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'Tis the Christ
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7101
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.88 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Christe Redemptor Omnium (SATB)
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1100378 Composed by…
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1100378 Composed by Sarum chant. Arranged by Sara Garrard. Christmas,Holiday,Medieval,Religious,Sacred. Octavo. 7 pages. Sara Garrard #704207. Published by Sara Garrard (A0.1100378). The words and melody of 'Christe redemptor omnium' are hundreds of years old. Here is an arrangement of the Christmas plainchant hymn for SATB choir divisi, the effect warm and full, building over the sevenfold structure of the piece. 1. Christe, redemptor omnium, ex Patre, Patris unice, solus ante principium natus ineffabiliter, 2. Tu lumen, tu splendor Patris, tu spes perennis omnium, intende quas fundunt preces tui per orbem servuli. 3. Salutis auctor, recole quod nostri quondam corporis, ex illibata Virgine nascendo, formam sumpseris. 4. Hic praesens testatur dies, currens per anni circulum, quod a solus sede Patris mundi salus adveneris; 5. Hunc caelum, terra, hunc mare, hunc omne quod in eis est, auctorem adventus tui laudat exsultans cantico. 6. Nos quoque, qui sancto tuo redempti sumus sanguine, ob diem natalis tui hymnum novum concinimus. 7. Jesu, tibi sit gloria, qui natus es de Virgine, cum Patre et almo Spiritu, in sempiterna saecula. Amen. Rhymed English translation by John Mason Neale (1818-1866) 1. O Christ, the Father's only Son, whose death for all redemption won, before the worlds, of God most high, begotten all ineffably. 2. The Father's Light and Splendour Thou their endless Hope to Thee that bow: accept the prayers and praise today that through the world Thy servants pay. 3. Salvation's author, call to mind how, taking the form of humankind, born of a Virgin undefiled, Thou in man's flesh becamest a Child. 4. Thus testifies the present day Through every year in long array, that Thou, salvation's source alone proceedest from the Father's Throne. 5. Whence sky, and stars, and sea's abyss, and earth, and all that therein is, shall still, with laud and carol meet, the Author of thine Advent greet. 6. And we who, by Thy precious Blood from sin redeemed, are marked for God, on this, the day that saw Thy Birth, sing the new song of ransomed earth. 7. All honour, laud, and glory be, O Iesu, Virgin-born, to Thee; whom with the Father we adore, and Holy Ghost forevermore. Amen.
$4.50
4.14 €
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Choral SATB
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Sarum chant
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Christe Redemptor Omnium
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Sara Garrard
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SheetMusicPlus
'Tis the Christ
Instrumental Duet Cello,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.91…
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Instrumental Duet Cello,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.915664 Composed by 1860. No composer named., Paderborn, and Published in Geistliche Volkslieder. Arranged by Richard Joseph Barber. Christian,Easter,Sacred. Score and parts. 10 pages. Barber Music Company #2002637. Published by Barber Music Company (A0.915664). This setting is for voice, piano and cello. The cello part is sold separately. The duration is 4:17. This piece would be good for any Christian worship service and especially toward Good Friday. The range is medium. The text is is heavy but beautiful. It begins, Stricken, smitten, and afflicted / See Him dying on the tree! / Tis the Christ by man rejected; Yes, my soul, this he, tis He! The cello part adds much to the beauty and intensity of these wonderful words and music. The MP3 Audio Clip is from the CD, The Winds of God, recorded by Richard Joseph Barber.
$2.50
2.3 €
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1860
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'Tis the Christ
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Barber Music Company
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SheetMusicPlus
When I Survey the Wondrous Cross
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
2.3 €
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Choral SATB
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Isaac Watts / Lowell Mason
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When I Survey the Wondrous Cross
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WheatMyer Music
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SheetMusicPlus
We Must Learn to Walk Together
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.67 €
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Piano, Vocal and Guitar
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
The Water is Wide for Viola & Piano
Viola, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.33 €
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Viola, Piano
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Traditional Scottish
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
Magnificat and Nunc Dimittis
Choral Unison
Unison chorus - Digital Download SKU: C7.CGA954 Composed by Helen Kemp. Advent, Chr…
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Unison chorus - Digital Download SKU: C7.CGA954 Composed by Helen Kemp. Advent, Christmas. With Piano, C instrument, handchimes, (2 octaves) and handbells (3 octaves). Sacred Anthem. Octavo. 20 pages. Chorister's Guild - Digital #CGA954. Published by Chorister's Guild - Digital (C7.CGA954). UPC: 749193007761.The Magnificat and Nunc Dimmitis come to life in two memorable Biblical scenes: (1) Young Mary, visiting her older cousin, Elizabeth, sings of her great joy to be the mother of the Christ Child. (2) Mary and Joseph taking the infant Jesus to the temple where the wise, aging Simeon declared that God's promise to him was fulfilled. These settings can be sung as general anthems or as integral parts of Vespers or Evensongs. The flute ostinato and the introductory choral measures are motifs from Magnificat by J. S. Bach. Magnificat text based on Luke 1:46-47. Nunc Dimmitis text based on Luke 2:29-31. Lectionary use: Luke 1: 46-47 - Visitation ABC; Advent 3 AB; Advent 4 BC; Luke 2: 29-31 - Christmas 1 B.
$2.25
2.07 €
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Choral Unison
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Helen Kemp
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Advent 3 AB
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Magnificat and Nunc Dimittis
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Chorister's Guild - Digital
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SheetMusicPlus
The Mevlidi Sherif Symphony ~ in English Piano Reduction
Piano solo
Piano Solo - Digital Download SKU: A0.1029428 Composed by Taylor Kroff. Contemporar…
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Piano Solo - Digital Download SKU: A0.1029428 Composed by Taylor Kroff. Contemporary. Score. 113 pages. Listening Heart, LLC #4890651. Published by Listening Heart, LLC (A0.1029428). Mevlidi Sherif Symphony ~ in English Divine is beautiful and loves what is beautiful. Prophet Muhammad (pbuh) Our heartfelt prayer is that this music serves to awaken people of all religious traditions to the sacred musical treasures of Islam and that it contributes to interfaith harmony. CarolAnn Barrows & Taylor Kroff The Mevlidi Sherif, the finest expression of reverence for Muhammad (pbuh), forms an essential part in the religious instruction of most Turkish minds. We hope that this new symphony will foster an interest and understanding of the Muslim soul, even for many who have little direct contact with the world of Islam. Considering how Christians feel about their Christmas carols provides some understanding of what the Mevlidi Sherif (or mawlud) means to Muslims. Over 500 years ago Süleyman Çelebi, from the Great Mosque at Bursa, wrote the Mevlidi Sherif (then entitled Vesiletu’n-necat) so that Turks would have access to the magical, mystical story of their beloved Prophet Muhammad (pbuh), which had previously only been available in Arabic. Over the centuries this epic poem has been recited and sung in Mosques and in homes; on countless occasions of rejoicing and sorrow, such as births, weddings, house blessings, graduations, and especially to celebrate the Night of Power and the Birthday (mawlid) of Muhammad (pbuh). Some consider it to be the most frequently recited poem in the world. In 1942, as an act of interfaith and goodwill, Mr. F. Lyman MacCallum, a Christian missionary who was born in Turkey to missionary parents, translated into English this epic poem and published it in a journal dedicated to promoting East/West understanding. This was a remarkable artistic feat as MacCallum stayed true to the traditional Turkish poetic meter, mathnawī of fâ’ilâtün fâ’ilâtün fâ’ilün, as well as holding fast to the authentic meaning of the original text. In 2015, Dr. Timuçin Çevikoğlu, from Ankara University in Turkey, discovered MacCallum’s English translation of this most beloved poem. With the intention to help those in the west better understand the very heart of Islam, he invited sacred music singer, Ms. CarolAnn Barrows from Maui, Hawaii, USA to be the first person to ever sing the Mevlidi Sherif in English. He asked her to compose music that would appeal to western sensibilities. Ms. Barrows interviewed many composers to assist her. It wasn’t until she heard from Mr. Taylor Kroff from Austin, Texas, U.S.A., that she knew she’d found the right person for the task. Using digital technology they were able to work together, even though thousand of miles apart. They amended and re-translated the text of the original English version of the poem and composed the Mevlidi Sherif Symphony ~ in English. The recording is now available online all over the world. This music was born out of our desire to help non-Muslims appreciate the love all Muslims have for their Prophet Muhammad (pbuh); to create greater understanding and peace among nations. We are not suggesting that anyone change their faith, but rather that greater world peace will be achieved by understanding and accepting the faith of others. We pray that this music will serve to remove the boundaries which divide different religious faiths by bringing to full light the underlying wisdom with which they are all united. CarolAnn Barrows & Taylor Kroff
$50.00
46.02 €
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Piano solo
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Taylor Kroff
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The Mevlidi Sherif Symphony ~ in English Piano Reduction
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Listening Heart, LLC
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SheetMusicPlus
Jesus Wants Me for a Sunbeam from "Christmas Lights - A Christmas Musical for Children"
Choral SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.889825 Composed by Edwin …
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.889825 Composed by Edwin O. Excell. Arranged by Ginny Saltzman. Children,Christian. Octavo. 2 pages. Ginny's House of Music #6457963. Published by Ginny's House of Music (A0.889825). Jesus Wants Me for a Sunbeam An Intermediate Level arrangement of an old Children's Song, with accompaniment, voice, and lyrics included. Originally as a Sunday School Song in a hymn book, and then used for many years for the Southern Baptist Convention Mission Group, Sunbeams for pre schoolers. It is based on Matthew 5:14-16 Ye are the light of the world. A city that is set on an hill cannot be hid.Neither do men light a candle, and put it under a bushel, but on a candlestick; and it giveth light unto all that are in the house. Let your light so shine before men, that they may see your good works, and glorify your Father which is in heaven. 　 It is the eighth entry in the Christmas Musical Christmas Lights - A Christmas Musical for Children, which can also be purchased in its entirety in a separate listing.
$4.99
4.59 €
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Choral SATB
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Edwin O
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Jesus Wants Me for a Sunbeam from "Christmas Lights - A Christmas Musical for Children"
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Ginny's House of Music
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SheetMusicPlus
Walking In The Air
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1118521 Composed by Howard Blak…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1118521 Composed by Howard Blake. Arranged by Kevin Riley. 20th Century,Christmas,Film/TV. Score and parts. 53 pages. Kevin Riley #720042. Published by Kevin Riley (A0.1118521). Walking in the Air is a song written by Howard Blake for the 1982 animated film The Snowman based on Raymond Briggs' 1978 children's book of the same name. The song forms the centrepiece of The Snowman, which has become a seasonal favourite on British and Finnish television. The story relates the fleeting adventures of a young boy and a snowman who has come to life. In the second part of the story, the boy and the snowman fly to the North Pole. Walking in the Air is the theme for the journey. They attend a party of snowmen, at which the boy seems to be the only human until they meet Father Christmas with his reindeer, and the boy is given a scarf with a snowman pattern. In the film, the song was performed by St Paul's Cathedral choirboy Peter Auty, and reissued in 1985 (on Stiff Records) and 1987. In 1985, an altered version was recorded for use in a TV advertising campaign for Toys R Us. As Auty's voice had then broken, Blake recommended the then-14-year-old Welsh chorister Aled Jones, whose recording reached number five in the UK Singles Chart, and who became a popular celebrity on the strength of his performance. The association of the song with Jones, combined with Auty not being credited on The Snowman, led to a common misbelief that Jones performed the song in the film. Walking in the Air has subsequently been performed by over forty artists, in a variety of styles. In a UK poll in 2012, the Aled Jones version was voted 13th on the ITV television special The Nation's Favourite Christmas Song.
$70.00
64.43 €
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Orchestra
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Howard Blake
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Walking In The Air
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Kevin Riley
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SheetMusicPlus
Christmas Medley for Marimba Trio
Marimba
Marimba Solo - Level 3 - Digital Download SKU: A0.935391 Arranged by Dan Heslink. C…
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Marimba Solo - Level 3 - Digital Download SKU: A0.935391 Arranged by Dan Heslink. Christian,Christmas. Individual part. 13 pages. Pharaoh Publications #6194993. Published by Pharaoh Publications (A0.935391). Christmas Medley for Marimba Trio . . . . . . . . . . . . . . arr. Dan HeslinkThis medley combines three of the most favored Carols celebrating the miracle of Christ’s birth. Angels We Have Heard On High encapsulates the birth of Jesus Christ as narrated in the Gospel of Luke. The flowing second part of this carol portrays the shepherds’ wonder as they encounter a multitude of angels singing and praising. The spiritual renewal brought about by the birth of the Christ child is given in What Child Is This? Sung to the tune of the traditional English song Greensleeves, its haunting quality has made it one of the most popular of Christmas carols. And focusing on the immediacy of the Child’s entrance into the world, Away in a Manger has become the most loved of all American Christmas carols. The medley opens with an eight-measure introduction that immediately establishes the Christmas spirit, and then moves on to Angels We Have Heard on High. The binary form of this section should suggest to the performers two contrasting manners of execution, one involving brisk, rhythmic strokes and the other more legato in nature. At the second indicated rehearsal number What Child Is This? introduces a new key and new meter for new melodic content. The score shapes these phrases with dynamic changes, which should be observed with care. The dynamic arches and divided eighth note passages will enhance the impetus of a rolling ternary meter The medley’s final selection, Away in a Manger, begins at measure sixty-seven. A light and delicate approach to execution should create an innocent, child-like characterization. The final cadence of this selection is expanded to a bolder conclusion. Players and conductor may wish to experiment with a dead stroke on the last soft note, to artistically suggest that the music may be experienced for a moment even after it is concluded. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:21. The arranger, Dan Heslink, assigned a difficulty level of medium, and can be contacted at dan@dheslink.com.
$3.99
3.67 €
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Marimba
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Christmas Medley for Marimba Trio
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Pharaoh Publications
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SheetMusicPlus
"Tis the Christ" - Cello Part
Small Ensemble Cello,Piano,Voice - Level 3 - Digital Download SKU: A0.915663 Compos…
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Small Ensemble Cello,Piano,Voice - Level 3 - Digital Download SKU: A0.915663 Composed by 1860. No composer named., Paderborn, and Published in Geistliche Volkslieder. Arranged by Richard Joseph Barber. Christian,Easter,Sacred. Score and parts. 3 pages. Barber Music Company #2002677. Published by Barber Music Company (A0.915663). This is the cello part only for 'This the Christ..
$1.99
1.83 €
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1860
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"Tis the Christ" - Cello Part
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Barber Music Company
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SheetMusicPlus
The DaySpring
Organ
Organ: 3-staff - Intermediate SKU: LO.70-1608S Advent Meditations for Organ.…
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Organ: 3-staff - Intermediate SKU: LO.70-1608S Advent Meditations for Organ. Composed by Gilbert M. Martin. Sacred, Advent. Sacred Music Press #70/1608S. Published by Sacred Music Press (LO.70-1608S). ISBN 9780893288372.For the coming of the Christ-child, whether quietly awaited or fervently desired, expectation is musically gathered in this joyous collection of organ music designed for the Advent season. Familiar carols (and one or two less familiar ones) receive sparkling and contemplative treatments. Registered for all organs and accurately timed.
Song List: Watchman Tell Us Of The Night Come Thou Long Expected Jesus O Come O Come Emmanuel Savior of the Nations Come Creator Of The Stars Of Night On Jordan's Bank The Baptist's Cry
$25.00
23.01 €
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Organ
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Gilbert M
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The DaySpring
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Sacred Music Press
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SheetMusicPlus
The Truth From Above — brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Intermediate - Digital Download Composed by English folk melody. Arra…
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Brass Quintet - Intermediate - Digital Download Composed by English folk melody. Arranged by Todd Marchand. Christian, Sacred, Christmas. Score, Set of Parts. 15 pages. Published by Con Spirito Music
"The Truth From Above," aka "[This Is] the Truth Sent From Above," and sometimes known as "The Herefordshire Carol," is an English folk melody that was collected by Ralph Vaughan Williams in 1909, used in his Fantasia on Christmas Carols (1912) and and published in Eight Traditional English Carols (1919).<br> <br> Its text tells of God's creation of man and woman, their placement in Paradise, their sin and its subsequent consequences for all humanity, the nativity of Christ, His example and teaching, and His promise of salvation for all who believe in Him. Another text, "The Great Forerunner of the Morn," which tells of John the Baptist's preparation for the Christ, is also sung to the tune.<br> <br> The Dorian-mode melody uses the first through fifth tones, and the seventh tone, of that mode. Although collected by Vaughan Williams just after the turn of the 20th century, its chant-like quality, both melodically and rhythmically, is reminiscent of centuries-old music.<br> <br> This arrangement features solo tuba on the first presentation of the tune followed by the full ensemble in full harmony, a key change and canonic presentation by horn and trombone, and a return to the original key and concluding statement by full ensemble with harmonic variation.
$15.00
13.81 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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English folk melody
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The Truth From Above — brass quintet
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Con Spirito Music
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
High voice
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.22 €
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High voice
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
My Country, 'Tis of Thee (with Prayer for Guidance) - Vocal Solo with Piano Accompaniment
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.751817 Composed by Samuel Fr…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.751817 Composed by Samuel Francis Smith (text) and Set to the tune God Save the Queen. Arranged by K.L. Phillips. Christian,Holiday,Patriotic,Sacred. Score. 6 pages. K L Phillips #6475697. Published by K L Phillips (A0.751817). This reflective arrangement of My Country, 'Tis of Thee for vocal solo with piano accompaniment would be a beautiful addition for a Memorial Day, Veteran's Day or Independence Day service. This arrangement begins with the traditional lyrics of the first verse, then the prayer for guidance and ends with the last verse. Performance time: 3:00; Vocal Range: B3-E5LYRICS: My country, 'tis of thee, Sweet land of liberty of thee I sing, of this land where my fathers died,Land of the pilgrim's prideFrom ev'ry mountain side let freedom ring!Our Father help us to live selflessly,and do Your will with our liberty help us to share,help us to care for people in this land, the souls who've lost their joy inside may we stand with them and walk beside our neighbor with Jesus as our guide God our Father and our King!Our father's God, to thee, Author of liberty to thee we sing! O Long may our land be bright with freedom's holy light.Protect us by thy might, Great God Our King! Our King! From ev'ry mountain side let freedom ring,Let freedom ring!A piano accompaniment track is available separately at Sheet Music Plus - Item ID# S0.1086275
$3.99
3.67 €
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Piano, Voice
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Samuel Francis Smith
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My Country, 'Tis of Thee
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K L Phillips
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SheetMusicPlus
Christmas Duets - Volume 2 - for One Flute and One Clarinet
Flute, Clarinet (duet)
Composed by Various. Arranged by Kenneth Baird. Christian, Christmas, Sacred. 24 pages…
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Composed by Various. Arranged by Kenneth Baird. Christian, Christmas, Sacred. 24 pages. Kenneth Baird Music #6137099. Published by Kenneth Baird Music
Many have loved the duet arrangements found inthe original collection of 12 Christmas Duets arranged by Kenneth Baird. Volume 2 is now available for one flutist with one clarinetist to play together! As in the original collection, this is a delightful collection of intermediate to advanced-intermediate level duets based on traditional Christmas carols. They are challenging at times (not for beginners) without being overwhelming; at times joyful, at times uplifting, at times serene.There\'s even a very jazzy version of Go Tell It on the Mountain! In addition to being a joy for friends to play together, these can be a great resource for teachers to play at lessons with their students, they are suitable for informal Christmas performances, and many are appropriate for church services. Note: the duets in this collection have NOT been arranged to be fully compatible with Mr. Baird\'s duet collections for other instruments. Instead,these have been arranged specifically for one flute and one clarinet. Included in Christmas Duets, Volume 2, are: Carol of the Bells, Ding Dong! Merrily on High, the First Noel, Go Tell It on the Mountain, It CameUpon a Midnight Clear, Jingle Bells, Joy to the World (a more traditional version than the arrangement found in the original duet collection), We Three Kings, Angels We Have Heard on High, God Rest Ye Merry Gentlemen, and In Dulci Jubilo (GoodChristian Men Rejoice). If you are looking for simple harmonizationsof Christmas Carol melodies playable by beginners, this collection is not for you. If you are looking for something more, you\'ve come to the right place. For advanced-intermediate and players.
$12.99
11.96 €
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Flute, Clarinet (duet)
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Various
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Christmas Duets - Volume 2 - for One Flute and One Clarinet
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Kenneth Baird Music
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SheetMusicPlus
Christchurch Alive!
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1308595 Composed by Dale Vail. Classical,Contest,Festival,Jazz. Brass Band. 107 pages. Dale Vail #897836. Published by Dale Vail (A0.1308595). Christchurch Alive! - Brass Band Major WorkPlaying level : Suitable for bands of all levelsParts for British Brass Band, and transposed options for Bass clef Trombone/Euphonium/Baritones/Tubas and Horns in F.Christchurch Alive! was written for the Nor'west Brass Band in 2017 by Dale Vail as the own choice work for their first New Zealand National Brass Band Contest in 2018.Christchurch Alive! is a testimony to the spirit of the Christchurch Community, and their resilience to the life changing earthquakes of 2010 and 2011. The piece is built around the harmonic circle of fifths. The circle of fifths is famous for being a common harmonic pattern in both baroque and classical music, and jazz and modern music. Most influentially used by Arcangelo Corelli, the pattern appears commonly in the Johann Sebastian Bach's music, and the works of Antonio Lucio Vivaldi.In the modern age, it is most famously heard in Joseph Kosma's Autumn Leaves. Dale's piece takes the two sides of this famous progression, and links them into one seamless piece of music, symbolising the union of two eras making something new, much like pre-earthquake culture, and new post-earthquake culture, joining together to create a new community.The work opens with a traditional style melody, utilising a modern minor 7th tonality. Tubular bells sound 5 times, a clock tower striking 5am marking the first hour after the first earthquake. The band explodes into a New Orleans style street band theme, showing the nightlife and central city vibrancy that still exists amongst the repairs. This swaps to a Vivaldi inspired melody, using the same circle of 5ths progression, a blend of two different times, old and new buildings forming one city. A solo voice from offstage begins a cadenza, echos of a busker in the old arts centre markets, which brings one intoA nostalgic melody from the flugel. A reflection on what used to be. The circle of fifths becomes a I - V progression, stuck on a continuous loop, illustrating a longing to remember, and to restore what was. The circle begins to move forward again with a solo trombone taking the stage, a reflection on the late night jam sessions from the Christchurch Jazz School on Poplar lane. A Sibelius inspired melody reminds that whilst the past is remembered, it cannot be revisited. The flugel melody is re-harmonized, remembering what made the old Christchurch great, and taking that with us to the new Christchurch. All the themes are revisited and brought together in a vibrant ending, a hybrid of different communities, restored and new landmarks, and a resolve to make the future their own.The city is thriving and more alive than ever.
$100.00
92.04 €
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Dale Vail
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Christchurch Alive!
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Dale Vail
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SheetMusicPlus
Christ Child's Lullaby (Taladh Chriosda) - Strings quintet and piano with parts
Cello,Guitar,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.801706 Compose…
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Cello,Guitar,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.801706 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. 17 pages. Connie Boss #6428081. Published by Connie Boss (A0.801706). This beautiful Scottish Gaelic Carol is for a Strings quintet and piano. While parts of the melody are still the same, some of it is new. The lyrics are adapted from the original lyrics - changing only some words to fit the lyrics. There are other forms on here to purchase if you don't have all of these instruments. If you don't see exactly what you want, email me at cdboss@cvalley.net and I can do something for you.Lyrics: Christ Child’s Lullaby (Taladh Chriosda) Scottish Gaelic Christmas Carol Arranged by Connie Boss  Refrain: Alleluia alleluia  alleluia  alleluia Verse 1 You are my Love and darling boy You are my treasure and my joy You are my graceful little son Your life has just begun Refrain: Alleluia alleluia  alleluia  alleluia Verse 2: You were sent from up above And now you share your father’s love A babe so poor but love so true You have much strength in you Refrain: Alleluia alleluia  alleluia  alleluia Verse 3: A helpless baby now we sing You truly are the King of Kings You are the true and rightful one For you are God the Father’s son Refrain: Alleluia alleluia  alleluia  alleluia Alleluia
$5.50
5.06 €
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Unknown
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Christ Child's Lullaby
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Connie Boss
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SheetMusicPlus
Hymn to the Holy Trinity — anthem for SAB voices, organ
Choral 3-part
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1042625 Composed by Todd Ma…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1042625 Composed by Todd Marchand. Sacred. Octavo. 7 pages. Con Spirito Music #647400. Published by Con Spirito Music (A0.1042625). Tobias Clausnitzer (1619-1684) was a German Lutheran pastor and writer of theological treatises, sermons, and hymns. His best-known hymn, perhaps, is Liebster Jesu wir sind bier, translated to English and published as Blessed Jesus, at thy word by the English hymn-writer and educator Catherine Winkworth (1827-1878) in her Lyra Germanica — Hymns for the Sundays and Chief Festivals of the Christian Year, translated from the German (1858), and repeated in her Chorale Book for England (1863). Winkworth was also translator for Clausnitzer's Wir glauben all an einen Gott, Yater, Sohn und heilgen Geist (We all believe in one true God, Father, Son, and Holy Ghost), a metrical paraphrase of the Apostles Creed designated for Trinity Sunday in the Culmbach-Bayreuth Gesang-Buch (1668). Winkworth also included this in her Chorale Book for England.This new musical setting, mostly in unison and briefly expanding to three-part harmony at the peak of each verse, is very singable by small and developing choirs composed of soprano, alto, and baritone/bass voices. The accompaniment, with sustained tones, is best realized on organ.The opening phrase, We all believe in one true God, may be sung by a solo male voice, similar to the opening intonation of a chanted canticle or psalm. Dynamic contrasts (crescendi and decrescendi) throughout follow the rising and falling of the melodic line and should be carefully observed. ©Copyright 2022 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$2.00
1.84 €
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Choral 3-part
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Todd Marchand
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Hymn to the Holy Trinity — anthem for SAB voices, organ
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Con Spirito Music
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SheetMusicPlus
The Lord Came Down to the River
Choral SATB
Choral SATB Chorus - Digital Download SKU: H1.C5439DP Composed by Pepper Choplin. P…
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Choral SATB Chorus - Digital Download SKU: H1.C5439DP Composed by Pepper Choplin. Piano Accompaniment. General Worship, Discipleship, Holy Spirit, New Life in Christ. Octavo. 11 pages. Hope Publishing - Digital #C5439DP. Published by Hope Publishing - Digital (H1.C5439DP). Matthew 3:13 - Matthew 3:14 - Matthew 3:15 - Matthew 3:16 - Matthew 3:17 - Mark 1:9 - Mark 1:10 - Mark 1:11.Original anthem This intimate baptism anthem from Pepper Choplin draws us in with the story of Jesus' baptism by John. The chorus quotes the heavenly voice, This is my Son in whom I am well pleased. Then the vivid text shifts the focus to a baptism of a child of God on this day, and now the Holy Spirit seems to say: This is my child in whom I am well pleased. This is my child who comes to follow me.
$2.95
2.72 €
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Choral SATB
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Pepper Choplin
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The Lord Came Down to the River
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Hope Publishing - Digital
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SheetMusicPlus
In Christ There is No East or West/The Churchs One Foundation (Downloadable)
Piano solo
Piano - Easy to Medium - Digital Download SKU: MQ.15-838-03E Composed by Anna Laura…
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Piano - Easy to Medium - Digital Download SKU: MQ.15-838-03E Composed by Anna Laura Page. Ascension, Funeral. 4 pages. MorningStar Music Publishers - Digital Sheet Music #15-838-03E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-838-03E). This collection consists of hymns associated with the church and community, including The Sovereignty of God, The Church Triumphant, and Baptism. They are useful as preludes, offertories, postludes, benedictions, or at other times in the service. Includes:Blest Be the Tie That BindsChildren of the Heavenly FatherThe Churchs One FoundationGod, Whose Giving Knows No EndingIn Christ There Is No East or WestLeaning on the Everlasting ArmsA Mighty FortressO God, Our Help in Ages PastSong of HopeWere Marching to Zion.
$5.00
4.6 €
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Piano solo
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Anna Laura Page
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In Christ There is No East or West/The Churchs One Foundation
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
In Christ There Is No East or West (Downloadable)
Piano solo
Piano - Easy to Medium - Digital Download SKU: MQ.15-838-05E Composed by Anna Laura…
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Piano - Easy to Medium - Digital Download SKU: MQ.15-838-05E Composed by Anna Laura Page. Ascension, Funeral. 3 pages. MorningStar Music Publishers - Digital Sheet Music #15-838-05E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-838-05E). This collection consists of hymns associated with the church and community, including The Sovereignty of God, The Church Triumphant, and Baptism. They are useful as preludes, offertories, postludes, benedictions, or at other times in the service. Includes:Blest Be the Tie That BindsChildren of the Heavenly FatherThe Churchs One FoundationGod, Whose Giving Knows No EndingIn Christ There Is No East or WestLeaning on the Everlasting ArmsA Mighty FortressO God, Our Help in Ages PastSong of HopeWere Marching to Zion.
$5.00
4.6 €
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Piano solo
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Anna Laura Page
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In Christ There Is No East or West
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Jesus Christ is Risen Today for Brass Quartet with Descant
Horn,Piccolo Trumpet,Trombone,Tuba - Level 4 - Digital Download SKU: A0.746869 Comp…
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Horn,Piccolo Trumpet,Trombone,Tuba - Level 4 - Digital Download SKU: A0.746869 Composed by Bohemian Hymn. Arranged by Keith Terrett. Baroque,Easter,World. 7 pages. Keith Terrett #4786801. Published by Keith Terrett (A0.746869). Arranged for Brass Quartet, Jesus Christ Is Risen Today was first written in Latin titled Surrexit Christus hodie, as a Bohemian hymn in the 14th century by an unknown author on manuscripts written in Munich and Breslau. In Latin, it had eleven verses. It was first translated into English in 1708 by John Baptist Walsh to be included in his Lyra Davidica (Collection of Divine Songs and Hymns). The verses of the hymn were revised in 1749 by John Arnold. Initially the hymn only had three verses translated with just the first verse being a direct translation; in 1740 Charles Wesley (one of the founders of Methodism) added a fourth verse to the hymn as an alternative, which was later adopted into the hymn as part of it. The hymn is also noted for having Alleluia as a refrain after every line.The hymn is set to a piece of music entitled Easter Hymn which was composed in the Lyra Davidica for Jesus Christ Is Risen Today. There was a later version of Easter Hymn composed by William Henry Monk which is also used for Jesus Christ Is Risen Today. Some denominations of Christianity often just use one while some use both. The hymn is sometimes confused with Christ the Lord Is Risen Today, which was written by Wesley. This is because the wording is similar and Christ the Lord Is Risen Today is usually likewise sung to Easter Hymn with Llanfair generally being the most common alternative.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$7.99
7.35 €
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Bohemian Hymn
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Jesus Christ is Risen Today for Brass Quartet with Descant
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Keith Terrett
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SheetMusicPlus
The Holly and the Ivy, piano solo
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.843980 Composed by Christine Brown.…
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Piano Solo - Level 3 - Digital Download SKU: A0.843980 Composed by Christine Brown. Arranged by Christine Brown. Christmas,Concert,Holiday,New Age. Score. 6 pages. Christine Brown #6601327. Published by Christine Brown (A0.843980). A gorgeous solo piano arrangement of the classic Christmas carol, arranged in a modern classical, new age style by Christine Brown.Christine Brown is a Kawai Piano Artist and award-winning composer of the new age, modern classical solo piano genre. Christine has released many albums that include original music, Christmas arrangements, as well as cover songs and children's music. Her unique cover song arrangements are popular with many generations, often blending pop/rock with classical. Awarded Best Solo Piano Album 2014 for her original compositions on the CD Souvenirs, two other albums were also nominated for the prestigious award by Solo Piano Radio.com, for Promise and The Wishing Well. A unique collection of mashup cover songs, Seamless was awarded Best Pop/Rock Solo Piano Album 2016 by SoloPiano.com, blending classical pieces into a pop/rock seamless arrangements of timeless classics, followed by Timeless, the second cover collection. Christine's holiday CD, A Classic Christmas was named 2012 Favorites List by MainlyPiano.com.You can find Christine Brown on Spotify, Pandora, iTunes and Amazon, as well as visit her website at https://www.christinebrownpiano.com/Since the young age of three, Christine has been fascinated by the piano. Receiving the highest honors given by the Guild National Piano Auditions, Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While earning a business degree at the University of Colorado Boulder, Christine was inspired by George Winston's new age genre of solo piano, yet the piano remained only a hobby for many years. In 1990, my mother requested a cassette tape of my piano music for her birthday, so I went to a local recording studio. It was then that I rediscovered my passion for playing the piano, and I realized my gift to her was really her gift to me. Sadly, her mother passed away just months later. Christine immersed herself into the piano to comfort her grief and voice her emotions, releasing heartfelt compositions that captured listeners. Christine's fans have written, There is a richness to your sound, a refined elegance and passionate intelligence that could only come from working hard at your craft, and ...her music is vibrant, colorful and full of life. Skilled at the art of blending chords and note progressions into beautiful aural tapestries, her music is at once a welcome retreat from the mundane and ordinary. Her emotions come through her music...and through her music, she is able to reach out and touch the hearts of millions of appreciative piano music fans.COMPOSER.
$5.99
5.51 €
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Piano solo
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Christine Brown
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The Holly and the Ivy, piano solo
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Christine Brown
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SheetMusicPlus
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