2 x 1 is written for Bass Trombone solo with a double Trombone Quartet accompaniment. It is appropriate for advanced performers and is about 8 1/2 minutes in length. Here is what Jim Pugh says about his composition 4 x 2 x 1: Dave Taylor and I have had a long musical association going back to my first recording sessions with him in New York in 1976 and continuing for 30+ years, including, among many things, two Pugh/Taylor Project recordings. When Dave was putting together the 1999 Manhattan School of Music Trombone Day, he asked me to write a piece featuring him along with his invited guest artists, the Four Of A Kind Trombone Quartet and the Vienna Trombone Quartet – hence the title: 4 (quartet) x 2 (two of them) x 1 (1 soloist). I enjoyed the opportunity to feature not only the bass trombone but, at times, the bass trombone trio that the orchestration provides. The piece is loosely in Rondo form. After an initial statement of the Theme, there follows three unrelated Vignettes separated by variations on the original Theme. A brief GP introduces an improvisation from the bass trombone soloist leading to the final statement of the Theme. The score reflects the correct positioning of the players, left to right, with the two quartet bass trombones on either end of the group and the two first tenor players in the middle, flanking the bass trombone soloist. A little aside here, the tenor trombone solo beginning in measure 77 was specifically written for another dear friend, colleague and collaborator, Joe Alessi. It was a great thrill and honor to have been asked to write music for not only Dave but also two of the best trombone quartets in existence at that time, knowing that anything I wrote would be so beautifully performed. This piece was recorded on the Signum Records CD: The Graham Ashton Brass Ensemble Plays The Music of James Pugh and Daniel Schnyder.
$35.00
Extinction Events - Clarinet Quartet - Mvt 3 - Walrus Jump
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Clarinet Quartet: 4 clarinets
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ADVANCED
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Contemporary
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John Gibson
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Extinction Events - Clarinet Q
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JB Linear
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - Digital Download SKU: A0.581936 Composed by John Gibson. Contemporary. 19 pages. JB Linear #...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - Digital Download SKU: A0.581936 Composed by John Gibson. Contemporary. 19 pages. JB Linear #3457481. Published by JB Linear (A0.581936). Extinction Events (3rd movement - Walrus Jump by John Gibson was written as a submission to the International Clarinet Association's 2018 Composition Competition. Written for 3 Bb clarinets and 1 bass clarinet, it is a four movement work for very advanced players. This is the third movement only...the others may be purchased separately: Buzzy Delights, It Isn't Easy Being a Cuckoo, and Yaguarete Surprise (Argentine Jaguar). The entire set of 4 movements may also be purchased. Simply type extinction events Gibson in the search bar at the top.You can watch a You Tube video at https://youtu.be/zdxKbnvD6iI Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved. Walruses are huge aquatic animals who are powerful and swift in the water, but when they jump onto sea ice to rest, they are anything but graceful. They are a bit comical, really. Subsistence hunters in the Bering Strait of Alaska are having trouble with their Spring hunts due to gradual warming of the arctic waters. Sea ice is getting thinner and the Walruses they rely upon to live are getting too far away. This Walrus Jump music is a pretty happy sounding boogie woogie that shows signs of musical distress as it goes on.
$14.00
Interstellar
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Organ
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ADVANCED
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Alex Gibson, Hans Florian Zimm
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Anna Lapwood
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Interstellar
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Anna Lapwood
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 5 - Digital Download SKU: A0.1316991 Composed by Alex Gibson, Hans Florian Zimmer, and Ryan Romeyn Rubin. Arranged b...
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Instrumental Solo,Pipe Organ - Level 5 - Digital Download SKU: A0.1316991 Composed by Alex Gibson, Hans Florian Zimmer, and Ryan Romeyn Rubin. Arranged by Anna Lapwood. 21st Century,Classical,Contemporary,Film/TV. Individual part. 29 pages. Anna Lapwood #904082. Published by Anna Lapwood (A0.1316991). Over the past couple of years I have written a number of film music transcriptions on and for the organ of the Royal Albert Hall in London. While the transcriptions are written with this organ in mind, often calling for specific colours such as the bass drum, carillons or tubular bells, they are adaptable on a number of different instruments and I’ve loved tweaking them in order to play them on organs all across the world. I hope you enjoy playing them as much as I’ve enjoyed writing them! I think the Interstellar soundtrack has done more to popularise the organ than anything or anyone else! I’ve chosen three of my favourite cues from the film and put them together into a suite. It can be performed in any order, with the pieces played one after the other or scattered throughout a recital programme.  - Anna Lapwood.
$19.99
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