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. . . like leaves in the wind
Sheetmusic to print
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Come Foglie al Vento (Like Leaves in the Wind)
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Digital Download SKU: A0.835342 Composed by Claudio…
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String Quartet String Quartet - Digital Download SKU: A0.835342 Composed by Claudio Rosati. 20th Century. Score and parts. 91 pages. Claudio Rosati #6050109. Published by Claudio Rosati (A0.835342). ItalianQuando, a Gennaio 2020, le prime notizie dell'influenza COVID-19 cominciavano a giungere dalla Cina, ho immaginato le anime e gli spiriti dell'umanità , ciò che ci rende veramente umani e differenti dagli altri animali e dagli inumani, allontanarsi da questi corpi a cui viene vietato di respirare, parlare, pensare, abbracciarsi e baciarsi. Come foglie al vento, alla ricerca di un'Altra Umanità .Con queste immagini in mente ho buttato giù di getto le frasi e le armonie dei quattro movimenti, che successivamente ho deciso di orchestrare per quartetto d'archi, ritenendolo il veicolo migliore per tradurre le suddette immagini con la musica scritta nei suoni che avrebbero accompagnato tale esilio.EnglishWhen, in January 2020, the first news about the COVID-19 flu begun spreading from Cina I have imagined souls and spirits of humankind, what makes us true humans and different from other animals and from the inhumans, going away from their bodies, which are forbidden to breath, speak, think, hug and kiss. Like leaves in the wind, searching for a Different Humanity.With these images in my own mind I've sketched out the phrases and the harmonies of the four movements. Then I've decided to orchestrate them for string quartet, thinking of it as the best way of translating those images with the written score into the sounds of souls exile.Performing Rights Organisation: SIAE (Italy), IPI: 00459688194, CAE: I-002214414-3 Contact: claudio.rosati@mac.com
$20.00
18.47 €
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String Quartet: 2 violins, viola, cello
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Claudio Rosati
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Come Foglie al Vento
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Claudio Rosati
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SheetMusicPlus
. . . like leaves in the wind
Trumpet, Piano
B-Flat Trumpet,Piano - Level 5 - Digital Download SKU: A0.1397238 Composed by Amy D…
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B-Flat Trumpet,Piano - Level 5 - Digital Download SKU: A0.1397238 Composed by Amy Dunker. 21st Century,Chamber,Classical,Contest,Festival. Score and part. 16 pages. Amy Dunker #980553. Published by Amy Dunker (A0.1397238). . . . like leaves in the wind explores the impermanence of life's journey. As the soloist partakes of his/her journey, both sadness and reflectiveness, joy and strength are explored.The work was written in memorial of Wendy Hinman (1958-2023), horn player and founding member of the Julien Winds.The work can be performed on either Trumpet or Flugelhorn.Duration: 5:30A version for Trumpet Solo and Band is also available.
$15.00
13.85 €
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Trumpet, Piano
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Amy Dunker
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. . . like leaves in the wind
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Amy Dunker
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SheetMusicPlus
. . . like leaves in the wind - Score Only
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1397242 Composed by Amy Dunker. 2…
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Concert Band - Level 4 - Digital Download SKU: A0.1397242 Composed by Amy Dunker. 21st Century,Classical,Contest,Festival. 15 pages. Amy Dunker #980557. Published by Amy Dunker (A0.1397242). . . . like leaves in the wind explores the impermanence of life's journey. As the soloist partakes of his or her journey, both sadness and reflectiveness, strength and joy are explored.The work was written in memorial of Wendy Hinman (1958-2023) horn player and founding member of the Julien Winds.Duration: 5:30Premiere Performance:April 21, 2024Julien WindsRob Stull, directorTim Durst, horn soloistJansen Music Hall - Clarke UniversityA solist and piano accompaniment version is also available.
$15.00
13.85 €
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Concert band
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Amy Dunker
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. . . like leaves in the wind - Score Only
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Amy Dunker
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SheetMusicPlus
. . . like leaves in the wind
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1397244 Composed by Amy Dunker. 2…
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Concert Band - Level 4 - Digital Download SKU: A0.1397244 Composed by Amy Dunker. 21st Century,Classical,Contest,Festival. 48 pages. Amy Dunker #980559. Published by Amy Dunker (A0.1397244). . . . like leaves in the wind explores the impermanence of life's journey. As the soloist partakes of his or her journey, both sadness and reflectiveness, joy and strength are explored.The work was written in memorial of Wendy Hinman (1958-2023), horn player and founding member of the Julien Winds.Duration: 5:30Premiere PerformanceApril 21, 2024Julien Winds, Rob Stull, conductorTim Durst, Horn SolositJansen Music Hall - Clarke UniversityA version for soloist and piano is also available.
$65.00
60.03 €
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Concert band
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Amy Dunker
#
. . . like leaves in the wind
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Amy Dunker
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SheetMusicPlus
. . . like leaves in the wind
French Horn and Piano
French Horn,Piano - Level 5 - Digital Download SKU: A0.1397240 Composed by Amy Dunk…
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French Horn,Piano - Level 5 - Digital Download SKU: A0.1397240 Composed by Amy Dunker. 21st Century,Chamber,Classical,Contest,Festival. Score and part. 16 pages. Amy Dunker #980555. Published by Amy Dunker (A0.1397240). . . . like leaves in the wind explores the impermanence of life's journey. As the soloist partakes of his/her journey, both sadness and reflectiveness, joy and strength are explored.The work was written in memorial of Wendy Hinman (1958-2023), horn player and founding member of the Julien Winds.Duration: 5:30A version for solist and band is also available.
$15.00
13.85 €
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French Horn and Piano
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Amy Dunker
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. . . like leaves in the wind
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Amy Dunker
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SheetMusicPlus
Autumn Wind
Oboe, Piano (duet)
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.859…
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.859674 Composed by Sydney Stevens. Concert,Contemporary,Jazz,New Age. Score and parts. 10 pages. Sydney Stevens, Water Music #3089181. Published by Sydney Stevens, Water Music (A0.859674). Contact: sydneystevenspianostudio@gmail.comAutumn Wind (from Seasons Suite): The Gorge winds ever soar..Soaring, energetic, exciting instrumental. Arranged for Piano & Oboe. Full score & part scores included with download.Composed by Sydney Stevens (ASCAP).Sounds like: Paul Winter Consort, Oregon, Ira Stein & Russel Walder, A la Windham HillFrom Album: Seasons Theme: Music that portrays the energy and movement associated with Autumn such as swirlingwinds.Mood: Happy, energetic, forward moving, flowing, passionate.Musical Traits: Driving left hand eighth notes in piano with mixed meter give a forward movingtexture. Oboe part is flowing and graceful. Some Jazzy rhythms.Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.Performance Time: 2:45Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttps://www.linkedin.com/in/sydney-stevens-532a113a/ Review of Seasons Suite by Kathy Parsons (mainlypiano.com):The Seasons Suite begins with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevens’ piano and Iimori’s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of leaves swirling. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musician’s influence is very strongly heard in these first three pieces - a very good thing! In Clouds, Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot! Snow is tranquility set to music. Sparrow’s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Season’s Reprise brings together the themes from the various seasons, creating a lovely closing to the Suite.
$6.95
6.42 €
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Oboe, Piano (duet)
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Sydney Stevens
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Oboe. Full score &
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Autumn Wind
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Sydney Stevens, Water Music
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SheetMusicPlus
Tailwind | Woodwind Ensemble
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Flute,Oboe,Picco…
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Flute,Oboe,Piccolo,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1095771 Composed by Michael Barrera. 20th Century,Contemporary. 67 pages. Michael Barrera #699737. Published by Michael Barrera (A0.1095771). Https://www.michaelbarreraflute.com/shop/p/tailwind-woodwinds Program Notes Tailwind is a quick-moving piece that creates a buoyant soundscape of a swift breeze. Originally conceived with the imagery of mechanics and machinery in mind, it quickly became a piece more interested in the fleeting motion of wind. It is both carefree and energetic, like floating leaves in the spring air. This piece was commissioned by Shooting Star Ocarina, an international virtual ocarina ensemble established in the summer of 2020. Following the traditional instrumentation of the Italian ocarina septet, SSO recently expanded to an octet adding the massive contrabass in G ocarina to the ensemble and commissioned a few pieces as a result to feature this addition to the low range. Instrumentation - Version for Woodwind Ensemble This version features all of the woodwinds in a symphonic band or wind ensemble. 1 Piccolo 2 Flutes 2 Oboes 2 Bassoons 1 Clarinet (E flat) 3 Clarinets (B flat) 1 Bass Clarinet 2 Alto Saxophones 1 Tenor Saxophone 1 Baritone Saxophone.
$39.99
36.93 €
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Michael Barrera
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Tailwind | Woodwind Ensemble
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Michael Barrera
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SheetMusicPlus
Song of the Mountains
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.787250 Composed by Greg Ba…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.787250 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Patriotic,Standards. Octavo. 16 pages. Burke & Bagley #49747. Published by Burke & Bagley (A0.787250). SONG OF THE MOUNTAINS is a setting for mixed (SSAATB) choir with piano accompaniment of text adapted from prose by American naturalist John Muir (1838-1914). Commissioned for the Combined Choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered the piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 2004, in the second annual New Works New Hope concert for the benefit of Gilda's Club Seattle. The piece was revised in 2007 and the premiere of the revised score was given on November 16, 2007, by the Queens College Chorus, Cindy Bell conducting, at the Aaron Copland School of Music in New York. It was selected by the Portland Vocal Consort for their 2013 Best of the Northwest program. Duration ca. 6 minutes. Conductor Cindy Bell says, Driven by a refreshing text of American naturalist John Muir, Bartholomew has created an accessible work that flows easily through both key and meter changes, and features expressive, lyric melodies contrasted by exciting rhythmic drive. Song of the Mountains is almost cantata-like, or through-composed, in that each line of Muir's text receives equal and interesting interpretation. Occasional use of the triplet rhythm creates both a relaxing effect (grasses cease waving) and driving sense of forward motion (Vibrating!). Effective use of dynamics and interweaving of choral parts make for each section having a musical life of its own. Follow along in the score as you listen to a performance in this video: https://www.youtube.com/watch?v=5VVW1Ah6kqE SONG OF THE MOUNTAINS Climb the mountains and get their good tidings. Nature's peace will flow into you as sunshine flows into trees. The winds will blow their freshness into you, and the storms their energy, while cares drop off like autumn leaves. Here is calm so deep, grasses cease waving. Everything in wild nature fits into us, as if truly part and parent of us. The sun shines not on us but in us. The rivers flow not past, but through us, thrilling, tingling, vibrating every fiber and cell of the substance of our bodies, Making them glide and sing. The trees wave and the flowers bloom in our bodies as in our souls, and every bird song, wind song, and tremendous storm song of the rocks in the heart of the mountain, is our song, our very own, and sings our love.
$2.50
2.31 €
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Choral SATB
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Greg Bartholomew
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Song of the Mountains
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Burke & Bagley
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SheetMusicPlus
Beneath the Cross of Jesus
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.818235 By Stephen R Dalrymple. By E…
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Piano Solo - Level 5 - Digital Download SKU: A0.818235 By Stephen R Dalrymple. By Elizabeth C. Clephane 1830–1869 (lyrics) and Frederick Charles Maker 1844–1927. Arranged by Stephen R Dalrymple. Contemporary,Sacred. Score. 12 pages. Stephen R Dalrymple #3098321. Published by Stephen R Dalrymple (A0.818235). Beneath the Cross of Jesus ♫ Original piano arrangement by Stephen R Dalrymple ♫ Based on the public domain hymn by Elizabeth C. Clephane 1830–1869 (lyrics) and Frederick Charles Maker 1844–1927 (melody) ♫ In preparing to compose the arrangement I asked myself “What would be the opposite of “Beneath the cross of Jesus I fain would take my stand.†How could I picture that? The opposite of firm footing, stability, taking a stand is vacillating between ideas or chasing numerous ideas. ♫ I pictured the wind scattering leaves and debris, but failing to budge heavy objects, anchored to the ground. ♫ Our culture bids us chase after status, power, money, pleasure, thrills … The problem, of course is that the shelf life of the satisfaction that these things brings is very short. Chasing after status, power, money, pleasure, thrills, etc. is like is like chasing the wind. ♫ Portraying chasing the wind allowed me to use some contemporary classical composition techniques such as polymeter, polytonality, and deliberate dissonance. The first theme suggests the futility and inevitable frustration of chasing the wind. The score opens up to the beauty of a life grounded on the cross of Jesus Christ. ♫ music © 2017 (copyright registered in ‘I See Your Glory’ collection) ♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ performed by the composer ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet, 4) Small page piano score for performing from a 10 inch tablet. ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$4.50
4.16 €
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Piano solo
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Stephen R Dalrymple
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Beneath the Cross of Jesus
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Stephen R Dalrymple
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SheetMusicPlus
Another Place
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Gr…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
32.32 €
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Percussion Ensemble
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
On The Lake
Choral SATB
Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.942890 Composed by James …
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Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.942890 Composed by James W. Knox. Contemporary,World. Octavo. 17 pages. Knox Music #6599787. Published by Knox Music (A0.942890). On the Lake written for advanced SSAA divisi and harp. Fannie Isabelle Sherrick was an American poet who wrote songs and poems throughout the 1860's that captured hearts and minds. I Can Not Say the Sad Good-Bye was one of her notable songs published in 1873. She was both influenced and encouraged by Ella Wheeler Wilcox who she attributed her success to. Her most popular poetry volume entitled Love or Fame and Other Poems was published in 1880 by W.S Bryan of St Louis and she continued writing for many years. ON THE LAKE There's a beautiful lake where the sun lies low, And the skies are warm with their summer glow; And a beautiful picture there I see Where the winds are warm and the waves are free, And the waves lie still in the sun As the flowers at night, when the day is done. You may sing of your silvery seas by night When the moon looks down with a dreamy light; And the stars shine out in the skies above Like the warm sweet gaze of the eyes of love; But the glow on the lake to-day Is a glory that never will fade away. The beautiful lake is a sea of gold And the beauty it wears will never grow old; The trees bend down in the sun's warm glow Till their branches meet in the waves below, And the clouds in the far-off skies Are mirrored anew where the sunlight lies. I love to float where the shadows lie 'Neath the matchless glow of the summer sky; And I love to dream that these waves of light Will never fade in the gloomy night: But I know that the things I love Are as far from my reach as the clouds above. Oh, the beautiful lake is a sea of gold And the beauty it wears will never grow old; The cloudlets of Heaven are mirrored there In a golden splendor so bright and fair That the soul is dazzled for aye By the beautiful light of this summer's day. Oh, I love to dream when this life is o'er We shall moor our boats near the golden shore; And our sorrows shall drift from us far away As the leaves that float in their idle play, And the waves shall smile in the sun When the night is over and life is done. Fannie Isabelle Sherrick.
$4.65
4.29 €
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Choral SATB
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the beautiful light of this summer's day
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James W
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On The Lake
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Knox Music
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SheetMusicPlus
On The Lake (harp)
Harp
Harp - Level 4 - Digital Download SKU: A0.942891 Composed by James W. Knox. Contemp…
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Harp - Level 4 - Digital Download SKU: A0.942891 Composed by James W. Knox. Contemporary,World. Score. 9 pages. Knox Music #6599795. Published by Knox Music (A0.942891). On the Lake written for advanced SSAA divisi and harp. Fannie Isabelle Sherrick was an American poet who wrote songs and poems throughout the 1860's that captured hearts and minds. I Can Not Say the Sad Good-Bye was one of her notable songs published in 1873. She was both influenced and encouraged by Ella Wheeler Wilcox who she attributed her success to. Her most popular poetry volume entitled Love or Fame and Other Poems was published in 1880 by W.S Bryan of St Louis and she continued writing for many years. ON THE LAKE There's a beautiful lake where the sun lies low, And the skies are warm with their summer glow; And a beautiful picture there I see Where the winds are warm and the waves are free, And the waves lie still in the sun As the flowers at night, when the day is done. You may sing of your silvery seas by night When the moon looks down with a dreamy light; And the stars shine out in the skies above Like the warm sweet gaze of the eyes of love; But the glow on the lake to-day Is a glory that never will fade away. The beautiful lake is a sea of gold And the beauty it wears will never grow old; The trees bend down in the sun's warm glow Till their branches meet in the waves below, And the clouds in the far-off skies Are mirrored anew where the sunlight lies. I love to float where the shadows lie 'Neath the matchless glow of the summer sky; And I love to dream that these waves of light Will never fade in the gloomy night: But I know that the things I love Are as far from my reach as the clouds above. Oh, the beautiful lake is a sea of gold And the beauty it wears will never grow old; The cloudlets of Heaven are mirrored there In a golden splendor so bright and fair That the soul is dazzled for aye By the beautiful light of this summer's day. Oh, I love to dream when this life is o'er We shall moor our boats near the golden shore; And our sorrows shall drift from us far away As the leaves that float in their idle play, And the waves shall smile in the sun When the night is over and life is done. Fannie Isabelle Sherrick.
$10.00
9.24 €
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Harp
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the beautiful light of this summer's day
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James W
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On The Lake
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Knox Music
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SheetMusicPlus
Dawn
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.859686 Composed by Sydney Stevens. …
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Piano Solo - Level 3 - Digital Download SKU: A0.859686 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score. 10 pages. Sydney Stevens, Water Music #3089231. Published by Sydney Stevens, Water Music (A0.859686). Contact: sydneystevenspianostudio@gmail.comDawn: Beautiful, dreamy instrumental that evokes compassion, comfort and warmth. Arranged for solo piano. Includes chord symbols above the staff. Composed by Sydney Stevens (ASCAP). Sounds like: Paul Cardall, John Fluker, Jennifer Thomas, Jim Brickman, Michele Mclaughlin, Greg Star, Doug Hammer, Steven Cravis, Rachel Currea, Laura Sullivan, A la Windham HillFrom Album: Seasons Theme: Music that portrays the peaceful hour of dawn.Mood: Peaceful, romantic, meditative.Musical Traits: Left hand rhythm is a repeated broken chord pattern throughout the piece. The right hand plays a strong, but simple melody. Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.Performance Time: 6:42Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: https://sydneystevenswatermusic.com/https://www.linkedin.com/in/sydney-stevens-532a113a/ Review of Seasons CD by Kathy Parsons (mainlypiano.com):Seasons is a beautiful collection of original pieces by pianist/composer Sydney Stevens. Some of the pieces are solo piano and others feature duets with Mitch Iimori on English horn, oboe, and guitar (but not all at the same time!). The two musicians are obviously exceptionally comfortable and in tune with each other, and the results can be stunning. Very classical in scope and structure, the music is reflective of the natural surroundings of Ms Stevens’ home in the Colombia Gorge region of northern Oregon. The first eight of the fourteen tracks make up the Seasons Suite, a group of lyrical compositions inspired by the various times of year in a remote area of eastern Oregon. The other six pieces also have themes of nature and serenity.The Seasons Suite begins with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevens’ piano and Iimori’s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of leaves swirling in the ceaseless wind of that area. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musician’s influence is very strongly heard in these first three pieces - a very good thing!In Clouds, Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot! Snow is tranquility set to music. Sparrow’s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Season’s Reprise brings together the themes from the various seasons, creating a lovely closing to the Suite. On Summit, Iimori trades his woodwinds for guitar in a gentle, sweeping duet with the piano. Waning Star is a gorgeous piano solo that has a peaceful grace and quiet serenity - a favorite. Reach For the Stars is a piano solo that has an uplifting sense of moving forward and reaching out. Dawn closes the CD with a warm and soothing confection. The piano is accompanied by light percussion, bass, and washes of synth strings. Full of hope and optimism without being sugarcoated, this piece is spellbinding in its gentle way.
$4.95
4.57 €
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Piano solo
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Sydney Stevens
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Dawn
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Sydney Stevens, Water Music
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SheetMusicPlus
Leaves are Falling, Leaves are Dancing
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1028492 Composed by Kristin Kirk. C…
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Piano Solo - Level 3 - Digital Download SKU: A0.1028492 Composed by Kristin Kirk. Contemporary. Score. 6 pages. Kriscendo Music #3544031. Published by Kriscendo Music (A0.1028492). When I composed this piece, autumn had just arrived and all the leaves were swaying gently in the trees; a strong wind would only knock a few down. When this would happen, I followed each leave's trail as it made it's way to the ground. It was simple, but it was beautiful. As autumn continued to ravage the trees, more and more of their leaves would fall, until it seemed anywhere you looked, a leaf was falling. The imagery of that autumn inspired this piano solo. I like to imagine this simple piece is for a pair of leaves that drift down, dancing, to the ground.
$1.99
1.84 €
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Piano solo
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Kristin Kirk
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Leaves are Falling, Leaves are Dancing
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Kriscendo Music
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SheetMusicPlus
The Water is Wide for Viola & Piano
Viola, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.43 €
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Viola, Piano
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Traditional Scottish
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
Five Songs for Soprano - Song-Cycle, Op. 14
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1314982 Composed by William …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Published by William Kersten (A0.1314982). Inspired by the Victorian and Romantic poetry of Christina Rossetti, Anne Bronte, Thomas Hood and Thomas Beddoes, the Five songs form a cycle of joy, sadness, love, death and exultation.  The music is scored in two versions: Normal Vocal Range and Wide Vocal Range.1. A Birthday Christina Rossetti (1830-1894) My heart is like a singing bird Whose nest is in a watered shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these Because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me. 2. Echo Christina RossettiCome to me in the silence of the night; Come in the speaking silence of a dream; Come with soft rounded cheeks and eyes as bright As sunlight on a stream; Come back in tears, Oh memory, hope, love of finished years. Oh dream how sweet, too sweet, too bitter sweet, Whose wakening should have been in Paradise, Where souls brimfull of love abide and meet; Where thirsting longing eyes Watch the slow door That opening, letting in, lets out no more. Yet come to me in dreams, that I may live My very life again though cold in death - Come back to me in dreams, that I may give Pulse for pulse, breath for breath: Speak low, lean low, As long ago, my love, how long ago. 3. There is dew...â€Thomas Hood (1799-1845)There is dew for the flowret And honey for the bee, And bowers for the wild bird, And love for you and me. There are tears for the many And pleasures for the few; But let the world pass on, dear, There's love for me and you. 4. We do lie beneath the grass...â€Thomas Beddoes (1803-1849) We do lie beneath the grass In the moonlight, in the shade Of the yew-tree. They that pass Hear us not. We are afraid They would envy our delight, in our graves by glow-worm night. Come follow us, and smile as we; We sail to the rock in the ancient waves, Where the snow falls by thousands into the sea, And the drowned and the shipwrecked have happy graves.  5. My soul is awakened...â€Â Anne Bronte (1820-1849)My soul is awakened, my spirit is soaring And carried aloft on the wings of the breeze, For above and around me the wild wind is roaring Arousing to rapture the earth and the seas. The long withered grass in the sunshine is glancing, The bare trees are tossing their branches on high, The dead leaves beneath them are merrily dancing The white clouds are scudding across the blue sky. I wish I could see how the ocean is lashing The foam of its billows to whirlwinds of spray, I wish I could see how its proud waves are dashing, And hear the wild roar of their thunder today.
$6.99
6.46 €
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Piano, Voice
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William Kersten
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Five Songs for Soprano - Song-Cycle, Op. 14
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William Kersten
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SheetMusicPlus
leaves of men of leaves
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1007962 Composed by Brian …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1007962 Composed by Brian Cockburn. 20th Century,A Cappella. Octavo. 6 pages. Brian Cockburn #4300383. Published by Brian Cockburn (A0.1007962). This stunning work would be a dramatic and forceful addition to any male chorus, from High School, through College, and including male community choruses.For acappella male chorus, leaves of men of leaves allows each voice part to contribute in a significant way so everyone is fully engaged. The climax of the work is breathtaking and the text-painting is subtle yet effective. Yet the difficulty is minimized by step-wise motion, sequences, and careful part-writing.The words by Webb Chiles, a long-time sailor who uses words like a sailor uses the wind, describe the desperation of a life not lived on one's own terms--the essence of a Lone Voyage.
$1.99
1.84 €
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Choral TTBB
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Brian Cockburn
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leaves of men of leaves
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Brian Cockburn
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SheetMusicPlus
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
Tenor voice
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Greg…
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
15.65 €
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Tenor voice
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gre…
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
15.65 €
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ases Death (from Peer Gynt Suite) - Wind Quartet
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1467018 Composed by Edvard Grieg. Arranged by Phil Rawle. Classical. 6 pages. Phillip Rawle #1045583. Published by Phillip Rawle (A0.1467018). Ases Death.Having run off with the bride, Ingrid, Peer has incurred a heavy fine from the villagers. Because he is in hiding, it is his mother Ase who must pay this fine. She does so, but it leaves her with nothing, and she becomes ill from destitution. She dies, but not before Peer has an opportunity to visit her again. Like Solveig, the farmer's daughter, she is forgiving of Peer and happy to see him before she passes.This slow movement from Peer Gynt Suite is arranged for Flute, Oboe, Clarinet in Bb and Bassoon.
$5.00
4.62 €
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Flute, Oboe, Clarinet, Bassoon
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Edvard Grieg
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Ases Death
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Phillip Rawle
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SheetMusicPlus
Clouds/Rain
Instrumental Duet English Horn,Instrumental Duet,Piano - Level 4 - Digital Download SKU…
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Instrumental Duet English Horn,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.859675 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score and parts. 13 pages. Sydney Stevens, Water Music #3089187. Published by Sydney Stevens, Water Music (A0.859675). Contact: sydneystevenspianostudio@gmail.comClouds/Rain (from Seasons Suite): Dark clouds gather. A thunderstorm begins with gentle rain..High energy, forward moving instrumental. Arranged for Piano & English Horn. Full score & part scores included with download.Composed by Sydney Stevens (ASCAP).Sounds like: Paul McCandless, Scott Cossu, A la Windham HillFrom Album: SeasonsTheme: Music that portrays the building of a thunderstorm in mid-winter.Mood: Dark, flowing, energeticMusical Traits: Single notes and octaves in left hand piano with driving right hand triplet pattern.Long, sustained melodic English Horn part.Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.Performance Time: 2:52Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttps://www.linkedin.com/in/sydney-stevens-532a113a/ Review of Seasons Suite by Kathy Parsons (mainlypiano.com):The Seasons Suite begins with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevens’ piano and Iimori’s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of leaves swirling. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musician’s influence is very strongly heard in these first three pieces - a very good thing! In Clouds, Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot! Snow is tranquility set to music. Sparrow’s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Season’s Reprise brings together the themes from the various seasons, creating a lovely closing to the Suite.
$5.50
5.08 €
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Sydney Stevens
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English Horn. Full score &
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Clouds/Rain
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Sydney Stevens, Water Music
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SheetMusicPlus
Slow March (Concluding March)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1243942 Composed by Francis Cunningham Woods (1862-1929). Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship. 19 pages. Andrew Lamb #838915. Published by Andrew Lamb (A0.1243942). This arrangement of 'Slow March' by Francis Cunningham Woods is a captivating and dynamic composition expertly tailored for wind quintets. Perfect for ensembles seeking a grand and memorable conclusion to their performances, this arrangement showcases the timeless elegance of the original piece while harnessing the unique timbre and expressive capabilities of the wind instruments.With meticulous attention to detail, the arrangement maintains the rich harmonies, majestic melodies, and rhythmic intricacies of the original composition. Each instrument in the wind quintet – the flute, oboe, clarinet, horn, and bassoon – plays a vital role in bringing the music to life, creating a harmonious tapestry of sound that captivates both performers and audiences alike.The 'Slow March' arrangement for wind quintet lends itself exceptionally well to a variety of settings, from formal concerts to ceremonial events. Whether performed by professional ensembles or student groups, this piece leaves a lasting impression with its sweeping melodies and powerful dynamics, serving as a fitting and triumphant conclusion to any performance.The arrangement is thoughtfully crafted to ensure accessibility for intermediate to advanced musicians, allowing them to explore the expressive nuances of this remarkable composition. The sheet music provides clear and comprehensive notation, enabling each member of the wind quintet to contribute their unique voice to the collective performance.With its striking combination of elegance and grandeur, this wind quintet arrangement of 'Slow March' by Francis Cunningham Woods is an exceptional choice for ensembles seeking a memorable and impactful Concluding March.
$8.00
7.39 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Francis Cunningham Woods
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Slow March
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Andrew Lamb
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SheetMusicPlus
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